Relevant bibliographies by topics / Swedish Composers

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Swedish Composers'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Swedish Composers"

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Broad, Leah. "BBC Proms 2015: Gary Carpenter, Anders Hillborg, Ørjan Matre, Alissa Firsova, B Tommy Andersson." Tempo 70, no. 275 (2015): 84–85. http://dx.doi.org/10.1017/s0040298215000674.

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Sibelius' and Nielsen's 150th anniversary year has prompted a proliferation of events to celebrate the music of the Nordic composers, from conferences to concert series. The Proms has been no exception, with an unusually high number of Nordic composers represented throughout the festival (although Glazunov, also in his 150th anniversary year, has been forgotten). British composer Gary Carpenter's Dadaville was premiered on the first night, which opened to the sounds of Nielsen's Maskarade and Sibelius's Belshazzar's Feast, while later concerts covered here presented premieres by the Swedish co
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Yaroslava, Serdiuk. "Evolution of Amanda Maier’s chamber music work." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 63, no. 63 (2023): 124–43. http://dx.doi.org/10.34064/khnum1-63.07.

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Statement of the problem. In modern performance and musicological practice, there is a clear tendency to revite the works of little-known or forgotten authors, in particular, female composers. The study of their work in modern discourse, mainly English-speaking, is mostly of an overview nature. The work of female composers is often considered from the standpoint of gender inequality and gender psychology. A certain lack of actually musicological studies of the works by female composers is observed. One of such little-known figures is Amanda Maier Röntgen – a Swedish violinist and comp
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Serdiuk, Yaroslava. "Peculiarities of embodying the Swedish national folklore in Amanda Maier’s violin miniatures." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 64, no. 64 (2022): 110–26. http://dx.doi.org/10.34064/khnum1-64.07.

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Statement of the problem. The work of the Swedish violinist and composer Amanda Maier-Röntgen, a talented artist of the Romantic era, a graduate of the Royal Academy of Music in Stockholm and the Leipzig Conservatory, who was at one time a fairly recognizable artist in Europe and led an active concert activity, is practically unknown in Ukrainian musicology. In the works of foreign scientists, the composer’s achievements are also not sufficiently studied. At the same time, A. Maier composed a number of such opuses for the violin or with the participation of this instrument, which have
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Boëthius, Ulf. "»All pedagogisk konst är dålig konst – och all god konst är pedagogisk«." Tidskrift för litteraturvetenskap 40, no. 3-4 (2010): 164–78. http://dx.doi.org/10.54797/tfl.v40i1.11992.

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»All Pedagogical Art is Bad Art – and All Good Art is Pedagogical.« Lennart Hellsing and Swedish School Broadcasting
 Lennart Hellsing has often been regarded as one of the modernists of Swedish children’s literature. He distanced himself from art that primarily was didactic: »All pedagogical art is bad art – and all good art is pedagogical,« as he once declared in a famous statement. All the same he made a lot of pedagogical works of art himself: in the 1950s he wrote eleven programs for the Swedish School Broadcasting. This article tries to explain how this was possible – and it will al
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Stróżyk, Agnieszka. "Kot trąbi w srebrny róg… O poezji Lennarta Hellsinga i ludowych źródłach jej muzyczności." Studia Scandinavica, no. 3(23) (December 13, 2019): 38–50. http://dx.doi.org/10.26881/ss.2019.23.02.

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The literary works of Lennart Hellsing have had a significant impact on the rise of modern Swedish books for children. Having worked closely with outstanding illustrators and eminent composers, the author created an ultimate masterpiece which, at the same time, became an alternative to the aesthetics of the turn of the century, still dominant in the 1940s. Turning towards the new did not mean that the author wished to cut off his works from tradition. This article aims at presenting how Lennart Hellsing used rhythmical, syntactical and melodic structures originating in Swedish folklore on diff
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Žiarna, Miriam. "An Outline of the Repertoire of Songs Created From Avant-Garde to the Present Day by Slovak Composers Based on Foreign Language Poetry." Edukacja Muzyczna 19 (2024): 111–35. https://doi.org/10.16926/em.2024.19.05.

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This article is a follow-up to the previous paper with the title An Outline of the Repertoire of Songs Created From Romanticism to Modernism by Slovak Composers Based on Foreign Language Poetry. Here we are continue through the period of the Slovak musical avant-garde to the present day and provides view of the Slovak composers and their song production, with a focus on profane songs accompanied by piano for foreign-language texts written by German, Austrian, French, English, American, Israeli, Chinese, Italian, Polish, Russian, Swedish, Armenian and Czech poets. Our aim is to sum up the above
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Serdiuk, Yaroslava. "Piano Trio by Amanda Maier in the Context of Genre Evolution." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 131 (June 30, 2021): 63–79. http://dx.doi.org/10.31318/2522-4190.2021.131.243217.

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The relevance of the study. The name of Swedish composer and violin virtuoso of the Romantic era Amanda Maier-Röntgen is virtually unknown in Ukrainian musicology. Her work was forgotten for long time and rediscovered by European (particulary Swedish) and American musicians. But at one time she was the first woman who received the title of “Musik Direktor” after graduating from the Royal Academy of Music in Stockholm. She also perfected her performing and composing mastership in Leipzig, her work was praised by critics and leading European musicians: E. Grieg, J. Brahms, K. Schumann, with whom
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BROAD, LEAH. "Approaching Incidental Music: ‘Reflexive Performance’ and Meaning in Till Damaskus (III)." Journal of the Royal Musical Association 147, no. 2 (2022): 495–532. http://dx.doi.org/10.1017/rma.2022.20.

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AbstractIncidental music of the early twentieth-century has received little musicological attention, despite its widespread use during this period of history. Theatres were a popular means by which audiences could interact with new music, and composers could experiment with new ideas and build collaborative relationships. Using a 1926 Swedish production of August Strindberg’s Till Damaskus (III), directed by Per Lindberg with music by Ture Rangström, this article argues for the importance of analysing incidental music as collaborative performance. It explores the use of ‘reflexive performance’
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Pister, Aleksandra. "Printed Music as a Medium of International Representation for the Magnates of the Grand Duchy of Lithuania: A Case Study of Music Prints Dedicated to Jan Karol Chodkiewicz and Aleksander Chodkiewicz." Lietuvos istorijos studijos 49 (July 4, 2022): 8–29. http://dx.doi.org/10.15388/lis.2022.49.1.

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The article deals with the collections of printed music dedicated to the distinguished nobles, statesmen and military commanders of the Grand Dutchy of Lithuania, brothers Jan Karol and Aleksander Chodkiewicz. These collections were printed in Venice in the beginning of the 17th century and dedicated to the Lithuanian magnates by Italian composers Giovanni Valentini and Giulio Osculati. However, it was not in their home country where composers became acquainted with the above-mentioned noblemen who had studied and travelled extensively in Italy but in the Polish-Lithuanian Commonwealth. In fac
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Ander, Owe. "„The Wealth of the Nations“. Die Stockholmer Oper und die Entwicklung einer nationalen Identität in Schweden." Studia Musicologica 52, no. 1-4 (2011): 443–55. http://dx.doi.org/10.1556/smus.52.2011.1-4.31.

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The changes the Swedish state and the concept of the nation went through during the period 1770–1920 influenced in a number of ways the organization and functioning of the Stockholm Opera. From its beginnings in the 1770s, the Opera rapidly developed into being one of the country’s biggest enterprises. It came to have a long-lasting national importance, and to enjoy a broad social and political support. Political discussions about the Stockholm Opera during the 19th century were characterized by changes of opinion from liberal views favouring its self-financing and privatization, to more natio
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Dissertations / Theses on the topic "Swedish Composers"

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Soderberg, Karen Amelia Phillips. "A survey of selected contemporary Swedish choral composers and literature." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185410.

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This study presents a survey of selected Contemporary Swedish Choral Composers and Literature representative of the trends in contemporary Swedish choral music. The varied compositional styles and techniques of composers Sven-David Sandstrom, Thomas Jennefelt, Karin Rehnqvist and Andres Hillborg exemplify these trends. Little information is readily available about the current generation of choral composers outside of Sweden. Most of the available materials concentrate on the music of composers of the 1940s Monday Group such as Sven-Erik Back and Ingvar Lidholm and Karl-Birger Blomdahl, the wor
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Wennlo, Alexander, Adam Falk, and Victor Zhang. "The Business of Production Music : A Value Chain Approach to the Swedish Market for Production Music." Thesis, Internationella Handelshögskolan, Högskolan i Jönköping, IHH, Företagsekonomi, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-20232.

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Within this thesis we map the Value-Chains of the Swedish market for Production Music. The reason behind this is that the authors believe this sub-segment of the music industry to be relatively unexplored by business research. Thus increased knowledge should increase transparency for all market actors. We have gathered previous research regarding value chains in the music industry and compare this research to empirical findings on the Production Music Industry.  These findings are primarily gathered from three interviews with individuals in well informed positions within the industry. The thre
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Rosenberg, Maria. "La formation agentive en français : les composés [VN/A/Adv/P]N/A et les dérivés V-ant, V-eur et V-oir(e)." Phd thesis, Stockholms universitet, Institutionen för franska, italienska och klassiska språk, 2008. http://tel.archives-ouvertes.fr/tel-00486981.

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This study addresses the French morphological construction [VN/A/Adv/P]N/A. The main objectives are to posit a single rule for its formation and to question the implications of the agent polysemy. The theoretical framework is lexeme-based morphology, which adheres to weak lexicalism. The first part of our analysis is qualitative and concerns the availability aspect of productivity. The method is introspective. The internal semantic patterns of the French construction are examined. Our results give evidence for the claim that a single morphological construction rule, [VN/A/Adv/P]N/A, is respons
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Books on the topic "Swedish Composers"

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Jacobsson, Stig. Swedish composers of the 20th century: Members of The Society of Swedish Composers. 2nd ed. Svensk Musik, 1990.

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Hans-Gunnar, Peterson, and Föreningen svenska tonsättare, eds. Swedish composers of the 20th century: Members of the Society of Swedish Composers. Swedish Music Information Center, 1988.

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Anthin, David, and Andreas Åhs. Elva sidor av Taube. Folkuniversitetets Akademiska press, 2014.

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author, Paul Adolf, and Dahlström Fabian editor, eds. Din tillgifne ovän: Korresondensen mellan Jean Sibelius och Adolf Paul 1889-1943. Svenska Litteratursällskapet i Finland, 2016.

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Shaomian, Armen. Swedish national romantic music: The influence of composers Wilhelm Peterson-Berger and Wilhelm Stenhammar. VDM Verlag Dr. Müller, 2009.

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Jorgensen, Cecilia. Chopin and the Swedish Nightingale: The life and times of Chopin and a romance unveiled 154 years later. Icons of Europe, 2003.

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Tarnow, Volker. Das romantische Schweden: 1790 bis 1940 : Reisen durch eine unbekannte Kultur. Edition Octopus, 2013.

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Marja, Pohjola, Mieskolainen Elina, Saari Laura, et al., eds. Elämää ja musiikkia Vanhassa Loviisassa: Liv och musik i Gamla Lovisa = Life and music in the Old Loviisa. Ango, 2008.

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The history of modern Swedish music: An introduction to nineteen composers. The Edwin Mellen Press, 2010.

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10

Boer, Bertil H. van. Musical Life of Joseph Martin Kraus: Letters of an Eighteenth-Century Swedish Composer. Indiana University Press, 2014.

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Book chapters on the topic "Swedish Composers"

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Björk, Anna, and Petri Hoppu. "18. Minuet Constructions and Reconstructions." In The Nordic Minuet. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0314.18.

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The chapter analyses contemporary forms of the minuet in Sweden and Finnish-speaking Finland. In both cases, the minuet traditions disappeared a long time ago, but since the late twentieth century, the folk dancers created minuets for different purposes. In Sweden, the minuet was reconstructed by Börje Wallin, using old documents from Sweden and comparing them to Danish and Finnish-Swedish minuets. As a result of his work, the minuet became a part of today’s repertoire of the urban folk dance communities. In Finnish-speaking Finland, folk dancers composed new minuet choreographies for the stag
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Hellman, Maria. "Everyday Disinformation." In The Palgrave Macmillan Series in International Political Communication. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-58747-4_10.

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AbstractThis chapter is a summary of the study of Russian disinformation about Sweden. By analysing news narratives of the Russian state-affiliated media RT and Sputnik from July 2019 to January 2021, it is shown how international news media is used for disinformation. The study builds on previous work by Wagnsson and Barzanje (A framework for analysing antagonistic narrative strategies: A Russian tale of Swedish decline. Media War and Conflict, 14(2), 239–257. https://doi.org/10-1177/17506352119884343, 2021), which identified denigrating narrative strategies in Sputnik coverage of Sweden. Thi
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Stauff, Derek L. "Swedish Arms and the Flood from the North in Two Sacred Concertos by Tobias Michael." In Lutheran Music and the Thirty Years War. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197749456.003.0008.

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Abstract If the initial success of the Swedish campaign inspired music supporting their cause, central-German composers may have occasionally adopted a stance more critical of the northerners. Listeners who knew the biblical contexts from which Tobias Michael extracted two of his texts could have recognized oblique and disparaging references to Sweden. The sacred concertos O Du Schwerdt des Herren and Ihr Kinder Zion freuet euch, from the Musicalischer Seelenlust Ander Theil (1637), set texts extracted from Old Testament prophecies concerning an invader from the north (Mitternacht). Particular
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MURDOCH, TESSA. "Queen Christina of Sweden as a Patron of Music in Rome in the Mid-Seventeenth Century." In The Music Room in Early Modern France and Italy. British Academy, 2012. http://dx.doi.org/10.5871/bacad/9780197265055.003.0016.

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Following her abdication, Queen Christina of Sweden took up residence in the Palazzo Farnese, Rome from 1655. She had already developed a keen interest in music, gained from tuition from a French dancing master, and playing the star role in the ballet The Captured Cupid in honour of her mother's birthday in 1649. Christina's arrival in Rome was marked by performances in her honour in the Palazzo Barberini and Palazzo Pamphili of specially commissioned works by contemporary composers Marco Marazzoli and A.F. Tenaglia, and by her favourite Giacomo Carissimi. Inspired by the chamber music proport
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Popenhagen, Ron J. "Feigned and Distorted Bodyscapes." In Modernist Disguise. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474470056.003.0004.

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Creative interdisciplinarity in performance and scenography permeate the masking and disguising of the avant-garde. Chapter Four highlights the artistic collaboration of choreographers, composers, visual artists and writers in Paris and beyond, beginning with the production of Parade in Paris (1917) and concluding with work of Vsevolod Meyerhold in Moscow in the 1920s. Popular performance disguising by Liesl Karlstadt and Karl Valentin in Munich, as well as Alexander Vertinsky’s Ukrainian Pierrot, contrast with much of the abstraction proposed in other urban bodyscapes. The bold distortions of
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Mitchell, Stephen A. "On the Old Swedish Trollmöte or Mik mötte en gamul kerling ." In Old Norse Folklore. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501773396.003.0014.

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This chapter discusses the Old Swedish poem known as Trollmöte, which has the opening line of Mik mötte en gamul kerling (I met an old crone). The line exists in a single, unique text, part of the impressively large Vadstena miscellany, Uppsala universitetsbibliotek (UUB) C 4. Old Swedish poetry has generally been consigned by literary scholarship to an aesthetic category, only ever so slightly above doggerel and nursery rhymes. The chapter considers the Old Swedish poem as a very tightly composed work as regards meter that appears to have roots in the Birgittine motherhouse in Vadstena. The e
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Mellroth, Elisabet. "Swedish teachers´ perspectives on educating highly able pupils." In Alle Talente wertschätzen – Grenz- und Beziehungsgebiete der Mathematikdidaktik ausschöpfen. WTM-Verlag Münster, 2019. http://dx.doi.org/10.37626/ga9783959871228.0.11.

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This text is a brief summary of two studies presented in my doctoral thesis. The aim of the studies was to capture teachers’ perspectives on orchestrating teaching of mathematically highly able pupils (MHAPs) in diverse classroom. Positioning theory was used to analyze teachers’ (N=17) discussions in the context of a long term (two-year, 120 h) professional development programme on gifted education. The results show that, when teachers connect theories of gifted education with their teaching expertise, they express possibilities and obstacles, but also rights and duties, in their professional
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Stauff, Derek L. "Commemorating the Battle of Breitenfeld (Part 2)." In Lutheran Music and the Thirty Years War. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197749456.003.0006.

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Abstract In addition to Schütz’s Saul, three other pieces can be documented for celebrations of Breitenfeld. Two, by Samuel Michael and Marcus Dietrich, stem from Leipzig directly following the victory in 1631. This music helps frame the battle as triumph over Catholicism while also honoring Gustav Adolf and John George. Like pro-Swedish-Saxon propaganda of the time, and like Schütz’s music from the following year, the music joins in the ongoing effort to unite the Protestant alliance and cover over its more serious divisions. Yet these two pieces also reflect Leipzig’s own political aims, esp
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Golding, Dan. "Where Does Black Panther ’s Music Come From?" In Superheroes Beyond. University Press of Mississippi, 2024. http://dx.doi.org/10.14325/mississippi/9781496850096.003.0018.

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Swedish composer Ludwig Göransson’s soundtrack for Black Panther represents a complex case study for how we understand not just superhero music, but the ability (or inability), as Edward Said famously put it, for the Orient, or in this case the cinematic ‘other,’ to musically represent themselves in contemporary blockbuster cinema. Despite Black Panther’s many achievements in terms of representation and grappling with the complex legacy of colonialism in the context of Hollywood, a nuanced debate remains regarding the film’s relationship with Africa and the African diaspora. This chapter point
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Fontani, Marco, Mariagrazia Costa, and Mary Virginia Orna. "The Forerunners of Celtium and Hafnium: Ostranium, Norium, Jargonium, Nigrium, Euxenium, Asium, and Oceanium." In The Lost Elements. Oxford University Press, 2014. http://dx.doi.org/10.1093/oso/9780199383344.003.0012.

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Of the naturally occurring nonradioactive elements, hafnium was the next to last to be discovered, preceding the discovery of rhenium by 3 years. It can boast of holding a very strange record: the number of claims for its discovery over the years is unequaled by any other element. This record was the cause of frustration for many scientists who, over the years, took turns in attempts to isolate it. The reason that hafnium remained undiscovered until 1922 lay not so much in that its presence in nature (long known to be quite scarce) wasn’t looked for, but in its peculiar chemical properties tha
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Conference papers on the topic "Swedish Composers"

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Lupu, Simion Sorin. "Diction problems and their solution in Nordic lied." In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.02.

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The article represents a research of the problems related to the diction in the Nordic lied, determined by the peculiarities of the North Germanic and Finno-Ugric languages and their solution. Given that the musicians chosen for the present research composed on lyrics written in the Swedish, Danish, Norwegian and Finnish languages, we focused mainly on the pronunciation in these languages. Thus, the euphonic differentiation of the vowels compared to the repertoire approached so far (in Italian, French, German, English and Spanish), represents the main difficulty in performing the Nordic lied.
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