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Books on the topic 'Swedish Composers'

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1

Jacobsson, Stig. Swedish composers of the 20th century: Members of The Society of Swedish Composers. 2nd ed. Svensk Musik, 1990.

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2

Hans-Gunnar, Peterson, and Föreningen svenska tonsättare, eds. Swedish composers of the 20th century: Members of the Society of Swedish Composers. Swedish Music Information Center, 1988.

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3

Anthin, David, and Andreas Åhs. Elva sidor av Taube. Folkuniversitetets Akademiska press, 2014.

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4

author, Paul Adolf, and Dahlström Fabian editor, eds. Din tillgifne ovän: Korresondensen mellan Jean Sibelius och Adolf Paul 1889-1943. Svenska Litteratursällskapet i Finland, 2016.

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5

Shaomian, Armen. Swedish national romantic music: The influence of composers Wilhelm Peterson-Berger and Wilhelm Stenhammar. VDM Verlag Dr. Müller, 2009.

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6

Jorgensen, Cecilia. Chopin and the Swedish Nightingale: The life and times of Chopin and a romance unveiled 154 years later. Icons of Europe, 2003.

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7

Tarnow, Volker. Das romantische Schweden: 1790 bis 1940 : Reisen durch eine unbekannte Kultur. Edition Octopus, 2013.

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8

Marja, Pohjola, Mieskolainen Elina, Saari Laura, et al., eds. Elämää ja musiikkia Vanhassa Loviisassa: Liv och musik i Gamla Lovisa = Life and music in the Old Loviisa. Ango, 2008.

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9

The history of modern Swedish music: An introduction to nineteen composers. The Edwin Mellen Press, 2010.

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10

Boer, Bertil H. van. Musical Life of Joseph Martin Kraus: Letters of an Eighteenth-Century Swedish Composer. Indiana University Press, 2014.

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11

Stauff, Derek L. Lutheran Music and the Thirty Years War. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197749456.001.0001.

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Abstract During the 1620s and 1630s, Lutheran composers from central Germany wrote sacred music with significance more deeply connected to the Thirty Years War than previously acknowledged. Composers like Heinrich Schütz, Johann Hermann Schein, Tobias Michael, and Andreas Hammerschmidt, among others, did so by carefully choosing biblical texts that specifically resonated with the war, by setting their texts in ways that sometimes amplify these resonances, and by performing this music in politically meaningful contexts. As a result, their music could take on a variety of meanings revolving arou
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12

Musical Life of Joseph Martin Kraus: Letters of an Eighteenth-Century Swedish Composer. Indiana University Press, 2014.

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13

Parrott, David. Armed Forces. Edited by William Doyle. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199291205.013.0004.

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In early 1645 Field Marshal Lennard Torstensson led a Swedish army of 9,000 cavalry, 6,000 infantry, and sixty cannon against a Habsburg-Imperial army of 10,000 cavalry, 5,000 infantry, and twenty-six cannon commanded by Melchior von Hatzfeld. Both armies were composed of regiments commanded by international colonel-proprietors, who had used their funds or credit to raise and maintain military units. Many of the soldiers in both armies had been in service for ten years or more. The colonel-proprietors and generals in both armies regarded the recruitment of their experienced veterans as a long-
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14

Gimbel, Allen. Broken Facture. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.43.

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Allan Pettersson (1911–1980) was a Swedish composer of distinction who had extensive experience of trauma and disability in his life (physical abuse, rheumatoid arthritis, manic depression, nephritis). His compositions are deeply engaged with the exploration of disability as an expressivetopos, and in his symphonies (the focus of this essay) representations of disability play a central role. The secondary literature on Pettersson is largely skeptical of analytical consideration of “extramusical” features, especially those that bear on Pettersson’s experiences of disability. This essay argues,
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15

Scholl, Lars U., and Merja-Liisa Hinkkanen. Sail and Steam. Liverpool University Press, 2004. http://dx.doi.org/10.5949/liverpool/9780973007374.001.0001.

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This collection provides a tribute to the career of maritime historian Yrjö Kaukiainen, composed upon his retirement from the University of Helsinki. It collects seventeen of his maritime essays written in English, reprinted in order to celebrate his career and impact on the field of maritime history. The selected essays encompass the following themes: maritime Finland; maritime labour; sail, steam, coal, and canvas; the timber-trade; maritime communication and networks; ship measurement and shipping statistics; the economics of merchant shipping; managerial skills in Finnish merchant fleets;
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16

Boon, Marcus. The Politics of Vibration. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478023012.

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In The Politics of Vibration Marcus Boon explores music as a material practice of vibration. Focusing on the work of three contemporary musicians—Hindustani classical vocalist Pandit Pran Nath, Swedish drone composer and philosopher Catherine Christer Hennix, and Houston-based hip-hop musician DJ Screw—Boon outlines how music constructs a vibrational space of individual and collective transformation. Contributing to a new interdisciplinary field of vibration studies, he understands vibration as a mathematical and a physical concept, as a religious or ontological force, and as a psychological d
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