Relevant bibliographies by topics / Sweet romance

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Academic literature on the topic 'Sweet romance'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Sweet romance"

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Yang, Xiaojing, Huifang Mao, Lei Jia, and Melissa G. Bublitz. "A Sweet Romance: Divergent Effects of Romantic Stimuli on the Consumption of Sweets." Journal of Consumer Research 45, no. 6 (May 21, 2018): 1213–29. http://dx.doi.org/10.1093/jcr/ucy044.

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Tipper, Paul Andrew. "Madame Bovary and the Bitter-Sweet Taste of Romance." Orbis Litterarum 50, no. 4 (August 1995): 207–13. http://dx.doi.org/10.1111/j.1600-0730.1995.tb00082.x.

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Nóbrega, Caio Antônio, and Genilda Azerêdo. "Imbricações entre ficção, teoria e crítica em sweet tooth, de Ian McEwan." Signótica 30, no. 3 (August 31, 2018): 450. http://dx.doi.org/10.5216/sig.v30i3.48920.

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Neste artigo, analisamos a ativação de discursos provenientes das disciplinas de teoria e crítica literárias em Sweet Tooth, romance do escritor inglês Ian McEwan. São quatro as formas examinadas: i. teorização sobre a metaficção; ii. teorizações diversas sobre a literatura em geral; iii. explicitação das técnicas utilizadas na construção da narrativa; iv. comentários críticos sobre outros escritores e outros textos literários. A imbricação de discursos funciona como uma forma de letramento literário, desenvolvido pelo próprio romance, em busca de formar leitores com uma maior capacidade reflexiva diante da literatura e da teoria e da crítica literárias.
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Enciso, Patricia E. "Good/Bad Girls Read Together: Pre–adolescent Girls Co–authorship of Feminine Subject Positions During a Shared Reading Event." English Education 30, no. 1 (February 1, 1998): 44–66. http://dx.doi.org/10.58680/ee19983726.

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Discusses reading with pre–teens Francine Pascal’s “Sweet Valley Twins: Best Friends,” one of a series of pre–romance novels featuring identical twin sisters. Interviews six girls using the Symbolic Representation Interview (SRI) about the good girl/bad girl dichotomy in novels and other media. Provides comments by Tom Romano and Diana Mitchell. In Response: Tom Romano, Diana Mitchell
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Nóbrega, Caio Antônio. "Metamidialidade e literatura: uma leitura do romance Sweet Tooth, de Ian McEwan." Scripta 22, no. 45 (October 31, 2018): 69–80. http://dx.doi.org/10.5752/p.2358-3428.2018v22n45p69-80.

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Neste artigo, objetivamos analisar como o romance Sweet Tooth, escrito por Ian McEwan, na condição de objeto de mídia literário, representa aspectos midiáticos da própria literatura – uma operação que aqui nomeamos de representação metamidiática. Levamos em conta como os aspectos materiais, econômicos, técnicos, sociais e institucionais da literatura foram representados nesta narrativa em relação aos processos de produção, circulação e consumo que caracterizam a atividade literária. Percebemos que tal estratégia criativa tem dois principais desdobramentos: i. a apresentação da paisagem midiática da Inglaterra da década de 1970 para uma audiência contemporânea – paisagem essa marcada por fortes contornos autobiográficos; ii. a realização de um processo de letramento literário/midiático, que desenvolve nos leitores a consciência sobre o fato de a literatura ser uma forma mediada.
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Narbonne, André. "Elizabeth Rollins Epperly,The Fragrance of Sweet-Grass: L.M. Montgomery’s Heroines and the Pursuit of Romance." American Review of Canadian Studies 45, no. 4 (October 2, 2015): 534–35. http://dx.doi.org/10.1080/02722011.2015.1123403.

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Pasolini, Pier Paolo, Rosa Mucignat, and Cristina Viti. "The Turks in Friuli." PMLA/Publications of the Modern Language Association of America 135, no. 2 (March 2020): 329–43. http://dx.doi.org/10.1632/pmla.2020.135.2.329.

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Pier Paolo Pasolini Continues to Be Known Outside of Italy Primarily as A filmmaker and Controversial Public Intellectual whose uncompromising explorations of sexuality, religious meaning, and social exclusion gave expression to a “uniquely provocative and prophetic modernity” (Hirschman 9). Recent scholarship in English is only beginning to reveal the extraordinary variety and quality of Pasolini's writing in Italian, and it has barely touched on his early works in Friulian. Friulian is a Romance variety spoken in Friuli, a region in the far northeast of Italy, where Pasolini spent many a summer as a child in his mother's hometown of Casarsa. In the Friulian of Casarsa, Pasolini thought he had found a “pure poetic language” (“Al lettore” 8), unsullied by previous literary usage yet integral to the archaic lifeworld of the marginalized peasants for whom he felt “a sweet and violent love, both turbid and pure” (Passione 137).
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Jordan, Stephanie. "Chopin's Alston and Alston's Chopin." Dance Research 38, no. 1 (May 2020): 82–120. http://dx.doi.org/10.3366/drs.2020.0292.

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This article presents Richard Alston's re-visioning of Chopin's music through two works: Such Longing (in two versions, 2005/2015), and Mazur (2015). Alston rescues the composer from dance associations with romance and sweet sentiment and celebrates his more robust, bolder and darker gamut of expression. The article includes detailed analysis of a range of solos and duets (for two men as well as for a woman and a man). Alston is widely regarded as an exceptionally musical choreographer, and the article identifies a particular choreomusical style emerging from his work. There is discussion of structural aspects, involving both music and dance, pursuing the dynamic interaction between them, and of creative processes and changes in the dances through the history of their performance. A landmark feature of Alston's choreomusical style is to allow rhythmic detail to shift more than most other choreographers would wish, encouraging subtle changes of relation to musical beat and bar-line as movement phrases ‘breathe’ within performance. I also foreground my own analytical process, which draws from music theory as well as dance principles. Film clips and music examples, some of which incorporate aligned notes on the choreography, illustrate my analyses.
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Root, Regina A. "Searching for theOasis in Life: Fashion and the Question of Female Emancipation in Late Nineteenth-Century Argentina." Americas 60, no. 3 (January 2004): 363–90. http://dx.doi.org/10.1353/tam.2004.0028.

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One day, a young romance writer who has lost his place to urban expansion in Buenos Aires overhears this intimate conversation coming from another bedroom in an all-women's residence hall. An “invisible houseguest” in Madame Bazan'spensionadofor middle-class women of all ages, Mauricio Ridel works on finishing a happy ending for his latest serialized novel. During the writing process, however, he finds himself distracted by the sounds and rhythms of the house, his focus carried away to the conversations in the house on fashion, family life and female emancipation. Careful not to indicate his presence in any way (for he has agreed to respect the privacy of the women who live there), Ridel listens in to the conversations between female residents from the comfort of his assigned room. Believing themselves removed from male listeners, the female characters of Juana Manuela Gorriti'sOasis en la vida(1888) openly discuss their concerns and desires in the security of enclosed spaces. The dialogic sequence that begins this essay demonstrates the relief that a group of unnamed women experience when removing their uncomfortable clothing. They complain about the weight and needless complexity of their fashions and even flesh out a conspiracy theory concerning a few of those crazy designers. As the women contemplate the changes that tomorrow's fashions will inevitably bring, their soft, sweet voices appear punctuated by the incongruous thud of tossed garments.
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Odesskiy, Mikhail, and Monika Spivak. "“Only in The History of the Formation of the Self-Conscious Soul Did Bugaev Reveal His Ideas about Music”: Music in the System of Andrei Bely." Arts 13, no. 2 (April 19, 2024): 74. http://dx.doi.org/10.3390/arts13020074.

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Symbolism distinguished itself in world culture in that its representatives were inclined to a dialogue and intersection of different types of art. In Russian literature, one of the brightest examples of such a synthesis is the work of Andrei Bely (Boris Bugaev; 1880–1934). The aim of the present article is to consider the writer’s ideas about music itself. As the main source we use Bely’s treatise The History of the Formation of the Self-Conscious Soul. Bely in his Symbolist articles of the 1900s laid down the idea of musical art as an antinomy, which emphasized the troubling importance of the problem, but did not principally imply any positive answer. However, in his anthroposophic treatise The History of the Formation of the Self-Conscious Soul (1926–1931), enormous in volume and scale of the material, the author’s antinomical understanding of music was transformed into a structure which is extremely complicated, but consistent. That is why Andrei Bely does not apply the word “antinomy” to music, but he extensively uses the musical term “counterpoint” (together with other musical terms). Whereas the word “antinomy” pointed at some irreconcilable conflicts, on the contrary, a “counterpoint” introduces these clashes into the frame of a single structure of a system, thus reconciling them. Accordingly, the romance “It is so sweet to be with you” by Mikhail Glinka (called in The History “the greatest genius”) contains, in Andrei Bely’s texts, the message of a wide spectrum.
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Books on the topic "Sweet romance"

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Pellicane, Patricia. Sweet Seduction. New York, N.Y: Zebra Books/Kensington Pub., 1992.

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Criswell, Millie. Sweet Laurel. New York: Grand Central Publishing, 2001.

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Clare, Pamela. Sweet Release. New York: Dorchester Publishing Co., Inc., 2009.

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Clare, Pamela. Sweet Release. New York: Leisure Books, 2003.

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Banks, Maya. Sweet Surrender. New York: Penguin Group USA, Inc., 2008.

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Banks, Maya. Sweet Surrender. New York: Heat, 2008.

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Publications, MQ. Sweet Romance. M Q Publications, 2005.

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Sweet Romance. M Q Publications, 2004.

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Higgins, Marie. Sweet Memories: Sweet Regency Romance. Independently Published, 2017.

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Einspahr, Colby. Timeless Romance Anthologies: Six Sweet Romances. Independently Published, 2022.

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Book chapters on the topic "Sweet romance"

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Schnabel, Reinhold. "Migrants’ Access to Social Protection in Germany." In IMISCOE Research Series, 179–93. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51241-5_12.

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Abstract Migration patterns in Germany have changed considerably during the post-war period. The active recruitment of “guest workers” stopped during the 1970s and was replaced by family reunification. Two big crisis-driven immigration waves swept Germany, following the collapse of Yugoslavia and the crises in the countries from Syria to Afghanistan. These immigration waves triggered legislation aimed at reducing immigration incentives, especially in the asylum law. From the early 2000s on, German policy turned more liberal following the EU Directives on freedom of movement and for highly qualified persons from non-EEA countries. Migration patterns changed dramatically, with EEA countries becoming the leading source of German immigration. EEA countries replaced the Anglo-Saxon immigration countries as the leading sources and destinations of migration. It is reassuring for economic policy that EU migrants, notably from Bulgaria and Romania, display high levels of employment and have boosted German employment, while unemployment rates reached historic lows. During the past decades, migration obstacles for EEA citizens have been lowered or abolished. Main obstacles to immigration of non-EEA citizens persist due to the restrictive law on residence permits. As a result, student visas, academic credentials, or family reunification are the main legal pathways to Germany. Given the difficulty to proof the equivalence of a foreign non-academic degree, it is far more promising for persons from third countries to apply for asylum with the chance to get a permanent residence permit after several years as a tolerated migrant.
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"Romance Awry: Anne of Avonlea." In The Fragrance of Sweet-Grass, 39–55. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442619388-007.

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"Sweet Romance: A Tale of Two Discos." In Donna Summer's Once Upon a Time. Bloomsbury Academic, 2021. http://dx.doi.org/10.5040/9781501355493.ch-001.

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Kim, Su Yun. "Visualizing “International” and Korean-Japanese Marriage in Print Media." In Imperial Romance, 103–25. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751882.003.0006.

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This chapter discusses married life and the sensationalization of interracial marriages in print culture, and examines “international” marriages in newspapers and magazines, including Yŏsŏng (Women). It explains how the print media embraced “internationally” married couples as celebrities in the mid-1930s, specifically couples that consisted of Korean and non-Korean or non-Japanese partners. It also explores essays and interviews featured in the magazine Naisen ittai, looking at descriptions of the married life of Korean–Japanese couples. The chapter illustrates the ways the international marriage discourse strengthened the already widespread desire for Western-style homes and emphasizes the cosmopolitan impulses of this desire. It argues that the sensationalist stories and essays that contributed to the “sweet home” discourse accommodated and strengthened the Korean–Japanese intermarriage ideology by creating a new cosmopolitan model of “intimacy” for all forms of intermarriage.
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"Sweet Dreams: Gender and Desire in Teen Romance Novels." In Texts Of Desire, 61–84. Taylor & Francis, 2014. http://dx.doi.org/10.4324/9781315810119-10.

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Lyons, Sarah Frantz, and Eric Murphy Selinger. "Strange Stirrings, Strange Yearnings: The Flame and the Flower, Sweet Savage Love, and the Lost Diversities of Blockbuster Historical Romance." In Romance Fiction and American Culture, 89–110. Routledge, 2017. http://dx.doi.org/10.4324/9781315563237-7.

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Tate, Claudia. "Race and Desire Dark Princess, A Romance, by William Edward Burghardt Du Bois." In Psychoanalysis and Black Novels, Desire and the Protocols of Race, 47–85. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195096828.003.0003.

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Abstract Mother was dark shining bronze, with smooth skin and lovely eyes; there was a tiny ripple in her black hair, and she had a heavy, kind face. She gave one the impression of infinite patience, but a curious determination was concealed in her softness. The tale is done and night is come. Now may all the sprites who, with curled wing and starry eyes, have clustered around my hands and helped me weave this story, lift with deft delicacy from out the crevice where it lines my heavy flesh of fact, that rich and colored gossamer of dreams which the Queen of Faerie lent to me for a season. Pleat it to a shining bundle and return it, sweet elves, beneath the moon, to her Mauve Majesty with my low and fond obeisance.
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Lystra, Karen. "Testing Romantic Love Victorian Courtship Rituals and the Dramas of Private Life." In Searching the Heart, 157–91. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195074765.003.0007.

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Abstract Under The Entry On courtship in a nineteenth-century Dictionary of Love, a pseudonymous Theocritus, Jr., observed the predictable contrast between courtship, “the most tremulously delightful season of the tender passion,” and marriage, which he described as “sober, philosophical, meditative, and sets itself, with good intent to the stern practical du ties of life.” He continued, “But, in courtship, it is all romance, excitement, hope, desire, expectation, sweet dreams etc.....” While not without some basis in fact, Theocritus, Jr., missed a serious dimension of nineteenth-century courtship. Caught between the lower expectations for marital happiness in the seventeenth and eighteenth centuries and the increasing acceptability of divorce in the twentieth, nineteenth-century middle-class suitors were forced to cope with the soaring emotional expectations of marriage and the still socially tainted prospect of divorce.
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"Chloe and Daphnis Worship the Nymphs." In Women’s Religions in the Greco-Roman World, edited by Ross Shepard Kraemer, 64. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195170658.003.0031.

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Abstract author: Virtually nothing is known about the author, although he locates himself on the Greek island of Lesbos. The plot of the novel conforms to the basic ancient Greek romance (see comments at entry 23). Although in most of these novels, the lovers are members of the elite classes, Daphnis and Chloe are simple shepherds living an idealized pastoral life. translation: Christopher Gill, in B. P. Reardon, ed., Collected Ancient Greek Novels (Berkeley: University of California Press, 1989). text: Budé (G. Dalmeyda, 1934); Teubner (M. D. Reeve, 1982). additional translation: Ronald McCail, Longus, “Daphnis and Chloe,” OWC (New York: Oxford University Press, 2002). additional text and translations: LCL (J. M. Edmond, 1916; rev. trans. by George Thornley); O. Schönberger, Longos, “Daphnis und Chloe” (Berlin, 1960; 2d ed., 1973). bibliography: See entry 23. 2.2 A few days later, the vines were harvested, the sweet new wine was in jars, and there was no longer any need for many hands. Daphnis and Chloe drove their flocks down to the plain and, in a happy mood, worshiped the Nymphs, bringing them bunches of grapes still on the shoots as firstfruits of the grape harvest. Not that they ever went past them and neglected them before; they always visited them when they went to pasture and worshiped them when they left the pasture and without fail brought them some kind of offering, a flower or a fruit or some green leaves or a libation of milk. For this, they received a reward from the goddesses later on.
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"Eger and Grime and the Boundaries of Courtly Romance." In "Joyous Sweit Imaginatioun", 77–95. Brill | Rodopi, 2007. http://dx.doi.org/10.1163/9789004358065_009.

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Conference papers on the topic "Sweet romance"

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Reta, Draghici. "RESULTS ON THE BIOLOGICAL MATERIAL USED TO MULTIPLY SWEET POTATO VARIETIES UNDER THE CONDITIONS OF ROMANIA." In 5th International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/1.3/s04.094.

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Ishii, Soichi, and Yusuke Maeda. "Programming of robots based on online computation of their swept volumes." In 2014 RO-MAN: The 23rd IEEE International Symposium on Robot and Human Interactive Communication. IEEE, 2014. http://dx.doi.org/10.1109/roman.2014.6926283.

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Adascalița-Crigan, Lucia, and Viorica Cazac-Scobioala. "Baba neagra – element of gastronomic heritage and of preparation traditions." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.26.

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Th e paper presents the results of the study on the traditions of preparing the „Baba Neagră” (Black sweet dish), as an element of the gastronomic patrimony in the area of the Republic of Moldova. Baba Neagră is a sweet dish prepared especially in the northern part of the Republic of Moldova. Th e preparation is also identifi ed in Romania. Th e study undertaken allowed the identifi cation of a varied range of this preparation-13, excelling from one area to another, being identifi ed as a preparation served hot or cold, with cognac, fruits, nuts, sweetness from fruits, etc. For diff erent periods in the religious calendar, the inventive housewives identifi ed solutions: there was the Baba Neagră for lent and Baba Neagră for celebration. Th us, considering the religious customs (as a landmark), but also through their native skill, various recipes were created valid for any period of the religious calendar year. We note that the importance of discovering, preserving and passing on to the next generations of authentic Baba Neagră recipes derives from the interest in promoting authentic dishes. In this context, the preparation of Baba Neagră is a brand of national cultural and gastronomic identity.
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Tabunșcic, Olga. "Poppy cakes — preparation traditions." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.14.

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Traditional gastronomy, along with history, culture, religion and ethnicity, continues to play an important role in defi ning national and individual identity. Th e intense pace of modern life in recent decades is changing the conception of food very rapidly, and gastronomic traditions are collapsing dramatically under the action of the new preferences of the population to feed themselves. Th e tendency to standardize the taste in terms of food, leads to the disappearance of diversity and culinary identity. Th us, more and more traditional dishes, full of taste, value and history, tend to be forgotten. In the trend of revitalization of poppy cakes, the results of the study are presented within the State Program 20.8009.0807.17 REVICULT; the recipe being found in the Republic of Moldova (north and center), as well as in Moldova and Transylvania, Romania. Poppy cakes (Turte cu mac) are considered fasting dishes. Th ose prepared on Christmas Eve are called Th e Diapers/Wormwoods of the Lord, Julfe, Christmas Cakes referring to the diapers in which the Jesus Christ was wrapped at birth, recording the end of the fasting and being off ered as alms. Th ey are attested, according to several sources, in existence for hundreds of years, the recipes being transmitted from generation to generation and adapted to the possibilities of the time. Th us, we fi nd in some localities cakes prepared and covered only with poppy, aft er their burial (Tarasova village, Mateuţi village, Rezina district), in other localities buried with julfă (mixture of water sweetened with honey, with shredded hemp seeds in the square and passed through the sieve) (Drochia district), covered with shredded walnuts and with poppy or only with poppy (v. Salcia, v. Climatuţii de Jos, v. Socola, v. Vadul-Rascov, Floreși/Kamenka/Soldanesti district, Ungheni district, Donduseni district). Th e utensils used in the preparation of various sweet dishes, such as macohon, marcoteţ, budăiul, etc. are of interest for the study.
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