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Relevant bibliographies by topics / Switzerland Moscia

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Academic literature on the topic 'Switzerland Moscia'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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Journal articles on the topic "Switzerland Moscia"

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Söderström, Ola. "From mosaic to network: social and cultural geography in Switzerland." Social & Cultural Geography 8, no. 4 (2007): 635–48. http://dx.doi.org/10.1080/14649360701529899.

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Tavis, Anna A. "Russia in Rilke: Rainer Maria Rilke's Correspondence with Marina Tsvetaeva." Slavic Review 52, no. 3 (1993): 494–511. http://dx.doi.org/10.2307/2499721.

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Rainer Maria Rilke's widely celebrated fiftieth birthday in December 1925 and his sudden death on 29 December 1926 framed his correspondence with members of Boris Pasternak's family and Marina Tsvetaeva- Efron, for which Leonid Pasternak's initial greetings to his old Moscow friend and Rilke's prompt reply had set the stage. It was agreed that Rilke's letters from Switzerland would be sent to Boris Pasternak in Moscow via Marina Tsvetaeva in Paris. Against all historical and political odds, the three poets decided to form a union, the last one, perhaps, of an era which still believed that the making of poetry equaled the making of life. Rilke's participation in this association reassured uprooted Russian writers of their continuing link with European culture and history.

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Editorial. "Educational project Triumph on Bothe Sides of the Ocean To the 75th Anniversary of the Oscar’s awarding for the Soviet film." Journal of Flm Arts and Film Studies 9, no. 4 (2017): 6. http://dx.doi.org/10.17816/vgik946-6.

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The 37th VGIK International Student Festival received a wide response. Representatives of 40 film schools from 35 countries participated in it, student films from Belgium, Spain, Ecuador, Argentina, the USA, Great Britain, Israel, Switzerland, Canada, Singapore, Mexico, France and other countries competed. A landmark event of the festival was the presentation of the extraordinary scientific and educational project Triumph on both sides of the ocean, dedicated to the 75th anniversary of the Soviet documentary film The rout of German troops near Moscow, filmed by directors L. Varlamov and I. Kopalin in 1942 .

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Cosandey, Maurice. "Two Bronze Medals for Switzerland at the 39th International Chemistry Olympiad 2007 in Moscow." CHIMIA International Journal for Chemistry 61, no. 9 (2007): 594. http://dx.doi.org/10.2533/chimia.2007.594.

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Androsov, Sergey. "DOMENICO TREZZINI E ALTRI MAESTRI TICINESI A PIETROBURGO E TALLINN ALL’INIZIO DEL SETTECENTO." Baltic Journal of Art History 17 (May 15, 2019): 37–56. http://dx.doi.org/10.12697/bjah.2019.17.02.

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The activities and work of architect Domenico Trezzini (1670–1734),and the masters that arrived in Russia with him, have been researchedfor a long time, and many contentions have been concretised ordisproven at various times. This article focuses on the issue of howmasters from a single area – Ticino, Switzerland – ended up creatingimportant fortifications, palaces and churches in the Russian Empireduring the reign of Peter the Great at the beginning of 18th century.The author describes the movement of Trezzini and the Ticino mastersfrom Copenhagen to Moscow as reported in various historical sourcesand the works of Danish and Russian researchers.

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Polyakova, Larisa V., Marina Y. Lyubimova, Olga Y. Osmukhina, et al. "“Zamyatin Encyclopedia” in the international discussion." Neophilology, no. 18 (2019): 221–60. http://dx.doi.org/10.20310/2587-6953-2019-5-18-221-260.

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“Zamyatin Encyclopedia” written by Doctor of Philology, Professor of the Moscow Polytechnic University T.T. Davydova [1] was discussed on May 24, 2019, on the basis of the International Scientific Center for the Study of the Creative Heritage of E.I. Zamyatin in Derzhavin Tambov State University in the framework of the program of X International Scientific Conference “Slavic World: Spiritual Traditions and Literature”, dedicated to the 1150th anniversary of the repose of St. Cyril, 210th anniversary of N.V. Gogol, 135th anniversary of E.I. Zamyatin, and the International Panel Discussion “Creative Heritage of E I. Zamyatin in New Scientific Conceptions and Hypotheses”. Well-known researchers of the creative heritage of E. Zamyatin not only from Tambov, Moscow, St. Petersburg, Saratov, Saransk, Yelets, but also from the research centers of France, Switzerland, Germany, USA, Poland, China, Japan, Ukraine participated in the discussion. Young researchers were present. The materials published below are a brief of the points of view, summaries formulated by the participants of the discussion on the “Zamyatin Encyclopedia”.

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Stähli, Manfred, Jesko Schaper, and Andreas Papritz. "Towards a snow-depth distribution model in a heterogeneous subalpine forest using a Landsat TM image and an aerial photograph." Annals of Glaciology 34 (2002): 65–70. http://dx.doi.org/10.3189/172756402781817923.

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AbstractFor landscapes with a complex topography and a heterogeneous forest mosaic it is not feasible to map the snow depth directly from optical satellite images. In this paper, an indirect method to predict the snow-depth distribution is presented and applied to a 0.7 km2 subalpine catchment in central Switzerland. The method consists of (a) a parsimonious linear regression model which includes the attributes of topography and vegetation indices (derived from a Landsat Thematic Mapper (TM) image) as explanatory variables, and (b) geostatistical interpolationtechniques. A previous analysis of the forest mosaic revealed two main scales showing up in the Landsat TM image and an aerial photograph. This discrepancy in scale was assumed to be the major reason why the vegetation indices derived from the Landsat TM image were only weak explanators of the snow-depth variation measured at 100–200 locations within the catchment. Surprisingly, the geostatistical interpolation (universal kriging) was not able to improve the prediction of the snow-depth distribution significantly. The residuals of the regression model showed hardly any spatial dependence for single snow-measurement dates.

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Wicky, Basile I. M., Sebastian F. Keller, Lucia D. Meier, and Michelle S. Frei. "Three Bronze Medals for Switzerland at the 45^th International Chemistry Olympiad in Moscow, Russia." CHIMIA International Journal for Chemistry 67, no. 10 (2013): 742–43. http://dx.doi.org/10.2533/chimia.2013.742.

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López-Arbarello, Adriana, Toni Bürgin, Heinz Furrer, and Rudolf Stockar. "New holostean fishes (Actinopterygii: Neopterygii) from the Middle Triassic of the Monte San Giorgio (Canton Ticino, Switzerland)." PeerJ 4 (July 19, 2016): e2234. http://dx.doi.org/10.7717/peerj.2234.

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The new neopterygian genusTicinolepis, including two new speciesT. longaevaandT. crassidensis described from Middle Triassic carbonate platform deposits of the Monte San Giorgio. The anatomy of this fish shows a mosaic of halecomorph and ginglymodian characters and, thus, the new taxon probably represents a basal holostean. During the latest Anisian to earliest Ladinian the two new species coexisted in the intraplatform basin represented by the uppermost Besano Formation, but onlyT. longaevasp. nov. inhabited the more restricted basin represented by the Ladinian Meride Limestone (except for the Kalkschieferzone). The more widely distributed type species shows interesting patterns of intraspecific variation including ontogenetic changes and morphological variation over time. The second species presents anatomical features that strongly indicate a strictly durophagous diet. The different distribution of the species is interpreted as a result of habitat partitioning and different adaptability to palaeoenvironmental changes.

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Geiger, Friedrich. "Art as a Vocation: Vladimir Vogel's dramma-oratorio ‘Jona ging doch nach Ninive’." Tempo, no. 218 (October 2001): 11–14. http://dx.doi.org/10.1017/s0040298200008640.

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The composer Vladimir Vogel was born in Moscow in 1896. His mother was Russian, his father a businessman who came from Dresden. After the end of the First World War Vogel went to Berlin where he was admitted to Ferruccio Busoni's masterclass, along with Kurt Weill. His studies completed, his career was at first extremely promising, but it came to an abrupt halt with the relinquishing of power to the National Socialists. In jeopardy on three counts, as a Communist, a Jew and a so-called Neutöner or ‘new-note composer’, Vogel roamed Europe for a number of years. Finally he found a refuge in Switzerland, where he produced new compositions until the end of his life without managing to emulate his own early success. He died in Zurich in 1984.

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Books on the topic "Switzerland Moscia"

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I, Studenikin A., Moskovskiĭ gosudarstvennyĭ universitet im. M.V. Lomonosova., Mezhregionalʹnyĭ t︠s︡entr fundamentalʹnykh issledovaniĭ, and International Meeting on Problems of Intellectuals (7th : 2007 : Moscow, Russia), eds. Particle physics on the eve of LHC: Proceedings of the Thirteenth Lomonosov Conference on Elementary Particle Physics, Moscow Russia, 23-29 August 2007. World Scientific, 2009.

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Karamzin, Nikolaĭ Mikhaĭlovich. Travels from Moscow, Through Prussia, Germany, Switzerland, France, and England. HardPress, 2020.

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Palmer, R. R. The Helvetic Republic. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691161280.003.0028.

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This chapter focuses on Switzerland and the Helvetic Republic. Until 1798, all of Switzerland was an incredibly complex mosaic of dissimilar pieces. Over a millennium, there had grown up an indefinite number of small communities—from cities like Zurich to remote clusters of pastoral families in Alpine valleys—which no longer belonged to the Holy Roman Empire, and did not yet belong politically to anything else. There was no Swiss state, Swiss citizenship, Swiss law, or even Swiss government. However, nowhere else was the impact of certain principles of the Revolution more apparent and more lasting—especially of the principles of legal equality and of the unity and indivisibility of the Republic. The idea of a Swiss people became a reality under the Helvetic Republic, whose main features were confirmed in the Napoleonic Act of Mediation of 1803, and reconfirmed at the Congress of Vienna.

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Magazine, Editors of Wallpaper. Wallpaper City Guide: Moscow (Wallpaper City Guides) (Wallpaper City Guides). Phaidon Press Inc., 2008.

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Wallpaper City Guide: Cape Town (Wallpaper City Guide). Phaidon Press, 2007.

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Magazine, Editors of Wallpaper. Wallpaper City Guide: Beijing (Wallpaper City Guide). Phaidon Press, 2007.

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Magazine, Editors of Wallpaper. Wallpaper City Guide: Munich (Wallpaper City Guides) (Wallpaper City Guides (Phaidon Press)). Phaidon Press Inc., 2007.

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Magazine, Editors of Wallpaper. Wallpaper City Guide: Kuala Lumpur (Wallpaper City Guides) (Wallpaper City Guides). Phaidon Press Inc., 2008.

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Wallpaper City Guide: Seoul (Wallpaper City Guides) (Wallpaper City Guides). Phaidon Press Inc., 2008.

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Magazine, Editors of Wallpaper. Wallpaper City Guide: New York (Wallpaper City Guide New York). Phaidon Press, 2006.

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Book chapters on the topic "Switzerland Moscia"

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"Moscow, Switzerland and Paris." In Palmiro Togliatti. I.B.Tauris, 2008. http://dx.doi.org/10.5040/9780755620371.ch-003.

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Xie, Iris. "Interactive IR in Web Search Engine Environments." In Interactive Information Retrieval in Digital Environments. IGI Global, 2008. http://dx.doi.org/10.4018/978-1-59904-240-4.ch004.

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Tim Berners-Lee wrote the initial proposal for the World Wide Web in 1989, and developed it online in 1991 by using a hypertext model (Berners-Lee, 1989, 1996). The World Wide Web was developed to allow people to collaborate on projects; it began at CERN, the European Particle Physics Laboratory in Geneva, Switzerland, and expanded across nations and disciplines. Berners-Lee (1996) defined the components of the Web: the boundless information world, the address system (URI), a network protocol (HTTP), a markup language (HTML), a body of data, and the client-server architecture of the Web. The creation in 1993 of Mosaic, a graphic Web interface that was the precursor of Netscape, enabled millions of people to easily access the Web. Since then, the increase in Web resources has been phenomenal, and Web search engines are the essential tools for navigating those Web resources.

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Frolova, Marina M. "Aleksandr Chertkov’s travel in Italy and Sicily in 1823–1825 in the context of his social and political views." In A Stranger’s Gaze: Diplomats, Journalists, Scholars — Travellers between East and West from the Eighteenth Century to the Twenty-First. Institute of Slavic Studies, Russian Academy of Sciences; Nestor-Istoriia, 2020. http://dx.doi.org/10.31168/4469-1767-9.02.

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The essay discusses the travel in Italy and Sicily between 1823-1825 of Aleksandr D. Chertkov, who was later a famous scholar and public ﬁgure. It treats his works Memories of Sicily (Moscow, 1835-1836) and “Journal of my travels in Austria, Italy, Sicily, Switzerland, etc in 1823-1825”, ﬁrst published in 2012. Chertkov was excited about Italian history, culture, art, and monuments, and paid special attention to the socio-political and economic situation of the cities of Italy and Sicily, which was in contrast with many Russian travellers. He freely expresses his opinion on confessional issues and discloses intimate communication with promi-nent ﬁgures in the Decembrist movement against Nikolai I. Turgenev conﬁrms the fact that Chertkov shared many of his convictions and was also an adherent of reforms in Russia, namely those conducted exclusively by the government. In his book Memoirs of Sicily, Chertkov strives to show using the example of Sicily that “the wealth of the government is the people's wealth” and that “those are not customs fees, but the industry of residents that provide real, never-ending income”. Thus, Chertkov added his voice to those who hoped that the “prudent” government would listen to them and follow their advice, realizing the usefulness of the proposed measures with the example of another state. From his travels in Italy, Chertkov concluded that a person for whom “the word Fatherland” was an “empty sound” should settle here as he would ﬁnd a wonderful climate, eternal summer, gifts of nature, antique monuments, arts, and sciences.

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Lade, Clare, Paul Strickland, Elspeth Frew, et al. "The Future of Film Tourism." In International Tourism Futures. Goodfellow Publishers, 2020. http://dx.doi.org/10.23912/9781911635222-4751.

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Film tourism refers to a post-modern experience at an attraction or destination which has been portrayed in ‘some form of media representation, such as the cinema screen, television or video’ (Kork, 2018: 5). Film-induced tourism occurs when a tourist visits ‘a destination or attraction as a result of the destination being featured on television, video, DVD or the cinema screen’ (Hudson and Ritchie, 2006: 256). Screen tourism, movie induced tourism and TV induced tourism are other terms commonly used in association with this type of special interest tourism (Riley et al., 1998; Connell, 2005; Connell and Meyer, 2009). Beeton (2005), categorises film-induced tourism based on where the tourism activities occur, namely ‘on-film’ and ‘off-film’ induced tourism. ‘On-film’ induced tourism refers to tourism resulting from where a part of a film is shot and shown on the screen, while ‘off-film’ induced tourism refers to events or artificial destinations actualised through the involvement in films (Beeton, 2005). Film-induced tourism falls under the umbrella of cultural tourism as it represents the cultural heritage of a destination and may be considered an expression of visual arts and local traditions (Gjorgievski and Trpkova, 2012), with Kim et al. (2007: 1351) suggesting it has ‘great potential to advance cultural exchange and understanding’. As an illustration of the size and extent of movies which are filmed away from traditional studios, the 11 Star War movies filmed between 1977 and 2019 utilised a number of location sites throughout the world, in addition to sound film studios in the United Kingdom (Elstree and Pinewood Studios) and Australia (Fox Studio). Locations included the countries of Tunisia, United Arab Emirates, Norway, England, Guatemala, Switzerland, Australia, Italy, Thailand, Spain, Ireland, Bolivia and the Maldives (Obias, 2018a). Only two USA locations were used for filming, both in California, however outside of the traditional Los Angeles and Hollywood sites. Similarly, many scenes in the six Mission Impossible movies spanning from 1996 to 2018 were filmed on location in various parts of the world, including Prague, Norway, Paris, London, Washington, Virginia, Sydney, Utah, Berlin, China, Vatican City, Morocco, Vienna, Kuala Lumpur, Budapest, Moscow Mumbai, Canada and Dubai (Looch, 2018; Obias 2018b). Table 8.1 shows a variety of on-film and off-film induced tourism.

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