Relevant bibliographies by topics / Symboles de condensation

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  1. Journal articles
  2. Dissertations / Theses
  3. Book chapters

Academic literature on the topic 'Symboles de condensation'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Symboles de condensation"

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Wang, Yi, Sichao Fan, and Meng Shi. "Symbol Condensation and Design of Cultural & Creative Products in Regional Cultural Context." E3S Web of Conferences 179 (2020): 02097. http://dx.doi.org/10.1051/e3sconf/202017902097.

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The attractiveness of cultural & creative products on spreading and “recurring” regional culture is the key to the shaping of urban culture. In this paper, starting from the differences of regional cultural contexts, we discussed the explicit culture and implied culture in cultural symbols and put forward new ideas on regional cultural context reconstruction and symbol condensation and conversion. The symbolic design of cultural & creative products in the cultural context of Spring Festival education in Xi’an was taken as an example here, and the method proposed herein was further clarified through cultural context reconstruction of “Yanta Praying” activity and symbolic design of educational & cultural products.
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Lewis, Frederick. "Symbolic Conflict and the First Amendment: US Supreme Court Adjudication of the Expression of Condensation Symbols." International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique 23, no. 2 (February 27, 2010): 207–20. http://dx.doi.org/10.1007/s11196-010-9141-5.

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Ette, Mercy. "Condensational symbols in British press coverage of Boko Haram." International Communication Gazette 78, no. 5 (July 27, 2016): 451–68. http://dx.doi.org/10.1177/1748048516640209.

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Kjeldsen, Jens E. "Symbolic Condensation and Thick Representation in Visual and Multimodal Communication." Argumentation and Advocacy 52, no. 4 (March 2016): 265–80. http://dx.doi.org/10.1080/00028533.2016.11821874.

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Zhao, Chunhua. "Strategies for Promoting the Value of Tourist Cultural and Creative Brands Based on Cultural Elements." E3S Web of Conferences 251 (2021): 03028. http://dx.doi.org/10.1051/e3sconf/202125103028.

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Tourist cultural and creative brands are the condensation of culture, history, design and commerce. In the collision and blending of culture and commerce, it forms unique competition advantage. The developers of tourist cultural and creative products, based on the cultural core, explore and construct the symbolic meaning, and help tourists to complete the aesthetic journey from viewing to purchasing and then to cultural experience. In the brand strategy, developers should base on the cultural foundation, construct symbolic meaning and cultural image, and implant cultural association into products through traditional cultural inheritance and innovation, so as to arouse consumers’ cultural identity and strengthen the brand value.
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Campos, Pedro Humberto Faria, and Rita de Cássia Pereira Lima. "Social positions and groups: New approximations between Pierre Bourdieu’s sociology and social representation theory." Culture & Psychology 23, no. 1 (July 24, 2016): 38–51. http://dx.doi.org/10.1177/1354067x16652133.

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This article proposes approximations between Pierre Bourdieu’s sociology and Serge Moscovici’s social representation theory. Both authors are interested in the relationship between agents/groups, social context, and culture, and both value the symbolic dimension in the construction of social reality. Bourdieu highlights the social world of struggles between the socialized agent and culture, while Moscovici privileges interactions involving the collective subject which, whether in conflict or consensus, produces a theory of social knowledge that is revealing of culture. In this broader context, the article highlights relations between “social positions” and “groups” which are present in both Bourdieu and Willem Doise, an important collaborator of Moscovici in the area of social representation theory. Such relations are founded on the principle of structural homology, a principle based on the correspondence between social structure and symbolic systems. This discussion leads to another: the need to understand “consensus” and “conflict” in groups, in both Moscovici and Doise, relating them to the action of forces in Bourdieu’s social field of struggles. The notion of “group,” which is valued in our text, is little discussed by these authors. We emphasize the necessity to go deeper into group interactions in articulation with positions in the social field, and to value group representations and practices in meaning negotiation processes, as well to discuss the question of social change. We propose studying social representations—in groups with homogeneous practices—as a symbolic form of condensation and measurement of symbolic capital, adding to this approach the notion of social position and semiotic mediation.
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Wannarumon, Somlak, Erik L. J. Bohez, and Kittinan Annanon. "Aesthetic evolutionary algorithm for fractal-based user-centered jewelry design." Artificial Intelligence for Engineering Design, Analysis and Manufacturing 22, no. 1 (December 12, 2007): 19–39. http://dx.doi.org/10.1017/s0890060408000024.

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AbstractThis paper proposes an aesthetic-driven evolutionary algorithm for user-centered design. The evolutionary algorithm is based on a genetic algorithm (GA). It is developed to work as an art form generator that enhances user's productivity and creativity through reproduction, evaluation, and selection. Users can input their preferences and guide the generating direction to the system. A two-step fitness function is developed to evaluate morphology and aesthetics of the generated art forms. Fractals created by an iterated function system are used for representing art forms in our process. Algorithmic aesthetics are developed based on the aesthetic measure theory, surveys of human preferences, and popular long-lasting symbols. The algorithmic aesthetics is used for evaluating aesthetics of art forms together with subjective nonquantifiable aspects, and placed in the fitness function. The GA basically creates two-dimensional art forms. However, any two-dimensional image can be included through the property of a condensation set of fractals. The proposed GA can increase design productivity by about 80%. Examples of jewelry designs and physical prototypes created by the proposed system are included.
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Kjeldsen, Jens E. "Visual rhetorical argumentation." Semiotica 2018, no. 220 (January 26, 2018): 69–94. http://dx.doi.org/10.1515/sem-2015-0136.

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AbstractIn semiotics and the study of pictorial communication, the conceptualization of visual rhetoric and argumentation has been dominated by two connected approaches: firstly, by providing an understanding of visual rhetoric through tropes and figures; and secondly, by interpreting pictures as texts that are read and decoded in the same way as words. Because these approaches provide an opportunity to understand pictures as a form of language, they contribute in explaining how pictures can be used to argue. At the same time, however, these approaches seem to under-communicate two central aspects of pictorial argumentation: its embedment in specific situations and the distinguishing phenomenological aesthetics of pictures. This paper argues that the study of visual argumentation must understand pictures both as languageandas a material aesthetic event. The possibility and actuality of visual argumentation is partly explained by understanding argumentation as a cognitive and situational phenomenon, and partly by introducing the notion of symbolic condensation. It is suggested that reconstruction of visual argumentation should be supported by reception analysis.
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Mao, Bing-Qing, Yi-Tian Gao, Yu-Jie Feng, and Xin Yu. "Nonautonomous Solitons for the Coupled Variable-Coefficient Cubic-Quintic Nonlinear Schrödinger Equations with External Potentials in the Non-Kerr Fibre." Zeitschrift für Naturforschung A 70, no. 12 (December 1, 2015): 985–94. http://dx.doi.org/10.1515/zna-2015-0319.

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AbstractVariable-coefficient nonlinear Schrödinger (NLS)-type models are used to describe certain phenomena in plasma physics, nonlinear optics, arterial mechanics, and Bose–Einstein condensation. In this article, the coupled variable-coefficient cubic-quintic NLS equations with external potentials in the non-Kerr fibre are investigated. Via symbolic computation, similarity transformations and relevant constraints on the coefficient functions are obtained. Based on those transformations, such equations are transformed into the coupled cubic-quintic NLS equations with constant coefficients. Nonautonomous soliton solutions are derived, and propagation and interaction of the nonautonomous solitons in the non-Kerr fibre are investigated analytically and graphically. Those soliton solutions are related to the group velocity dispersion r(x) and external potentials h1(x) and h2(x, t). With the different choices of r(x), parabolic, cubic, and periodically oscillating solitons are obtained; with the different choices of h2(x, t), we can see the dromion-like structures and nonautonomous solitons with smooth step-like oscillator frequency profiles, to name a few.
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Alyousef, Hesham Suleiman. "THE REPRESENTATION OF EXPERIENCE IN UNDERGRADUATE BUSINESS STUDENTS’ TEXTS: A FUNCTIONAL ANALYSIS OF MULTIMODAL MEANING MAKING RESOURCES IN MARKETING TEXTS." Discourse and Interaction 11, no. 1 (June 30, 2018): 5–27. http://dx.doi.org/10.5817/di2018-1-5.

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From the Systemic Functional Linguistics (SFL) standpoint, experiential meanings reflect our experience, perceptions, and consciousness. Research on experiential meaningmaking in tertiary contexts has traditionally focused on areas such as mathematics, journalism and media, science and computing, nursing, and history. This paper aims to investigate the experiential multimodal meanings in an undergraduate marketing course. The data comprised three written assignments and the tutor’s two model texts. The study employed a multidimensional approach by Alyousef (2013), which is framed by SFL (Halliday 2014) and O’Halloran’s (2005, 1998, 2008, 1999) multisemiotic framework for the analysis of semiotic codes in mathematics. The results showed that the experiential meanings in the students’ marketing plan texts were primarily construed through material processes and both explicit and implicit relational identifying processes. The findings indicated how mathematical symbolism is encoded in the multisemiotic texts, in the most economical manner, by using grammatical strategies of structural condensation. The results also noted the extent to which the different modes of meaning were integrated in the texts.
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Dissertations / Theses on the topic "Symboles de condensation"

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Gutiérrez, Bayardi José Oswaldo. "Arguments by definition : Felipe Calderón’s war on drugs and the power to persuade." Thèse, 2014. http://hdl.handle.net/1866/11963.

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Les études rhétoriques ont documenté la pertinence de la rhétorique présidentielle et le pouvoir du président de définir les enjeux publics par le discours. Cette recherche porte sur les pratiques rhétoriques par lesquelles l'ancien président mexicain Calderón a défini la lutte contre la drogue qui a caractérisé son administration. Je soutiens que Calderón a avancé une définition du problème de la drogue par des pratiques de définition telles que l'association, la dissociation et les symboles de condensation. Mon analyse 1) identifie les pratiques rhétoriques de définition qui ont caractérisé la lutte à la drogue de Calderón; 2) examine les implications de ces pratiques; et 3) aborde les limites auxquelles les politiciens font face en tentant de modifier des définitions préalablement avancées. En conclusion, j’explique comment les métaphores et les pratiques de définition de Calderón ont ouvert un espace rhétorique où les droits humains pouvaient être révoqués et la violence encouragée.
Rhetorical studies have shown the significance of presidential rhetoric and the president’s power to define public issues and policies through discourse. This research addresses how former Mexican president Felipe Calderón defined the fight against drugs that characterized his administration—and the later process of changing his definition. It argues that through the definitional practices of association, dissociation and condensation symbols, Calderón advanced a particular definition of the drug problem in Mexico. Relying on the analysis of presidential public speeches and TV spots, I 1) identify Calderon’s key rhetorical practices of definition; 2) discuss the implications of those practices and the political definitions they sustain; and 3) address the limits politicians face when attempting to change a definition they initially advanced. In conclusion, I discuss how the set of metaphors and definitional practices advanced by Calderón opened up a rhetorical space where human rights could be dismissed and violence encouraged.
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Book chapters on the topic "Symboles de condensation"

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Fung, Anissa. "Condensation of Ritual Symbolism and Visual Culture: From Chinese Liqi to Contemporary Art Expressions." In Landscapes: the Arts, Aesthetics, and Education, 221–41. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7729-3_16.

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Alak, Alina Isac. "Translating Muslim Women's Bodies." In Advances in Linguistics and Communication Studies, 44–62. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-6458-5.ch003.

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In the chapter, the author briefly analyzes the turbulent semantic and semiotic confrontation that accompanies the process of decoding the significances of the hijāb. The current mythologization of the hijāb unveils diverse mechanisms of constructing and regulating Muslim women's bodies and their right to autonomy. In the first part of this chapter, eight meanings attributed to the hijāb by Muslim interpreters are discussed: a local social convention, a symbol for and a protection from the fitnah of women's bodies, a manifestation of religiosity, a feminist practice, a political statement, a cultural tradition, a subversive strategy of regaining autonomy, an artistic expression. The second part of the chapter is dedicated to some peculiar translations of hijāb that are usually validated by non-Muslim interpreters: hijāb as a religious symbolic object, a symbol of alterity, a sexist cultural manifestation, a reminder of terrorism. The chapter ends with a succinct analysis of the transformation of hijāb into a condensation symbol that manifests a mobilizing emotional power.
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Frank, Jason. "The Poetics of the Barricade." In The Democratic Sublime, 123–52. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190658151.003.0006.

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This chapter examines the most widely disseminated iconography and symbolism of the popular will during the age of democratic revolution: the poetics of the barricade. While the insurgent barricade dates back to the sixteenth century as a defensive tactic against the forces of state repression, it was only during the nineteenth century that it acquired its distinctly modern and democratic association with popular constituent power. After the July Revolution of 1830, the barricade spread rapidly throughout Europe as a symbolic condensation of revolutionary upheaval. This chapter examines the insurgent barricade as a space that enabled a distinctive form of political subjectivization in emergent democratic contexts, one that not only materialized the boundary of the political—the defining opposition between the people and the state—but that simultaneously enacted a self-organizing manifestation of popular will. The insurgent barricade is the site of the tangible formation of a collective intention.
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"Identity and Difference: From Ritual Symbolism to Condensation in Anger's Inauguration of the Pleasure Dome." In Interpreting the Moving Image, 214–24. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9781139164115.018.

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