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Journal articles on the topic 'Symbolism and time'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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1

Kielak, Olga. "Symbolika leszczyny w polskiej kulturze ludowej. Fragment definicji kognitywnej." Adeptus, no. 3 (April 4, 2014): 96–109. http://dx.doi.org/10.11649/a.2014.007.

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The symbolism of hazel in Polish folk culture. A fragment of cognitive definitionThe article discusses the symbolism of the hazel plant which constitute a segment (one facet) of the cognitive definition of a hazel bush. The symbolism of the hazel is a category which terminate and gather in together other facets constituting the entry ‘Hezel’ in the Lublin ethnolinguistics dictionary (Słownik stereotypów i symboli ludowych, red. J. Bartmiński, S. Niebrzegowska-Bartmińska): i.e. the plants’ provenance, image, time and place of flourishing; its magical, apotropaical, therapeutical, ritual and pra

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Ryabchenko, V. D. "The Evolution of Symbolist Ideas in the Zolotoe Runo Magazine." Concept: philosophy, religion, culture 4, no. 3 (2020): 158–67. http://dx.doi.org/10.24833/2541-8831-2020-3-15-158-167.

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The article treats the role art magazine Zolotoe runo played in history of symbolist’s theoretical ideas. By 1906, symbolism as a philosophical and aesthetic movement enters a crisis stage (and, then, a renaissance) — the pioneering movement has become utterly formal, tendentious, and has even acquired public recognition, which contradicts the modernist spirit. Zolotoe runo turns into a platform for the adversaries of outdated, decadent or individual symbolism, changing the symbolist nature and landscape. V. F. Khodasevich suggests that not only hasn’t symbolism been yet studied, but it also d

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Bychkov, Victor. "Metaphysics of a landscape in symbolism." Культура и искусство, no. 4 (April 2020): 53–70. http://dx.doi.org/10.7256/2454-0625.2020.4.31966.

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This research is dedicated to examination of a specific role of landscape in symbolism. Based on comprehensive analysis of the works of symbolists and artists of their circle &ndash; Segantini, B&ouml;cklin, Gauguin, Nesterov, &#268;iurlionis, the author attempts to determine the characteristic features of using the images of nature in the overall system of pictorial artistic-aesthetic expression. Special attention is paid to the problem of inscription of human figures into landscape, as in doing so many symbolists and artists of their circle were bringing the landscape to life, fo

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Bošnjak, Matija. "Elements of Dramatic Symbolism in the Poetics of Miodrag Žalica." Društvene i humanističke studije (Online) 6, no. 3(16) (2021): 43–58. http://dx.doi.org/10.51558/2490-3647.2021.6.3.43.

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In the literary and theatrical critique of his time (second half of the 20th century), Miodrag Žalica was recognized as a representative of symbolist poetics in Bosnian-Herzegovinian drama. The features of Žalica’s dramatic symbolism have, however, rarely been observed through analyzing the technique of his dramatic works in concreto. The Piece Mirišu li jorgovani u Njujorku, written in 1988, certainly represents the culmination of Žalica’s poetics, and is, in that sense, suitable for an analysis of the symbolic network as a specific trademark of his authorship with regards to the poetics of s

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Сергеев and Oleg Sergeev. "Specific Features of Symbolist Metaphor Communicative Function." Modern Communication Studies 2, no. 6 (2013): 53–56. http://dx.doi.org/10.12737/1897.

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An overview related to opuses of Feodor Sologub, a symbolist writer, who is   very popular in Russia as well as over the world, is made in this paper. The   paper’s main task is a study of Christmas story specificity. Two histories of   two personages as parallel narrative structures are considered. A close-up   view of fable features related to Sologub´s prose are shown. In this story   reflections about Christmas miracle are combined with analysis related to   sincere and spiritual orders of central personages. The metho

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Brown, Edward J. "The Symbolist Contamination of Gor'kii's “Realistic” Style." Slavic Review 47, no. 2 (1988): 227–38. http://dx.doi.org/10.2307/2498465.

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I am concerned in this paper with investigating the complex relationship of Maksim Gor'kii with the literature of his day, including the so-called realists, but particularly with the decadents, the symbolists, and other writers generally thought of as alien to Russian realism, whether critical or socialist. The stereotype of Gor'kii still dominant in some quarters presents him as walled off from “decadent” and “bourgeois” literary styles and from the carriers of such “contamination.” But Gor'kii was much more complex and more interesting than we have supposed, and he functioned during much of

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Suzanskaya, T. N. "SYMBOLISTS ANDREY BELY AND GEORGE BACOVIA: COMPARISON OF LOVE POEMS." Russian Journal of Multilingualism and Education 12 (December 25, 2020): 109–17. http://dx.doi.org/10.35634/2500-0748-2020-12-109-117.

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The article discusses artistic features of the lyrical poems by A. Bely and G. Bacovia. The author also traces the features of symbolist poetics characteristic of both lyricists – the outstanding representatives of Russian and Romanian symbolism. The author compares the poems “The flying forest sings...” by A. Bely and “Pastel” by G. Bacovia, dedicated to the parting of lyrical characters, to love that is going away. These works reveal the main levels of artistic unity: image system, space-time continuum, lyrical situation, features of poetics and melody. An attempt has been made to translate

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Suzanskaya, T. N. "SYMBOLISTS ANDREY BELY AND GEORGE BACOVIA: COMPARISON OF LOVE POEMS." Russian Journal of Multilingualism and Education 12 (December 25, 2020): 109–17. http://dx.doi.org/10.35634/2500-0748-2020-12-109-117.

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The article discusses artistic features of the lyrical poems by A. Bely and G. Bacovia. The author also traces the features of symbolist poetics characteristic of both lyricists – the outstanding representatives of Russian and Romanian symbolism. The author compares the poems “The flying forest sings...” by A. Bely and “Pastel” by G. Bacovia, dedicated to the parting of lyrical characters, to love that is going away. These works reveal the main levels of artistic unity: image system, space-time continuum, lyrical situation, features of poetics and melody. An attempt has been made to translate

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El-Deftar, Wafaa M. "Symbolism of Time in the Work of Langston Hughes." International Journal of Language and Literature 2, no. 4 (2014): 123–32. http://dx.doi.org/10.15640/ijll.v2n4a7.

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Melik-Gaykazyan, I. V. "THE IGNORAMUS PARADOX: THE TIME OF VISUAL SYMBOLISM DOMINATION." ΠΡΑΞΗMΑ. Journal of Visual Semiotics, no. 4 (2017): 49–64. http://dx.doi.org/10.23951/2312-7899-2017-4-49-64.

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Woodward, David. "Reality, Symbolism, Time, and Space in Medieval World Maps." Annals of the Association of American Geographers 75, no. 4 (1985): 510–21. http://dx.doi.org/10.1111/j.1467-8306.1985.tb00090.x.

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Tolkacheva, S. V. "Symbols of Time in Russian Wedding Folklore of Udmurtia." Nauchnyi dialog, no. 6 (June 24, 2021): 251–66. http://dx.doi.org/10.24224/2227-1295-2021-6-251-266.

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The article is devoted to the study of the system of artistic images of Russian wedding folklore of the modern Udmurt Republic. The relevance of the work is due to the fact that the temporal processes of the wedding ritual itself, as well as family-clan and natural rhythms are first considered on the example of wedding folklore that exists in the territory of the modern republic. Particular attention is paid to the images of heavenly bodies, the kingdom of plants, zooand ornithomorphic images, the symbolism of sound signals. The sun is shown to be the central artistic image associated with the

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Maes, Marieke. "Paul Ricœur: Symbols of Good and Evil in History, the Bible and in our Time." European Journal for Philosophy of Religion 12, no. 4 (2020): 161. http://dx.doi.org/10.24204/ejpr.v12i4.3522.

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In his The Symbolism of Evil Ricœur explores the dynamics of human consciousness of evil in different cultures and times. Consciousness of evil is examined by looking at the different prevailing symbols wherein human beings confess their experience with evil. Although appeared in 1960, this study is still cited in recent publications in psychology, cultural anthropology and religion. In this article I describe the context of The Symbolism of Evil as the last part of Ricœur’s study of the will and give a summary of its relevant content.

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Wentworth, Isabelle. "“Body Time”:." Poetics Today 40, no. 4 (2019): 699–720. http://dx.doi.org/10.1215/03335372-7739099.

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This article looks at Don DeLillo’s novel The Body Artist through the lens of cognitive literary criticism, unpacking the intersection of time, intersubjectivity, and identity. Building on cognitive linguistic principles, the article’s methodology examines diverse linguistic phenomena from grammatical tense and mood to sound symbolism, ultimately demonstrating the resonances between the thematic trajectory of the novel and the neurophysiological mechanism of temporal synchronization: the unconscious capacity to “catch” the subjective experience of time from other people. Cognizance of this res

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Cobb, Charles R., and Eric Drake. "The Colour of Time: Head Pots and Temporal Convergences." Cambridge Archaeological Journal 18, no. 1 (2008): 85–93. http://dx.doi.org/10.1017/s0959774308000097.

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Colour symbolism permeated the world of indigenous North America. This symbolism was often tied to the cosmos where the earth was viewed as a quadrilateral disk and each of the four cardinal directions was linked with a colour array such as red, white, black, and blue. We suggest that the recurring use of certain colours and colour contrasts comprised a suite of long-term historical practices that were essential for reproducing certain views about the world and about being in the world. Further, the rendering of colour had a plasticity that allowed it to enter a discourse about daily life that

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CZARNOTA, ADAM. "LEGAL SYMBOLISM: ON LAW, TIME AND EUROPEAN IDENTITYby JIŘÍ PŘIBÁŇ." Journal of Law and Society 35, no. 4 (2008): 571–75. http://dx.doi.org/10.1111/j.1467-6478.2008.00450_4.x.

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Philippopoulos-Mihalopoulos, Andreas. "Jiří Přibáň, Legal Symbolism: On Law, Time and European Identity." International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique 21, no. 2 (2008): 185–88. http://dx.doi.org/10.1007/s11196-008-9076-2.

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Владыкина, Татьяна Григорьевна. "Food Symbolism in Udmurt Folklore." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 3 (November 2, 2020): 132–40. http://dx.doi.org/10.26158/tk.2020.21.3.011.

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Фольклор удмуртов содержит весьма значимый по богатству символики напитков и еды материал. Удмуртский язык и обрядовые традиции до сегодняшнего дня сохранили архаические представления о магической связи праздничной культуры и ритуальных напитков/еды (юондыр - время пития/пиршества). Показательно присутствие в названиях праздников, знаменующих календарно важные периоды зимнего (Вожо-дыр - зимние Святки) и летнего (Инвожо - летние Святки) солнцестояния, номинации хмельного напитка сур (пиво): Толсур - зимнее пиво / зимний праздник; Куарсур - лиственное пиво / летний праздник. Компонент «пиво» в

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Sécardin, Olivier. "Mallarmé et la poétique de l’hybridité." Quêtes littéraires, no. 6 (December 3, 2016): 35–45. http://dx.doi.org/10.31743/ql.209.

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The hybridity that is seen everywhere in symbolist poetry is not so much evidence of a temporary trend of the era following the interest in the crossing of species in nature as much as it is an attempt to confront the very nature of “art” itself. The time of the “quarrel of monsters” has passed, and the hybrids of contemporary poetry – competing for a place in the mythological scene that is symbolism – roam guiltless. And yet, beyond literary conventions, this mythological bestiary is anything but innocent and outdated; in fact, it embodies a genuine mythopoetic repertoire. For Mallarmé in par

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Kokkinen, Nina. "The art of mystification: esotericism differentiated in the definition of Finnish symbolism." Scripta Instituti Donneriani Aboensis 20 (January 1, 2008): 98–111. http://dx.doi.org/10.30674/scripta.67330.

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This article focuses on Sarajas-Korte’s definitions that proved to be so significant to Finnish art history. In spite of the fact that her research still represents the most extensive and profound work on Finnish Symbolism, the aim here is to question some of her definitions and categorizations. Most of her concepts are puzzling, since she tends to use them in several different ways. One example of her conceptualizations is the way she uses the word esotericism and its derivatives. First of all, she seems to associate esotericism with secrecy and things hidden—in other words she follows the de

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PENG, Lingling, and Yang GENG. "Time Symbolism in Gourd Representations used in Chinese Culture and Art." Cultura 14, no. 1 (2017): 59–70. http://dx.doi.org/10.3726/cul.2017.01.06.

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Mansouri, Mabrouk Chibani. "Holy Time and Popular Invented Rituals in Islam: Structures and Symbolism." Al-Jami'ah: Journal of Islamic Studies 56, no. 1 (2018): 121–54. http://dx.doi.org/10.14421/ajis.2018.561.121-154.

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This paper tackles three popular invented rituals in the early centuries of Islam performed in the seventh and eighth months of the Islamic calendar; Rajab and Shacbān, namely the sacrifices of faraca and catīra, fasting and prayers. In the light of sociocultural and psycho-cultural perspectives, the paper discusses the cultural and spiritual perceptions of time and space in Islam, and the reasons that make specific settings fertile soils suitable for inventing new rituals. Then, it analyses the structures and symbolism of these rituals as a means of dialogical relationship with the self, the

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Piana, Daniela. "Legal Symbolism. On Law, Time and European Identity. By Jiri Priban." Law & Society Review 43, no. 1 (2009): 227–28. http://dx.doi.org/10.1111/j.1540-5893.2009.00371_3.x.

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Anisimova, Tatiana. "The effects of corporate brand symbolism on consumer satisfaction and loyalty." Asia Pacific Journal of Marketing and Logistics 28, no. 3 (2016): 481–98. http://dx.doi.org/10.1108/apjml-05-2015-0086.

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Purpose – The purpose of this paper is to test the effects of corporate brand symbolism on consumer satisfaction and loyalty on a sample of Australian automobile consumers. Design/methodology/approach – Survey research was employed to test the study hypotheses. The regression analysis was used to evaluate the relationships between an independent variable (corporate brand symbolism) and dependent variables (consumer satisfaction and loyalty). Findings – Support was found for all hypotheses formulated in this study. Regression results reveal consistent favourable and significant effects of corpo

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Salazar, Carles. "Religious Symbolism and the Human Mind." Method & Theory in the Study of Religion 27, no. 1 (2015): 82–96. http://dx.doi.org/10.1163/15700682-12341326.

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The purpose of this paper is to assess Durkheim’s approach to religion and the validity of the time-honoured principle of the social determination of mental representations. The thesis to be defended is that Durkheim was essentially right in understanding religious ritual as a symbolic language. But he was wrong both in his social deterministic theory of mental representations and in his definition of religion as an exclusively social phenomenon. As current evolutionary sciences have amply demonstrated, human mental architecture has been shaped by a long evolutionary process and cannot be easi

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Blatchford, Ian. "Symbolism and discovery: eclipses in art." Philosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences 374, no. 2077 (2016): 20150211. http://dx.doi.org/10.1098/rsta.2015.0211.

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There is a fascinating tradition of depicting solar eclipses in Western art, although these representations have changed over time. Eclipses have often been an important feature of Christian iconography, but valued as much for their biblical significance as for the splendour of the physical event. However, as Western culture passed through the Renaissance and Enlightenment the depictions of eclipses came to reflect new astronomical knowledge and a thirst for rational learning well beyond the confines of the church and other elites. Artists also played a surprisingly important role in helping s

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Connor, Helene. "Ko te Rākau Hei Tohu Mō te Rangahau Me te Tuhi Whakapapa: Tree Symbolism as a Method for Researching and Writing Genealogy." Genealogy 5, no. 2 (2021): 29. http://dx.doi.org/10.3390/genealogy5020029.

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This article discusses a method for researching and writing whakapapa (genealogy) based on the symbolism of the tree. Utilizing tree symbolism as a method for researching and writing genealogy is conceived as a literary device for documenting both individual and collective life histories. It is an approach that was developed as being distinctively Māori, but at the same time able to be adapted by other ethnic groups and communities. The method consists of the following aspects of tree symbolism: the roots (family heritage); the trunk (what sustains and gives purpose to one’s life); the branche

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Bragina, Natalia, and Vladislav Stepanov. "PHILOSOPHICAL INTERPRETATION OF SYMBOLISM OF ČIURLIONIS’ PAINTINGS." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (May 25, 2018): 360–71. http://dx.doi.org/10.17770/sie2018vol1.3196.

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The art of M.-K. Čiurlionis is unique and at the same time emblematic of the culture of the art nouveau period. A deep connection of his art to Lithuanian folklore was combined with his fascination with European philosophical trends of the turn of the 19th - 20th centuries. The aim of this article is to identify the cross-cutting themes (leitmotifs) in the artist’s works and, with the help of this, to reveal the philosophical basis of his works. The methods of research are the study and analysis of both individual Čiurlionis’ paintings and his artistic production in general, as well as the ana

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Sigdel, Surya Bhakta. "Culture and Symbolism Nexus in Anthropology." Janapriya Journal of Interdisciplinary Studies 7, no. 1 (2018): 116–24. http://dx.doi.org/10.3126/jjis.v7i1.23061.

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Study of symbols or the theory of symbolism makes micro study of the culture. Symbols are the gestures, objects and language, which form the basis of human communication. Interpretation of symbol may differ according to the culture. At the same time a symbol may have one meaning in one culture another meaning in another culture. Symbols represent signs which are used to signify objects, real or imaginary. Symbols are arbitrary based on convention of culture. Interpretation of symbol depends on culture. Symbols are means of Communication of language, a form of ritual expression, cultural interp

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Fajfric, Boris. "The origin of Yule time in Serbian tradition." Zbornik Matice srpske za drustvene nauke, no. 147 (2014): 251–66. http://dx.doi.org/10.2298/zmsdn1447251f.

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Every year, Serbian people celebrate Christmas Eve and Christmas Day in a solemn manner enclosing various traditions. All these traditions originate from ancient Slavs, who were pagans. Each element and ritual has its own symbolism and significance. They are mainly related to Slavic gods, dead ancestors and some mythical creatures. When the Slavs received Christianity, their customs adopted a new meaning. The church canceled some customs because of their magical properties, but it also preserved others and made them an important part of Christian traditions. Thus Yule and some customs before C

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Neagoe, Alexandru. "Symbols of Conflict and Hope." Kairos 11, no. 2 (2017): 187–95. http://dx.doi.org/10.32862/k.11.2.3.

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The present article offers an analysis of the use of symbolism in the books of Daniel and Revelation. Thus, the first section of the study evaluates the degree of thematic unity which may be said to exist between the two books (given their common literary genre). Secondly, the article explores the different roles which symbolism plays within the two books. Finally, a concluding section brings together the findings of the study, indicating that despite the complex symbolism of Daniel and Revelation, it is plausible to speak of these books (individually and together) as having a unifying message

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Korobeinikov, Evgeny, Denis Khabibulin, Evgeny Tsapov, and Olesya Golubeva. "Literary and Philosophical Heritage of Symbolism (on Problem of Searching for Truth)." SHS Web of Conferences 50 (2018): 01086. http://dx.doi.org/10.1051/shsconf/20185001086.

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This paper examines the cultural heritage of the end of the 19th- the beginning of the 20th century, which period is known for the crisis that struck all the spheres of life of the time – social and economic, political, philosophical, aesthetic. It is for this reason that the intellectuals of the time reflected on the crisis in their artistic, philosophical and spiritual search. In particular, this can be traced in the works of Russian and foreign modernists. In that period, the problem of creative cognition as a special ideology and a way to create life becomes of particular importance. The r

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Milanovic, Biljana. "Musical shaping of the nation: Ethno-symbolism of Mokranjac’s garlands." Muzikologija, no. 16 (2014): 211–26. http://dx.doi.org/10.2298/muz1416211m.

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This article deals with Stevan Mokranjac?s fifthteen garlands (rukoveti), which are commonly regarded as the national project in Serbian art music that was accomplished through the producing of the tradition of the Serbian folk song. The garlands are examined by employing the concept of ethno-symbolism, theoretically associated with Anthony Smith. The elements of ethno-symbolism, and especially those aspects of this theory through which the articulation of a national identity activates connections with pre-modern myths, recollections and collective symbols, have proven useful in contextualizat

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Hirsch, Hadas. "Hair: Practices and Symbolism in Traditional Muslim Societies." Sociology of Islam 5, no. 1 (2017): 33–55. http://dx.doi.org/10.1163/22131418-00501001.

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This study examines Muslim legal discussion of head and body hair by uncovering their symbolic meanings as found in written descriptions, as these reflect both reality and expected norms. The use of symbols and symbolizing processes, together with a wider conception of the way Muslims perceive themselves, their appearance and the human interactions they have in daily life and during ceremonies, confirms the multiplicity of meanings which exist in the legal discussion of head and body hair. Thus, these societies entertained several levels of meaning for hair, some of them contradictory and comp

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Jarosz, Adam. "Autour de l’axis mundi. De la notion théorique à la mise en image littéraire dans l’œuvre de Jules Verne (Voyages et aventures du capitaine Hatteras et Le Sphinx des glaces)." Quêtes littéraires, no. 3 (December 30, 2013): 101–7. http://dx.doi.org/10.31743/ql.4610.

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The symbolism of axis mundi constitutes an integral part of cultural and religious systems across the world. Such symbolism appears clearly and precisely in all forms of religious life. As it is stressed by Eliade, many a time, axis mundi is an intersection of three varied ontological zones (the interior of the Earth, the surface of the Earth, and the Heaven) and creates a contact place of man with sacrum. The axis mundi symbolism, analysed here as a part of literary studies, is reflected also in two important novels by Julius Verne (Adventures of Captain Hatteras, 1864-65 ; An Arctic Mystery,

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Altschuller, Mark. "Batyushkov’s “arrogance” (On Mandelstam’s poem “No, not the moon, but a bright clock-face...”)." Literary Fact, no. 15 (2020): 283–95. http://dx.doi.org/10.22455/2541-8297-2020-15-283-295.

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The article clarifies the possible sources of Osip Mandelstam’s poem “No, not the moon, but a bright clock-face...” (1912, first published 1913). A new interpretation of references to K. Batyushkov, which more than once attracted the attention of poet’s contemporaries and modern researchers, is proposed. According to the author of the article, Mandelstam, theoretically asserting the “thingness” (even super-lightness, quintessence of thingness) of surrounding world as the very essence of poetry, enters into a consistent debate with the mad poet, and through Batyushkov — with Symbolism as a cert

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Reznichenko, Anna I. "“About a Symbol”: Genesis and Parallels. Article Two. Dostoevsky as a Symbolist." Dostoevsky and world culture. Philological journal, no. 3 (2021): 238–59. http://dx.doi.org/10.22455/2541-7894-2021-3-238-259.

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The article is devoted to the literary and philosophical origins of Sergei Durylin’s report “On a Symbol in Dostoevsky” (the report was read in 1926 at a meeting of the Commission for the Study of Dostoevsky at the Literary Section of GAKhN). The history of the report in the context of the Literary Section is considered. Аbstracts and debates on the report are published for the first time. The relationship of Durylin’s ideas with the complex of Dostoevsky’s interpretations, developed by both the Symbolists (G.I. Chulkov) and Russian religious philosophers (P.A. Florensky, A.F. Losev) is shown.

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Watkins, Leah, Robert Aitken, Maree Thyne, Kirsten Robertson, and Dina Borzekowski. "Environmental influences on pre-schooler’s understanding of brand symbolism." Marketing Intelligence & Planning 35, no. 7 (2017): 907–22. http://dx.doi.org/10.1108/mip-11-2016-0211.

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Purpose The purpose of this paper is to understand the factors influencing young children’s (aged three to five years) understanding of brand symbolism. Design/methodology/approach Multiple hierarchical regression was used to analyse the relationships between age, gender and environmental factors, including family and the media, on the development of brand symbolism in pre-school children based on 56 children and parent dyad interviews. Findings Results confirmed the primary influence of age, television exposure and parental communication style on three to five-year-old children’s understandin

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Silverman, Willa Z. "Esthetic Languages of the Book in Fin-de-Siècle France: Japonisme, Symbolism, and Art Nouveau in the Private Library of Henri Vever." Quaerendo 48, no. 3 (2018): 179–205. http://dx.doi.org/10.1163/15700690-12341410.

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Abstract The private diaries written between 1898 and 1901 by the French jeweler, art collector, and bibliophile Henri Vever (1854-1942) provide fresh evidence about how important late-nineteenth century esthetic ‘languages’ (japonisme, Symbolism, Art Nouveau) were appropriated by artists committed to renewing the decorative arts; the diaries also address the meaning and status of books. For Vever, his extensive collection of Japanese pattern albums served, above all, a utilitarian function, as design primers and sources of information about printing and engraving techniques for craft moderniz

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COULARDEAU, Jacques. "WOMEN’S ROLE AND POSITION IN THE EMERGENCE OF HOMO SAPIENS." International Multidisciplinary Scientific Conference on the Dialogue between Sciences & Arts, Religion & Education 4, no. 1 (2020): 102–22. http://dx.doi.org/10.26520/mcdsare.2020.4.102-122.

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Homo Sapiens (HS) started emerging around 300,000 BP. HS, a long-distance fast bipedal runner had a 29-year life expectancy. The ensuing physiological mutations caused the birth of long-dependent children. Their side-effect was enhanced vocal articulation. Linguistic phylogeny produced language with three time-ordered articulations: 1- rotation vowels-consonants into roots; 2- space- and timecategorization of roots into stems; 3- functional and temporal specifications of stems into fronds. Women henceforth developed as spiritual members in their communities, hereinafter their place in the prod

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Stoykova, Ana. "Митът за феникса в православнославянската литературна традиция. Съдържание и интерпретации". Slavia Meridionalis 14 (27 листопада 2014): 48–73. http://dx.doi.org/10.11649/sm.2014.003.

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The myth of the phoenix in Orthodox Slavic literary tradition. Symbolism and interpretationLike the majority of medieval literature, the myth of the phoenix entered the Orthodox Slavic world through translations of Byzantine works. A survey of the texts preserved in the Slavic manuscript tradition shows that there are no works of ancient authors among them, and all works containing the story of the phoenix have an entirely Christian orientation. Not counting particular references to the phoenix in some medieval writings, which in most cases are excerpts or paraphrases made on Slavic soil, the

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Riaubienė, Edita. "DOOR MEANINGS AND SYMBOLISM IN EUROPEAN TRADITION." Journal of Architecture and Urbanism 31, no. 3 (2007): 149–56. http://dx.doi.org/10.3846/13921630.2007.10697101.

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The paper is focused on the main architectural element – the door. The aim of this analysis is to reveal the door functions and its relations to the meanings and also the rich symbolism of the doorway. The research is done in the European cultural space, analysing its beginnings (Ancient Egypt, Greek, and Roma) and Christian tradition. The door is an object of a double nature that performs two contrary functions – to connect and separate – and at the same time it belongs to different substances – space and partition. The isolating function of the door conditions its protective meaning, and the

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Fotaki, Marianna, Yochanan Altman, and Juliette Koning. "Spirituality, Symbolism and Storytelling in Twentyfirst-Century Organizations: Understanding and addressing the crisis of imagination." Organization Studies 41, no. 1 (2019): 7–30. http://dx.doi.org/10.1177/0170840619875782.

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This article introduces the Special Issue concerned with organizational spirituality, symbolism and storytelling. Stressing the growing scholarly interest in these topics, the article makes a two-fold contribution. First, it critically assesses their development over time while identifying the emerging trends and new ways in which spirituality, symbolism and storytelling are taken up in management and organization studies. We make a case for utilizing their promise to transcend the epistemic boundaries and extend the scope of our academic practice beyond self-referential approaches or ‘fashion

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Kurbakova, Marina. "Artistic symbolism of I.Turgenev as a manifestation of romantic spirit of his works." Philology & Human, no. 1 (July 15, 2021): 95–113. http://dx.doi.org/10.14258/filichel(2021)1-07.

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The article considers the artistic symbolism of the writer as a reflection of the literary movement of his work, and analyzes it. The history of the issue on this topic originated a long time ago; it is quite extensive and causes undoubted interest. The peculiarity of the romantic view is associated with the personality of the writer and the inherent deep psychologism, psychophysics of his personality. The symbolic system in the Turgenev’s works is filled with Hegelian ideas about the inextricable relationship between the life of Nature and a man, which the writer adopted and developed. This r

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PRERNA. "Effective Use of Nature Symbolism in Ernest Hemingway’s Novels." History Research Journal 5, no. 4 (2019): 227–33. http://dx.doi.org/10.26643/hrj.v5i4.7728.

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The present paper aims at the careful study of some of the novels of Ernest Hemingway with a special insistence on his way of treating nature. Nature directly or indirectly plays a significant role in his creations and is much crucial aspect in the life’s of the various characters. Hemingway’s famous ‘Iceberg theory’ is also explained through an element from the nature itself. He has beautifully described the relationship of human beings with the nature around them, the environment they are a part of, the flora and fauna they are surrounded with. At places, nature becomes a prominent symbol of

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Kulikova, Daria Leonidovna. "Apocalyptic motifs in light of the poetics of horror (based on the prose of A. V. Ivanov)." Филология: научные исследования, no. 12 (December 2020): 156–67. http://dx.doi.org/10.7256/2454-0749.2020.12.34419.

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The goal of this article consists in analysis of the novels of A.V. Ivanov &ldquo;Community&rdquo; and &ldquo;Tobol&rdquo; from the perspective of using the images of the Apocalypse. Examples of referring to apocalyptic symbolism in the prose A. V. Ivanov are demonstrated. Multiple examples of interpretation of Biblical symbolism of the Apocalypse are featured in popular culture; A. V. Ivanov uses the experience of such interpretations with regard to the genre of horror novel. The article considers the examples of realization of apocalyptic motifs, and their role in the works o

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Kostic, Nemanja. "The use of St. Sava in setting ethnoreligious boundaries: Sociological-historical approach." Sociologija 59, no. 3 (2017): 314–38. http://dx.doi.org/10.2298/soc1703314k.

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From the sociological-historical perspective, this article deals with questioning the adequacy of frequently appearing nationalistic standpoints about the continuous, centuries-old maintaining of ethnoreligious boundaries, often set by emphasizing important symbols of collective identity, whose social function is reflected in creating everlasting, sturdy and unquestionable differences between nations. This problem has been investigated by studying the symbolism of St. Sava in cases of Serbo-Croatian, Serbo-Bosniac and Serbo-Montenegrin ethnoreligious dichotomization. By applying the combinatio

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Szücs-Csillik, Iharka, and Zoia Maxim. "Simbolistica „cununii” - între cer și pământ." Anuarul Muzeului Etnograif al Transilvaniei 31 (December 20, 2017): 300–308. http://dx.doi.org/10.47802/amet.2017.31.18.

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From the cycle of the constellation symbolism we will approach the „Corona-Crown” constellation. The origin of these dress accessories gets lost in the darkness of time, standing testimony of the „Prehistoric Art”. The "Corona- Crown" is the small constellation Corona Borealis, visible in early summer, its brightest stars form a semicircular arc. The "crown" is a symbol and sign of belonging to the celestial world bearer, supernatural, divine, being worn at rituals of passage; of magic; of gratitude to heroes, to victors, to geniuses and to wise; of martyrdom; of coronation of kings, being a s

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Евстратенко, Анжелика Владимировна. "THE ROAD SYMBOLISM IN THE ARCHITECTURAL CONCEPT." ΠΡΑΞΗMΑ. Journal of Visual Semiotics, no. 1(27) (April 2, 2021): 25–47. http://dx.doi.org/10.23951/2312-7899-2021-1-25-47.

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В статье рассматриваются вопросы эволюции архитектурного пространства сервисных объектов в зонах влияния транспортных коммуникаций под воздействием мировоззренческих подходов. Автомобильная дорога – это общедоступный и нередко первичный носитель культурных традиций региона. Проблема философского познания смысла архитектуры как формы культуры в целом и в приложении к теме исследования связана с развитием общественных идей и прогрессом инженерно-строительной сферы. Формирование зданий и сооружений в полосе отвода крупных автомобильных трасс характеризуется целым рядом особенностей, среди которых

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Kadurina, A. O., and Yu S. Nazarchuk. "Symbols of the Dyukovsky Park constructions in Odessa. Heritage of the 1950s agricultural exhibition." Collected Works of Uman National University of Horticulture 1, no. 97 (2020): 181–90. http://dx.doi.org/10.31395/2415-8240-2020-97-1-181-190.

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Purpose. The research is devoted to the analysis of the agricultural exhibition pavilions symbolism in Dyukovsky Park in Odessa in 1950s years. Methodology. Field study and bibliographic research, synthesis and analysis, historical method, and method of analogies are used in that work. Results. The stages of Dyukovsky Park formation have been studied, from the Duke de Richelieu, which gave the name to the park, dacha creation to the active construction and landscaping of the park in the XX century. In particular, from the symbolism point of view, the architectural and artistic decor of the agr

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