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Relevant bibliographies by topics / Symbolism (Art movement) Aesthetics / Dissertations / Theses

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Dissertations / Theses on the topic 'Symbolism (Art movement) Aesthetics'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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1

Steinberg, Marc A. "Emerging from flatness : Murakami Takashi and superflat aesthetics." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33929.

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This thesis is an examination of the concept and the term "superflat" as it is elaborated by the Japanese artist Murakami Takashi in his writings, in the exhibition he curated under the same name, and in his own art.<br>Its aim is to contextualize Murakami's project on one hand in terms of a similar attempt to define a Japanese national aesthetic in the early 20 th century, and on the other in terms of the 1990's tendency to return to Edo Japan to find the "origins" of Japan's postmodernity.<br>Murakami's own art is then turned to in order to both elaborate on and test the aesthetic of Japanes

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2

Hitchmough, Ruth Wendy. "Studies in the symbolism and spirituality of the arts and crafts movement." Thesis, University of Sussex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340859.

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3

Gao, Minglu. "The '85 Movement Avant-garde art in the post-Mao era /." online access from Digital dissertation consortium, 1999. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9960497.

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4

Lewis, Lynnell K. "The poetry of symbolism and the music of Gabriel Fauré." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/836.

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5

Morgan, David. "The origin and use of compositional geometry in Christian painting /." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68125.

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Painters of Christian subjects in the late Middle Ages and early Renaissance developed a complex system of geometry which they used to order the various elements in the image. They did this because they were convinced that the aesthetic dimension of their work resided in the structure of the work. More specifically, the artists of the late Middle Ages and the Renaissance believed that the particular aesthetic experience which geometric compositional structure provides corresponded to Christian mystical experience. Thus a work of art that combined geometric structure, naturalistic style, and Ch

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6

Seyssel, Ricardo. "Um estudo histórico perceptual : a bandeira brasileira sem o Brasil /." São Paulo, 2006. http://hdl.handle.net/11449/99855.

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Orientador: Claudete Ribeiro<br>Resumo: Este trabalho tem por meta verificar problemas objetivos e subjetivos na concepção e definição da bandeira nacional brasileira e como isto pode afetar ou não, intelectual e culturalmente, os brasileiros. Afora as dificuldades de sua reprodução/manufatura correta, dada sua forma com minúcias - por exemplo: a colocação e tamanho das estrelas, a inclinação exata da faixa branca central e a correta tonalidade do azul -, nossa bandeira certamente apresenta falhas tanto de design e aspectos simbólicos quanto de comunicação e psico-sóciocultural. Esta dissertaç

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7

Pflumm, Bernd A. "Kine ti um : an architectonic artefact." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1033634.

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The aim of this creative project is the search for an alternative path of spatial understanding and the implementation of an complementary way that seeks to communicate new spatial ideas in the real of architecture.By introducing the hypothesis of a consolidated unit that consists of the triptych space, movement and the perceiving human being, one is necessary to create a media that can potentially help the expression of multidimensional structures.For this purpose dance is introduced in the field of architecture. Choreography and movement notation are structured and interpreted in order to in

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8

Morse, Benjamin L. "The Bible and its modern methods interpretation between art and text /." Thesis, Thesis restricted. Connect to e-thesis to view abstract, 2008. http://theses.gla.ac.uk/498/.

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Thesis (Ph.D.) - University of Glasgow, 2008.<br>Ph.D. submitted to the Department of Theology and Religious Studies, Faculty of Arts, University of Glasgow, 2008. Includes bibliographical references. Print version also available.

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9

McClure, Melissa Ann. "Moving pictures." PDXScholar, 1992. https://pdxscholar.library.pdx.edu/open_access_etds/4420.

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My thesis work includes 10 large drawings that explore the narrative qualities of line movement. I use line in these drawings as a recording device to document both the physical activity of the process and the personal experience that the lines represent. Through this work I attempt to develop a language of visual imagery that is autobiographical in nature. A system of personal symbols and recurring forms make up the structure of this visual vocabulary. Line movement and rhythm provides a sense of the dialog.

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10

Clerbois, Sébastien. "Contribution à l'étude du mouvement symboliste: l'influence de l'occultisme français sur la peinture belge (1883-1905)." Doctoral thesis, Universite Libre de Bruxelles, 1999. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211854.

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11

Brogniez, Laurence. "Préraphaélisme et symbolisme: discours critique et création littéraire en France et en Belgique (1880-1900)." Doctoral thesis, Universite Libre de Bruxelles, 1998. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211998.

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12

Monroy, Agamez Ernesto Eduardo. "The role of motion smoothness, synchrony, and culture in aesthetic perception of human movement : from the method of production to the method of choice." Thesis, Brunel University, 2018. http://bura.brunel.ac.uk/handle/2438/16426.

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Research on aesthetic perception of dance has been recently generating considerable interest within the field of Psychology of Aesthetics. There are, however, a number of methodological and conceptual gaps in our knowledge such as the application of the method of production, as well as understanding the role of motion smoothness, synchronous movement, and cultural factors in aesthetic perception. The present basic research addresses those gaps through five psychological experiments. In study 1, participants generated static sequences of images according their preference. Smooth continuation of

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13

Jones, Daniel O. "The Soul That Thinks: Essays on Philosophy, Narrative and Symbol in the Cinema and Thought of Andrei Tarkovsky." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1194999476.

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14

Ganoe, Kristy L. "Mindful Movement as a Cure for Colonialism." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1367936488.

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15

Stiebeling, Detlef. "Traditional iconographic themes in a Victorian context : paintings by Sir John Everett Millais between 1848 and 1860." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=73982.

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16

Bogoni, Roberta. "Joan Miró 1922-1942. Interpretación del simbolismo místico de la obra mironiana surrealista." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/398392.

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La presente tesis expone los resultados de investigación sobre el contenido y simbolismo místicos de la obra mironiana a partir de la detección y la interpretación de los símbolos y códigos de símbolos de rasgo metafísico, religioso, espiritual y mítico del periodo comprendido entre 1922 y 1942. Este periodo cronológico, que toma como punto de partida las interpretaciones del primer cuadro con contenido místico, La masía, involucra las fases de constitución, desarrollo y consolidación de los símbolos y los códigos de símbolos seleccionados, cerrando un ciclo evolutivo cuyo patrones establecido

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17

Solanilla, i. Roselló Anna. "L’escenografia simbolista d’Adrià Gual." Doctoral thesis, Universitat de Barcelona, 2008. http://hdl.handle.net/10803/525836.

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L’escenografia d’Adrià Gual es comença a desenvolupar en el marc dominant d’un plantejament tradicional vuitcentista de pretensions il·lusionistes i solucions il·lustratives. Es tracta d’uns decorats pintats marcats per un fort eclecticisme entre els estils de la pintura de cavallet del postromanticisme (a partir del 1874) i el realisme (a partir del 1890). En aquest context escenogràfic decadent, els decorats només reiteren un sentit de quadre, pintura de gran format a l’escenari. Adrià Gual, com a artista inquiet i vinculat ideològicament i artísticament a les ambicions regeneracionistes

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18

Leroy, Monique. "L’expression artistique comme émancipation et représentation de la classe ouvrière par elle-même." Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20136.

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Le désir de changer la vie, de s'accomplir et de s’émanciper dans les années 1830 trouve, pour se concrétiser, une expression artistique qui se poursuit aujourd’hui sous d'autres formes. Les prolétaires du XIXe siècle décident de ne plus vivre l’insupportable. Ils prennent des heures sur leur temps de repos, pour se cultiver, se former. Ils fondent des journaux, composent des chansons, des poèmes, des pamphlets, lisent les textes des penseurs Saint-simoniens et Fouriéristes. Leur lutte emprunte les voies du régime esthétique. Cette expérience d’émancipation fait le lien, à travers le temps, av

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19

Reed, Hillary Nicole. "Failing, Falling, Flying, and the Knowledge “Gap”." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492005385494479.

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20

Rowley, Neville. "Pittura di luce. La manière claire dans la peinture du Quattrocento." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040197/document.

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La présente thèse a pour point de départ une exposition florentine organisée en 1990 et intitulée « Pittura di luce ». Ses organisateurs entendaient désigner ainsi un courant de la peinture florentine du milieu du XVe siècle fondé sur la lumière et la couleur claire. Comme l’avait bien compris l’exposition, cette « peinture de lumière » est d’abord identifiable dans la « manière colorée » portée par Fra Angelico et Domenico Veneziano, mais elle doit aussi être élargie à une manière plus « blanche », qui va de Masaccio aux premières œuvres d’Andrea del Verrocchio, au début des années 1470. Les

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21

Sorenson, Peter David, and peter sorenson@rmit edu au. "Signs of mid-life: images from the contemporary Australian mid-life male psyche." RMIT University. Applied Communication, 2005. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20060428.113457.

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This research project investigates images from the contemporary Australian mid-life psyche, exploring the contribution to individual transformation made through the creation of, and reflective engagement with, personal imagery. Asking the question: 'What do contemporary Australian mid-life males consider to be a rich and sustaining inner life?' This project documents the visual images, descriptions, and reflections of a group of five participants, discussing the individuals' experiences of aesthetic self-inquiry with reference to divergent theories of psychology, art therapy and ph

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22

GROSSI, GIANCARLO MARIA. "PSICOLOGIA DELLA PERCEZIONE ED ESTETICA DEL MOVIMENTO IN FRANCIA (1875-1905). UN'ARCHEOLOGIA DELL'ESPERIENZA CINEMATOGRAFICA." Doctoral thesis, Università Cattolica del Sacro Cuore, 2016. http://hdl.handle.net/10280/10486.

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In Francia, tra la fine del XIX e l’inizio del XX secolo, sorge una nuova forma esperienziale, quella del cinema. Nello stesso contesto, il movimento corporeo diventa oggetto di studio da parte di una serie di discipline, in particolar modo l’estetica e la psicofisiologia, che si ridefiniscono reciprocamente in un costante dialogo con le nuove tecnologie visive. Esiste una relazione tra questi due eventi? Il presente lavoro mira a costruire un’archeologia dell’esperienza cinematografica attraverso l’analisi dei testi di estetica sperimentale, psicologia della percezione e neurologia che emergo

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23

La, Follette Tavia. "Sites of Passage: Art as Action in Egypt and the US-- Creating an Autoethnography Through Performance Writing, Revolution, and Social Practice." Antioch University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1365450771.

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24

Dessy, Clément. "Les écrivains devant le défi nabi: positions, pratiques d'écriture et influences." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209795.

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En 1888, une communauté de peintres s’associe sous l’appellation « Nabis ». Ce terme, issu de l’hébreu, signifie à la fois les « prophètes » et les « initiés ». Paul Sérusier qui vécut sa rencontre avec Paul Gauguin comme une révélation est à l’origine de la formation du groupe. Une année auparavant, le symbolisme littéraire triomphe en France et suscite l’émulation parmi une nouvelle génération d’écrivains qui se cristallise autour de /La Revue Blanche/ et le /Mercure de France/. Entre les Nabis et les symbolistes s’établit dès lors un intense réseau de collaborations. Tant dans l’élaboration

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25

Parsberg, Cecilia. "Hur blir du en framgångsrik tiggare i Sverige? : en undersökning av tiggandets och givandets bilder 2011 till 2016." Doctoral thesis, Umeå universitet, Institutionen Konsthögskolan, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-126829.

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Mitt första möte med en tiggande föranledde mig att under fem år undersöka den nya situationen för tiggeriet och giveriet i Sverige. Förutsättningen är att vardagliga handlingar och reaktioner gentemot en annan människa kan synliggöras estetiskt med en etisk klangbotten. Min undersökning utspelar sig i första hand i gaturummet och i medierna. Det är hela tiden bilderna som är utgångspunkten för resonemangen och de gestaltande verken. Bilder som både separerar och länkar samman kroppar. Vilka bilder är i spel i tiggeriets och giveriets sociala koreografi? Hur kan bilder i detta sammanhang aktiv

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26

Williams, Alena. "Movement in Vision: Cinema, Aesthetics, and Modern German Culture, 1918-1933." Thesis, 2014. https://doi.org/10.7916/D8N29V45.

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This study addresses the intersection of the avant-garde and mass culture through a close reading of three singular works from the Weimar Republic in Germany. Bauhaus founding director Walter Gropius (1883-1969) designed a "Total Theater" (1927, unbuilt) whose multiple screens encircled an interior structure for the presentation of twelve simultaneous film projections. In 1930, Hungarian-born Bauhaus professor László Moholy-Nagy (1895-1946) completed a rotating, metallic sculpture for the projection of light effects, which has assumed a number of different configurations within theater, film,

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27

Sager, Jo. "Whistler's application of musical terminology to his paintings : the search for a synaesthetic response /." 2004. http://wwwlib.umi.com/dissertations/fullcit/3154243.

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28

Ševečka, Daniel. "Právo a umění (symbolika, estetika, architektura)." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-437203.

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The Law and Art - Symbolism, Aesthetics, Architecture Abstract The Law and Art can be considered as a field of legal science or as a part of the theory of law, which is beginning to enjoy the interest of lawyers and legal scientists and theoreticians. However, this is not an area of law dealing with the Art Law. The Art Law focuses more on intellectual property law and the application of law in the world of art and artists. This thesis analyzes the theoretical question of whether the law can be understood as a distinct artistic discipline. So called beautiful art. This question also is the mai

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29

SVOBODOVÁ, Tereza. "Ikonografie ženy v českém symbolismu mezi lety 1880 - 1914." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-320536.

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This thesis aims to study and describe the evolution and transformations of female archetypes appearing in the production of symbolist art movement during the time period 1880 1914. It focuses on all used variants of symbols and personifications of womanhood, and it tries to present the complete iconographic overview. The main goal is to learn whether symbolists were using maily symbols of a destructive antiheroine or whether there was a wider spectrum of positive and honorable female icons. There are also examples used from the decadent literature which include those symbolic figures.

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30

Piers, Ken, Tod Nolan Moquist, Geest Mieke Van, and C. T. McIntire. "Perspective vol. 10 no. 3 (Apr 1976)." 2013. http://hdl.handle.net/10756/251333.

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