Relevant bibliographies by topics / Symbolism of colors

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Symbolism of colors'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Symbolism of colors"

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Rahayu, Kristina Indah Setyo. "A Comparison on Hyponymy and Cultural Symbolism of Six Color Words between Chinese Language and Bahasa Indonesia." Lingua Cultura 8, no. 2 (2014): 61. http://dx.doi.org/10.21512/lc.v8i2.444.

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Color words originate from natural world. In general different languages have similar patterns of color hypernymy. Nevertheless, when it comes to color hyponymy, it is not the case. Specific color hyponyms have emerged because different countries have different cultures. Besides, color words are also rich in cultural symbolism. In other words, same colors in different countries have different cultural symbolisms. This paper analyzed six color words (red, white, yellow, blue, green, and black) between Chinese language and bahasa Indonesia to find similarities and differences both in hyponymy an
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Kovsh, Oleksandr, and Mykyta Dziuba. "Symbolism of Color in Cinema." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 5, no. 2 (2022): 207–15. http://dx.doi.org/10.31866/2617-2674.5.2.2022.269532.

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The purpose of the research is to analyze the perception of color by the viewer and to establish the role of the color score in the structure of the film, to determine the symbolism of the main colors in the fabric of the film. To achieve this goal, the following tasks are outlined: to establish the role of color in building the character and image of the character; to prove the importance of the ability to build and harmoniously organize the color scheme in the use of a monochromatic color system; to consider the role of color and its symbolism on specific examples. The research methodology c
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Kovsh, Oleksandr, and Mykyta Dziuba. "Symbolism of Color in Cinema." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 5, no. 2 (2022): 207–15. https://doi.org/10.31866/2617-2674.5.2.2022.269532.

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The purpose of the research is to analyze the perception of color by the viewer and to establish the role of the color score in the structure of the film, to determine the symbolism of the main colors in the fabric of the film. To achieve this goal, the following tasks are outlined: to establish the role of color in building the character and image of the character; to prove the importance of the ability to build and harmoniously organize the color scheme in the use of a monochromatic color system; to consider the role of color and its symbolism on specific examples. The research met
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JOHANSSON, NIKLAS, ANDREY ANIKIN, and NIKOLAY ASEYEV. "Color sound symbolism in natural languages." Language and Cognition 12, no. 1 (2019): 56–83. http://dx.doi.org/10.1017/langcog.2019.35.

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abstractThis paper investigates the underlying cognitive processes of sound–color associations by connecting perceptual evidence from research on cross-modal correspondences to sound symbolic patterns in the words for colors in natural languages. Building upon earlier perceptual experiments, we hypothesized that sonorous and bright phonemes would be over-represented in the words for bright and saturated colors. This hypothesis was tested on eleven color words and related concepts (red–green, yellow–blue, black–white, gray, night–day, dark–light) from 245 language families. Textual data was tra
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Al Ghusaini, Zaher Badr. "Symbols of Color Code in the Poetry of Federico Lorca (1898-1936)." Journal of Arts and Social Sciences [JASS] 3, no. 1 (2012): 121. http://dx.doi.org/10.24200/jass.vol3iss1pp121-133.

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The current study addresses color symbolism in the poetry of Federico Garcia Lorca, a 20th century poet. He lived in the period between 1898 and 1936 in which Spain, and particularly Granada, had a significant impact on his poetry. It lived in his verses and added a unique charisma to his poetry, emerging from its ongoing transformation from tangible visualization to artistic glances. The mention of color appeared in every poem, with some colors being more dominant than others. It added an artistic value with a pure psychological perspective, almost like a painting portraying Granada. This led
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Al Ghusaini, Zaher Badr. "Symbols of Color Code in the Poetry of Federico Lorca (1898-1936)." Journal of Arts and Social Sciences [JASS] 3, no. 1 (2012): 121–33. http://dx.doi.org/10.53542/jass.v3i1.1045.

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The current study addresses color symbolism in the poetry of Federico Garcia Lorca, a 20th century poet. He lived in the period between 1898 and 1936 in which Spain, and particularly Granada, had a significant impact on his poetry. It lived in his verses and added a unique charisma to his poetry, emerging from its ongoing transformation from tangible visualization to artistic glances. The mention of color appeared in every poem, with some colors being more dominant than others. It added an artistic value with a pure psychological perspective, almost like a painting portraying Granada. This led
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Valev, Teodor. "TRADITIONAL CHINESE COLOUR SYMBOLISM – MEANING AND UNDERSTANDING." Diplomatic, Economic and Cultural Relations between China and Central and Eastern European countries 8 (April 1, 2023): 475–94. http://dx.doi.org/10.62635/vwjc-0h90.

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The article considers the concept of “colour” from a psychological point of view and addresses the topic of the “Five Elements Theory” which is directly related to the five main colours in China – fire/red, yellow/earth, white/metal, blue/wood, and black/water. Then each colour is considered separately (including some additional colors like green, purple and gold), it’s perception and symbolism in Chinese culture from the past until now. Finally the author dwell on the meaning of some of these colors and their use in Peking Opera.
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Phuyal, Komal Prasad. "Chromatic Symbolism in T. S. Eliot’s The Waste Land." BL College Journal 5, no. 2 (2023): 07–16. http://dx.doi.org/10.62106/blc2023v5i2e1.

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T. S. Eliot (1888-1965) employs colors to depict various shades of emotions of the post-World War I in Europe in his ‘The Waste Land’ (1922). On the one hand, the poetic treatment of colors indicates the plight of the world; on the other, the colors embody the myths of the ancient world and help deepen the meaning of the text. The poetic genius employs Tiresias as the persona who can travel through time and space bringing together different hues of the world into a single collage. Eliot’s choice of color reveals to the modern audience the deeper schema that he builds to represent the devastate
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Pavlova, Irina. "The Color Symbolism in the Works of Saltykov-Shchedrin." Scientific and analytical journal Burganov House. The space of culture 16, no. 2 (2020): 91–99. http://dx.doi.org/10.36340/2071-6818-2020-16-2-91-99.

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The article is devoted to the symbolism of color in the works of Saltykov-Shchedrin. Color is a fundamental phenomenon of existence; various sciences, including literary criticism, study it. It is connected with the ideological conception of the work, with art space; it bears a visual function, emotionally colors the world depicted by a writer, enriches, makes it more complex. Saltykov-Shchedrin’s use of color is connected with the satirist’s talent to see the reality in the "concentration of evil". In the works of the writer, Russia appears to be ambivalent: it is a field of the rampage of th
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Kang, Soo-Won. "A Study on the Color Image of Heo Soo-kyeong’s Poetry: Focused on the Aspect of Mixture and Entanglement of Black and White color." Dongnam Journal of Korean Language and Literature 54 (November 30, 2022): 5–25. http://dx.doi.org/10.21654/djkll.2022.54.1.5.

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Black and white in Heo Soo-kyeong's poetry reveal unique color symbolism in a way of repetition and reversion. This aspect deepens and expands the emotion and the subject consciousness, which forms her own distinct poetic aesthetics. Furthermore, the black and white color images in her poems display an Assemblage effect, forming mixed and entangled aspects in one work. This is a new possibility created by a combination of disparate elements, a further level of thinking from the conventional wisdom that the two colors indicate an opposing single network of meanings in different works.
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Dissertations / Theses on the topic "Symbolism of colors"

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Kappel, Caroline J. "Labyrinthine Depictions and Tempting Colors: The Synaesthetic Dances of Loïe Fuller as Symbolist Choreography." Ohio University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1195707359.

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Kappel, Caroline J. "Labyrinthine depictions and tempting colors the synaesthetic dances of Loïe Fuller as symbolist choreography /." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1195707359.

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Carney, Ovidia Cornelia Blough. "Effects of age and ethnicity on color preference and on association of color with symbol and with emotion." CSUSB ScholarWorks, 2001. https://scholarworks.lib.csusb.edu/etd-project/1882.

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André, Andreas. "En färgglad studie om spelarbeteenden." Thesis, Uppsala universitet, Institutionen för speldesign, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-226308.

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This is the result of a 10 week long study about if player behaviors and choices are affectedby the surrounding colors in their environment. A number of players are asked to movethrough a virtual environment, while being clocked, where they have to make left and rightdecisions based on different colors (red, green, blue and gray). While most choices consist oftwo different colors, some use the same color. The result shows that the players most likelyprefer one color over another, and that they most likely prefer a non-neutral color over aneutral color. With these results and the interviews tha
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Курилко, Аліна Олексіївна. "Color symbolism in interior design." Thesis, Київський національний університет технологій та дизайну, 2020. https://er.knutd.edu.ua/handle/123456789/15317.

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Slavík, Jan. "Dance of colours : basic patterns of colour symbolism in Mahāyāna Buddhism /." Göteborg : Göteborg univ, 1994. http://catalogue.bnf.fr/ark:/12148/cb37018318c.

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Jackson, Veda Kimber. "It's all about color: an analysis of color symbolism in Toni Morrison's Sula and the bluest eye." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2011. http://digitalcommons.auctr.edu/dissertations/204.

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This study examines Toni Morrison’s use of symbolism in Sula and The Bluest Eye, especially archetypal and color symbolism, in an effort to recover the culture that has been lost to Diasporic Africans. Moreover, the color symbolism and symbolic archetypes that Morrison employs in both novels, but to a greater extent Sula, are a direct reflection of her awareness of the African ancestral heritage and spirituality associated with those colors and archetypes. A vast majority of the literary critiques of Sula have focused on either Sula as a scapegoat for the community, Morrison’s use of race, gen
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Martin, Shannon. "A Palette of Unconvential Symbolism: Color Imagery in Three Margaret Atwood Novels." TopSCHOLAR®, 1995. http://digitalcommons.wku.edu/theses/915.

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In this thesis, the writer examines the color imagery in three Margaret Atwood novels: Surfacing, Cat's Eye, and The Handmaid's Tale. Atwood uses color in unconventional ways by forcing colors to symbolize the opposite of their common meanings, by allowing colors to represent simultaneously two opposing ideas, and by disregarding traditional color meanings by creating her own unique associations. Atwood's color imagery supports her thematic concerns in that through her themes--as with her use of color--she challenges the reader's expectations by throwing into question many conventional ideas a
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Brunberg, Mikael. "The weight of color." Thesis, Uppsala universitet, Institutionen för speldesign, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-209982.

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This paper explores the weight of color, with the focus lying on the symbolic significance ofcolor. Exploring whether color in itself conveys symbolic significance and is the symbolicsignificance of color permanent, or is it an after construction? It will be looking at differentareas such as what makes us humans able to perceive colors in the first place, beginning withan insight at some of the foundations in the area of color theory. Mentioning experiments ondecomposed white light, that contains the visible color spectrum and its contribution to theevolution of the color wheel. The color whee
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Parker, Brendan D. "Assessing interpretability of visual symbols of varied colors across demographic profiles /." Online version of thesis, 2010. http://hdl.handle.net/1850/12245.

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Books on the topic "Symbolism of colors"

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1897-, Portmann Adolf, and Eranos Conference (1972 : Ascona, Switzerland), eds. Color symbolism: Six excerpts from the Eranos yearbook, 1972. Spring Publications, 1988.

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Kaprielov, Aleksandr. T︠S︡vet v mirovozzrenii cheloveka. Negev, 2005.

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Kaprielov, Aleksandr. T︠S︡vet v mirovozzrenii cheloveka. Negev, 2005.

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Vlajić, Spasoje. Svetlosna formula i Svetlosni nivoi posmrtne ravni. Miroslav, 1992.

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Shved, I. A. Mifalohii͡a koleru ŭ belaruskaĭ tradytsyĭnaĭ dukhoŭnaĭ kulʹtury: Manahrafii͡a. Brėstski dzi͡arz͡haŭny universitėt imi͡a A. S. Pushkina, 2011.

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Littlefield, Holly. Colors of India. Carolrhoda Books, 2000.

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Massimo, Squillacciotti, ed. Sguardi sui colori: Arti, comunicazione, linguaggi : atti dal seminario interdisciplinare dell'Università degli studi di Siena. Protagon, 2007.

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Ohtsuki, Minoru. A cognitive linguistic study of colour symbolism. Institute for the Research and Education of Language, Daito-Bunka University, 2000.

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B, Hutchings John, Wood Juliette, Folklore Society (Great Britain), and Colour Group (Great Britain), eds. Colour and appearance in folklore. Folklore Society, University College, London, 1991.

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Brémond, Elisabeth. L' intelligence de la couleur. Albin Michel, 2002.

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Book chapters on the topic "Symbolism of colors"

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Sall, Adjaratou Oumar. "Chapter 12. Perception and expression of color among the Wolof of Senegal." In Culture and Language Use. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/clu.23.12sal.

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The analysis and description of color terms has re-emerged at the center of discussions in contemporary anthropological linguistic research (based on well-established previous studies over the past decades). However, work on color terms is still lacking in most West African linguistic research, particularly in Senegal. Wolof, a lingua franca spoken mainly in Senegal, has three basic colors used with adverbs that are never used in other contexts, namely ñuul ‘black’, ñuul kukk ‘extremely black’, weex ‘white’, weex tàll ‘extremely white’, xonq ‘red’ and xonq coyy ‘extremely red’, around which gr
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Küchler, A. W. "Patterns, Colors and Symbols." In Vegetation mapping. Springer Netherlands, 1988. http://dx.doi.org/10.1007/978-94-009-3083-4_12.

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Casiraghi, Matteo C. M., and Eugenio Cusumano. "Colours, Symbols, Ideologies." In The International Politics of Logos. Routledge, 2023. http://dx.doi.org/10.4324/9781003396543-4.

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Bonds, Alexandra B. "The Symbolism and Application of Color." In Beijing Opera Costumes. Routledge, 2019. http://dx.doi.org/10.4324/9781315146195-4.

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Casiraghi, Matteo C. M., and Eugenio Cusumano. "Flags, Symbols, and Colours." In The International Politics of Logos. Routledge, 2023. http://dx.doi.org/10.4324/9781003396543-2.

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Mora, Joan C., and Jonás Fouz-González. "Contrastive input enhancement in captioned video for L2 pronunciation learning." In Language Learning & Language Teaching. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/lllt.61.07mor.

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This study investigated the potential of input enhancement in captioned video to facilitate learners’ perceptual sensitivity to a difficult L2 vowel contrast (/æ/-/ʌ/). Participants were randomly assigned to two control and four experimental viewing conditions to explore the effects of audiovisual input (a 30-minute TV episode) on perceptual learning. Textual enhancement on captions highlighted target sounds contrastively (two colors) or non-contrastively (one color) in words transcribed orthographically or in IPA phonetic symbols. Learners’ /æ/-/ʌ/ perception gains were assessed through lexic
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Beneš, Nikola, Luboš Brim, Samuel Pastva, and David Šafránek. "Symbolic Coloured SCC Decomposition." In Tools and Algorithms for the Construction and Analysis of Systems. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72013-1_4.

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AbstractProblems arising in many scientific disciplines are often modelled using edge-coloured directed graphs. These can be enormous in the number of both vertices and colours. Given such a graph, the original problem frequently translates to the detection of the graph’s strongly connected components, which is challenging at this scale.We propose a new, symbolic algorithm that computes all the monochromatic strongly connected components of an edge-coloured graph. In the worst case, the algorithm performs $$O(p\cdot n\cdot \log n)$$ O ( p · n · log n ) symbolic steps, where p is the number of
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Pittock, Murray. "Sedition, Symbols, Colours, Cant and Codes." In Material Culture and Sedition, 1688–1760. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137278098_3.

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Jacobsson, Kerstin, and Håkan Johansson. "Governance by numbers, colours, and symbols." In Governing Street-Level Bureaucracies. Routledge, 2025. https://doi.org/10.4324/9781003318668-7.

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Barčot, Branka, and Anita Hrnjak. "Symbolic and cultural meaning of colors in phraseology." In Studies in Functional and Structural Linguistics. John Benjamins Publishing Company, 2019. http://dx.doi.org/10.1075/sfsl.78.15bar.

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Conference papers on the topic "Symbolism of colors"

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Grenarova, Renee. "COLLOCATION IDIOMS WITH A COLOUR COMPONENT IN TEACHING STUDENTS OF CZECH LANGUAGE FOR FOREIGNERS ON THE LEVEL OF THE INDEPENDENT USER." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s11.25.

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Background: Phraseology is a result of the life knowledge, folk wisdom of entire generations. It is a part of the spirit and material culture of each nation. As scientific discipline research idioms, which represents specific type of established vocabulary characterized by expressiveness, imagery and stability. Idioms have an irreplaceable place during adoption of communicative language competence, especially within its sociocultural and semantic field. Ignorance of idioms could lead to misunderstandings or incomprehension of certain communication situation among native speakers. The colors ar
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Dong, Hanzhang. "Analyzing the symbolic significance of Angelopoulos’ films from the perspective of semiotics." In Intelligent Human Systems Integration (IHSI 2024) Integrating People and Intelligent Systems. AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004522.

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Symbolic communication is an interdisciplinary field that investigates the meaning and function of symbols in the communication process. Within the framework of symbolic communication studies, symbols are seen as tools individuals employ to convey meanings and values. As a crucial cultural artifact and visual medium, film combines various symbolic elements—including imagery, sound, and plot—to create a distinctive and intricate symbolic system, thus conveying specific meanings through symbol construction. In the films of Angelopoulos, the allure of “symbolic symbolism” is reflected through flo
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Ermurachi Machado, Carolina, and Teodora Hubenco. "Embroidery as artistic expression in japanese kimono." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.16.

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This article is dedicated to the historical contemporary contextualization of the Japanese kimono. Throughout its ancestral history, the Japanese kimono has been the main garment in Japanese society. It has always featured a wide variety of styles, colors, accessories and decorative embroideries. With the development of modern society, the kimono has become an international symbol of Japanese culture, with particular emphasis on its rich and decorative embroidery. In contemporary fashion creations, the kimono has been used as a central element in several collections by international designers,
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Ben Arfa, Yosser. "Orientalism In Hungarian Secular Architecture From The Mid-19th to the Mid-20th Centuries." In 8th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2025. https://doi.org/10.62422/978-81-981590-2-1-032.

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This research explores the manifestation of Orientalist influences in Hungarian secular architecture, particularly from the mid-19th to the mid-20th centuries, as a cultural and artistic phenomenon, which influenced architectural design and decorative elements on buildings in Hungary. By examining architectural projects and the general context, this study aims to uncover the ways in which Hungarian architects engaged with Orientalist motifs, styles, and ideologies. It investigates the presence of Orientalist motifs, materials, spatial arrangements, and symbolism in selected architectural examp
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Сафронова, Д. А., and О. В. Петрухина. "OBJECT ANIMATION AS A BRANDING INSTRUMENT." In Образ, знак и символ сувенира. Crossref, 2025. https://doi.org/10.54874/9785605245704.2024.10.23.

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Статья посвящена исследованию роли предметной анимации в усилении визуальной идентичности бренда. Через сочетание динамики анимационных элементов и устойчивого позиционирования предметная анимация создает дополнительную глубину восприятия бренда, используя наглядные метафоры, цвета и трансформации. Особое внимание в статье уделяется тому, как предметная анимация способствует расширению символического значения мерча и сувенирной продукции. Object animation opens new horizons for branding, blending the dynamism of movement with powerful symbolism. This article explores the role of object animati
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Makar, Mariia, and Viktor Savka. "Social constructions in Ukrposhta stamps during the Russian-Ukrainian war." In Sociology – Social Work and Social Welfare: Regulation of Social Problems. Видавець ФОП Марченко Т.В., 2023. http://dx.doi.org/10.23939/sosrsw2023.060.

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Background: The period of the Russo-Ukrainian war is rich in visual symbols. We can observe the emergence and creation of new symbols that contain important cultural and social codes. People create one social construct and reject another, forming their opinion about the war and their participation in it, demonstrating the state of society. Purpose: To determine citizens' perceptions and how they form a social construct during the Russian-Ukrainian war, a study of Ukraine Post stamps (visual symbols) can be conducted. Methods: Through the paradigm of social constructivism, we examine this resea
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Карпова, Ю. И. "INTERPRETATION OF SYMBOLIC COLOR VALUES IN BOOK GRAPHICS." In Цвет в пространственных искусствах и дизайне. Crossref, 2024. http://dx.doi.org/10.54874/9785605245766.2024.04.20.

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Цветовая символика имеет тенденцию к изменению значений в зависимости от времени, места и исторических событий. Также и цветовое решение современной книги имеет тенденции к разнообразию проявлений. Выявляются особенности и возможности использования цвета в книжной графике (на примере дипломных проектов печатных изданий ВШДиА ИСИ СПбПУ). Рассматриваются значение и варианты символической интерпретации цвета в книге, связь символики цвета с передачей информации. Актуально выявить основные тенденции изменения цветовых значений в зависимости от контекста книги. Color symbols tend to change meanings
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Lobo, Carla, Puja Kumar, and Luisa Barreto. "Defining the Complex Emotional Experiences of Depression through Visual Language – Colour as Expressive Tool." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001408.

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According to survey reports by World Health Organization, depression was ranked as the third leading cause of the global burden of disease in 2004, moving into the first place by 2030. Considering this scenario, a research project has been conducted focusing on the potential of graphic design in health care as an opportunity to communicate complex emotional experiences of depression. Using colour as a design strategy, conceptualizes a methodological approach that can be adopted to develop colour palettes in graphic design by considering the focal parameters relevant to the specific project, in
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Wu, Duan, Peng Gao, and Ying Zhang. "Optimization of the Emergency Evacuation Sign's Color Cognition for Users with Color Vision Deficiency." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001607.

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Color has the characteristics of fast reading and fast recognition, with this reason, information in environments needs color to help fast communication, especially in the situation of emergency evacuation. The colour and graphic symbols on emergency evacuation signs(EES) help direct people to safety and provide emergency information quickly.(Barry Gray. 2012)But according to statistics, about 8% of the world population are suffered by color vision deficiency（CVD）. While they are not resolved all colors, just easy to confuse some color. Today, different countries or organizations have differen
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Newton, Rachel. "Color-form meanings: interconnections between perception, association and symbolism." In 9th Congress of the International Color Association, edited by Robert Chung and Allan Rodrigues. SPIE, 2002. http://dx.doi.org/10.1117/12.464581.

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Reports on the topic "Symbolism of colors"

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Van Orden, Karl F., Joseph Divita, and Matthew J. Shim. Redundant Use of Luminance and Flashing with Shape and Color as Highlighting Codes in Symbolic Displays. Defense Technical Information Center, 1993. http://dx.doi.org/10.21236/ada268692.

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Indigenous presence in Bolvian Folk Art: Folk Art in Bolivia: Celebration of Everyday Life. Inter-American Development Bank, 2004. http://dx.doi.org/10.18235/0006412.

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Bolivian folk art is created in both urban and rural areas, and like the people of Bolivia themselves, it bears a strong indigenous imprint. Many contemporary works owe their current form to lengthy cultural processes over centuries, during which time local materials were worked, forms took shape, color codes were chosen, and iconographies defined. This cultural treasure is transmitted from generation to generation, and comprises a whole that brings us close to the aesthetic and symbolic world of cultures of the past and the present. Understanding the folk art produced in Bolivia today require
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