Academic literature on the topic 'Symbolism of the circle'

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Journal articles on the topic "Symbolism of the circle"

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Bychkov, Victor. "Metaphysics of a landscape in symbolism." Культура и искусство, no. 4 (April 2020): 53–70. http://dx.doi.org/10.7256/2454-0625.2020.4.31966.

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This research is dedicated to examination of a specific role of landscape in symbolism. Based on comprehensive analysis of the works of symbolists and artists of their circle – Segantini, Böcklin, Gauguin, Nesterov, Čiurlionis, the author attempts to determine the characteristic features of using the images of nature in the overall system of pictorial artistic-aesthetic expression. Special attention is paid to the problem of inscription of human figures into landscape, as in doing so many symbolists and artists of their circle were bringing the landscape to life, forming a special creative space. Landscape of symbolists is viewed as a peculiar animated space that carries a mediating role between the visually palpable images and indescribable pleroma of metaphysical being. Such approach to symbolism is considered innovative. In the course of this research, it is demonstrated that special artistic space as a carrier of symbolic meanings or a spirit of symbolism in painting emerges in each painters a set of artistic means of expression characteristic only to their works. At the same time, some symbolists view the unreachable in external forms of visible nature by focusing attention of the opposition of earth and sky, life and death, human and divine beginning, reality and its mythological grounds. Some symbolists create the world of practically abstract and musically accented color forms and graphic solutions. While others paint landscape imbued with tranquility, tenderness and picturesque hymns of the Creator. In general, symbolic landscape leans towards a fairly vivid philosophical aspect.
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Valenti, Nicole L., and Charles E. Schaefer. "Symbolism of Basic Geometrical Shapes." Perceptual and Motor Skills 85, no. 1 (August 1997): 321–22. http://dx.doi.org/10.2466/pms.1997.85.1.321.

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This study indicated that a sample of undergraduates (87 women and 36 men) when presented the stimuli of a square, a triangle, and a circle were significantly more likely to associate their fathers with the square and themselves with the circle than otherwise.
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Pinos, Jaume Castan. "Identity Challenges Affecting the Spanish Enclaves of Ceuta and Melilla." Nordlit 13, no. 1 (March 1, 2009): 65. http://dx.doi.org/10.7557/13.1468.

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This article will examine the border and identity challenges for the Spanish (semi)enclaves of Ceuta and Melilla, which are surrounded by the Moroccan state. This issue is obviously related to the study of territorial boundaries and more specifically to the EU's relationship with the underdeveloped economic sphere to its south. Indeed, Ceuta and Melilla highlight the double standards of the EU, which was founded to build bridges across borders but at the same time has built barriers (in Ceuta and Melilla actual physical barriers) at its southern border which have underpinned the idea of fortress Europe. Thus, the anomalous geographical location of both Spanish cities exposes them to border and identity challenges as well as to a complex situation of interdependent concentric circles which involves the enclaves (first circle), Spain, Morocco (second circle) and the EU (third circle). The aim of this article is to analyse the three concentric circles, paying special attention to the implications of having African enclaves for an EU state. Finally, the article scrutinises the importance of symbolism and its pivotal role in creating lines of division and political conflict at the local and national level.
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Rychkov, A. L. "Alexander Blok between Vl. Solovyev and E.V. Anichkov: A. Blok’s drama “The Rose and the Cross” and the legacy of Western esotericism." Solov’evskie issledovaniya, no. 1 (March 31, 2021): 95–111. http://dx.doi.org/10.17588/2076-9210.2021.1.095-111.

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In the third article of the series publications on the topic “A. Blok and Vl. Solovyov”, the author considers the representation of the heritage of Western esoterism in Blok’s drama “The Rose and the Cross” on the example of the poet's appeal to the themes of Joachimism and Catharism, including the neo-mythological connection of the Cathars with the legend of the Holy Grail. The author analyzes the influence of V.V. Solovyov's historiosophy and E.V. Anichkov's aesthetics on the symbolism of the drama from the perspective of rethinking these themes. It is shown that the drama of Blok is deeply intertwined with the neo-mythological concepts of the "French school" of Western esotericism, which were widely discussed in the circle of Russian symbolists, for example, in connection with the work of Sar Peladan. The conclusion is made about the influence on the symbolism of the drama of the works of V. Solovyov and the beliefs of E. V. Anichkov associated with medieval mysticism. An extensive bibliography is provided.
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Gallop, Annabel Teh. "The Genealogical Seal of the Mughal Emperors of India." Journal of the Royal Asiatic Society 9, no. 1 (April 1999): 77–140. http://dx.doi.org/10.1017/s1356186300015935.

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The genealogical seal of the Mughal emperors of India was one of the most potent symbols of Mughal imperial authority. The distinctive design of the seal - a central circle containing the name of the ruling emperor, surrounded by a series of smaller circles, like satellites in orbit, containing the names of his ancestors up to Timūr (1336–1405) each preceded by the filiative ibn - was a self-evident masterpiece of imperial symbolism, in which the authority of the ruling emperor was both legitimised and enhanced by the deliberate reference to his illustrious ancestors. The inscription was designed to be read starting with the ruling emperor's name in the middle, then moving into the outer circle to the name of his immediate predecessor (at 1 o'clock) and, continuing clockwise, finishing up at Timur, who always had pride of place at the top of the seal. In this way, each ruler was expressed as the son of his predecessor, while at the same time, from his central position abutting all the smaller circles, the ruling emperor could be read symbolically as the “son” of each of his ancestors.
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정영식. "The Meaning of Circle Symbol (圓相) in Zen Buddhism and Symbolism." Study of Culture & Art 7, no. ll (June 2016): 67–88. http://dx.doi.org/10.35413/culart.2016.7..003.

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Ron, Zvi. "The Origin and Development of the Custom for the Bride to Circle the Groom Three or Seven Times." Zutot 17, no. 1 (May 27, 2019): 1–14. http://dx.doi.org/10.1163/18750214-12171084.

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Abstract This article traces the origin and development of the by now ubiquitous Ashkenazic custom for the bride to circle the groom under the chuppa. The custom began as circling three times, and various reasons were given for this particular practice. Due to kabbalistic influence, the custom shifted from three circuits to seven, the common custom today. The reasons given also changed over time, reflecting changing attitudes to the symbolism of the wedding ceremony.
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Priego, Natalia. "Symbolism, solitude and modernity: science and scientists in porfirian Mexico." História, Ciências, Saúde-Manguinhos 15, no. 2 (June 2008): 473–85. http://dx.doi.org/10.1590/s0104-59702008000200016.

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The quest of Mexico for a distinctive national identity throughout the 19th century reached a climax during the period known as the Porfiriato, one of the principal features of which was the deep desire of Porfirio Díaz and his circle to turn Mexico into a 'modern' country perhaps without a clear definition of the meaning of this concept. The debate about national identity had addressed such issues as the rejection of indigenous cultures, blind passion for French culture, and how to go about criating a modern nation by means of industrialization and scientific modernization. The concept of nation in Mexico is definitively linked with the search for a national 'I', and with the struggle to overcome the solitude identified by Octavio Paz. Paradoxically, this very quest forms a part of this identity, and it seems to remain inconclusive.
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Berggren, Kristina. "Spindle Whorls: their Symbolism in the Villanovan Cemetery of Quattro Fontanili, Veii." Current Swedish Archaeology 1, no. 1 (December 28, 1993): 7–24. http://dx.doi.org/10.37718/csa.1993.01.

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The hypothesis presented in this paper is that the apparently insignificant pottery spindle whorl is a symbol of transformation of death into new life by analogy with mankind's oldest abstract image, the circle, and with the important inventions of pottery making and spinning. This funerary symbolism, which earlier was dominated by the feminine principle, in the Villanovan culture receives the male figure. The Villanovan culture, in Central Italy, is a transition between the old, inward-looking, immobile village and the new expanding Etruscan city-state. During this transition the spindle whorl begins, as an abstract image, to symbolize the feminine principle in the hieros gamos, later represented as the intercourse between the goddess and the god.
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Jung, Ok-Im. "Symbolism of Circle, Square and Triangle Inherent in the Prototype Drafting Method for Traditional Hanbok." Journal of the Korean Home Economics Association 49, no. 4 (May 30, 2011): 93–104. http://dx.doi.org/10.6115/khea.2011.49.4.093.

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Dissertations / Theses on the topic "Symbolism of the circle"

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Christie, Angela. "Cultural Biography : The Ethnic Identity of Cherokee Women of North America and the Symbolism of the Sacred, Consonant Circle, 1540-Present." Paris 3, 2008. http://www.theses.fr/2008PA030174.

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Les Indiens cherokees, une ancienne tribu matrilinéaire nord-américaine, ont autrefois occupé la vaste région du sud des Appalaches aux États-Unis. Depuis l'arrivée de De Soto en 1540, les Européens et leurs successeurs euro-américains ont colonisé la très riche patrie cherokee au nom de la destinée manifeste. Des épidémies les ont frappés à plusieurs reprises et après la découverte d'or sur le territoire cherokee, le Président Andrew Jackson et le Congrès américain ont ordonné l'expulsion de presque 17. 000 Cherokees, qui ont été forcé à effectuer une marche de plus de 2000 kilomètres vers l'Oklahoma en 1838-39. Sur cette « Piste des larmes », environ 4. 000 Cherokees sont morts et de nombreux autres ont péri l'année suivante. Très tôt, les patriarcats européens et américains ont aussi essayé d'éliminer les puissantes femmes cherokees de la gouvernance tribale. Alors, les pensionnats ont été conçus pour détruire leur culture tenace et les enfants cherokees ont été enlevés afin d'être christianisé et assimilé dans la société américaine dominante. En dépit des traités violés, de l'expulsion et des pressions pour l'assimilation, qui dure maintenant depuis des siècles, le système de clan matrilinéaire a survécu. Guidées par Selu, la Mère du Maïs, les femmes cherokees sont restées les gardiennes de la conscience sociale, politique, et religieuse de la tribu, et elles continuent à être influencées par le paradigme du cercle sacré qui est au centre de leur vision du monde. L'approche ethno-historique de cette biographie culturelle des femmes cherokees révèle leurs tragédies et leurs triomphes
The Cherokee Indians, an ancient matrilineal North American tribe, once occupied the vast Southern Appalachian region of the United States. After De Soto's arrivai in 1540, Europeans and their Euro-American successors colonized in the name of Manifest Destiny the abundant Cherokee homelands. Epidemics repeatedly struck, and after discovery of gold on Cherokee land, President Andrew Jackson and the U. S. Congress ordered the removal of some 17,000 Cherokees who were forced to march over 1,200 miles to Oklahoma in 1838-39. On the "Trail of Tears," around 4,000 Cherokees died, and many more perished the next year. Early-on, the European and American patriarchies also attempted to remove the powerful Cherokee women from tribal governance. Boarding schools were then created to destroy their tenacious culture, and Cherokee children were taken to be Christianized and assimilated into mainstream American society. In spite of broken treaties, Removal, and assimilation pressures now spanning centuries, the matrilineal clan system has survived. Guided by Selu, the Corn Mother, Cherokee women have remained the guardians of the tribe's social, political, and religious consciousness, and they continue to be influenced by the paradigm of the sacred, consonant circle central to their worldview. The ethnohistorical approach of this cultural biography of Cherokee women reveals their tragedies and triumphs
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Ivarsson, Viva, and Linus Johansson. "Talking Through Symbols : The Relationship Between Player, Symbols and Their Meaning." Thesis, Uppsala universitet, Institutionen för speldesign, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-255241.

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Idag använder spelindustrin flertalet metoder för att leda spelare igenom spel som färg- och ljussättning och användandet av former. Denna uppsats fokuserar på det sist nämnda och försöker besvara frågan: I valet mellan simpla symboler, finns det en specifik symbol som spelare föredrar att följa och vad assosierar de med denna symbol? För att besvara denna fråga skapades ett test som undersökte spelares val då de presenterades för tre symboler, en cirkel, en triangle och en fyrkant. Testet var en spelprototyp som bestod av en korridor, vilket var spelets inlärnings område, och ett rum med tre dörrar, vilket var det huvudsakliga testet. Testet visade att det inte fanns en viss symbol som spelare följde mer än någon av de andra, men att associationerna med symbolerna verkar stämma överrens med tidigare studiers förklaring av vad symbolerna står för. Detta visar på att att symbolerna kan användas inom speldesign för att framföra meddelanden till spelaren och hjälpa till att leda dem i nya områden.
Presently the video game industry uses a number of methods to lead the players though the games such as colours, lights and shapes. This thesis focuses on shapes and tries to answer the question: In choosing between basic symbols is there a particular symbol that players prefer tofollow and what do they associate with that symbol? In order to answer this question we created an experiment in which we tested how test subjects respond to three primitive shapes, triangles, circles and squares. The experiment consisted of a corridor with a door in one end, acting as the controls tutorial, and a room with three doors which was the actual experiment. Our test shows that there is not a certain symbol that the test subjects prefer to follow, but that the associations to the symbols seem to be true in comparison to earlier made studies on what these symbols are viewed to represent. This points at the possibility that the symbols can be used in game design to convey messages to the players and be used to guide the players in new environments.
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Reu, Caroline Marie. "Corporate, cirque, commute : an adaptation of situationist theory to contemporary america." Thesis, Georgia Institute of Technology, 1992. http://hdl.handle.net/1853/23450.

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Bogdanova, Maya. "Use of English in advertising and journalistic discourse of the Expanding circle: data from Bulgarian magazines." Thesis, Stockholm University, Department of English, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-40798.

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The combination of the socio-political changes following 1989 and the current status ofEnglish as the language of international communication promoted dynamic transformations ofthe attitude and usages of English in Bulgaria. The purpose of this study is to investigate theforms, functions and symbolic value of English in the Bulgarian advertising and journalisticdiscourse. The emphasis is on non-established words as opposed to established borrowings.Two hypotheses encapsulating the possible relation between English usages in advertising andjournalistic discourses are in the centre of investigation:

Hypothesis 1 The use of the English language remains on the symbolic and visual level in theBulgarian advertising and journalistic discourses.

Hypothesis 2 The symbolic value of English usage in advertising discourse is the same as thatof journalistic discourse.

Prior to the analyses, the study introduces an overview of the Bulgarian linguistic situationand a summary of studies in the area of contact phenomena between English and Bulgarian.Special attention is paid to publications discussing advertising and journalistic discourse.On the base of two principles – genre and readership – six magazines have been selectedto provide the data for the study: Маниджър(Manager); Story, НашДом(Our Home),ЖенатаДнес(The Woman Today), ЖурналзаЖената(Women’s Journal), and Top GearБългария(Top Gear Bulgaria). Using a set of criteria the process of collecting data hasextracted the occurrences of English from all advertisements, section and column headings,article titles, and the featured article of each issue. English occurrences have been classifiedfirst according to their generic function and position in the textual unity, and then, accordingto symbolic value ascribed by English.The statistical data confirms that the use of English in advertising discourse is common;on average 66% of the advertisements contain English words. Cross-reference with the type offunction reveals, however, that only 17% of the English used in advertisements adds semanticvalue to the Bulgarian-English mixing. Therefore, in advertising discourse English remainsmainly a tool for adding symbolic value. As far as the journalistic discourse is concernedEnglish usages are not as frequent; nevertheless, great variations are exemplified. Suchvariation is observed in the heading data where one of the magazines contains no English inthe headings while another uses English in all but four of its headings. The findings of thestudy reject both of the hypotheses although variations are observed and have been describedin this study. The analyses demonstrate that advertising discourse uses English in order toexploit the value of English as the lingua franca of the world, while the journalistic discoursedraws on the symbolic associations of English as the language of popular culture.The results of this study provide a comparison between advertising and journalisticdiscourses. Furthermore, it offers a picture of the situation in Bulgaria twenty years after thepolitical changes and a good intermediate point in the process of spread of English, whichcontinues to modify the linguistic situation of the country.

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Botha, Fourie. "Symbolic masters/semiotic slaves : subjectivity and subjection in Atwood, with reference to The circle game and Two-headed poems." Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/13932.

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Includes bibliographical references (leaves 82-86).
This dissertation explores the construction of the subject via a relationship of power in two poem sequences, 'The circle game' and 'Two-headed poems', by Margaret Atwood. I argue that Atwood proposes a subject similar to the kind of subject found in psychoanalysis. Like the psychoanalytic subject, Atwood's subject is formed in relation to its other. This relation is essentially a power relation and can become unbalanced, forcing one of the two parties into a subjugated position. Atwood not only exposes these skewed relations of power, but also explores possible solutions for escaping or reconfiguring these relationships. The first chapter briefly discusses theories of the subject by Freud, Lacan and Kristeva. I use Hegel's dialectic between the 'master' and 'bondsman', and subsequent psychoanalytic and postcolonial applications of it, to examine the construction of the subject in terms of an other in Chapter 2. Postcolonial map theory and Kristeva's ideas on the abject are used to verbalize the divisions, but also the interactions, between the subject and its other as well as possibilities of escape. Chapter 3 demonstrates these power relationships, and their expression in cartographic terms, in 'The circle game'. In Chapter 4, I show how processes analogous to the eruption of poetic language into the symbolic order are described in the poetry. Even though these processes do not provide a clear-cut solution to the position of the subjected, their presence signals the possibility of renegotiating unbalanced relationships of power.
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Morin, Peter. "Circle." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/33720.

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This written thesis supports the MFA exhibition, Circle. In both thesis and exhibition, I articulate that the act of speaking language creates connection for both the speaker and the listener to the history of knowledge and ideas within its specific community of origin. The spoken language is connected to the history of knowledge and ideas within its specific community of origin and has a structure which implies physicality; therefore, the spoken language exists beside other established created objects within indigenous practice. Through the documentation of unique situations of indigenous language speaking within contexts of cultural practice, this thesis articulates my process of speaking my indigenous Tahltan language as a performance of indigenous Tahltan meaning which, in turn, is part of the creation process of the indigenous Tahltan objects in Circle. Both thesis and exhibition together are an offering of a blanket, a river, stones, salmon, and the Tahltan land, as an embodied practice of articulating Tahltan epistemologies through the creation of objects connected to spoken Tahltan language.
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Verma, Pooja. "Golden Circle." Thesis, California State University, Long Beach, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10638738.

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Due to the mounting rate of patients suffering from PTSD starting at a young age, there have been many studies and guidelines to help improve the conditions of these patients. Though there are many hospitals focusing on treatment of patients suffering from mental diseases, none of these hospitals or clinics concentrate on the welfare of the children suffering from PTSD specifically. The business plan discussed here addresses this concern. It is a healing center “Golden Circle” providing care and treatment to young adults aged between 13–25 years suffering from PTSD especially after road traffic accidents located in Los Angeles County. Golden Circle business plan is proposed to help identify the market trends and areas of concern by studying the company analysis, market potential and demand, competitor analysis, customer analysis, marketing strategy, feasibility and SWOT analysis, legal and regulatory issues and finally the financial analysis. Golden Circle is anticipated to help the society as well as generate good profit.

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Picón, Bruno Daniela. "Recepción de William Blake : desde su público contemporáneo hasta el Surrealismo." Doctoral thesis, Universitat Pompeu Fabra, 2014. http://hdl.handle.net/10803/285267.

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En esta investigación exploramos la historia de la recepción del poeta, artista y visionario inglés William Blake (1757-1827), indagando en los diversos aspectos de la concreción de su obra en su propio tiempo, a través del siglo XIX y las primeras décadas del siglo XX. A partir de una perspectiva metodológica comparada e interdisciplinaria, este estudio considera los contextos críticos y artísticos en los cuales el foco en la dimensión visionaria de la figura y/o la obra de Blake se hace particularmente relevante. Hemos atendido a los aspectos específicos de su recepción crítica y artística en la obra de los simbolistas ingleses y franceses del siglo XIX (particularmente en la obra de Odilon Redon); en el Círculo de Eranos y la psicología profunda a comienzos del XX (C. G. Jung: El Libro Rojo); y finalmente en algunas figuras destacadas del Surrealismo (específicamente en el grupo cercano al Atelier 17 y Max Ernst).
In this research we explore the history of the reception of the English poet, artist and visionary William Blake (1757-1827), considering the various aspects of the reception of his works in his own times, through the 19th century and the early decades of the 20th century. From a comparative and interdisciplinary methodological perspective, this study considers both the artists and the critical contexts in which the focus in the visionary dimension of the figure and / or the work of Blake were particularly relevant. We have attended to the specific critical and artistic aspects of his reception in the works of the English and French Symbolists in the nineteenth century (particularly in Odilon Redon's work); in the Eranos Circle and depth psychology of the early twentieth century (C. G. Jung: The Red Book), and finally in some of the important figures of Surrealism (specifically in the group close to the Atelier 17 and in Max Ernst).
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Duffié, Mary Katharine. "The talking circle." Thesis, The University of Arizona, 1989. http://hdl.handle.net/10150/276982.

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The text and accompanying video tape describe the "talking circle" ritual as it is being used spiritually by a Native American group in Southern Arizona. The text analyzes the evolution of the ritual and applies widely accepted models of group therapy to its uses in the following capacities: Spiritually, (and in) Substance Abuse, Education and the Psychological Treatment of Troubled Teen-agers. The video tape features interviews with local practitioners and is narrated by a traditional Chippewa Indian.
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Hyatt, Maripatricia. "Coming Full Circle." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1959.

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Artist Statement From my earliest memories pattern and repetition of the details in my surroundings were things that caught my attention. The patterns found in the living room wallpaper, the fabric of my mom’s dress, the texture in the buttons found in the sewing box were all fascinating to me. Figuring out the rules of the pattern and being able to predict what came next satisfied my need for order. More recently, I have found myself breaking the rules of predictability by disrupting pattern and combining unexpected materials. With a focus on textiles, I am inspired by and drawn to processes that can be used to simulate the lines, pattern, repetition, and unexpected variety that is found in nature and architecture. There is whimsy in the multiple threads that make up the sights around us expressed in color and stitched line. I cycle through a process of identifying textures and patterns that attract me, then finding new ways to translate them in my art.
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Books on the topic "Symbolism of the circle"

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Gallery, Tate, ed. Rossetti and his circle. London: Tate Gallery Publishing, 1997.

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Circle in the square: Studies in the use of gender in Kabbalistic symbolism. Albany: State University of New York Press, 1995.

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Christian Conference of Asia. Urban Rural Mission., ed. Cross and circle. Hong Kong: Christian Conference of Asia, Urban Rural Mission, 1990.

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1952-, Möckel Christian, ed. Symbolische Prägnanz, Ausdrucksphänomen und "Wiener Kreis". Hamburg: Meiner, 2011.

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Symbolist landscapes: The place of painting in the poetry and criticism of Mallarmé and his circle. London: Modern Humanities Research Association, 1989.

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Krest i krug: Iz istorii khristianskoi simvoliki. Moskva: IAzyki slavianskikh kultur, 2006.

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Uberti, Marisa. I luoghi delle triplici cinte in Italia: Alla ricerca di un simbolo sacro o di un gioco senza tempo? Aprilia (Latina): Eremon, 2008.

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Giulio, Coluzzi, ed. I luoghi delle triplici cinte in Italia: Alla ricerca di un simbolo sacro o di un gioco senza tempo? Aprilia (Latina): Eremon, 2008.

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Uberti, Marisa. I luoghi delle triplici cinte in Italia: Alla ricerca di un simbolo sacro o di un gioco senza tempo? Aprilia (Latina): Eremon, 2008.

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Fisher, Leonard Everett. Symbol art: Thirteen [square]s, [circle]s, [triangle]s from around the world. New York: Four Winds Press, 1985.

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Book chapters on the topic "Symbolism of the circle"

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Lau, Raymond W. K. "Symbolism." In Encyclopedia of Tourism, 924. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-01384-8_490.

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Mercado, Gustavo. "symbolism." In The Filmmaker's Eye: The Language of the Lens, 80–81. London; New York: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429446894-18.

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Pinion, F. B. "Symbolism." In Hardy the Writer, 237–49. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1057/9780230389458_15.

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Archer, W. G. "Symbolism." In The Blue Grove, 95. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003104230-16.

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Bandt, Christoph, and Karsten Keller. "Symbolic dynamics for angle-doubling on the circle I. The topology of locally connected Julia sets." In Lecture Notes in Mathematics, 1–23. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/bfb0097524.

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Akin, Ethan. "Examples: Circles, simplex, and symbols." In Graduate Studies in Mathematics, 179–97. Providence, Rhode Island: American Mathematical Society, 2010. http://dx.doi.org/10.1090/gsm/001/10.

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Ognjenović, Gorana, and Jasna Jozelić. "Conclusion: Symbolism." In Politicization of Religion, the Power of Symbolism, 211–12. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137477897_10.

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Burns, Charlene P. E. "Archetypal Symbolism." In Encyclopedia of Psychology and Religion, 1–2. Berlin, Heidelberg: Springer Berlin Heidelberg, 2017. http://dx.doi.org/10.1007/978-3-642-27771-9_9358-1.

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Lau, Raymond W. K. "Symbolism, tourism." In Encyclopedia of Tourism, 1–2. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-01669-6_490-1.

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Olds, Marshall C. "Literary Symbolism." In A Companion to Modernist Literature and Culture, 155–62. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch15.

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Conference papers on the topic "Symbolism of the circle"

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Chen, Z., and S. W. Pan. "Study of Phase Circle Map Model and its Symbolic dynamics." In 2015 International Conference on Electrical, Automation and Mechanical Engineering. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/eame-15.2015.198.

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Butcher, Eric A. "Symbolic Stability Boundaries and Root Locus Plots in Time-Periodic Systems." In ASME 2001 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2001. http://dx.doi.org/10.1115/detc2001/vib-21449.

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Abstract The recent development of a symbolic computational algorithm for approximating the parameter-dependent fundamental solution matrix of linear time-periodic systems is used to symbolically compute stability boundaries as an explicit function of the system parameters and to construct root locus plots. By evaluating this matrix at the end of the principal period, the parameter-dependent Floquet Transition Matrix (FTM), or the linear part of the Poincaré map, is obtained. The sub sequent use of well-known criteria enables one to obtain the equations for the stability boundaries in the parameter space as polynomials of the system parameters. The symbolic nature of the method also allows one to obtain root locus plots in the complex plane as a function of the system parameters. The roots of the FTM (Floquet multipliers) must lie within the unit circle for stability. Further, the technique can successfully be applied to periodic systems whose internal excitation is strong. The symbolic software Mathematica is used here to perform all symbolic calculations. Two illustrative example problems, viz., a parametrically excited simple pendulum and a double inverted pendulum subjected to a periodic follower force, are included.
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Sahay, Chittaranjan, and Suhash Ghosh. "Interpretation of Modifier Ⓜ “Circle M” in ASME Y 14.5 GD&T: Intuitive or Deceptive?" In ASME 2020 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/imece2020-23946.

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Abstract Geometric Dimensioning and Tolerancing (GD&T) is a system for defining and communicating engineering tolerances by using a symbolic language on engineering drawings that describe nominal (theoretically perfect) geometry of controlled features, as well as their allowable variation in size, other geometrical characteristics (form, orientation and location) and variation between features. Per this language, dimensions and tolerances are selected to suit function and mating relationship of a part and are subject to a unique interpretation. It allows design engineers, manufacturing personnel, and quality inspectors to describe geometry and allowable variation of parts and assemblies in an efficient and effective manner. When compared to coordinate dimensioning, GD&T has the benefits of reducing the manufacturing cost and number of drawing revisions, describing an important functional relationship on a part, saving inspection time by using functional gages, and improving measurement repeatability. However, GD&T has a fairly complex rule-based system, and as a result can be difficult to teach and learn. One such concept relates to the use of modifier circle M. In GD&T, a feature control frame is required to describe the conditions and tolerances of a geometric control on a part’s feature. The feature control frame may consist of up to four pieces of information, (1) GD&T symbol or control symbol for the feature, (2) Tolerance zone type and its size, (3) Tolerance zone modifiers and (4) Datum references (if required by the GD&T symbol). When circle M is used as a feature tolerance zone modifier, it is relatively easy to understand that there is a possibility of getting bonus tolerance, and in turn, a higher total tolerance. However, what is not very intuitive is the size of the feature counterpart on the functional gage to inspect the given feature control frame. Apparently, it is not the Maximum Material Condition (MMC) size of the feature. Rather, the size is what is called a virtual condition (VC) of the feature, which is defined as the theoretical extreme boundary condition of a feature of size (FOS) generated by the collective effects of MMC and applicable geometric tolerance. When circle M is used as a datum feature/reference modifier, it is even more strenuous to calculate the datum boundary or the size of the datum feature counterpart on the functional gage. In this case, it is the Maximum Material Boundary (MMB); a virtual condition of the datum feature governed by a specific rule of GD&T that establishes this VC with respect to the preceding datum in the feature control frame. This would necessitate one to look for a specific applicable geometric tolerance that is an exclusive relationship between the datum feature and its preceding datum in the feature control frame. Even worse, in case of position tolerance (which, often times, is a lumped sum tolerance controlling orientation and location geometric characteristics of the datum feature simultaneously), it is even trickier to find an exclusive relationship between the datum feature and its preceding datum. In this article, authors have made an attempt to clarify the above-mentioned situations through numerous examples. Hopefully, this can be successfully implemented in undergraduate and graduate education reinforcing the premise that a better educated workforce would be able to contribute significantly higher to advanced manufacturing, design, quality tools and advanced metrology.
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"Symbolism in Winesburg, Ohio." In 2017 3rd International Conference on Economy, Management and Education Technology. Francis Academic Press, 2017. http://dx.doi.org/10.25236/icemet.2017.010.

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Syam, Tasrif. "Symbolism Of Javanese Culture." In 2nd International Conference on Social and Political Development (ICOSOP 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icosop-17.2018.69.

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"SYMBOLISM IN TED HUGHES’ POETRY." In 2nd National Conference on Translation, Language & Literature. ELK Asia Pacific Journals, 2015. http://dx.doi.org/10.16962/elkapj/si.nctll-2015.17.

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Wilensky, Hiroko. "Disaster symbolism and social media." In the 2012 ACM annual conference extended abstracts. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2212776.2212853.

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Kawahara, Shigeto. "Teaching phonetics through sound symbolism." In ISAPh 2018 International Symposium on Applied Phonetics. ISCA: ISCA, 2018. http://dx.doi.org/10.21437/isaph.2018-4.

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"Symbolism In Contemporary Persian Poetry." In International Conference on Humanities, Literature and Economics. International Centre of Economics, Humanities and Management, 2014. http://dx.doi.org/10.15242/icehm.ed0114011.

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Suryawati, Cicilia Tantri, and Endang Poerbowati. "Flower Symbolism in Chanoyu Spirit." In International Conference of Communication Science Research (ICCSR 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccsr-18.2018.104.

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Reports on the topic "Symbolism of the circle"

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Krause, Timothy. Sound Effects: Age, Gender, and Sound Symbolism in American English. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2301.

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Francois, Patrick, Ilia Rainer, and Francesco Trebbi. The Dictator's Inner Circle. Cambridge, MA: National Bureau of Economic Research, June 2014. http://dx.doi.org/10.3386/w20216.

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Gnegy, Hannah R., and Deborah A. Christel. Enclothed Cognition: Professional Clothing Symbolism among Plus-Size Women Ages 18 to 24. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1391.

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Ellis, Christopher D., Byoung-Suk Kweon, Sarah Alward, and Robin Burke. Uptown Normal Circle and Streetscape. Landscape Architecture Foundation, 2011. http://dx.doi.org/10.31353/cs0050.

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Aldrich, Susan. Agilent's Virtuous Circle of Personalization. Boston, MA: Patricia Seybold Group, August 2013. http://dx.doi.org/10.1571/cs08-08-13cc.

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Booth, Victoria. Small and Great Circle Routines. Fort Belvoir, VA: Defense Technical Information Center, July 1989. http://dx.doi.org/10.21236/ada217652.

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Saeidi, Elahe, and Virginia Wimberley. Precious Circle—Zero-waste Design. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-1446.

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Tawfiq, Wijdan, and Sara Marcketti. The Meaning and Symbolism of Traditional Bridal Costumes in the Western Region of Saudi Arabia. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-434.

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Sanborn-Barrie, M., and M. Young. Geology, Circle Lake, Baffin Island, Nunavut. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2013. http://dx.doi.org/10.4095/288929.

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Hou, Amy Ye, Belinda T. Orzada, and Kelly Cobb. From Auspicious to Suspicious Evaluating the Intention and Use of Imperial Chinese Symbolism in Contemporary Fashion. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1781.

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