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1

Goldwater, Robert John. Symbolism. Westview Press, 1998.

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2

Aleksandr, Stefanovich, and Nikonet͡s A, eds. Simvolizm: Symbolism. Zhivem, 2011.

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3

Richard, Schiff, ed. Gauguin: The origins of symbolism. Philip Wilson, 2004.

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4

Yoon, Yeolsu. Folk painting. Yekyong, 2002.

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5

Vincent W. J. van Gerven Oei. Allegory of the cave painting. Mousse Publishing, 2015.

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6

Ptak, Artur. Kwadrat myśli: Od alegorii do autorskiego znaku. Muzeum Narodowe w Kielcach, 2018.

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7

Gauguin, Paul. Gauguin and the origins of symbolism. Edited by Solana Guillermo, Shiff Richard, Cogeval Guy, Jiménez-Blanco Carrillo de Albornoz, Ma. Dolores, Museo Thyssen-Bornemisza, and Fundación Caja de Madrid. Philip Wilson Publishers in association with Museo Thyssen-Bornemisza and Fundación Caja de Madrid, 2004.

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8

Namingha, Dan. Dan Namingha: A painterly approach to Native American symbolism. Board of Governors of the Federal Reserve System, 2009.

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9

Lederle, Matthew. Christian painting in India through the centuries. Heras Institute of Indian History and Culture, 1987.

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10

Gelfer-Jørgensen, Mirjam. Medieval Islamic symbolism and the paintings in the Cefalù Cathedral. E.J. Brill, 1986.

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11

Mina, Gregori, ed. Mural painting in Italy. Gruppo SanPaolo, 1995.

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12

Reilly, John. The painted word: Paintings. Cross Pub., 2008.

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13

Thaye, Pema Namdol. Tibetan thanka painting: Portrayal of mysticism. G.C. Shannon, 2000.

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14

Gyaltsen, Sherab. Tibetan traditional art and contemporary painting. Sichuan mei shu chu ban she, 2011.

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15

Sam, Segal, Bouve de Panthou Anne-Marie, and Caen (France). Musée des beaux-arts., eds. Le sens caché des fleurs: Symbolique & botanique dans la peinture du XVIIe siècle. A. Biro, 1997.

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16

Roderick, Whitfield, ed. Folk painting. Laurence King, 2003.

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17

Witt, Nancy Camden. On alternate days: [the paintings of Nancy Witt]. Cross Mill Gallery, 1995.

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18

Jenei, Dana. Gothic mural painting in Transylvania. NOI Media Print, 2007.

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19

compiler, Ch'oe Pŏm-su, ed. Minhwa ponsaek: Korean folk painting. Wŏlgan Minhwa, 2015.

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20

Møller, Dorthe Falcon. Music aloft: Musical symbolism in the mural paintings of Danish medieval churches. Falcon, 1996.

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21

Yong, Xia. Tu hua yu fu hao: Liangzhu yuan shi wen zi = Painting and symbol : primitive characters of Liangzhu. Zhejiang da xue chu ban she, 2019.

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22

Fernández, Luis Nieto. The painted parapet: Structure and symbolism = El parapeto pintado : estructura y simbolismo. Rayxart Investigación, 2017.

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23

Ramos-Poqui, Guillem. The technique of icon painting. Morehouse Pub., 1990.

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24

Ramos-Poqui, Guillem. The technique of icon painting. Morehouse Pub., 1997.

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25

Snyder, James. Medieval art: Painting-sculpture-architecture, 4th-14th century. H.N. Abrams, 1989.

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26

Snyder, James. Medieval art: painting-sculpture-architecture, 4-14th century. Abrams, 1989.

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27

Borromeo, Federico. Sacred painting: Museum. Harvard University Press, 2010.

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28

Quellec, Jean-Loïc Le. Symbolisme et art rupestre au Sahara. L'Harmattan, 1993.

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29

Dodd, Erica Cruikshank. Medieval painting in the Lebanon. Reichert, 2004.

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30

Serafimova, Aneta. Mediaeval painting in Macedonia: 9th-18th centuries. The ministry of information of the Republic of Macedonia, 2000.

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31

Larsen, Peter Nørgaard. Symbolism in Danish and European painting 1870-1910: [Statens Museum fur Kunst, 29 September 2000-14 January 2001]. Statens Museum fur Kunst, 2000.

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32

Kramrisch, Stella. The Vishnudharmottara (part III): A treatise on Indian painting and image-making. 2nd ed. Eastern Book House, 1993.

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33

Mišić, Snežana, and Igor Borozan. Život - san - smrt: Evropski okviri srpskog simbolizma = Life - dream - death : the European framework of Serbian symbolism. Galerija Matice srpske, 2021.

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34

Gisela, Hopp, ed. Impressionisten, Post-Impressionisten, und Symbolisten: Ausländische Künstler : vollständiger Katalog. Hirmer, 1990.

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35

Stewart, Bill. Signwork: A craftsman's manual. 2nd ed. Blackwell Scientific Publications, 1993.

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36

Stewart, Bill. Signwork: A craftsman's manual. BSP Professional Books, 1988.

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37

Stewart, Bill. Signwork: A craftsman's manual. Collins Professional and Technical, 1985.

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38

Aurier, Gabriel-Albert. Textes critiques, 1889-1892: De l'impressionnisme au symbolisme. Ecole nationale supérieure des beaux-arts, 1995.

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39

Łukasz, Kossowski, ed. Malarstwo polskie, symbolizm i Młoda Polska. Wydawn. Arkady, 2010.

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40

Parkes, Michael. Michael Parkes: Paintings, drawings, stonelithographs, 1977-1992. Steltman Galerie & Editions, 1993.

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41

Abbott, Katherine R. Smith 1965- and Middlebury College. Museum of Art., eds. The art of devotion: Panel painting in Early Renaissance Italy. Middlebury College Museum of Art, 2009.

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42

Abbott, Katherine R. Smith 1965- and Middlebury College. Museum of Art., eds. The art of devotion: Panel painting in Early Renaissance Italy. Middlebury College Museum of Art, 2009.

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43

Ireland, National Gallery of, ed. Paintings from Poland: Symbolism to modern art (1880-1939) = Malarstwo polskie : od symbolizmu do sztuki nowoczesnej (1880-1939). National Gallery of Ireland, 2007.

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44

Clement, Russell T. Four French Symbolists. Greenwood, 1996. http://dx.doi.org/10.5040/9798400653377.

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The first comprehensive, scholarly sourcebook/research guide/bibliography on the major French Symbolists painters, this work includes nearly 3,000 entries covering a variety of materials. Each artist receives a primary and secondary bibliography with many annotated entries. Art works, personal names, and subject indexes facilitate easy access. The volume is designed for art historians, art students, museum and gallery curators, and others interested in this major art style of the last half of the 19th century and the first quarter of the 20th century. Art museums and art libraries in both the
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45

Symbolist landscapes: The place of painting in the poetry and criticism of Mallarmé and his circle. Modern Humanities Research Association, 1989.

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46

Sung, Hou-mei. Reflection. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199375967.003.0006.

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Representations of animals in traditional Chinese painting are among the oldest known motifs and are filled with rich symbolic implications. Animal paintings make animals a part of the harmonious existence of all living beings in the universe. To the Chinese, animals are more than merely beasts in nature; they are living symbols with philosophical, historical, and metaphorical associations. This explains why in early Chinese painting animals are typically portrayed with distinct attitudes or in particular poses, for example, dragons emerging from the clouds, tigers roaring with the wind, crane
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47

Lge Du Symbolisme En Lettonie The Age Of Symbolism In Latvia. Silvana Editoriale, 2011.

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48

Menges, Jeff A. Symbolist Paintings: 24 Cards. Dover Publications, 2005.

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49

Morawinska, Agnieszka. Symbolism in Polish Painting/Symbolism in Poland. Wayne State Univ Pr, 1987.

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50

Important symbolist paintings and drawings. Christie, Manson & Woods, 1988.

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