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1

Howell, Tim. Jean Sibelius: Progressive techniques in the symphonies and tone poems. New York: Garland Pub., 1989.

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2

Johns, Keith T. The symphonic poems of Franz Liszt. Stuyvesant, NY: Pendragon Press, 1997.

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3

Johns, Keith T. The symphonic poems of Franz Liszt. Stuyvesant, N.Y: Pendragon Press, 1996.

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4

Werbeck, Walter. Die Tondichtungen von Richard Strauss. Tutzing: H. Schneider, 1996.

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5

La Faust symphonie de Franz Liszt: Histoire d'un chef d'oeuvre négligé : historique glose, analyse, discographie comparée. Paris: Combre, 2005.

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6

Wilde, Denis Gerard. The development of melody in the tone poems of Richard Strauss: Motif, figure, and theme. Lewiston, N.Y: E. Mellen Press, 1990.

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7

Knaus, Gabriella Hanke. Aspekte der Schlussgestaltung in den sinfonischen Dichtungen und Bühnenwerken von Richard Strauss. Tutzing: H. Schneider, 1995.

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8

Chion, Michel. Le poème symphonique et la musique à programme. Paris: Fayard, 1993.

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9

Delius, Frederick. In a summer garden: Symphonic poem for orchestra. Huntsville, Tex: Recital Publications, 1998.

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10

Griffes, Charles Tomlinson. The pleasure-dome of Kubla Khan: Symphonic poem for grand orchestra. New York, NY: G. Schirmer, 1993.

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11

Kenitar-Pinder, Brigitte. Form und Inhalt der symphonischen Tondichtungen von Sibelius: Probleme und Lösungswege. Berlin: Wissenschaftlicher Verlag Berlin, 2005.

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12

Roslavet͡s, Nikolaĭ. Komsomoli︠i︡a =: Komsomolija : symphonische Dichtung für Chor und Orchester = symphonic poem for chorus and orchestra (1928). Mainz: Schott, 1991.

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13

Art, Columbus Museum of, ed. Symphonic poem: The art of Aminah Brenda Lynn Robinson. Columbus, Ohio: Columbus Museum of Art, 2002.

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14

Brant, Henry. On the nature of things: (after Lucretius) : spatial tone poem. New York, NY: C. Fischer, 1996.

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15

Ciobanu, Luminita, ed. Breviar enescian. Bucharest, Romania: Editura Universitatii Nationale de Muzica Bucuresti, 2005.

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16

Schäfers, Matthias. Die symphonische Dichtung im Umkreis Liszts: Studien zu Hans von Bülow, Felix Draeseke und Alexander Ritter. Singzig: Studio Verlag, 2015.

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17

Dukas, Paul. Music of Paul Dukas. Cleveland, OH: Telarc International Corporation, 1999.

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18

Schirpenbach, Bernd. Ästhetische Regulation und hermeneutische Überschreibung: Zum Begriff und zur musikwissenschaftlichen Funktion einer korrelativen Hermeneutik im Ausgang von Interpretations- und Wissenschaftskonzeptionen bei Dahlhaus und Eggebrecht. Stuttgart: F. Steiner, 2006.

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19

Franck, César. Le chasseur maudit ; Les Éolides ; Psyché. France: Erato, 1986.

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20

Bax, Arnold. Tone poems. London: Chandos, 1985.

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21

Dvorak, Antonin. Der Wassermann, op. 107. München: Musikproduktion Juergen Hoeflich, 2011.

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22

Sibelius, Jean. Nächtlicher Ritt und Sonnenaufgang: Op. 55 : Tondichtung für grosses Orchester. Berlin: R. Lienau, 1994.

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23

Richard, Strauss. Tod und Verklärung =: Death and transfiguration : op. 24. Boca Raton, Fla: E.F. Kalmus, 1998.

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24

Maione, Rino. Il poema sinfonico: La musica come categoria poetica (da Berlioz a Respighi). Roma: Ricordi, 2002.

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25

Nowak, Grzegorz. Polish symphonic music of the 19th century. Warszawa: CD Accord ; distributed by PolyGram Polska, 1996.

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26

Nowowiejski, Feliks. Organ works. Detmold: MDG Gold, 2000.

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27

Respighi, Ottorino. Fontane di Roma: Pini di Roma ; Feste romane. Milano: Ricordi, 1994.

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28

TURKAY, Osman. Symphonies for the world: Poems. London: A. N. Graphics, 1989.

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29

Oerke, Andrew. Symphony number one & selected poems. Lewiston, N.Y: Mellen Poetry Press, 1999.

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30

Karmeli, Gabriel Ioseph. Divine Symphony and other poems. Quezon City: New Day Publishers, 1991.

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31

Kaye, Phil. A light bulb symphony: Poems. [S. l. ]: P. Kaye, 2010.

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32

Suk, Josef. Pohadka Leta (A Summer Tale), Op. 29 - Study Score: Hudební báseň pro velký orkestr. Edited by Karel Šrom. Edwardsville: Serenissima Music, Inc., 2007.

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33

1810-1857, Musset Alfred de, Domingo Plácido 1941-, Lang Lang 1982-, Veronesi Alberto, and Teatro comunale (Bologna, Italy). Orchestra, eds. La nuit de mai. Hamburg: Deutsche Grammophon, 2010.

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34

Haskell, Dole Nathan. The building of the organ ; Onward: Two symphonic poems. New York: Moffat, Yard & Co., 1989.

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35

Conran, Anthony. All hallows: Symphony in three movements : a poem. Llandysul: Gomer Press, 1995.

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36

Liszt and the Symphonic Poem. Cambridge University Press, 2017.

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37

Cormac, Joanne. Liszt and the Symphonic Poem. Cambridge University Press, 2017.

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38

Howell, Tim. Jean Sibelius: Progressive Techniques in the Symphonies and Tone Poems (Outstanding Dissertations in Music from British Universities). Taylor & Francis, 1990.

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39

Cello's Tears: Symphonic Poem. P.R.A. Publishing, 2015.

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40

Cormac, Joanne. Liszt and the Symphonic Poem. Cambridge University Press, 2019.

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41

Vine, Carl. Descent: A Symphonic Poem, Score. Faber & Faber, 1998.

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42

Cormac, Joanne. Liszt and the Symphonic Poem. Cambridge University Press, 2017.

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43

Menezes, Marcos de. LIBERTAS - Symphonic Poem: Contemporary Classical Music. Independently Published, 2018.

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44

Watt, Paul, and Michael Allis. Symphonic Poem in Britain, 1850-1950. Boydell & Brewer, Incorporated, 2020.

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45

Watt, Paul, and ALLIS MICHAEL 1964-. Symphonic Poem in Britain, 1850-1950. Boydell & Brewer, Incorporated, 2020.

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46

Allis, Michael, and Paul Watt, eds. The Symphonic Poem in Britain, 1850–1950. Boydell and Brewer Limited, 2020. http://dx.doi.org/10.1017/9781787448414.

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47

Bridge, Frank. Mid of the Night: Symphonic Poem, Score. Faber & Faber, Limited, 2003.

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48

Sibelius, Jean. Tapiola: Tondichtung für grosses Orchester = tone poem for large orchestra : op. 112. 2017.

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49

Scriabin, Aleksandr Nikolayevich. Poem of Ecstasy and Prometheus: Poem of Fire. Dover Publications, 1995.

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50

Danse Macabre: Symphonic Poem, Op. 40 Study Score. Schott Music GmbH & Co. KG, 2018.

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