Relevant bibliographies by topics / Symphonic poems (Wind ensemble)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Symphonic poems (Wind ensemble)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Symphonic poems (Wind ensemble)"

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Zagidullina, Dilbar Renatovna, and Ekaterina Evgenyevna Nikiforova. "Timbre-orchestra aspect of symphonic works by Boris Tchaikovsky." PHILHARMONICA. International Music Journal, no. 1 (January 2021): 52–66. http://dx.doi.org/10.7256/2453-613x.2021.1.34175.

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Boris Tchaikovsky is the author of bright and original symphonic compositions. A timbre-orchestra palette is, undoubtedly, one of the key components of the music language of his works. The authors of this research analyze Tchaikovsky’s  Violin concerto and Piano concerto, the symphonic poems “The Juvenile” and “The Winds of Siberia”, the Symphony No 3 “Sevastopol”, and the Symphony with Harp, in order to consider particular aspects connected with the timbre-orchestra language of his symphonic compositions, such as:
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2

Storhoff, Kate. "Carter Pann, Joel Puckett, and Richard Strauss. Reflections. Northwestern Symphonic Wind Ensemble; Mallory Thompson, conductor. Summit Records 717, 2018. CD." Journal of the Society for American Music 13, no. 4 (2019): 551–54. http://dx.doi.org/10.1017/s1752196319000464.

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Haney, Joel. "Navigating Sonata Space in Mendelssohn's Meeresstille und glüückliche Fahrt." 19th-Century Music 28, no. 2 (2004): 108–32. http://dx.doi.org/10.1525/ncm.2004.28.2.108.

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Felix Mendelssohn's establishment of the concert overture as a domain of lively compositional innovation represents one of the most important achievements of orchestral music from the period immediately following Beethoven's death. In their remarkable ability to evoke lofty extramusical subjects through a purely instrumental medium, Mendelssohn's overtures were christened as vessels of musical progress in a manner that anticipated significantly the claims of the midcentury Lisztian symphonic poem. To grasp more fully the overtures' progressivism, though, we must attend closely to the relations
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Glover, Martin Kier. "Philip Grange - ‘CLOUD ATLAS’: PHILIP GRANGE. Cloud Atlas1; Bacchus Bagatelles2; Concerto for Solo Clarinet Radical and Symphonic Wind Band: Shēng Shēng Bù Shì3. 1,3National Youth Wind Ensemble of Great Britain c. Phillip Scott, 2Queenswood Wind Quintet, 3Sarah Williamson (cl.). Prima Facie PFCD019." Tempo 68, no. 268 (2014): 101–2. http://dx.doi.org/10.1017/s004029821300185x.

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Dissertations / Theses on the topic "Symphonic poems (Wind ensemble)"

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Ferrari, Lois. "Two symphonic wind ensemble compositions of Dana Wilson : Piece of mind and Shakata, Singing the world into existence /." Digitized version, 1995. http://hdl.handle.net/1802/4438.

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A paper submitted in partial fulfillment of the requirements for the D.M.A. degree, University of Rochester, Eastman School of Music, dated April 1995.<br>Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/4438
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2

Iyescas, Kenneth Javier. "DUENDE: FOUR PRELUDES FOR SYMPHONIC WIND ENSEMBLE BY LUIS SERRANO ALARCÓN: CONDUCTOR’S GUIDE, SPANISH HISTORICAL BACKGROUND AND INFLUENCE." UKnowledge, 2017. http://uknowledge.uky.edu/music_etds/92.

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Luis Serrano Alarcón is one of the most important and relevant composers of our time. He is sought after as a composer, lecturer, and conductor throughout the world. His works have been performed in over 30 countries worldwide by some of the leading musical ensembles in the United States, Europe, and Asia, as well as being highly decorated by winning many prestigious composition contests including the International Band Competition Contest of Corciano, Italy. Born in Valencia, Spain, Alarcón is relatively self-taught in composition, which is a testament to his natural-born gift for composition
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Blauvelt, Ryan. "Lake Pleasant." Digital Commons @ Butler University, 2018. https://digitalcommons.butler.edu/grtheses/505.

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Lake Pleasant, a work for wind ensemble, receives its title from the composer’s memories of visiting a cottage on a small lake that straddles the border of Indiana and Michigan. The primary influence of the piece derives from the howling sound produced by the echoes of traffic noise one hears while standing on the opposite side of the lake in the quiet of night. The recollection of this soundscape takes the musical form of nine clarinets spread throughout the audience accompanied by pairs of flutes, oboes, saxophones, trumpets, and a single piccolo. While the placement of performers in the aud
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4

Maze, Rex Allan II. "SWAT." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1300235860.

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5

Anderson, Stephen Reg. "Heart of the Fathers, for Wind Symphony." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2546/.

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Heart of the Fathers is a programmatic, seven movement work for wind symphony depicting my ancestors and their role as part of the history of The Church of Jesus Christ of Latter-day Saints. The movements represent their spiritual experiences, labors, times of joy, persecution, migration, and finally their arrival and success in their new homeland. The piece is organized in seven movements. Each movement represents a different portion of history leading to the western migration of my ancestors. The programmatic music contains a variety of symbols depicting the experiences of the pioneers.
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6

Mui, Kwong-chiu Tan Dun Mui Kwong-chiu Mui Kwong-chiu Mui Kwong-chiu Mui Kwong-chiu. "Exploration in new music : portfolio of compositions and analysis /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22132016.

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Thesis (M. Phil.)--University of Hong Kong, 2001.<br>Two sets of recordings included, each in its own container. The first work is for string quartet; the second for bangdi, soprano sheng, yangqin, pipa, guzheng, erhu, gehu and percussion; the third for harmonica quintet, sheng, harp, piano and percussion. "Symphonic poem-Genesis" is for orchestra with piano and celesta. "Ghost opera" is for string quartet and pipa, with water, stones, paper and metal. Includes bibliographical references.
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Mui, Kwong-chiu. "Exploration in new music portfolio of compositions and analysis /." Click to view the E-thesis via HKUTO, 2000. http://sunzi.lib.hku.hk/hkuto/record/B43894574.

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8

Blair, Jennifer Marie. "The History and Development of The Ohio State University Concert Wind Band Program from 1929-1995." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1290566947.

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梅廣釗 and Kwong-chiu Mui. "Exploration in new music: portfolio of compositions and analysis." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B43894574.

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Kitelinger, Jennifer. "Rediscovering James Robert Gillette's Vistas." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062913/.

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James Robert Gillette (1886-1963) was an early advocate for original wind band music at a time when marches and band transcriptions of orchestral music contributed heavily to the wind band repertoire. Primarily known as an influential, in-demand organist and composer, Gillette became the director of the Carleton College band program in Northfield, Minnesota in 1924. Taking an innovative approach to building, organizing, and programming, Gillette transformed that group into the Carleton Symphony Band and led a wider push for the symphonic band movement. In promoting his ideals of the symphonic
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Books on the topic "Symphonic poems (Wind ensemble)"

1

Husa, Karel. Les Couleurs Fauves/Vivid Colors: For Symphonic Wind Ensemble. Associated, 2000.

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2

Husa, Karel. Les Couleurs Fauves/Vivid Colors: For Symphonic Wind Ensemble. Associated, 2000.

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