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Journal articles on the topic 'Symphony 19th century Austria'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Martynova, V. I. "Concerto for Oboe and Orchestra in the Works by Modern Time Composers: Aspects of Genre Stylistics." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 54, no. 54 (2019): 71–93. http://dx.doi.org/10.34064/khnum1-54.05.

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Introduction. Concerto for oboe and orchestra in the music of modern time (20th – early 21st centuries), on the one hand, is based on the traditions of past eras, on the other hand, it contains a number of new stylistic trends, among which the leading trend is the pluralism of composer’s decisions. Despite this, the works created during this period by the composers of different national schools can be divided into three groups – academic, experimental, and pastoral. The article gives the review of them. Objective. The main objective of the article is to identify the features of genre stylistic

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Lee, Hyangsu. "German Hegemony in Symphony Genre of the 19th century and Symphony of Nationalist as the Others." 音.樂.學 19, no. 1 (2011): 97–137. http://dx.doi.org/10.34303/mscol.2011.19.1.004.

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3

Walker, Sarah. "Cultural barriers to market integration: Evidence from 19th century Austria." Journal of Comparative Economics 46, no. 4 (2018): 1122–45. http://dx.doi.org/10.1016/j.jce.2018.05.001.

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Supady, Jerzy. "The beginnings of modern nursing in the 19th century." Health Promotion & Physical Activity 7, no. 2 (2019): 1–4. http://dx.doi.org/10.5604/01.3001.0013.2654.

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The formation of modern nursing is associated with socio–political factors including the wars fought during the second half of the 19th century. The Crimean War resulted in reforms undertaken by Florence Nightingale in nursing care of the sick and the wounded. As a consequence of the military conflict between France and Austria in 1859 the Red Cross organization was founded.

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Hahn, Sylvia. "Migration, job opportunities, and households of metalworkers in 19th-century Austria." History of the Family 8, no. 1 (2003): 85–102. http://dx.doi.org/10.1016/s1081-602x(03)00008-3.

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Kotova, Elena. "The German Question in the Foreign Policy of the Austrian Empire in 1850—1866." ISTORIYA 12, no. 6 (104) (2021): 0. http://dx.doi.org/10.18254/s207987840016050-4.

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For centuries, the House of Austria (the Habsburgs) maintained its leadership in the Holy Roman Empire, and later in the German Union. But in the middle of the 19th century the situation changed, Austria lost its position in Germany, lost to Prussia in the struggle for hegemony. The article examines what factors influenced such an outcome of the German question, what policy Austria pursued in the 50—60s of the 19th century, what tasks it set for itself. The paper traces the relationship between the domestic and foreign policy of Austria. Economic weakness and political instability prevented th

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Diergarten, Felix. "Time out of joint — Time set right: Principles of form in Haydn’s Symphony No. 39." Studia Musicologica 51, no. 1-2 (2010): 109–26. http://dx.doi.org/10.1556/smus.51.2010.1-2.8.

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The opening of Haydn’s Symphony No. 39 in G minor is interrupted by two unusually long grand pauses. These brief suspensions of the time continuum reveal Haydn’s search for new narrative strategies for a genre caught up in the tensions between the boisterous concert opener, courtly representation, the bourgeois concert hall and the demands of “connoisseurs.” This use of the Generalpause points toward a period of upheaval in the development of symphonic forms in the 18th century. A comparative analysis examining the primarily “punctuated” concept of form in the 18th century in relation to the p

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Minárik, Pavol, Marek Vokoun, and František Stellner. "Innovative activity and business cycle: Austria in the 19th and 20th century." E+M Ekonomie a Management 21, no. 2 (2018): 53–68. http://dx.doi.org/10.15240/tul/001/2018-2-004.

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Sirotkina, Evgenya V. "The Image of Austria in Russian Public Opinion in the XIX – Early XX Century." Izvestiya of Saratov University. New Series. Series: History. International Relations 20, no. 3 (2020): 364–69. http://dx.doi.org/10.18500/1819-4907-2020-20-3-364-369.

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The article examines the process of forming the image of Austria in Russian public opinion in the 19th – early 20th century. The author pays main attention to the influence that public opinion had during this period on the development of Russian-Austrian relations. The author concludes that the negative image of Austria formed in public opinion had a significant impact on the development of the Russian government’s foreign policy, hindered the search for compromises and pushed for confrontation.

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Wald, Melanie. "„Ein curios melancholisches Stückchen“: Die düstere Seite von Haydns fis-Moll Sinfonie Hob. I:45 und einige Gedanken zur pantomime in der Instrumentalmusik." Studia Musicologica 51, no. 1-2 (2010): 79–90. http://dx.doi.org/10.1556/smus.51.2010.1-2.6.

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Haydn’s symphony no. 45, especially the final Farewell -Andante, has been looked at puzzlingly twofold: More recent understandings emphasize the wit and humour of the finale, while reports of the late 18th and early 19th century tend to notice a gloomier, even melancholic tint. This perception here is taken as a starting point for an interpretation of that symphony in terms of the 18th-century notion of melancholy as noble suffering of princes, intellectuals, and artists. Since musical works of melancholy are normally for piano or a soloist to allow for an identification of the player and the

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Malatsai, I. "MIGRATION FROM HUNGARY TO AMERICA IN THE LATE 19TH – EARLY 20TH CENTURY (BASED ON THE MATERIALS OF THE "COLLECTION OF CONSULAR REPORTS")." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 147 (2020): 25–29. http://dx.doi.org/10.17721/1728-2640.2020.147.5.

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The article is devoted to the study of the problem of migration processes in the late 19th – early 20th centuries from the territory of Austria-Hungary to America. Demand for workers in the United States, which has been active since the mid-19th century and exacerbation of socio-economic contradictions in Austria-Hungary in the second half of the 19th century, caused the intensification of migration flows between the two continents. Among the emigrants were all the nations who inhabited the Austro-Hungarian monarchy. But the population of the north-eastern regions of the country prevailed. At

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Hechenblaikner, Verena. "Die Veränderung des alpinen Schutzhüttenbaus vom 19. bis zum 21. Jahrhundert." historia.scribere, no. 12 (June 15, 2020): 189. http://dx.doi.org/10.15203/historia.scribere.12.610.

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Changes in Alpine shelter construction from the 19th to the 21st century. A contribution to the environmental history of Western AustriaThe following paper provides a chronological overview of Alpine shelter construction in Western Austria from the 19th to the 21st century. It examines the ambivalent role the “Alpenverein” has played in this Alpine development and scrutinizes its changing attitude to nature conservation. In doing so, the paper argues that different shelter constructions and the discussions surrounding them might be regarded as indicators of a general change in environmental aw

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Rovner, Anton А. "Vocal and Choral Symphonies and Considerations on Text Representation in Music." ICONI, no. 2 (2020): 26–37. http://dx.doi.org/10.33779/2658-4824.2020.2.026-037.

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The article examines the genres of the vocal and the choral symphony in connection with the author’s vocal symphony Finland for soprano, tenor and orchestra set to Evgeny Baratynsky’s poem with the same title. It also discusses the issue of expression of the literary text in vocal music, as viewed by a number of influential 19th and 20th century composers, music theorists and artists. Among the greatest examples of the vocal symphony are Gustav Mahler’s Das Lied von der Erde and Alexander von Zemlinsky’s Lyrische Symphonie. These works combine in an organic way the features of the symphony and

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Barovic, Vladimir, and Ljubomir Zuber. "Jovan Pavlovic as a liberalism paradigm in the history of Serbian press." Zbornik Matice srpske za drustvene nauke, no. 161 (2017): 13–25. http://dx.doi.org/10.2298/zmsdn1761013b.

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This paper is focused on a celebrated Serbian journalist and liberal, Jovan Pavlovic, who founded and edited, in the second half of the 19th century, the following newspapers: Pancevac, Granicar and Novi Granicar. Pavlovic turned his newspapers into the most militant and the most liberal media printed in Serbian language in Austria-Hungary in the second half of the 19th century. This paper analyzes the beginnings of Serbian liberal thought and individuals who were significant for the development of liberal ideas in the 19th century. The work of Vladimir Jovanovic and other liberals in Serbia h

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Olin, Margaret. "The Cult of Monuments as a State Religion in Late 19th Century Austria." Wiener Jahrbuch für Kunstgeschichte 38, no. 1 (1985): 177–98. http://dx.doi.org/10.7767/wjk-1985-0107.

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16

Palmer, Peter. "Fritz Brun: a Swiss Symphonist." Tempo, no. 195 (January 1996): 14–18. http://dx.doi.org/10.1017/s0040298200004721.

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Ferruccio Busoni, who saw out the First World War from the neutral haven of Switzerland, maintained that the best Swiss symphony was Rossini's William Tell overture. Not that the country was completely lacking in resident composers of symphonic music during the Classical and Romantic eras. There was, for example, Gaspard Fritz (d.1783), whom Dr Bumey met in Geneva. There was Xaver Schnyder von Wartensee (d.1868), whose works include an amiable ‘Military’ Symphony. But the dominant force in the 19th century was the composer, publisher and pedagogue Hans Georg Nägeli, whose primary achievement w

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Schumann, Bianca. ""... so merkt man ihr allerdings den achtzehnjährigen, unbeholfenen Komponisten an..."." Die Musikforschung 73, no. 4 (2021): 355–67. http://dx.doi.org/10.52412/mf.2020.h4.4.

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In the course of the aesthetic controversy of the 19th century over programme music, which was particularly intense in Vienna, 'conservative' as well as 'progressive' ciritcs, who wrote for the daily press, endeavoured to appropriate Hector Berlioz for their personal aesthetic convictions. Even for reviews written in the 1860s and 1870s, when Berlioz's large-scale works were first performed by leading Viennese orchestras, Robert Schumann's review of the Symphonie fantastique (1835) played a significant role. Schumann's appreciative assessment of the symphony, which was strongly influenced by h

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Antonelli, Mauro, and Siegfried Ludwig Sporer. "The History of Eyewitness Testimony and the Foundations of the "Lie Detector" in Austria and Italy." RIVISTA SPERIMENTALE DI FRENIATRIA, no. 1 (April 2021): 41–66. http://dx.doi.org/10.3280/rsf2021-001003.

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Although little known, the theoretical and methodological roots of lie detection, in particular of the development of the so-called "lie detector", must be placed in central Europe, in particular in Germany, Austria, and later in Italy at the turn of the 19th and 20th century. Focusing on Austria and Italy, we trace this development from Hans Gross in Austria to Vittorio Benussi and his pupil Cesare L. Musatti in Italy. Benussi, initially active at the University of Graz and later at the University of Padua, was the mediating link between the Austrian and Italian legal psychology tradition.

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Péteri, Lóránt. "Scherzo and the unheimlich: the construct of genre and feeling in the long 19th century." Studia Musicologica 48, no. 3-4 (2007): 319–33. http://dx.doi.org/10.1556/smus.48.2007.3-4.4.

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The psychological concept of the uncanny (“das Unheimliche”) has been established in studies by E. Jentsch (1906) and S. Freud (1919). On the grounds of cultural and textual references, which can be found in these studies, one might regard the uncanny as a discourse construct contained in various literary, evaluative, and visual texts stretching from the late 18th century to the First World War. In my paper, I wish to discuss the assumption that the scherzo genre, commonly seen as founded on Haydn’s opus 33 string quartets and coming to a first fruition in various Beethoven cycles shows a part

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Turán, Tamás. "The Austro-Hungarian Beginnings of the Research on the ‘European Genizah’." Zutot 17, no. 1 (2018): 83–96. http://dx.doi.org/10.1163/18750214-12161081.

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Abstract Research on Hebrew manuscript fragments retrieved from bookbindings started in the second half of the 19th century, some earlier forays into this field notwithstanding. Austria-Hungary played an important role in this field of research for its first hundred years – a fact that deserves attention. This pioneering research in Austria-Hungary was made possible by a recognition and appreciation of the importance of minor source materials (‘small finds’) by local scholars, and was characterized by a historical – rather than a literary-historical – interest in this source material. This art

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Crepaz, Markus M. L., and Regan Damron. "Constructing Tolerance." Comparative Political Studies 42, no. 3 (2008): 437–63. http://dx.doi.org/10.1177/0010414008325576.

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Over the past 30 years, the hitherto rather homogeneous welfare states in Europe have been experiencing a dramatic influx of immigrants, making them much more diverse. The central purpose of the early development of the welfare state was twofold: to bridge class divisions and to mollify ethnic divisions in the vast multiethnic empires of 19th-century Germany and Austria. This research examines the impact of the programmatic and expenditure dimensions of the welfare state on attitudes of natives across modern publics, theorizing that nativist resentment and welfare chauvinism should be reduced

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Rovner, Anton А. "Finland, a Vocal Symphony for Soprano, Tenor and Large Orchestra." ICONI, no. 4 (2020): 100–111. http://dx.doi.org/10.33779/2658-4824.2020.4.100-111.

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My composition Finland is a vocal symphony for soprano, tenor and large orchestra set to the text of the early 19th century Russian Romantic poet Evgeny Baratynsky. The main idea behind this composition involves the combination of two contrasting approaches to musical composition: composing an abstract, independent musical work built on purely musical laws of structure and development and, on the other hand, writing a dramatic, programmatic work, the aim of which is to express emotions, to interpret and depict the subject matter of the literary text. The musical composition consists of six mov

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Skyllstad, Kjell. "Nordic Symphony – Grieg at the cross-roads." Musicological Annual 39, no. 1 (2003): 107–14. http://dx.doi.org/10.4312/mz.39.1.107-114.

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In music historiography there appears the notion of a Europe musically divided between a central "universal" culture and a peripheral "national" orientation. 19th century composers of the Scandinavian and East European countries share the same fate of being marginalized as provincial representatives of "national" or "regional" cultures, in contrast to those that »spoke the language of "humanity" (Alfred Einstein). In Germany Edvard Grieg is stili derogatively regarded as Kleinkünstler, who was not able to produce large scale works in sonata form, which alone would qualify for the stature of a

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Zhernokleyev, Oleg. "The Roman Catholic Monastic Orders in Eastern Galicia in the Early 20th Century." Journal of Vasyl Stefanyk Precarpathian National University 4, no. 2 (2017): 34–40. http://dx.doi.org/10.15330/jpnu.4.2.34-40.

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This study involves the analysis of the overall quantitative, structural and sociodemographic characteristics of the Roman Catholic monastic Orders in Eastern Galicia as a part of the Galician Crown land of Austria-Hungary in the early 20th century. In the second half of the 19th century, the Roman Catholic monastic communities renewed their activity after a period of decline in the epoch of Enlightenment. The analysis indicates two features that characterize the contemporary Galician monastic Orders – a significant predominance of female members and active social work among the population of

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Bottez, Alina. "Religion and Cultural Identity in Shakespeare’s Romeo and Juliet and the Musical Works it Inspired." Messages, Sages and Ages 3, no. 1 (2016): 46–59. http://dx.doi.org/10.1515/msas-2016-0005.

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Abstract Protean Shakespeare thrives not only in the theatre, but also through what Bolter and Grusin call remediation. This article analyses the religious stances in the play and then shows how opera, symphony and musical have been adapting the veteran Elizabethan drama since the 18th century. Its main approach is comparative and relies on the history of mentalities. Adaptation is dictated by cultural context, the conventions of the lyrical theatre, social and political factors, and reception. The confusing religious configuration of Shakespeare’s England is reinterpreted kaleidoscopically. T

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Teparic, Srdjan. "Overcoming the crisis of tonality: The resemantized tonality of modernism." Muzikologija, no. 21 (2016): 51–62. http://dx.doi.org/10.2298/muz1621051t.

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In this article I analyse the context and features of resemantized tonality, historically linked with the first half of the 20th century. The renewed interest in tonality occurred after the crisis of tonality - the system that prevailed in music until its ?collapse? in the late 19th and early 20th century. The consequence of the crisis was the emergence of atonality, as well as different tonal idioms which are here collectively referred to as ?resemantized tonality?. This reaction led to a whole series of works based on the concept of linguistic-stylistic resemantization in the context of mode

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Frisch, Walter. "The Snake Bites Its Tail: Cyclic Processes in Brahms's Third String Quartet, op. 67." Journal of Musicology 22, no. 1 (2005): 154–72. http://dx.doi.org/10.1525/jm.2005.22.1.154.

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Brahms's Third String Quartet, op. 67 in Bb Major, represents one of his greatest efforts in cyclical form, but has been neglected in the analytical and critical literature, which has focused on the Third Symphony, the Schicksalslied, and the German Requiem. Brahms's cyclic techniques fall between the procedures of Beethoven, who aims for thematic unity or coherence across a work, and French composers at the end of the 19th century, who use extensive, intricate thematic transformation to bind a piece. Brahms designs the finale of his Bb Quartet, a theme and variations, to evolve toward the rea

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Vonka, Martin, and Robert Kořínek. "CHIMNEY RESERVOIRS: UNIQUE TECHNICAL STRUCTURES FROM THE FIRST HALF OF THE 20TH CENTURY IN THE CZECH REPUBLIC." Acta Polytechnica 58, no. 2 (2018): 155. http://dx.doi.org/10.14311/ap.2018.58.0155.

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In the past, various methods and technological systems were used to supply water on industrial and other sites. In the early 19th century, Professor Otto Intze invented a new form of water reservoir that could be installed in a tower tank or even on the body of a chimney. This gave rise to a structure that had never been seen before – a chimney reservoir. The advantages of this structure resulted in it quickly becoming very popular, especially in the country in which it originated, Germany. The structure spread from the German Empire into other countries, including Austria-Hungary. The first c

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Walli, Thomas. "„Wir kommen unter die Metzger“. Die Umsetzung des nationalsozialistischen Euthanasieprogramms im Reichsgau Tirol-Vorarlberg." historia.scribere, no. 8 (June 14, 2016): 253. http://dx.doi.org/10.15203/historia.scribere.8.462.

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The following bachelor thesis is about the Aktion T4 in Nazi Germany and its execution in the Reichsgau Tirol-Vorarlberg. Starting with an overview of the most important ideological and racial influences of the Nazis, like the social Darwinism or the theories about eugenics of the late 19th century, it focuses on the state-wide Aktion T4. From 1939 on the National Socialist regime tried to kill all persons with a mental or physical handicap. One of the main hospitals in western Austria was the Heil- und Pflegeanstalt Hall in Tirol. The paper examines the role of Hall within the whole Aktion T4

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Milin, Melita. "Recognition of two great contemporaries." Muzikologija, no. 18 (2015): 147–57. http://dx.doi.org/10.2298/muz1518147m.

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The common denominator in the careers of two contemporaries and great men, citizens of Austria-Hungary - Leos Jan?cek and Sigmund Freud - was that, in spite of their status as outsiders, they managed to achieve well-deserved recognition. Both non-Germans, they had to surmount a number of obstacles in order to attain their professional goals. The Slavophile Jan?cek dreamed for a long time of success in Prague, which came at last in 1916, two years before a triumph in Vienna. Freud had serious difficulties in his academic career because of the strengthening of racial prejudices and national hatr

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van de Schoor, Rob. "De reisbrieven van R.C. Bakhuizen van den Brink, geschreven gedurende zijn ‘ballingschap’, 1844-1851." Nederlandse Letterkunde 24, no. 3 (2019): 323–54. http://dx.doi.org/10.5117/nedlet2019.3.002.vand.

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Abstract R.C. Bakhuizen van den Brink’s travel letters, written during his ‘exile’, 1844-1851In the years 1844-1851, during his journey along libraries and archives in Germany and Austria, the young scholar and later writer and archivist Bakhuizen van den Brink (1810-1865) wrote extensive love letters to Julie Simon, who he had left behind in Liège. Expressing the emotions aroused by his exile from the Netherlands and the separation from the young woman whose heart he desired to win, Bakhuizen resorted to themes that are recurrent in other literary genres such as the epic and the Bildungsroman

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Jaeger-Klein, Caroline. "Monuments, Protection and Rehabilitation Zones of Vienna. Genesis and status in legislation and administration." International Journal of Business & Technology 6, no. 3 (2018): 1–9. http://dx.doi.org/10.33107/ijbte.2018.6.3.10.

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Austria has a very long tradition in monument protection. Already in 1853, the central commission to research and preserve the built historic monuments started to operate. The current law on monument protection is from the year 1923. Hence, the most successful steps to secure the country’s built cultural heritage date back to a new provincial legislation, administration and finance system implemented in the early 70ies of the 19th century based on so-called Old-City Preservation Acts. By this sensitive approach, Austria safeguarded the most important historic city centers of Austria like Salzb

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O'Loughlin, Niall. "Interconnecting Musicologies: Decoding Mahler's Sixth Symphony." Musicological Annual 39, no. 1 (2003): 31–49. http://dx.doi.org/10.4312/mz.39.1.31-49.

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This paper aims to establish a possible model for a multi-dimensional approach to understanding a complex musical work, using a number of interconnecting musicologies. In the 19th century the symphony was often considered an abstract musical creation, but in other cases a programmatic work. The first four symphonies of Gustav Mahler are programmatic in that three set words to music, while extra-musical interpretations can easily be inferred for all four. The next three symphonies can be variously understood as abstract symphonies because they adhere to a pattern of four or five movements of co

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Thomas, Riley, Jocelyn Alcantára-García, and Jan Wouters. "A Snapshot of Viennese Textile History using Multi-Instrumental analysis: Benedict codecasa’s swatchbook." MRS Advances 2, no. 63 (2017): 3959–71. http://dx.doi.org/10.1557/adv.2017.604.

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AbstractThe Habsburg Empire was a sovereign dynasty ruled by the Habsburgs between the 15th and 20th centuries. Although its borders were not defined before the 19th century, what is now Austria, Hungary, some areas of the Czech Republic, the Netherlands and Italy were at some point part of the Empire. Starting in the 17th century, the Empire had Vienna as the capital, which was a hub for culture and craft where silk was a valued commodity. Despite the political and cultural importance of the Empire, little is known of its trade practices and sources of raw material. Using a combination of X-R

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Dalos, Anna. "Ein symphonisches Selbstbildnis: Über Zoltán Kodálys Symphonie in C (1961)." Studia Musicologica 50, no. 3-4 (2009): 203–20. http://dx.doi.org/10.1556/smus.50.2009.3-4.1.

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After the revolution in 1956, the cultural policy in Hungary shifted to allow a new openness toward Western-European movements: consequently 1956–1967 became one of the most important transitional periods of Hungarian music history. Composers turned away from the tradition of the foregoing thirty years, determined by the influence of Bartók and Kodály, imitating rather the works of Schoenberg, Berg, Webern, Boulez, Nono, Lutosławski, Penderecki and Stockhausen. In this context the 78-year-old Zoltán Kodály’s Symphony, written in 1960–1961 for the Swiss Festival Orchestra and dedicated to the m

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Hotsuliak, Svitlana. "Legal regulation of sanitary affairs in Europe in the 19th century." Law and innovations, no. 1 (29) (March 31, 2020): 65–70. http://dx.doi.org/10.37772/2518-1718-2020-1(29)-10.

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Problem setting. Since ancient times, guardianship of the health of the population has become an obligatory part of the foundation of a powerful state. Later on, special bodies began to be created, whose powers at first were limited only to the monitoring of food supplies, but with the spread of epidemics their role increased and spread around the world. In the 19th century, cities began to grow rapidly and the number of inhabitants increased. States were faced with the challenge of ensuring healthy living conditions. Analysis of recent researches and publications. The scientific research on t

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Hedmeg, Lukáš. "The Development of the Book Collection of the Detvan Association in Prague until the End of the 19th Century." Acta Musei Nationalis Pragae – Historia litterarum 63, no. 3-4 (2019): 132–38. http://dx.doi.org/10.2478/amnpsc-2018-0018.

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At the turn of the 20th century, Slovaks faced new national challenges in the political and social conditions of Austria-Hungary. The Hungarisation efforts of the Hungarian government along with frequent accusations of pan-Slavism motivated a part of Slovak students coming from a nationally conscious environment to leave for studies in the Czech part of the monarchy. From its foundation in 1882, the Detvan association in Prague planned to develop educational and literary activities with an emphasis on the Slovak language and culture. This led to an urgent need for the establishment of the asso

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Albano, Paolo G., Sara-Maria Schnedl, Ronald Janssen, and Anita Eschner. "An illustrated catalogue of Rudolf Sturany’s type specimens in the Naturhistorisches Museum Wien, Austria (NHMW): Red Sea bivalves." Zoosystematics and Evolution 95, no. 2 (2019): 557–98. http://dx.doi.org/10.3897/zse.95.38229.

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Rudolf Sturany, the curator of molluscs of the Natural History Museum of Vienna between the late 19th and early 20th century described 21 species of bivalves from the Red Sea collected by the pioneering expeditions of the vessel “Pola” which took place between 1895 and 1898. We here list and illustrate the type material of these species, provide the original descriptions, a translation into English, and curatorial and taxonomic comments. All species are illustrated in colour and with SEM imaging. To stabilize the nomenclature, we designate lectotypes for Gastrochaena weinkauffi, Cuspidaria bra

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Przerembski, Zbigniew Jerzy. "Kolberg’s opinions on changes in the choice of instruments in 19th century folk music." Musicology Today 11, no. 1 (2014): 6–12. http://dx.doi.org/10.2478/muso-2014-0013.

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Abstract In the second half of the 19th century, when Oskar Kolberg conducted his folkloristic and ethnographic work, folk song and music were still alive and, to a great extent, functioned in their natural culture context. However, already at that time, and especially in the last decades of the century, gradual changes were taking place within folk tradition. Those changes were brought about by industrialization and factors in the development of urban civilization, which varied in intensity depending on the region. Folk music was also influenced by those changes and they themselves were furth

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Wilson, Mary Katherine, Sarah Marczynski, and Elizabeth O’Brien. "Ethical Behavior of the Classical Music Audience." Ethical Human Psychology and Psychiatry 16, no. 2 (2014): 120–26. http://dx.doi.org/10.1891/1559-4343.16.2.120.

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The purpose of this research is to gain a better understanding of expected ethics of audience behavior during a classical music performance. Through a better understanding of cultural identities and practices of the classical music audience, symphony organizations may be able to more closely align audience expectations and the socialization frameworks that are present throughout the classical music experience. The researchers engaged in an ethnographic qualitative research approach in this study. Specific to this study, the researchers were engaging in gaining a greater understanding of classi

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Jansen, Nils. "Farewell to Unjustified Enrichment?" Edinburgh Law Review 20, no. 2 (2016): 123–48. http://dx.doi.org/10.3366/elr.2016.0339.

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In this article, Professor Jansen sets out the historical background and present state of unjustified enrichment theory in the German-speaking civilian legal systems, Austria, Germany, and Switzerland. The German law of unjustified enrichment has grown from two intellectually separate roots. These different legal ideas were interwoven during the 19th century by the German Pandectists. During the 20th century, it began to appear to many that these ideas did not fit well with one another. Professor Jansen thus argues that the modern civilian law of unjustified enrichment is increasingly characte

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Fastyn, Arkadiusz. "Zawarcie małżeństwa mieszanego wyznaniowo według prawa małżeńskiego z 1836 roku." Czasopismo Prawno-Historyczne 65, no. 1 (2018): 229–47. http://dx.doi.org/10.14746/cph.2013.65.1.09.

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The thesis discusses the signifi cant question of inter-denominational marriages in Poland prior to 1946. Until the end of 1945, the laws in force in Poland were the 19th-century statutes. They had been enacted by the neighbouring countries (Austria, Russia and Prussia) that partitioned the Polish territory in the second half of the 18th century. In the Polish lands enjoying some autonomy in the Russian Empire, the regulation of marriage was based on the religious principles of 1836. Under the 1836 statute, there could be no civil marriage that would not produce a confessional effect. Conseque

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Nováková, Katarína Slobodová, and Pavol Krajčovič. "The Dissemination of the Cult of Saint Vincent in Slovakia and Austria as a Result of 18th Century Migration of Alpine Woodcutters." Slovenský národopis / Slovak Ethnology 68, no. 1 (2020): 7–28. http://dx.doi.org/10.2478/se-2020-0001.

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AbstractSaint Vincent is one of the saints the worshipping of which occupies an important place both in the official church cult and in folk religiousness. He is currently regarded as the patron of wine growers, wine producers and woodcutters. Folk respect was particularly manifested in Saint Vincent’s native Spain and France, and this cult gradually expanded to Germany and Austria in the 14th century. Thanks to migration, it spread from these regions to southern Austria and Slovakia with relatively successful establishment. The study analyses the materials from different periods of the 19th a

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Iațeșen, Loredana Viorica. "7. Advocating the Poetics of Sound in the Cycle Les Nuits d´Été by Hector Berlioz." Review of Artistic Education 15, no. 1 (2018): 59–73. http://dx.doi.org/10.2478/rae-2018-0007.

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Abstract By consulting monographies, musicological studies, specialty articles about the personality of romantic musician Hector Berlioz and implicitly linked to the relevance of his significant opera, one discovers researchers’ constant preoccupation for historical, stylistic, analytical, hermeneutical comments upon aspects related to established scores (the Fantastic, Harold in Italy symphonies, dramatic legend The Damnation of Faust, dramatic symphony Romeo and Juliet, the Requiem, etc.). Out of his compositions, it is remarkable that the cycle Les nuits d´été was rarely approached from a m

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Gür, Zeynep. "Parallels between Two Identity Searching Nations in the 20th Century through the Museum and Exhibition Buildings." Periodica Polytechnica Architecture 50, no. 1 (2019): 67–80. http://dx.doi.org/10.3311/ppar.12159.

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During the 19th and 20th centuries, museums and exhibition buildings have been immensely important in the nation-building of newly born countries all over the world. By means of art and architectural representation, it was possible to bring people together in the pursuit of enduring their nationhood, to make them proud of their identity and to create a new concept of the country with a powerful historical background. Within this context, Hungary from the Compromise with Austria in 1867 up to the second decade of 20th century, and Turkey starting from the Second Constitution in 1908 until the m

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Nattiez, Jean-Jacques. "Can One Speak of Narrativity in Music?" Journal of the Royal Musical Association 115, no. 2 (1990): 240–57. http://dx.doi.org/10.1093/jrma/115.2.240.

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The question of musical narrativity, while by no means new, is making a comeback as the order of the day in the field of musicological thought. In May 1988 a conference on the theme ‘Music and the Verbal Arts: Interactions’ was held at Dartmouth College, Hanover, New Hampshire. A fortnight later, a group of musicologists and literary theorists was invited to the Universities of Berkeley and Stanford to assess, in the course of four intense round-table discussions, whether it is legitimate to recognize a narrative dimension in music. In November of the same year, the annual conference of the Am

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Kulauzov, Masa. "The emergence, development and demilitarization of the military border of the Austrian Monarchy." Zbornik Matice srpske za drustvene nauke, no. 125 (2008): 141–47. http://dx.doi.org/10.2298/zmsdn0825141k.

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Military border of the Austrian Monarchy was formed gradually in border areas for the purpose of defending the border from Turkish invasions. In time, as the international political circumstances have changed, the Border itself also modified its primary function. From the beginning of the 18th century soldiers of the Military Border together with the regular troops of Austrian army participate in all wars in which Austria took part. Thanks to those soldiers the military force of the Austrian Empire was significantly strengthened. Except for military tasks, the Military Border served to a great

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Lenz, Alexandra N., Fabian Fleißner, Agnes Kim, and Stefan Michael Newerkla. "give as a put verb in German – A case of German-Czech language contact?" Journal of Linguistic Geography 8, no. 2 (2020): 67–81. http://dx.doi.org/10.1017/jlg.2020.6.

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AbstractThis contribution focuses on the use of geben ‘give’ as a put verb in Upper German dialects in Austria from a historical and a recent perspective. On the basis of comprehensive historical and contemporary data from German varieties and Slavic languages our analyses provide evidence for the central hypothesis that this phenomenon traces back to language contact with Czech as already suggested by various scholars in the 19th century. This assumption is also supported by the fact that Czech dát ‘give’ in put function has been accounted for since the Old Czech period as well as by its high

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Nosov, Boris V., and Lyudmila P. Marney. "The regional policy of the Russian Empire in the first half of the 19th century: The Kingdom of Poland (1815–1830)." Slavic Almanac, no. 3-4 (2020): 83–105. http://dx.doi.org/10.31168/2073-5731.2020.3-4.1.05.

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The article is devoted to the problems of the regional policy of the Russian Empire at the beginning of the 19th century discussed in the latest Russian historiography, to the peculiarities of the state-legal status and administrative practice of the Kingdom of Poland. It was the time when basic principles and a special structure of management at the outlying regions of the empire were developed, and when special (historical, national, and cultural) regions were formed on the periphery of the Empire. The policy of the Russian government in relation to the Kingdom of Poland depended both on the

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Knézy, Judit. "Céhes adatok a somogyi pék- és mézesbábos mesterekről az 1810-es évektől 1869-ig." Kaposvári Rippl-Rónai Múzeum Közleményei, no. 1 (2013): 251–60. http://dx.doi.org/10.26080/krrmkozl.2013.1.251.

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During the 18th and 19th century the guilds in Som-ogy county had developed only slowly because of the lack of cities in the region. The low number of educated baking mas-ters was also based on the fact that the practice of household bread baking remained in existence until the 1960s. Bread bak-ing was made in the 18th and 19th century by seasoned cooks-men and bread specialists. The craftsmen of the markettown Csurgó only got their landlord’s approval for creating a mixed crafts guild in 1810. The bakers and honey-cake makers of this town belonged to the so called ’German’ guild from 1814. Th

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