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Dissertations / Theses on the topic 'Symphony orchestras'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Maitlis, Sally. "Symphonic Dances: A study of decision making in British Symphony Orchestras." Thesis, University of Sheffield, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.493277.

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2

Dammerud, Jens Jørgen. "Stage acoustics for symphony orchestras in concert halls." Thesis, University of Bath, 2009. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518296.

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3

Winteregg, Steven. "The future of the symphony orchestra based upon its historical development /." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487326511713885.

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4

Smith, Alex D. "The Symphony in America: Maurice Abravanel, and the Utah Symphony Orchestra: The Battle for Classical Music." BYU ScholarsArchive, 2002. https://scholarsarchive.byu.edu/etd/5125.

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Between 1947 and 1979 the Utah Symphony Orchestra was transformed from an obscure, part-time, amateur orchestra into one of the major symphony orchestras in America. By 1947 the orchestra, which had begun as a Works Progress Administration organization, was barely hanging on. The symphony struggled to remain financially solvent, performing only a few concerts per year. Thirty-two years later the Utah Symphony Orchestra was one of the most prestigious musical ensembles in the country— receiving rave reviews from critics around the world, touring extensively, and with more than a hundred albums

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5

Gore, Erin E. 1982. "Symphony Audience Development: Analysis of Organizational Culture in the Performing Arts." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/9901.

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xii, 133 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>Symphony orchestras operate with complex internal structures and dynamics. The connection between a symphony orchestra's organizational culture and artistic programming is undocumented in current performing arts management scholarship. This thesis hypothesizes that symphonies can enhance audience development when utilizing all members ofthe organization in making artistic programming decisions - including the staff, board, an

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6

Lin, Pei Yi. "Challenges of Developing Audiences for Symphony Orchestras in Twenty-First Century." University of Akron / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=akron1210950102.

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7

Hunt, Emma. "Clarinet sound identities in Australia: perceptions of the Melbourne and Sydney Symphony Orchestras." Thesis, The University of Sydney, 2011. http://hdl.handle.net/2123/7789.

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Music listeners commonly speculate that the clarinet sections of the Melbourne and Sydney Symphony Orchestras’ produce different sound qualities. This is the first study to investigate these differences, as perceived by clarinettists involved with the two orchestras, and to examine the collective sound identities of each orchestra’s clarinet section. Five past and present clarinettists from each orchestra (n=10) participated in semi-structured interviews to discuss sound perception of the clarinet and of the respective clarinet sections. Clarinettists spontaneously defined sound differences be

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8

Twu, Ruey-Der. "A study of factors influencing reported fundraising efficiency of symphony orchestras." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3297092.

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Thesis (Ph.D.)--Indiana University, School of Public and Environmental Affairs, 2007.<br>Title from dissertation home page (viewed Sept. 25, 2008). Source: Dissertation Abstracts International, Volume: 69-02, Section: A, page: 0748. Adviser: Wolfgang Bielefeld.

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9

Jones, Timothy David. "The musical trajectories and professional responsibilities of five concertmasters of Brazilian symphony orchestras." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/164583.

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The role of the first violinist in a professional symphony orchestra is rarely only to perform. The position of concertmaster, at the professional level, generally constitutes a wide range of responsibilities and activities, not necessarily restricted to the realm of music-making. The present research utilized interviews with five concertmasters of professional Brazilian symphony orchestras in order to respond to the following questions: What is the role of the professional concertmaster? What musical and educational experiences defined the paths of current professional concertmasters in Brazi

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10

Williams, Meredith F. "Promoting Symphony Sustainability: A Case Study of the Houston Symphony's The Planets - An HD Odyssey Film Project." University of Akron / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=akron1365610980.

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11

Callison, Hugh A. "Nineteenth-century orchestral trombone playing in the United States." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/474196.

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The nineteenth century was a time of musical and cultural growth in the United States. Six of the major orchestras which exist today were established during this time. From the birth of the New York Philharmonic in 1842 through the founding of the Philadelphia Orchestra in 1900, audiences that valued orchestral music provided an impetus for professional orchestral development.A comprehensive review of the events leading up to the establishment of the New York Philharmonic, Boston Symphony, Chicago Symphony, Cincinnati Symphony, and Philadelphia Orchestras provides a basis for understanding the

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12

Kriegler, Bettina Anna. "The Inland Empire/Riverside County Philharmonic: A promotional campaign to increase attendance." CSUSB ScholarWorks, 2003. https://scholarworks.lib.csusb.edu/etd-project/2423.

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This project includes a promotional campaign for the Inland Empire / Riverside County Philharmonic as well as the preliminary market analysis for the campaign. The market targeted was well-educated twenty to forty year olds in Riverside, Temecula and Corona.

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13

Hannesson, Haukur F. "Symphony orchestras in Scandinavia and Britain : a comparative study of funding, cultural models and chief executive self-perception of policy and organisation." Thesis, City University London, 1998. http://openaccess.city.ac.uk/7571/.

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The subject of this study is arts policy in six different countries; Denmark,Finland, Iceland, Norway, Sweden and the United Kingdom and in particular how such policies affect both the operations and self-perceptions of professional symphony orchestras (and their chief executives) operating in the countries studied. Professional symphony orchestras in different countries have essentially very similar artistic approaches to their subject i.e. the performance of music, and are almost identically constructed with regards to number of players, which instruments are used as well as the role of arti

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14

Teixeira, Clariana Lia 1987. "Estudo ergonômico do trabalho dos músicos de uma orquestra sinfônica." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/313116.

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Orientador: Valmir Antonio Zullian de Azevedo<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Ciências Médicas<br>Made available in DSpace on 2018-08-25T07:27:53Z (GMT). No. of bitstreams: 1 Teixeira_ClarianaLia_M.pdf: 5414808 bytes, checksum: b635522012e9b3907edc2fd23703e1c0 (MD5) Previous issue date: 2014<br>Resumo: O exercício da música como profissão exige mais do que qualidade técnica, concentração, processamento multissensorial de informações e memória, excepcional flexibilidade, coordenação, motricidade e destreza em uma postura específica e muitas vezes in

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15

Namazi, Behzad K. "Persepolis Symphony." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1429875660.

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16

Teperman, Ricardo Indig. "Concerto e desconcerto: um estudo antropológico sobre a Osesp na inauguração da Sala São Paulo." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8134/tde-10032017-141132/.

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Desde seus primeiros concertos em 1953 até finais dos anos 1990, a Orquestra Sinfônica do Estado de São Paulo (Osesp) teve uma atuação marcada por grande volatilidade, patinando em contextos de precariedade. A inauguração em 1999 da Sala São Paulo, sede da Osesp, foi o principal marco da chamada reestruturação da orquestra e contribuiu de maneira definitiva para a conquista de estabilidade e excelência artística em padrões ainda não vistos no país. Nos anos seguintes, a atuação da Osesp veio a ter grande impacto no adensamento da atividade sinfônica no Brasil. Esta tese procura identificar os

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17

Lee, Mei-ling. "Symphony for orchestra /." view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1404343171&sid=2&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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18

Cook, James T. E. "Symphony for Chamber Orchestra." ScholarWorks@UNO, 2008. http://scholarworks.uno.edu/td/652.

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19

Meyer, Donald Carl. "The NBC Symphony Orchestra /." Ann Arbor (Mich.) : UMI, 2005. http://catalogue.bnf.fr/ark:/12148/cb400361522.

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20

Johanson, Thomas. "Castle symphony : for orchestra /." Online version, 2010. http://content.wwu.edu/cdm4/item_viewer.php?CISOROOT=/theses&CISOPTR=329&CISOBOX=1&REC=9.

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21

Schropp, Jeremy. "Symbolist Symphony for Orchestra." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12105.

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1 score (x, 113 p.)<br>The implementation of an informed cross-relationship between two independent art forms has often been a source of inspiration for artists throughout the millennia. However, in the late 19th century, both Russian and French thinkers and artists began to build upon this notion by creatively considering the intermingling of sensory experiences as well. The resulting artwork from this temporally specific era was described as being "Symbolist," referencing both the intermedial and multi-sensory processes involved and/or considered in creating the respective work. My person

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22

Bomfim, Camila Carrascoza. "A música orquestral, a metrópole e o mercado de trabalho : o declínio das orquestras profissionais subsidiadas por organismos públicos na Região Metropolitana de São Paulo de 2000 a 2016 /." São Paulo, 2017. http://hdl.handle.net/11449/151581.

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Orientador: Marcos Fernandes Pupo Nogueira<br>Banca: Gildo Magalhães dos Santos Filho<br>Banca: Oscar Alejandro Fabian D'Ambrosio<br>Banca: Lutero Rodrigues<br>Banca: Julia Zanlorenzi Tygel<br>Resumo: Esta pesquisa foi estruturada a partir da percepção do processo de encolhimento do número de orquestras profissionais subsidiadas por organismos estatais nos últimos anos, desde 2000. O esvaziamento dos ideais civilizatórios que orientaram a criação de sinfônicas em meados do século XX e a perda de identificação de boa parte da sociedade com determinadas práticas culturais vinculadas às elites sã

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23

Kim, Yoonjee. "Lily Park for Symphony Orchestra." Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/305366.

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Composers have long been interested in authentic materials from their own national heritage. Many composers favored folk-based melodies and rhythms. Bela Bartok, for example, collected volumes of Hungarian folk and gypsy melodies throughout his life. Igor Stravinsky's three ballets ( Firebird, Petrushka , and The Rite of Spring ) are also famous for their employment of folk melodies and primitive rhythms. American composers such as Charles Ives and Aaron Copland represented 'Americana' through the use of American pop music, jazz, and folk songs in their compositions. Much of the music of compo

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24

Hull, Adrian. "Static infection for symphony orchestra." Thesis, Cardiff University, 2007. http://orca.cf.ac.uk/55691/.

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Computer virus in a hidden code within a computer program, usually capable of reproducing itself, that is often intended to corrupt a system or destroy data stored in it. Static Infection is inspired by the spread of a computer virus throughout a network. Static Infection was composed for the BBC National Orchestra of Wales in 2004. The piece is one of several orchestral pieces concerned with the idea of viruses.

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25

Chang, Hau-Wei. "Inferno, for Orchestra." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13234.

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Inferno, Volume I of Dante Alighieri's timeless magnum opus, The Divine Comedy, persists to modern times as a work of immense imagination and philosophical poignancy. Dante, as the Pilgrim, spins in verse a massive tale wherein his fictitious self must traverse the depths of the Christian Hell with the guidance of the poet Virgil. This meditative allegory for the passage of the soul, and the nature of worldly sin, has attracted the attention of scholars and artists alike for centuries and has been the inspiration for numerous famous musical works. Dark forests, burning sands, bleeding trees, a

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26

Lemieux, Glenn C. (Glenn Claude). "Sacred Symphony." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc330973/.

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Sacred Symphony is a work for orchestra, chorus and 8 soloists. It is scored for three horns in F, three trumpets in B flat (1st doubling trumpet in C), tenor trombone, bass trombone, percussion, celesta, piano and strings. The percussion consists of suspended cymbal, glockenspiel, vibraphone, marimba, bass marimba, tenor drum, snare drum, bass drum, two slit drums (4 tom-toms if unavailable), small triangle, and finger cymbals. The work is in three movements: Sanctus, Beatitudes (Matt. 5: 3-12) and Gloria. The Sanctus primarily gives glory to God the Father while the Beatitudes are Christ's

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27

Maiorino, Alexandre Virginelli 1972. "Influência acústica de concha orquestral na área da plateia de teatro de múltiplo uso." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/258541.

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Orientador: Stelamaris Rolla Bertoli<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Engenharia Civil, Arquitetura e Urbanismo<br>Made available in DSpace on 2018-08-23T06:13:27Z (GMT). No. of bitstreams: 1 Maiorino_AlexandreVirginelli_M.pdf: 20810001 bytes, checksum: 874af06d3cad4ebebbbda0ac07b75cd5 (MD5) Previous issue date: 2013<br>Resumo: A construção de Teatros para Múltiplo uso tem se tornado cada vez mais comum devido à necessidade de abrigar diversos tipos de espetáculos em um único espaço. Para adequar à acústica destes espaços para a música orquestral é

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28

Vazquez, Rodriguez Octavio. "Hermes original music for symphony orchestra /." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/2046.

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Thesis (D.M.A.) -- University of Maryland, College Park, 2004.<br>Thesis research directed by: Music. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.

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29

Ring, Gordon L. (Gordon Lee). "Symphony No. 1 "Concertante"." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc331555/.

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Symphony No. 1 "Concertante" is a work of approximately twenty-two minutes duration for chamber orchestra. The work is scored for flute (doubling piccolo), oboe (doubling English horn), B-flat clarinet, bassoon, trumpet, F horn, trombone, tuba, percussion, harp, piano (doubling celesta), solo violin, solo viola, solo cello, solo double bass, and strings.The percussion battery, which is to be played by one performer, includes three timpani, vibraphone, orchestra bells, xylophone, chimes, suspended cymbal, bass drum, snare drum, and two triangles. One group of instruments, including the eight wi

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30

Butterfield, Emily J. "The professional life and pedagogy of Clement Barone." Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1053633453.

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31

Poston, Paul W. "Chamber Symphony." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1460731175.

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32

Moura, Eli-Eri Luiz de. "Noite dos tambores silenciosos : for symphony orchestra." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84689.

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In this paper the compositional issues and techniques employed in my D.Mus. Thesis Composition Noite dos Tambores Silenciosos (for symphony orchestra) are discussed. The piece, constituted of three linked parts, exhibits a counterpoint of three distinct kinds of music as the main vehicle of the musical discourse.<br>Two of these musics are connected with Maracatu de Baque Virado and Maracatu Rural, popular musical manifestations found in Pernambuco, a state in northeast Brazil. In a "defragmentation" process, reference materials from the Maracatus are abstractly fragmented and reconstru

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33

Dribus, John Alexander. "Breaking Through: A Composition for Symphony Orchestra." Thesis, view full-text document. Access restricted to the University of North Texas campus, 2002. http://www.library.unt.edu/theses/open/20022/dribus%5Fjohn%5Falexander/index.htm.

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34

Guarino, Thomas. "Symphonic Poem (for Orchestra)." University of Akron / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=akron1429641512.

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35

Loomis, Anita. "U.S. SYMPHONY ORCHESTRA BYLAWS: POLICY ANOMALIES AND TRENDS." Master's thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3944.

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Bylaws serve as the skeleton of any nonprofit organization's administrative culture. They are the laws and rules that govern the internal affairs of an organization. (Pickett 2000) Since the primary function of bylaws is to support the effective management of operations, the examination of bylaws content is particularly relevant when looking for evidence of innovative adaptations to organizational change. As students of arts administration, the focus of the researcher's investigation centered on cultural organizations; symphony orchestras in this instance. Symphony orchestras, like other cultu

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36

Bundy, LaTasha. "Still Figuring This Out: a symphony for orchestra." ScholarWorks@UNO, 2017. https://scholarworks.uno.edu/td/2400.

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37

Thomas, Paul. "Transit: Flux." Bowling Green State University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1124727663.

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38

Corbett, Ian Rudy Paul. ""SWANG!" for symphonic wind orchestra." Diss., UMK access, 2005.

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Thesis (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2005.<br>"A dissertation in music composition." Advisor: Paul Rudy. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 12, 2007 Online version of the print edition.

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39

Luo, Mengyu. "Shanghai Symphony Orchestra in 'C' Major (1879 to 2010)." Thesis, Loughborough University, 2013. https://dspace.lboro.ac.uk/2134/13384.

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Shanghai Symphony Orchestra is a fascinating institution. It was first founded in 1879 under the name of Shanghai Public Band and was later, in 1907, developed into an orchestra with 33 members under the baton of German conductor Rudolf Buck. Since Mario Paci, an Italian pianist, became its conductor in 1919, the Orchestra developed swiftly and was crowned the best in the Far East by a Japanese musician Tanabe Hisao in 1923. At that time, Shanghai was semi-colonized by the International Settlement and the French Concession controlled by the Shanghai Municipal Council and the French Council res

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Ingimundardottir, Gudrun. "Heimferðin (The Journey Home): Tone Poem for Symphony Orchestra." Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/196137.

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Composers of the 20th century express through intimate and personal language the conditions of the present, utilizing compositional techniques, forms, pitch and rhythmic language, and characteristics of Western composers, as well as looking towards non- Western music for the same. Each musical language, be it tonal, twelve-tone, modal, pitch-class, or derived from folk and non-Western material, is contained in a structural framework which is audibly recognizable, and controls the musical tapestry, processes, and results. Frequently composers use distinctive musical languages to portray differe

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Oliveira, Rafael Fajiolli de. "Análise da estrutura atonal da Primeira Sinfonia para duas orquestras de cordas de Cláudio Santoro." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-12012018-112149/.

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Cláudio Santoro (1919-1989) compôs, ao todo, quatorze sinfonias ao longo de toda a sua vida. A Primeira Sinfonia para duas orquestras de cordas (1940), além de possuir uma formação instrumental curiosa, também representa uma das obras inaugurais de sua primeira etapa como compositor, procurando ao lado de Koellreutter, novos paradigmas para a composição musical de seu tempo, tendo influenciado uma geração de compositores brasileiros. Este trabalho pretendeu desenvolver uma atenta e inédita análise da Primeira Sinfonia de Cláudio Santoro, procurando demonstrar sobre qual estética atonal, sendo

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42

Lowe, Bethany Laura. "Performance, analysis, and interpretation in Sibelius's Fifth Symphony." Thesis, University of Southampton, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364710.

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Walczyk, Kevin 1964. "Capriccio: A Composition for Symphonic Orchestra." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc935623/.

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A body of works titled 'capriccio' have existed for over four hundred years. Most of these works are characterized by a composers abandonment of expected stylistic norms. Guided only by the fanciful whim of the composer, a capriccio exhibits extreme contrasts in the various parameters of a musical composition including melody, harmony, counterpoint, mood and texture. The composition embedded in these compositional parameters as its point of departure and development.

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Kraevska, Sofia. "Terra Mirabilis: A Composition for Symphony Orchestra in Three Movements." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/199.

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Terra Mirabilis is a three-movement musical composition for symphony orchestra with piano solo inspired by natural landscapes photographed by the composer. The three movement composition and its corresponding landscapes portray three times of a day: early morning (I. The Mists), evening (II. Oceanus), and late night (III. Nocturne). Each chapter is devoted to the discussion of one movement, wherein overall concept and form are addressed, followed by detailed analyses of harmonic structure, motivic and thematic development, orchestration, and representational elements. As a complement to the

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45

Jelovac, Jovana. "Never give up, because if you choose symphony orchestra to be your path your turn will come eventually." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-85.

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Weaver, Jennifer L. "Structural Octatonicism in Cindy McTee's Symphony No.1: Ballet for Orchestra." Thesis, connect to online resource, 2007. http://digital.library.unt.edu/permalink/meta-dc-3905.

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47

Winteregg, Steven Lee. "The Future of the Symphony Orchestra Based Upon Its Historical Development." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1391770540.

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48

Neikirk, Anne L. "SYMPHONIC PRAYERS FOR ORCHESTRA AND SOPRANO SOLOIST." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/252939.

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Music Composition<br>D.M.A.<br>Symphonic Prayers is a work for orchestra and soprano soloist in four movements. The work uses four poems from Rainer Maria Rilke's collection Das Stundenbuch (The Book of Hours), written between 1895 and 1903. Rilke was a Bohemian poet, mystic, traveler, and lover of art and nature. He narrates The Book of Hours through a fictional Russian monk who converses with God and reflects upon the nature of the world through the poetry. Rilke's poems delicately weave together the joys and struggles of a faith journey and of finding one's place in the world and in eternit

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Wyder, Gretchen E. "The History of The Ohio State University Symphony Orchestra and String Faculty." The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1391766067.

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Reeder, Kory Ray. "The Location of Lines." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1521462083959007.

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