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Books on the topic 'Synthesizers'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 June 2025

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1

Stirling, Ronald C. Microwave frequency synthesizers. Prentice-Hall, 1987.

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2

Bob, Moog, ed. Synthesizers and computers. H. Leonard Pub. Corp., 1985.

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3

Vankka, Jouko, and Kari Halonen. Direct Digital Synthesizers. Springer US, 2001. http://dx.doi.org/10.1007/978-1-4757-3395-2.

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4

Brent, Hurtig, ed. Synthesizers and computers. H. Leonard Pub. Corp., 1987.

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5

1923-, Kroupa Venceslav F., ed. Direct digital frequency synthesizers. Institute of Electrical and Electronics Engineers, 1999.

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6

Using Logic Pro synthesizers. Course Technology, 2012.

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7

T, Horn Delton, ed. Digital electronic music synthesizers. 2nd ed. Tab Books, 1988.

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8

Frequency synthesizers: Concept to product. Artech House, 2011.

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9

Chenakin, Alexander. Frequency synthesizers: Concept to product. Artech House, 2011.

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10

Jenkins, Mark. Analog Synthesizers: Understanding, Performing, Buying. Routledge, 2019. http://dx.doi.org/10.4324/9780429453991.

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11

Frequency synthesizers: Theory and design. 3rd ed. Wiley, 1987.

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12

Keyboard presents Vintage synthesizers: Groundbreaking instruments and pioneering designers of electronic music synthesizers. GPI Books, 1993.

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13

Sebastian, Derek. 300 voices forYamaha 4-operator synthesizers. Amsco, 1989.

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14

Horn, Delton T. Troubleshooting and repairing electronic music synthesizers. Tab Books, 1992.

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15

Automated calibration of modulated frequency synthesizers. Kluwer Academic, 2002.

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16

Gabrielli, Leonardo. Developing Virtual Synthesizers with VCV Rack. Focal Press, 2020. http://dx.doi.org/10.4324/9780429022760.

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17

Music technology and the project studio: Sampling and synthesis. Routledge, 2012.

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18

Crawford, James A. Frequency synthesizer design handbook. Artech House, 1994.

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19

Vankka, Jouko. Direct digital synthesizers: Theory, design and applications. Helsinki University of Technology, 2000.

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20

Vankka, Jouko. Direct Digital Synthesizers: Theory, Design and Applications. Springer US, 2001.

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21

Microwave and wireless synthesizers: Theory and design. Wiley, 1997.

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22

Sebastian, Derek. 300 voices for Yamaha 4-operator synthesizers. Amsco Publications, 1989.

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23

I, Halonen K. A., ed. Direct digital synthesizers: Theory, design, and applications. Kluwer Academic Publishers, 2001.

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24

Friedman, Dean. The complete guide to synthesizers, sequencers & drum machines. Amsco Publications, 1985.

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25

Growth and synthesis: Fermenters, bioreactors, and biomolecular synthesizers. Interpharm Press, 1994.

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26

Synthesizers in the elementary music classroom: An integrated approach. Music Educators National Conference, 1991.

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27

Schmitz, Reinhard, ed. Programming synthesizers. Wizoo, 2005.

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28

Jenkins, Mark. Analog Synthesizers. Routledge, 2009. http://dx.doi.org/10.4324/9780080549699.

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29

Gralak, Vincenzo. Monophonic Synthesizers. Lulu Press, Inc., 2015.

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30

Woodworth, Griffin. Synthesizers As Social Protest in Early-1970s Funk. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199985227.003.0011.

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Abstract:

The advent of the synthesizer brought a new timbral palette for artists to explore. Early synthesizers sought to imitate acoustic instruments, but over time they developed their own unique timbral qualities used in 1970s funk and progressive rock. Occupying the Freudian uncanny, synthesized sounds are just distinguishable enough from those of acoustic instruments to inspire discomfort or create an otherworldly, science-fiction sound. This chapter argues that African-American funk musicians of the 1970s used synthesizers in the spirit of black social empowerment movements, which advocated for the reclamation of technology to be used in the defense of black communities. Artists such as Stevie Wonder and Parliament-Funkadelic’s Bernie Worrell utilized the synthesizer to articulate social protest against the plight of inner-city black Americans. To explore these issues, the chapter analyzes “Chocolate City” and “Living for the City” from lyrical, structural, and timbral perspectives.

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31

Synthesizers and computers. Hal Leonard Pub. Co., 1987.

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32

Synthesizers for Musicians. Cimino Publishing Group, 1991.

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33

Lightsey, Troy. Encylopedia of Synthesizers. Lulu Press, Inc., 2015.

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34

Kroupa, Věnceslav F. Direct Digital Frequency Synthesizers. Wiley-IEEE Press, 1998.

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35

Kroupa, Venceslav F. Direct Digital Frequency Synthesizers. IEEE, 1998. http://dx.doi.org/10.1109/9780470544396.

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36

CMOS Fractional-N Synthesizers. Kluwer Academic Publishers, 2003. http://dx.doi.org/10.1007/b101854.

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37

Zorrilla, David Martínez. Synthesizers. A Brief Introduction. Lulu Press, Inc., 2008.

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38

Rohde, Ulrich. Microwave and Wireless Synthesizers. Wiley & Sons, Incorporated, John, 1997.

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39

Vail, Mark. Vintage Synthesizers: Groundbreaking Instruments and Pioneering Designers of Electronic Music Synthesizers. Leonard Corporation, Hal, 2000.

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40

Vail, Mark. Vintage Synthesizers: Groundbreaking Instruments and Pioneering Designers of Electronic Music Synthesizers. Leonard Corporation, Hal, 2000.

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41

Vail, Mark. Vintage Synthesizers: Groundbreaking Instruments and Pioneering Designers of Electronic Music Synthesizers. Backbeat Books, 1993.

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42

Vail, Mark. Vintage Synthesizers: Groundbreaking Instruments and Pioneering Designers of Electronic Music Synthesizers. Leonard Corporation, Hal, 2000.

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43

Trust Me I'm a Synthesizer Player: Synthesizers Musical Instrument Blank Music Sheets. Independently Published, 2019.

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44

Vaucher, Cicero S. Architectures for RF Frequency Synthesizers. Springer, 2002.

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45

Frequency Synthesizers: Theory and Design. Wiley-Interscience, 2005.

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46

Architectures for RF frequency synthesizers. Kluwer, 2002.

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47

Vaucher, Cicero S. Architectures for Rf Frequency Synthesizers. Springer, 2011.

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48

Architectures for RF Frequency Synthesizers. Kluwer Academic Publishers, 2003. http://dx.doi.org/10.1007/b101917.

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49

Analog Synthesizers: Understanding Performing Buying. Taylor & Francis Group, 2019.

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50

Mark, Jenkins. Analog Synthesizers: Understanding Performing Buying. Taylor & Francis Group, 2019.

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