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Dissertations / Theses on the topic 'Szymanowski'

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Published: 4 June 2021

Last updated: 20 February 2023

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1

Van, Moere Didier. "Karol Szymanowski et la France." Paris 4, 1993. http://www.theses.fr/1993PA040001.

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2

Makosz, Jadwiga. "Die Oper Król Roger von Karol Szymanowski." Frankfurt, M. Berlin Bern Bruxelles New York, NY Oxford Wien Lang, 2001. http://d-nb.info/1000498174/04.

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3

Ho, Frank Kwantat. "The violin music of Karol Szymanowski (Poland)." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ59725.pdf.

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4

Rada, Stanislav. "Karol Szymanowski: Život a tvorba pro housle." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2013. http://www.nusl.cz/ntk/nusl-177952.

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The Author of this work focuses on the Polish music composer Karol Szymanowski and his works for violin. This work includes a biography of the composer with the emphasis on his work, describes his creative period and is dedicates to his compositions for violin. The Author concentrates on the Sonata for violin and piano in D minor, Op. 23, Nocturne and Tarantella, Op. 28, Myths Op. 30, Violin Concerto No. 1, Op. 35, Concerto for Violin No. 2, Op. 61 and a few other small pieces for this instrument. He also focuses on the circumstances, which influenced the creation of Szymanowski and his compos

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5

Tomaszewski, Mieczysław. "Karol Szymanowski zwischen Ost und West, Nord und Süd." Gudrun Schröder, 2004. https://ul.qucosa.de/id/qucosa%3A21333.

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6

Downes, Stephen Clive. "Szymanowski as post-Wagnerian : The Love songs of Hafiz, Op. 24." Thesis, Goldsmiths College (University of London), 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389617.

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7

Floirat, Anetta. "Le Roi Roger de Karol Szymanowski, chef-d’œuvre de diversité unifiée." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040090.

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Le Roi Roger, chef-d’oeuvre du compositeur polonais Karol Szymanowski (1882-1937), constitue une œuvre-clé pour le développement de son auteur. Situé dans la Sicile médiévale, théâtre de la confrontation de nombreuses civilisations (notamment grecque, byzantine, arabe et normande), l’opéra se veut mosaïque de cultures (interculturalité) et des sources artistiquement variées (pluridisciplinarité). Allant des Bacchantes d’Euripide jusqu’à la philosophie nietzschéenne et de la musique folklorique des Tatras au drame wagnérien, ce kaléidoscope de sources est articulé par quelques idées fondamental

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8

Downes, Stephen C. "Szymanowski as post-Wagnerian : the love songs of Hafiz, op. 24 /." New York ; London : Garland, 1994. http://catalogue.bnf.fr/ark:/12148/cb35855114n.

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9

Alvarez, Christophe. "Masques Op. 34, Karol Szymanowski : étude de l’implication structurelle des différents niveaux du parcours harmonique : Analyse du discours et problématiques interprétatives." Thesis, Université Côte d'Azur (ComUE), 2017. http://www.theses.fr/2017AZUR2018/document.

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L’objectif de cette étude est de montrer – par une analyse rigoureuse des principes harmoniques qui gouvernent les multiples sections du tryptique pour piano Masques Op. 34 de Karol Szymanowski – qu’au-delà d’une apparente hétérogénéité de surface, le discours musical est organisé de façon cohérente et subtile par l’interpénétration du niveau de perception immédiate du corps sonore et du niveau infra-sensible qui procède de l’ordre des fondamentales harmoniques. Cette thèse propose également des conseils d’interprétation, déterminés par l’expérience analytique<br>The purpose of this study is t

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10

Cesetti, Durval. "The Many Masks of Karol Szymanowski: A Commentary on his Piano Triptychs." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=111715.

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Note:<br>Karol Szymanowski's music has fascinated me for a long time. The first time I encountered his name was in Artur Rubinstein's autobiography, which recounts how they first met and narrates many anecdotes about their friendship. At the time, I was living in Brazil, and was unable to find any recordings of his music. Nonetheless, Rubinstein's ardent praise of him (“a master!”, “a great Polish composer!”, “a powerful, original personality”) made me very curious, and I did not abandon my desire to keep looking for his music. Then, when I moved to Montreal in order to start my undergraduate

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11

Cadrin, Paul. "A tonal analysis of the First String Quartet, opus 37, by Karol Szymanowski." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/26779.

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In 1917, at the peak of the most productive period of his creative life, the Polish composer Karol Szymanowski (1882-1937) undertook his First String Quartet in C, opus 37. Of the four movements originally planned, three were published in 1925. These three movements reflect important directions in the evolution of the composer's style: from a youthful fervor toward German late romanticism (First Movement), through Szymanowski’s discovery of French impressionism (Second Movement), to his most daring experiment with polytonality (Third Movement). The complexity of this work, particularly of its

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12

Kim, Ji-Young. "Piano Sonata No. 3, Op. 36 by Karol Szymanowski: Musical and Historial Influences." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/193669.

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Polish composer, Karol Szymanowski (1882-1937) wrote a substantial number of piano works from 1899-1934, yet these works have been mostly forgotten or ignored outside his country. Szymanowski scholars divide his works into three periods. The second period represents the most radical shift in his compositional style particularly in his treatment of form, harmony and texture. This study demonstrates the musical and historical influences evident in his Piano Sonata No. 3, Op. 36 (1917), the last piano work written during his second period. Piano Sonata No. 3 exhibits elements of two contras

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13

Lantz, Lisa Elizabeth. "The Violin Music of Karol Szymanowski: A Review of the Repertoire and Stylistic Features." The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392291540.

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14

Chilvers, Alex. "A Portfolio of Compositions in Response to a Study of the Aesthetic Function of Folklore in Modern Polish Music." Thesis, The University of Sydney, 2019. http://hdl.handle.net/2123/20288.

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There is an overwhelming tendency for scholars of Polish music to politicise the presence of folk music references when they appear in art music compositions. This has particularly been the case in studies of Frédéric Chopin, where certain myths pertaining to that composer’s extramusical intentions long dominated how his music was unpacked in musicological discourse. In this thesis, I demonstrate that our understanding of later Polish composers suffers similarly from this tendency. In an examination of the discourse surrounding both Karol Szymanowski and Henryk Mikołaj Górecki, I show that

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15

Jennings, Claudia 1986. "Um estudo de preparação e execução sobre o Stabat Mater op. 53 de Karol Szymanowski." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284492.

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Orientador: Carlos Fernando Fiorini<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-23T20:59:15Z (GMT). No. of bitstreams: 1 Jennings_Claudia_M.pdf: 7069655 bytes, checksum: a9c68d2a82e06d8f0e585572a9937685 (MD5) Previous issue date: 2013<br>Resumo: O Stabat Mater op. 53 do polonês Karol Szymanowski é uma peça representativa da fase de maturidade do compositor, na qual ele emprega elementos da música tradicional polonesa estilizados e técnicas modernas de composição. Este trabalho é dirigido ao regente que planeja execu

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16

Farias, Alzeny Pereira Nelo de. "O ciclo Slopiewnie opus 46 bis de Karol Szymanowski: uma abordagem de estudo e performance." Universidade Federal do Rio Grande do Norte, 2016. http://repositorio.ufrn.br/handle/123456789/21249.

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Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2016-08-16T23:40:57Z No. of bitstreams: 1 AlzenyPereiraNeloDeFarias_DISSERT.pdf: 14634667 bytes, checksum: 5e96735e390990153ba1defa10b0fda3 (MD5)<br>Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-08-24T22:46:32Z (GMT) No. of bitstreams: 1 AlzenyPereiraNeloDeFarias_DISSERT.pdf: 14634667 bytes, checksum: 5e96735e390990153ba1defa10b0fda3 (MD5)<br>Made available in DSpace on 2016-08-24T22:46:32Z (GMT). No. of bitstreams: 1 AlzenyPereiraNeloDeFarias_DISSERT.pdf: 14634667 bytes, checksum:

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Keym, Stefan. "Tendenzen nationaler Identitätsbildung in der polnischen Symphonik am Beispiel von Zygmunt Noskowski und Karol Szymanowski." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71994.

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18

Vitor, Paulo C?sar Bezerra. "Mazurkas Op. 50, 1 a 4 para piano de K. Szymanowski: um estudo anal?tico e interpretativo." PROGRAMA DE P?S-GRADUA??O EM M?SICA, 2016. https://repositorio.ufrn.br/jspui/handle/123456789/23480.

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Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2017-06-02T23:09:58Z No. of bitstreams: 1 PauloCesarBezerraVitor_DISSERT.pdf: 8864158 bytes, checksum: cb17f2a65fe91b2d283440acbc9da3bd (MD5)<br>Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2017-06-12T19:54:03Z (GMT) No. of bitstreams: 1 PauloCesarBezerraVitor_DISSERT.pdf: 8864158 bytes, checksum: cb17f2a65fe91b2d283440acbc9da3bd (MD5)<br>Made available in DSpace on 2017-06-12T19:54:03Z (GMT). No. of bitstreams: 1 PauloCesarBezerraVitor_DISSERT.pdf: 8864158 bytes, checksum: cb17f2a65fe

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19

Ryabinin, Lev. "Facilitation of the learning and memorization processes of harmonically challenging piano works: Metopes, o29 by Karol Szymanowski." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/1174.

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It has been a common performance practice for more than one and a half centuries for solo piano works to be performed on stage from memory. The traditional musical training equips pianists with the necessary harmonic and theoretical knowledge to successfully cope with this task. However, this is only true for the piano repertoire written until the end of the 19th century, and a significant portion of piano music written after that point is much more difficult to learn and memorize due to its harmonic complexity. The tonal system had reached its apogee and almost exhausted its resources at this

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20

Ferreira, Regiane Alves. "Estrat?gias de estudo aplicadas na constru??o da performance de seis ?tudes Op. 33 de Karol Szymanowski." PROGRAMA DE P?S-GRADUA??O EM M?SICA, 2017. https://repositorio.ufrn.br/jspui/handle/123456789/25025.

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Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2018-04-02T15:55:05Z No. of bitstreams: 1 RegianeAlvesFerreira_DISSERT.pdf: 8473293 bytes, checksum: 0e7fff4a699633f96531f558b207875a (MD5)<br>Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2018-04-09T22:10:24Z (GMT) No. of bitstreams: 1 RegianeAlvesFerreira_DISSERT.pdf: 8473293 bytes, checksum: 0e7fff4a699633f96531f558b207875a (MD5)<br>Made available in DSpace on 2018-04-09T22:10:24Z (GMT). No. of bitstreams: 1 RegianeAlvesFerreira_DISSERT.pdf: 8473293 bytes, checksum: 0e7fff4a699633f96

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21

Yang, Yung-Ching. "The variations in B Flat Minor, Opus 3 of Karol Szymanowski : an analysis of performance challenges and solutions /." The Ohio State University, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=osu1486401895210536.

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22

Maxwell, Jennifer A. "Tracing a lineage of the mazurka genre: influences of Chopin and Szymanowski on Thomas Adès' Mazurkas for Piano, OP. 27." Thesis, Boston University, 2014. https://hdl.handle.net/2144/11136.

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Thesis (D.M.A.)--Boston University<br>British composer Thomas Adès is one of the most celebrated musicians of our time. His career evidences extraordinary early success, followed by unusually rapid rise to international prominence, countless invitations to conduct and perform, top soloists and ensembles eager to premiere his music, adulation from critics, and audiences in thrall. In short, Adès has secured his status as a phenomenon on the current musical scene. Given that Ades' Mazurkas for Piano, Op. 27, published by Faber Music Ltd. in 2009, represent one of the most significant contributio

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23

Keym, Stefan. "Zur Bedeutung des Nationalen bei der deutschen Rezeption polnischer Musik von 1900 bis 1914 am Beispiel von Szymanowski und Paderewski." Gudrun Schröder, 2004. https://ul.qucosa.de/id/qucosa%3A21335.

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Dass 'die nationale Bedeutung oder Färbung eines musikalischen Phänomens [. . . ] zu einem nicht geringenTeil eine Sache der Auffassung und der Übereinkunft: der Rezeptionsweise'1 ist, wird an der polnischen Musikgeschichte besonders deutlich. Das außergewöhnliche politische Schicksal Polensim 19.Jahrhundert - das Verschwinden eines fast tausend Jahre alten Staates, die Aufteilung seinesTerritoriums unter drei fremden Mächten und das Andauern dieses Zustands über mehr als hundert Jahre, ausgerechnet in der Hochphase des Nationalgedankens - hatte zur Folge, dass den Künstlern bei der Wahru

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24

Tineo, Crisanto Edwind Geralld. "Resultados del uso de la técnica de Kuhnt-Szymanowski modificada en el tratamiento del ectropión involutivo en el Instituto Nacional de Oftalmología (INO) durante el periodo 2007- 2011." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2012. https://hdl.handle.net/20.500.12672/12103.

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El documento digital no refiere asesor.<br>El ectropión, es la eversión del margen palpebral que proyecta la conjuntiva tarsal hacia adelante, perdiendo contacto con el globo ocular, usualmente se refiere al párpado inferior; esta alteración no solo trae problemas de tipo anatómico y estético sino funcional; modificando la fisiología normal del parpado. El ectropión es una patología bastante frecuente en la práctica médica, produciéndose una separación entre el borde libre palpebral y el globo ocular generalmente debida a falta de tono o hiperlaxitud del párpado inferior. El paciente acude a u

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25

Chao, Emily. "Karol Szymanowski's first violin concerto, OP. 35." Thesis, Boston University, 2013. https://hdl.handle.net/2144/10960.

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Thesis (D.M.A.)--Boston University<br>In the absence of a thriving Polish music scene in the latter half of the 19th century, Karol Szymanowski (1882-1937) sought inspiration in other traditions. Consequently, his music is a cosmopolitan blend of Romantic, impressionistic, and nationalistic styles. Changes in Szymanowski's compositional style over the course of his career can thus be read as musical responses to outside stimuli; first to German, then French and fmally, eastern European folk trends. The first violin concerto, as the epitome of his "impressionistic" period, displays imaginative

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26

Kang, Dong Hyun. "Interpretation of Karol Szymanowski's Piano Music: Performer's Guide to Selected Piano Works: Prelude, Op. 1, No. 7, Variations in B-flat Minor, Op. 3, Masques, Op. 34, No. 1, "Sheherazade," and Mazurkas, Op. 50, Nos. 1 and 2." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535380993670665.

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27

Biernacki, Krzysztof Klemens. "Singer's guide to Karol Szymanowski's opera King Roger, Op. 46." Thesis, University of British Columbia, 2006. http://hdl.handle.net/2429/39150.

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This dissertation examines Karol Szymanowski’s opera King Roger Op. 46, with the aim of showing its position as one of the most original stage dramas of the 20th century, and as one of the most important operatic compositions ever produced by Poland. It is meant to provide the reader with historical and biographical background, a musical and dramatic analysis of the score, as well as a translation and conversion of the libretto into International Phonetic Alphabet. It is designed as a single volume guide intended for anyone interested in a deeper dramatic, philosophical, or linguistic un

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28

Lee, Soon-Bok. "Marianne Martinez, Marie Bigot, and Maria Szymanowska : an examination of selected keyboard works in historical perspective /." Thesis, Connect to this title online; UW restricted, 1994. http://hdl.handle.net/1773/11298.

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29

Cho, Sun-Joo. "Nationalism in Karol Szymanowski's Mazurkas No. 1-4, Op 50: the influence of Goral music /." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?ucin1186532563.

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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2007.<br>Advisor: Dr. Robert Zierolf Title from electronic thesis title page (viewed . Nov. 17, 2007). Includes abstract. Includes bibliographical references.

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30

CHO, SUN-JOO. "NATIONALISM IN KAROL SZYMANOWSKI'S MAZURKAS NO. 1-4, OP 50: THE INFLUENCE OF GORAL MUSIC." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1186532563.

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31

Broadfoot, Marianne Claire. "“A NEW MODE OF EXPRESSION”: KAROL SZYMANOWSKI’S FIRST VIOLIN CONCERTO OP. 35 WITHIN A DIONYSIAN CONTEXT." Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/14071.

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This thesis examines Karol Szymanowski’s First Violin Concerto, op. 35 as a Dionysian work of music. Written in collaboration with Polish violinist Paweł Kochański, Szymanowski claimed this work heralded a ‘new mode of expression’ for the instrument. One of the primary sources of influence behind this ‘new mode’ can be attributed to the spirit of the ancient Greek god Dionysus, via his late nineteenth-century literary revival by Friedrich Nietzsche and Walter Pater. Tadeusz Miciński’s poem May Night will be examined within the framework of literary movements at the fin-de-siècle. The violin id

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32

Bischler, Doris [Verfasser]. ""Ein weiblicher Hummel mit der leichten polnischen Fazilität" - Konzertreisen und kompositorisches Werk der Klaviervirtuosin Maria Agata Szymanowska (1789-1831) / Doris Bischler." Berlin : epubli, 2017. http://d-nb.info/1143285948/34.

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33

Lin, Wen-Hui, and 林文惠. "Karol Szymanowski Mythes,Op.30." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/ne3sxw.

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34

Podniesińska, Kamila. "Spadkobierca romantyzmu : rzeźbiarz Wacław Szymanowski." Praca doktorska, 2010. http://ruj.uj.edu.pl/xmlui/handle/item/41494.

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35

Yang, Chih-Hui, and 楊智惠. "A Study of Szymanowski Preludes, op. 1." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/04582278020756757027.

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碩士<br>國立中山大學<br>音樂學系研究所<br>93<br>Szymanowski was regarded as the most important Polish composer of the 20th century. His creative life could be divided into three periods, and his compositional skills were deeply influenced by Chopin, Scriabin, Wagner, Stravinsky, the Impressionists and the National School of Music. Preludes, op.1 was one of Szymanowski’s earlier works, which the creative music style was influenced by Chopin, Wagner and the late German Romanticism. The historical background of “prelude” is with a kind of special interest, because it expressed the important characteristics of k

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36

Keym, Stefan. "Schriften von und über Karol Szymanowski [Rezension]: Szymanowski on Music. Selected Writings, translated and edited by Alistair Wightman, London: Toccata Press 1999. 390 S.; Alistair Wightman: Karol Szymanowski. His Life and Work, Aldershot: Ashgate 1999. 492 S.; Tadeusz Andrzej Zieliński: Szymanowski. Liryka i ekstaza, Krakau: PWM 1997. 365 S." 2004. https://ul.qucosa.de/id/qucosa%3A15801.

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37

Pyo, Wonhee. "A study of karol szymanowski, his life and work /." 1987. http://www.library.umaine.edu/theses/.

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38

Hudecová, Zuzana. "Karol Szymanowski a folklórní vlivy v jeho baletu "Zbojníci"." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-308248.

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In my diploma thesis I am focused on biography of polish composer Karol Szymanowski. In his biography I briefly analyze his major works of three different creative periods and I present what was he inspired of at those periods (eg. Wagner's harmony, oriental music, folk music of Podhale etc.). Afterwards, I detaily focus on analysis of the ballet "Harnasie", which is most inspired by the folklore music from Zakopané, where he lived for a part of his life. I analyze the ballet from music aspect, I also write about libretto, kostumes, scenography atc. I have added the ballet notes samples as a p

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39

Lin, Chiayu, and 林佳育. "Musical Analysis on Karol Szymanowski 《Nocturne & Tarantella,op.28》." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/g93u8e.

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40

Kuo, Huan-Tso, and 郭洹佐. "An Analysis and Interpretation of Karol Szymanowski op.30 《Mythes》." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/a88jqw.

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41

Yano, Yukari Bridger Carolyn Szymanowski Karol. "Pieśni muezina szalonego, op. 42 (Songs of an infatuated muezzin) by Karol Szymanoski /." Diss., 2007. http://etd.lib.fsu.edu/theses/available/etd-05072007-230808/.

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Treatise (D.M.A.) Florida State University, 2007.<br>Advisor: Carolyn Bridger, Florida State University, College of Music. Title and description from dissertation home page (viewed 10-8-2007). Document formatted into pages; contains 68 pages. Includes biographical sketch. Includes bibliographical references.

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42

Tsai, Meng-Fong, and 蔡孟峰. "Karol Szymanowski three paganini caprices op.40, transcription for violin and piano." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/17955673868157852658.

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43

Scott, Richard James. "Piano music of Karol Szymanowski Metopes, Opus 29, and Masques, Opus 34 /." 1985. http://catalog.hathitrust.org/api/volumes/oclc/13132990.html.

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Thesis (Ph. D.)--University of Wisconsin--Madison, 1985.<br>Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 68-74).

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44

Hsieh, Ming Chin, and 謝明瑾. "An Evaluation of Szymanowski 4 Etudes, Op. 4 from the Viewpoint of Piano Tecnhique." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/dvqh2d.

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碩士<br>輔仁大學<br>音樂學系<br>104<br>Karol Szymanowski(1882-1937) was a successor to Chopin and widely recognized as the bridge between Chopin and twentieth century composers. This thesis focuses on the piano techniques of this early composition - 4 Etudes, Op. 4. There are six chapters in this paper. The first chapter is the development of music history and background in Poland around nineteenth century. The second chapter introduces Szymanowski’s life and discusses his music style. The third chapter is a discussion of all the basic piano techniques through Etudes for better piano playi

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HUANG, YI-WEI, and 黃亦薇. "An Analysis and the Interpretation of Karol Szymanowski’ s Myths, Three Poems for Violin and Piano, Op. 30." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/7849bk.

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碩士<br>實踐大學<br>音樂學系碩士班<br>105<br>Karol Szymanowski (1882-1937) is the most important composer of Poland in twentieth century. His works can be divided into three stages based on his composition styles, and the composition style during the second stage was influenced by Impressionism and exotic cultures. The second stage was the starting point of his intention to combine music with other elements to create program music. Myths(Three Poems for Violin and Piano, Op. 30) co-created by Karol Szymanowski and violist Pawel Kochanski (1887-1934) was one of the master works in the second stage. The abov

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Ahn, Hyojin. "Karol Szymanowski's musical language in "Myths" for violin and piano, Op. 30." Thesis, 2008. http://hdl.handle.net/1911/22139.

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In his second period work, Myths for violin and piano, op. 30, Karol Szymanowski created an innovative musical language by synthesizing different styles and aesthetics. In Myths, Szymanowski expanded his early compositional style, which was heavily influenced by contemporary Germans, developing an individual style which adopted and integrated distinctive stylistic and nationalistic compositional techniques that he discovered from the fin de siecle. The paper proceeds to discuss Szymanowski's innovation in a number of stylistic aspects, including program, form, theme, texture, harmonic language

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Lo, Yung-Hsuan, and 羅永軒. "An Analysis and the Interpretation of Karol Szymanowski’s Mythes Three Poems for violin and piano op. 30." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/03741830415284998715.

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Strzelecka, Milena. "Klavírní tvorba polských skladatelů po Chopinovi." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-372565.

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The aim of the diploma thesis is to bring information about Polish famous composers after Chopin. The work contains an overview of life, work, and describes individual examples of piano and composer work. We look at the styles and character of Polish pianists together in selected parts of the compositions

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