Academic literature on the topic 'Ta'ziya'

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Journal articles on the topic "Ta'ziya"

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Al-Khafaji, Ammar Shamil. "A Study of Suffering and Martyrdom in Islamic Ta'ziya and Christian Passion Plays." Lublin Studies in Modern Languages and Literature 41, no. 1 (2017): 7. http://dx.doi.org/10.17951/lsmll.2017.41.1.7.

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Shelly Selvia and Sutopo. "Penerapan Metode Ta’zir sebagai Upaya untuk Meningkatkan Kedisiplinan Santriwati." Ummul Qura: Jurnal Institut Pesantren Sunan Drajat (INSUD) Lamongan 16, no. 1 (2021): 50–59. http://dx.doi.org/10.55352/uq.v16i1.253.

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Sunan Drajat Islamic Boarding School Paciran Lamongan, East Java, is a non-formal education that aims to form virtuous people, have good morals, and fear Allah SWT. Discipline plays an important role in the educational process so that female students can be responsible and have more self-control in developing obedience to the rules that have been set. Discipline is also a means to shape, control and create a person's behavior patterns. Therefore, in the process of increasing discipline applied in Islamic boarding school education. The ta'zir method has a positive impact and has a big impact on
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Shelly Selvia and Sutopo Sutopo. "Penerapan Metode Ta’zir sebagai Upaya untuk Meningkatkan Kedisiplinan Santriwati." Ummul Qura Jurnal Institut Pesantren Sunan Drajat (INSUD) Lamongan 16, no. 1 (2021): 50–59. http://dx.doi.org/10.55352/uq.v16i1.379.

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Sunan Drajat Islamic Boarding School Paciran Lamongan, East Java, is a non-formal education that aims to form virtuous people, have good morals, and fear Allah SWT. Discipline plays an important role in the educational process so that female students can be responsible and have more self-control in developing obedience to the rules that have been set. Discipline is also a means to shape, control and create a person's behavior patterns. Therefore, in the process of increasing discipline applied in Islamic boarding school education. The ta'zir method has a positive impact and has a big impact on
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4

Ruslan Ibragimovich, Seferbekov, and Galbacev Surkhay Magomedovich. "Modern Practices of Commemoration and Mourning in the Funeral Rites of Gumbet Avars: Islamic and Non-Islamic Components." Islamovedenie 14, no. 3 (2023): 43–57. http://dx.doi.org/10.21779/2077-8155-2023-14-3-43-57.

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The article is devoted to the analysis of Islamic component in the elements of funeral and memorial rituals with one of the sub-ethnic groups of the Avar – Gumbet Avars. Based on the field ethno-graphic material collected in the villages of Gumbetovsky district of Dagestan applying the methods of historical (historical-genetic, comparative-historical, historical-typological, retrospective) and eth-nological studies (survey, individual and collective interviewing of respondents, par-ticipant observa-tion), commemoration and mourning rituals are studied as forms of expressing grief. As the field
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Pettys, Rebecca Ansary. "Ta'ziyeh (review)." Asian Theatre Journal 20, no. 2 (2003): 256–59. http://dx.doi.org/10.1353/atj.2003.0026.

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Alhajri, Khalifah. "Ta'ziyah Islamic Theatre: the Way to Europe." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 4, no. 2 (2021): 88–108. https://doi.org/10.31866/2616-759X.4.2.2021.243237.

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The purpose of the article&nbsp;is to trace the origins, evolution and modern cross-cultural transformations of the&nbsp;<em>ta&rsquo;ziyah&nbsp;</em>Islamic theatre<em>.&nbsp;</em>The path of traditional&nbsp;<em>ta&rsquo;ziyah&nbsp;</em>Islamic theatre is comprehensively traced in the article as a special genre from its inception in the 7th&nbsp;century as a component of Muslim ritual culture to current European theatrical practices.&nbsp;The research methodology&nbsp;is mainly based on historical-analytical and comparative-art approaches, which involves cultural and anthropological study of
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Beeman, William O. "The Ta'ziyeh of Hor, and: The Ta'ziyeh of the Children of Moslem, and: The Ta'ziyeh of Imam Hussein (review)." Theatre Journal 55, no. 2 (2003): 359–62. http://dx.doi.org/10.1353/tj.2003.0053.

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8

Echghi, Leili. "«La pratique du ta'ziyé dans l'Iran post révolutionnaire»." CEMOTI 20, no. 1 (1995): 307–15. http://dx.doi.org/10.3406/cemot.1995.1291.

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ECHGHI, Leïli. "La pratique du ta'ziyé dans l'Iran post-révolutionaire." CEMOTI, no. 20 (June 1, 1995): 307–15. http://dx.doi.org/10.4000/cemoti.191.

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10

SHIMAMOTO, Takamitsu. "Some Reflections on Ta'zieh." Bulletin of the Society for Near Eastern Studies in Japan 33, no. 1 (1990): 45–63. http://dx.doi.org/10.5356/jorient.33.45.

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Dissertations / Theses on the topic "Ta'ziya"

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Shahriari, Khosrow School of Media Film &amp Theatre UNSW. "Breaking down borders and bridging barriers: Iranian Taziyeh Theatre." Awarded by:University of New South Wales. School of Media, Film & Theatre, 2006. http://handle.unsw.edu.au/1959.4/26310.

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In the twentieth century, Western theatre practitioners, aware of the gap between actor and spectator and the barrier between the stage and the auditorium, experimented with ways to bridge this gap and cross barriers, which in the western theatrical tradition have been ignored over the centuries. Stanislavski, Meyerhold, Piscator, Brecht, Grotowski, and more recently Peter Brook are only a few of the figures who tried to engage spectators and enable them to participate more fully in the play. Yet in Iran there has existed for over three centuries a form of theatre which, thanks to its unique m
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2

Kailani, Osaid. "Ruling of al-gharāmah (the fine) as ta'zīr punishment (discretionary punishment) in comparative Islāmic jurisprudence." Thesis, University of Wales Trinity Saint David, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683261.

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Emad, Mona. "Les oeuvres théâtrales de Bahram Beyzaie : la forme traditionnelle du théâtre et sa modernisation." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30073.

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Bahram Beyzaie, né en 1938 en Iran, est considéré comme un très grand cinéaste et auteur dramatique de sa génération. Si certains de ses films sont bien connus, son théâtre est moins célèbre à l’étranger parce qu’il a été peu traduit et peu joué. Pour lui le théâtre est le lieu par excellence où renouer avec les formes traditionnelles de spectacle non pas pour les reconstituer mais pour parler au public d’aujourd’hui et lutter contre l’amnésie. Il nourrit donc ses pièces de théâtre, ses films, ses contes et ses narrations de l’héritage culturel oublié de son pays. Cette thèse propose d’examine
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Sabouri, Nikta. "Mettre en scène le théâtre religieux traditionnel dans une démarche interculturelle." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34243.

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Ce projet de recherche, qui comporte un volet créatif, a pour objectif l’exploration des possibilités de mise en scène du mystère français, forme théâtrale qui n’est presque plus jouée, à partir d’éléments empruntés au code de représentation du ta'zieh, une forme théâtrale iranienne encore très vivante. Ce projet de création s’inscrit dans une démarche interculturelle qui vise à mettre en contact deux formes théâtrales religieuses relevant de traditions anciennes. À partir d’un modèle théorique proposé par Patrice Pavis et en nous inspirant de la démarche créatrice de quelques artistes, no
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Malekpour, Jamshid. "Ta'zie: the religious drama of Iran." Phd thesis, 1999. http://hdl.handle.net/1885/148013.

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Mamdoohi, Nikoo. "Adapting for a New Audience: Ta'zieh-Between Two Rivers." 2018. https://scholarworks.umass.edu/masters_theses_2/732.

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This thesis is the written portion of my experience as a director, staging an adaptation of the traditional Iranian theater form, Ta’zieh, for my thesis project. I start with a brief description of our adapted performance, followed by the inspirations that led to the creation of the piece. I then trace the evolution of the idea from the initial stage to the final performance. I describe the adaptation process in three sections, the story, form, and practice. In each section, in a comparative manner, I write about the ways in which Ta’zieh is traditionally done and elaborate on our decisions wh
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Books on the topic "Ta'ziya"

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Tehrani, Faisal. Sebuah Ta'ziyah Karbala: Drama pentas. Abeerdeen Books World, 2008.

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Gregorini, Angela. La dolorosa festa: Per un'interpretazione antropologica della ta'ziye persiana. CUSL, 2005.

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3

Khaki, Mohammad Reza. L'évolution du Ta'zieh vers le terrain séculier. A.N.R.T. Université de Lille III, 1991.

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4

Ismail, Zam. Kidung akarku: Himpunan karya Hadiah Sastera Darul Ta'zim keenam, 2007. YWJ Citra Holdings, 2009.

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Hanapi, Mohd Shukri. Kamus istilah undang-undang jenayah syari'ah: Hudud, qisas, dan ta'zir. Zebra Editions, 2003.

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Ismail, Zam. Seorang pemikir: Himpunan karya Hadiah Sastera Darul Ta'zim ketujuh, 2009. YWJ Citra Holdings, 2011.

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7

Ismail, Zam. Tanah amanah: Himpunan karya penerima Hadiah Sastera Darul Ta'zim kelapan, 2011. Yayasan Warisan Johor, 2013.

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8

Ismail, Zam, ed. Rimba Perkasihan: Himpunan karya penerima hadiah sastera Darul Ta'zim ketiga 2001. Yayasan Warisan Johor, 2003.

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1943-, Zam Ismail, ed. Hujung tanah: Himpunan karya penerima hadiah sastera Darul Ta'zim kedua 1999. Yayasan Warisan Johor, 2001.

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1943-, Zam Ismail, ed. Rel Waktu: Himpunan Karya Penerima Hadiah Sastera Darul Ta'zim Pertama 1996. Yayasan Warisan Johor, 1999.

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Book chapters on the topic "Ta'ziya"

1

Mottahedeh, Negar. "1. Ta'ziyeh: A Twist of History in Everyday Life." In The Women of Karbala. University of Texas Press, 2005. http://dx.doi.org/10.7560/709362-004.

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Conference papers on the topic "Ta'ziya"

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Guseynova, Dilyara. "Ta'zieh as a Subject of Interdisciplinary Research." In The 5th International Conference on Art Studies: Research, Experience, Education (ICASSEE 2021). Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789048557240/icassee.2021.009.

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