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Journal articles on the topic 'Table scenes'

Author: Grafiati

Published: 1 June 2024

Last updated: 31 July 2025

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1

Wang, Chen, Jingguo Lv, Yu Geng, and Yiting Liu. "Visual Relationship-Based Identification of Key Construction Scenes on Highway Bridges." Buildings 12, no. 6 (2022): 827. http://dx.doi.org/10.3390/buildings12060827.

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Highway bridges play an important role in traffic construction; however, accidents caused by bridge construction occur frequently, resulting in significant loss of life and property. The identification of bridge construction scenes not only keeps track of the construction progress, but also enables real-time monitoring of the construction process and the timely detection of safety hazards. This paper proposes a deep learning method in artificial intelligence (AI) for identifying key construction scenes of highway bridges based on visual relationships. First, based on the analysis of bridge con

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Al-Zaqzouq, Muhammad. "Scenes from Behind the Siege." Massachusetts Review 65, no. 4 (2024): 163–66. https://doi.org/10.1353/mar.2024.a947243.

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Abstract: This essay explores books during war time. A man comes across a market table selling books, sparking an immediate reaction to their presence among the refugees. Before his displacement, the narrator fought an internal battle of whether to burn or preserve his library. One of the books on the table is written by his personal friend. He begins to question whether the books are his own. Maybe his home has been raided; what may have once been sacred to him has now been stolen or burned. The narrator asks the table owner where he received the books. The two have an honest and blunt conver

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Mateos Martín, Mario. "Two pedestal Tables by Jean-Charles-François Leloy in the Royal Collections of Patrimonio Nacional." Res Mobilis 10, no. 13-1 (2021): 165–88. http://dx.doi.org/10.17811/rm.10.13-1.2021.165-188.

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The aim of this paper is to provide an in-depth information of two pedestal tables (named Table du Sacre and Guéridon Mauresque) designed by Leloy, and kept in the royal collections of Patrimonio Nacional (National Heritage). Despite their differences, they both have some elements in common: not only Sèvres porcelain was used as their main decorative material offering painted historical scenes, but also both of them were gifts from French sovereigns to Spanish monarchs. The two pieces were also displayed in the 19th century at the Louvre Royale Manufactures Exhibitions as an example of t

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Liu, Hao, Xin Li, Mingming Gong, et al. "Grab What You Need: Rethinking Complex Table Structure Recognition with Flexible Components Deliberation." Proceedings of the AAAI Conference on Artificial Intelligence 38, no. 4 (2024): 3603–11. http://dx.doi.org/10.1609/aaai.v38i4.28149.

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Recently, Table Structure Recognition (TSR) task, aiming at identifying table structure into machine readable formats, has received increasing interest in the community. While impressive success, most single table component-based methods can not perform well on unregularized table cases distracted by not only complicated inner structure but also exterior capture distortion. In this paper, we raise it as Complex TSR problem, where the performance degeneration of existing methods is attributable to their inefficient component usage and redundant post-processing. To mitigate it, we shift our pers

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Harlan-Haughey, Sarah. "Blood on the Table." Bulletin of the International Association for Robin Hood Studies 5, no. 1 (2024): 4–25. http://dx.doi.org/10.33043/biarhs.5.1.4-25.

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In medieval outlaw narratives, “feast under duress” set-pieces examine the undercurrent of violent intentions below the veneer of courtliness. This article uses the feast scenes in A Lytell Geste of Robyn Hode to explore the subversion of fellowship within a potential guild context. If the Geste was produced for a mercantile, guild-oriented, urban audience preoccupied with upward mobility and social order, it would have been enjoyed by people who wished to explore the themes of gentrification, fellowship, and upward mobility that the outlaws perform in feast scenes. But the outlaw tradition fr

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Sackville-Ford, Mark, and Gabrielle Ivinson. "Tables Dancing." Paragrana 28, no. 2 (2019): 83–94. http://dx.doi.org/10.1515/para-2019-0025.

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Abstract This article is written in response to Method Lab #2, reacting to and reading scenes from the theatre and the school classroom. We responded to ‘The table and the dancer’ by Carla J. Maier with drawings by Janna R. Wieland, and ‘The book and the authors reading’ by Elise v. Bernstorff and Carla J. Maier. Our responses are within the ontological turn and specifically posthuman studies and new material feminism(s). We move beyond representational thinking to explore vibrant matter and experiment with what more the text, scenes and pictures can become.

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Hao, Yong, Lifeng He, Tsuyoshi Nakamura, Yuyan Chao, and Hidenori Itoh. "Spatial Object Segmentation Using Stereo Images." Journal of Advanced Computational Intelligence and Intelligent Informatics 14, no. 6 (2010): 645–53. http://dx.doi.org/10.20965/jaciii.2010.p0645.

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The framework of our proposed for segmenting objects using spatial location information from stereo images. An efficient graph-based image segmentation algorithm within this framework for combining changes in optical features and physical location to segment reality scenes into perceptually and semantically uniform regions. Optical and physical location are extracted usingk-means clustering, and we propose a rules table for combining optical and spatial features together. The performance of our proposed framework is demonstrated in a series of reality-scene images using experimental data from

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Vroom, Joanita. "THE ARCHAEOLOGY OF LATE ANTIQUE DINING HABITS IN THE EASTERN MEDITERRANEAN: A PRELIMINARY STUDY OF THE EVIDENCE." Late Antique Archaeology 5, no. 1 (2009): 311–61. http://dx.doi.org/10.1163/22134522-90000113.

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This paper sets out to explore the relationship between excavated evidence of dining rooms and table utensils, and changing dining habits in Late Antiquity. In the first part the emphasis is on pictorial representations of dining scenes from the 5th and 6th c. A.D. The second part of the paper examines the archaeological evidence and its relationship to these scenes. On the basis of this evidence, it is not only possible to discuss in detail the architectural layout of the dining room together with its furniture and textiles, but also to give a description of the actual objects (in silver, met

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Giugea, Gheorghiţa Daniela. "REPRESENTATIONS OF THE LAST SUPPER SCENE IN ROMANIAN MEDIEVAL AND WESTERN RENAISSANCE MURAL PAINTING." International E-Journal of Advances in Social Sciences (IJASOS) 10, no. 28 (2024): 36–48. https://doi.org/10.5281/zenodo.10979616.

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<strong>Abstract:</strong> The Last Supper is established as one of the representative scenes of Byzantine iconography, one that was retrieved in the Romanian medieval mural painting as well. Its iconography is historical, and appears represented in the nave in the Passion area, or liturgical, being exhibited in the main apse, with an emphasis on the Holy Eucharist. It is generally included in the Passion cycle. Apart from the display on the wall, as a mural, it can also be displayed on a wooden support, on canvas or on paper. Over time, the way it is represented has changed, and this depends

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mciver, katherine a. "Banqueting at the Lord's Table in Sixteenth-Century Venice." Gastronomica 8, no. 3 (2008): 8–11. http://dx.doi.org/10.1525/gfc.2008.8.3.8.

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Paolo Veronese's Marriage Feast at Cana (1562––62; Muséée du Louvre, Paris) reflects the dining experience of the Benedictine monks whose tables continued along the walls of the monastery's refectory as an extension of the painting. In effect, the monks shared the meal, becoming part of the miracle portrayed in Veronese's grand banquet. Moreover, the sumptuousness and decadence of late-sixteenth-century Venice, reflects the dining practices and sociability of the time. Feasting scenes, like the one depicted here, often did not emphasize food; rather, the focus was on the conspicuous display of

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Wong, K. "Tracking Table Tennis Balls in Real Match Scenes for Umpiring Applications." British Journal of Mathematics & Computer Science 1, no. 4 (2011): 228–41. http://dx.doi.org/10.9734/bjmcs/2011/623.

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Wang, Jiadun, Shengtao Li, and Kai Huang. "Point Cloud Fusion of Human Respiratory Motion Under Multi-View Time-of-Flight Camera System: Voxelization Method Using 2D Voxel Block Index." Sensors 25, no. 10 (2025): 3062. https://doi.org/10.3390/s25103062.

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Time-of-flight (ToF) 3D cameras can obtain a real-time point cloud of human respiratory motion in medical robot scenes. Through this point cloud, real-time displacement information can be provided for the medical robot to avoid the robot injuring the human body during the operation due to the positioning deviation. However, multi-camera deployments face a conflict between spatial coverage and measurement accuracy due to the limitations of different types of ToF modulation. To address this, we design a multi-camera acquisition system incorporating different modulation schemes and propose a mult

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Britt, Karen, and Ra‘anan Boustan. "Scenes in Stone." Studies in Late Antiquity 5, no. 4 (2021): 509–79. http://dx.doi.org/10.1525/sla.2021.5.4.509.

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This article is the first publication, description, and identification of the floor mosaics in the north aisle of the early fifth-century synagogue in the village of Huqoq in Lower Eastern Galilee. The north aisle is arranged in individually framed panels organized in two superposed rows of nine panels each for a total of eighteen. While many are only fragmentarily preserved, each panel seems to have depicted a figure or episode from the Hebrew Bible (aside from a Hebrew-language donor inscription at the east end of the aisle). Aided by labels in Hebrew or Aramaic citing phrases from biblical

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Stone, Jayne. "Putting It All on the Table." Writers: Craft & Context 4, no. 1 (2023): 4–14. http://dx.doi.org/10.15763/issn.2688-9595.2023.4.1.4-14.

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In this autoethnographic article, I argue that the recent and trending new materialist focus within composition studies—which tends to assume the privilege of agency and unmitigated choice on behalf of writers regarding their writing environments (Prior and Shipka, 2002; Alexis, 2016)—doesn’t necessarily hold space for writers whose writing environments regularly yield to and are shaped by the preferences, habits, and material effects of actors outside of themselves—namely, their children. In making my argument about the particular effects of such mutliagent writing environments, I use a mater

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Xu, Zhen, Huazhen Zhang, Wei Wei, and Zhebiao Yang. "Virtual Scene Construction for Seismic Damage of Building Ceilings and Furniture." Applied Sciences 9, no. 17 (2019): 3465. http://dx.doi.org/10.3390/app9173465.

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A valid seismic damage scene for indoor nonstructural components is critical for virtual earthquake safety drills which can teach occupants how to survive in earthquakes. A virtual scene construction method for the seismic damage of suspended ceilings and moveable furniture is proposed based on FEMA P-58 and a physics engine. First, a modeling framework is designed based on building information modeling (BIM) to create consistent structural and scene models for the subsequent structural time-history analysis (THA) and scene construction. Subsequently, FEMA P-58 is employed to determine the dam

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Marton, Zoltan-Csaba, Ferenc Balint-Benczedi, Oscar Martinez Mozos, et al. "Part-Based Geometric Categorization and Object Reconstruction in Cluttered Table-Top Scenes." Journal of Intelligent & Robotic Systems 76, no. 1 (2014): 35–56. http://dx.doi.org/10.1007/s10846-013-0011-8.

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Jalal, Akmal Jauhari, Mohd Farid Mohd Ariff, Ahmad Firdaus Razali, Razak Wong Chen Keng, Mohamad Ariff Wook, and Mohamad Ikhwan Idris. "Assessing Precision and Dependability of Reconstructed Three-Dimensional Modeling for Vehicles at Crash Scenes using Unmanned Aircraft System." Journal of Advanced Geospatial Science & Technology 3, no. 2 (2023): 129–44. http://dx.doi.org/10.11113/jagst.v3n2.76.

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This study focuses on the accuracy assessment of 3D reconstructions of crime scenes using Unmanned Aircraft Systems (UAS) and Terrestrial Laser Scanners (TLS) data for forensic crash investigation. Forensic crash investigation involves meticulously analyzing physical evidence, vehicles, and human factors in road collisions to determine the sequence of events. Preserving the original state of the crash scene before cleaning is essential for accurate forensic analysis. However, this preservation process can disrupt normal activities and demand considerable time. Geomatic technology, specifically

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Moreira, Catarina, Jeffrey Cockburn, and Monica S. Castelhano. "A Framework for Leveraging LLMs for Scene Analysis and Cognitive Processing." Proceedings of the ACM on Computer Graphics and Interactive Techniques 8, no. 2 (2025): 1–18. https://doi.org/10.1145/3729414.

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In everyday visual search tasks, humans rely on prior knowledge of object placements in scenes to efficiently locate target objects. This ability is evidenced by eye movement patterns, where individuals focus on areas that are more likely to contain the target, such as searching for a cup on a table or shoes on the floor. Building on this, we propose a new annotation pipeline that leverages these priors by extracting a knowledge graph from images based on automatically annotated objects. This knowledge graph is then used with large language models (LLMs) to predict the most likely locations of

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Chmielewska, Agata, Marianna Parzych, Tomasz Marciniak, and Adam Dąbrowski. "New Approach To Traffic Density Estimation Based On Indoor And Outdoor Scenes From CCTV." Foundations of Computing and Decision Sciences 40, no. 2 (2015): 119–32. http://dx.doi.org/10.1515/fcds-2015-0008.

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Abstract In this paper we present an algorithm for precise estimation of moving objects density (typically people and vehicles) in indoor and outdoor scenes. Automatic generation of the so-called density maps is based on video sequences acquired by surveillance systems. Our approach offers two types of solutions. The first one increments the accumulation table when a moving object is detected in a location of interest, delivering a density map of the presence of moving objects. The second algorithm increments the accumulation table only in cases of detecting a new moving object, resulting in a

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TADAMURA, KATSUMI, XUEYING QIN, GUOFANG JIAO, and EIHACHIRO NAKAMAE. "FAST RENDERING WATER SURFACE FOR OUTDOOR SCENES." International Journal of Image and Graphics 01, no. 02 (2001): 313–27. http://dx.doi.org/10.1142/s0219467801000190.

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Water surface is an important element for rendering a realistic landscape image, particularly for visual environmental assessment. The incident light from the water surface to the viewpoint generally consists of two components, reflected and refracted light. The source of the latter is further subdivided into reflected light from the bottom of the water and scattered light in it. In order to render a realistic water surface, the calculation for each component of the light is a quite complex and time consuming task. We propose the fast rendering algorithms of the water surface for visual enviro

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Mosqueda Ramírez, María José. "Exploring Instances of Feminism Movement in a Reggaeton Song: A Multi-Semiotic Critical Discourse Analysis." Open Journal for Studies in Arts 4, no. 1 (2021): 15–24. http://dx.doi.org/10.32591/coas.ojsa.0401.02015m.

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This study analyses the instances of feminism in a reggaeton song consulting a Multimodal Critical Discourse Analysis (MCDA). It interprets these instances and provides a description to what they intend to present from a feminist perspective. It also attempts to find out what are the visual semiotic choices that the song presents to the audience such as the attributes, settings and salience. Finally, it aimed to explore how these elements are represented in the video. To achieve the goal of the study, I created a table where I included the visual semiotic elements previously mentioned. This ta

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Stirner, Simone. "Eating the Discipline." Feminist German Studies 40, no. 1 (2024): 44–59. http://dx.doi.org/10.1353/fgs.2024.a933689.

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Abstract: To be nourished, fed, cared for; to provide sustenance; to have a place at the table; to be satisfied. But also: to hunger; to hoard; to scrap; to envy; to ration. These expressions can serve as metaphors for issues of nourishment and scarcity in academia, but they also become materially manifest in scenes of eating—from pizza shared in a seminar room to leftovers scraped together in take-out containers after a reception. Drawing together personal anecdotes and critical reflection, dreams and creative imaginings, this autotheoretical piece approaches the question of nourishment and s

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S, Yashaswini. "exture Oriented Scene Generation from Natural Language Text Description using 3D Coloured Objects." International Journal for Research in Applied Science and Engineering Technology 9, no. VI (2021): 520–26. http://dx.doi.org/10.22214/ijraset.2021.34995.

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To understand language, we need an understanding of the world around us. Language describes the world and provides symbols with which we represent meaning. Still, much knowledge about the world is so obvious that it is rarely explicitly stated. It is uncommon for people to state that chairs are usually on the floor and upright, and that you usually eat a cake from a plate on a table. Knowledge of such common facts provides the context within which people communicate with language. Therefore, to create practical systems that can interact with the world and communicate with people, we need to le

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Canet Tarrés, Gemma, and Montse Pardàs. "Context-Unsupervised Adversarial Network for Video Sensors." Sensors 22, no. 9 (2022): 3171. http://dx.doi.org/10.3390/s22093171.

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Foreground object segmentation is a crucial first step for surveillance systems based on networks of video sensors. This problem in the context of dynamic scenes has been widely explored in the last two decades, but it still has open research questions due to challenges such as strong shadows, background clutter and illumination changes. After years of solid work based on statistical background pixel modeling, most current proposals use convolutional neural networks (CNNs) either to model the background or to make the foreground/background decision. Although these new techniques achieve outsta

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Kennedy, John M. "Drawings from Gaia, a Blind Girl." Perception 32, no. 3 (2003): 321–40. http://dx.doi.org/10.1068/p3436.

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Gaia, a totally blind girl, was asked to make raised-line drawings. Gaia's vision at best was peripheral. She draws out of interest, and has drawn since preschool with encouragement from her mother. She was asked to draw objects and scenes involving depth from a vantage point, eg a table from below, two cars (one behind the other), and two parallel rows of apples (receding from her, on a table top). Gaia represented space in her drawings using T-junctions for overlap, height in the picture plane, parallel projection, and inverse projection. That is, Gaia uses features of systems common in sigh

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Wu, Liangdong, Jiaxi Wu, Zhengwei Li, Yurou Chen, and Zhiyong Liu. "Learning Sliding Policy of Flat Multi-target Objects in Clutter Scenes." Information Technology and Control 53, no. 1 (2024): 5–18. http://dx.doi.org/10.5755/j01.itc.53.1.34708.

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In clutter scenes, one or several targets need to be obtained, which is hard for robot manipulation task. Especially, when the targets are flat objects like book, plates, due to limitation of common robot end-effectors, it will be more challenging. By employing pre-grasp operation like sliding, it becomes feasible to rearrange objects and shift the target towards table edge, enabling the robot to grasp it from a lateral perspective. In this paper, the proposed method transfers the task into a Parameterized Action Markov Decision Process to solve the problem, which is based on deep reinforcemen

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Japneet, Kaur* Rimanpal Kaur. "ADAPTIVE INDOOR SCENE CLASSIFICATION WITH MULTI-SVM CLASSIFICATION TO SOLVE MULTI-CLASS PROBLEM." INTERNATIONAL JOURNAL OF ENGINEERING SCIENCES & RESEARCH TECHNOLOGY 5, no. 5 (2016): 917–23. https://doi.org/10.5281/zenodo.52502.

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In recent years, indoor scene recognition has attracted much attention and its research has rapidly expanded by not just engineers but also neuroscientists, since it has many potential applications in computer vision communication and automatic access control system. Especially, indoor scene recognition is an important part of computer vision and feature recognition as the first step of automatic uninterrupted robotic movement or computer vision applications like automatic interior designing algorithms. However, the indoor scene detection is not straightforward because it has lots of variation

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Somashekhar. Ramappa. Kodliwad. "A study to evaluate the effectiveness of guided imagery on reduction of anxiety among selected pre-operative patients admitted at SDM hospital Dharwad." World Journal of Biology Pharmacy and Health Sciences 21, no. 1 (2025): 779–94. https://doi.org/10.30574/wjbphs.2025.21.1.0110.

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“A study to evaluate the effectiveness of guided imagery on reduction of anxiety among selected preoperative patients admitted at SDM hospital Dharwad”. Background of the study: Guided imagery is a mind body intervention by which a trained practitioner or teacher helps a participant to evoke and generate mental images that stimulate or recreate the sensory perception of sights, sounds, tastes and images associated with touch. In the use of guided imagery, the therapist and client develop imagery scenes that produce feelings of calmness, tranquility, or pleasure for the client. It is critical t

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Humphreys, Glyn W., John Duncan, and Anne Treisman. "Introduction to Brain mechanisms of selective perception and action. Proceedings of a Discussion Meeting held at the Royal Society of London on 19 and 20 November 1997." Philosophical Transactions of the Royal Society of London. Series B: Biological Sciences 353, no. 1373 (1998): 1241–44. http://dx.doi.org/10.1098/rstb.1998.0279.

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The world is full of objects. Some may be static, others not. Some may be partially occluded, others standing alone. Some may emit sounds, others not. Some we may be touching (hands resting on a table), others out of reach. At a sensory level, the means by which the world comes to be organized into objects is a far from trivial problem, since stimulus information is typically ambiguous as to which local parts of a scene ‘belong’ together. It is also unclear how different forms of sensory information combineödoes each sense operate independently, or is information integrated in forms of multi-m

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Syafik, Azzahra, Essy Syam, Edward, and Sorta Hutahaean. "THE WHITE WOMAN’S SYMPATHY AND BLACK WOMEN RESISTANCE IN THE TATE TAYLOR THE HELP FILM." Elite : English and Literature Journal 10, no. 2 (2023): 170–80. http://dx.doi.org/10.24252/elite.v10i2.38999.

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This qualitative research discusses black women's resistance and white women's sympathy in The Help film. In the main theory, this research uses Scott's resistance theory, which consists of close Resistance, semi-open resistance, and open resistance. The data in this research includes dialogue and scenes from The Help film, which describe black women's resistance and white women's sympathy. In obtaining the data, this research uses observation by watching the dialogue about black women's resistance and white women's sympathy and documentation by saving this dialogue and scenes from this film.

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Bashkov, E. O., and M. S. Kurinnyi. "Table-algorithmic method for anti-aliazing image of line segments." Optoelectronic Information-Power Technologies 45, no. 1 (2023): 10–16. http://dx.doi.org/10.31649/1681-7893-2023-45-1-10-16.

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Increasing the informativeness of computer graphics is achieved due to the formation of images that accurately reproduce the structural and visual features of the object. When forming such images, it is necessary to display graphic scenes with great detail, therefore, at this stage of the development of computer graphics, special attention is paid not only to the speed of forming graphic images, but also to their realism. In most modern computer graphics systems, the raster principle of image formation is used. When creating raster images, distortions occur due to the insufficient resolution o

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Muruzidi, A. V., and N. V. Olinder. "THE COMPARATIVE ANALYSIS OF LAW ENFORCEMENT OPERATIONS AND INVESTIGATIVE ACTIVITIES ON THE EXAMPLE OF EXAMINATION OF PREMISES, BUILDINGS, STRUCTURES, CRIME SCENE EXAMINATION, AND SEARCH." Vektor nauki Tol’attinskogo gosudarstvennogo universiteta. Seria Uridicheskie nauki, no. 1 (2021): 39–48. http://dx.doi.org/10.18323/2220-7457-2021-1-39-48.

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In practice, criminal intelligence as a form of control is often carried out without proper procedural arrangement. This issue is very urgent and problematic as, according to the criminal procedure code, evidence obtained when examining a crime scene in respect of procedural legislation violation often cannot be considered admissible. The paper considers the existing forms of gathering evidence and facts of a crime when investigating a crime scene; two of them – inspection and search – are procedural; one is a criminal intelligence action – premises, buildings, structures, terrain compartments

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Lehmann, Alexandre, Manuel Vidal, and Heinrich H. Bülthoff. "A High-End Virtual Reality Setup for the Study of Mental Rotations." Presence: Teleoperators and Virtual Environments 17, no. 4 (2008): 365–75. http://dx.doi.org/10.1162/pres.17.4.365.

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Mental rotation is the capacity to predict the orientation of an object or the layout of a scene after a change in viewpoint. Previous studies have shown that the cognitive cost of mental rotations is reduced when the viewpoint change results from the observer's motion rather than the object or spatial layout's rotation. The classical interpretation for these findings involves the use of automatic updating mechanisms triggered during self-motion. Nevertheless, little is known about how this process is triggered and particularly how sensory cues combine in order to facilitate mental rotations.

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Leahy, Deana, Emily Gray, Amy Cutter-Mackenzie, and Chris Eames. "Schooling Food in Contemporary Times: Taking Stock." Australian Journal of Environmental Education 31, no. 1 (2015): 1–11. http://dx.doi.org/10.1017/aee.2015.26.

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AbstractOver the past decade we have witnessed a proliferation and intensification of food pedagogies across a range of sites. This article begins by considering two pedagogical scenes that attempt to address food. They were enacted within educational settings in Australia; one a Year 8 (13 years of age) health education classroom, the other a professional learning seminar. Each were heavily imbued with the obesity prevention imperatives that have come to characterise social, political and educational discourse around food in contemporary times. Using these scenes as a springboard, we move to

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Mustafa, Sam A. "The Politics of Memory: Rededicating Two Historical Monuments in Postwar Germany." Central European History 41, no. 2 (2008): 255–80. http://dx.doi.org/10.1017/s0008938908000332.

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For much of the past two centuries German governments encouraged or even sponsored the construction of war monuments. By the turn of the twentieth century Germany was covered in more than a thousand such shrines, most of which had local or regional significance as places of annual celebration or commemoration. Government, media, and business all contributed to an elaborate hagiography of Germany's battles, war heroes, and martyrs, with monuments usually serving as the centerpieces. Millions of middle-class Germans attended or participated in commemoration ceremonies at war monuments all over t

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Hayana, Hayana. "PENGARUH FILM ANIMASI UPIN DAN IPIN TERHADAP PEMBENTUKAN SELF CONCEPT SISWA DI SDN 5 PADANGLAMPE KABUPATEN PANGKEP." KOMUNIDA : MEDIA KOMUNIKASI DAN DAKWAH 8, no. 2 (2018): 257–76. http://dx.doi.org/10.35905/komunida.v8i2.637.

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This study focuses on studying the meaning of the messages contained in the animated films Upin and Ipin and the influence of Upin and Ipin's animated films on the self concept formation of Padanglampe 5 Elementary School students. The purpose of this study was to find out the meaning of the message and the influence of Upin and Ipin animated films on the self concept formation of students at SDN 5 Padanglampe. This research was carried out at SDN 5 Padanglampe kec. Ma'rang, Pangkep district. The research method used is the experimental research method (Research Experiment) with a quanti

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Li, Yingzhi, Di Yu, Kan Yu, and Xi Chen. "Classroom Visualization Based on the Relationship between User Roles and Scene Content." Scientific Programming 2022 (February 7, 2022): 1–10. http://dx.doi.org/10.1155/2022/5300840.

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With the increasing complexity of the internal structure of university classrooms and the increasing amount of time humans spend indoors, indoor classroom scenes have become an important part of people’s daily lives. Compared with open outdoor space, indoor environments are more complex in terms of 3D models, spatial layouts, feature types, and connectivity relationships, especially for large indoor buildings that often contain a large amount of information. This paper introduces the development tools and common rendering techniques of Unity3D game engine, explores the visualization model of a

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Zhang, Hongwei, Hao Zhang, Xiaobo Zhu, Shuning Zhang, Zhonghui Ma, and Xuetao Hao. "An Enhanced Atmospheric Pre-Corrected Differential Absorption (APDA) Algorithm by Extending LUTs Applied to Analyze ZY1-02D Hyperspectral Images." Atmosphere 14, no. 10 (2023): 1560. http://dx.doi.org/10.3390/atmos14101560.

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Water vapor is a crucial component of the atmosphere. Its absorption significantly influences remote sensing by impacting radiation signals transmitted through the atmosphere. Determining columnar water vapor (CWV) from hyperspectral remote sensing data is essential during the imagery atmospheric correction process. Over the past 40 years, numerous CWV inversion algorithms have been developed, with refinements to enhance retrieval accuracy and reliability. In this study, we proposed an enhanced atmospheric pre-corrected differential absorption (APDA) algorithm. This enhancement was achieved by

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Zrenner, Eberhart, Karl Ulrich Bartz-Schmidt, Heval Benav, et al. "Subretinal electronic chips allow blind patients to read letters and combine them to words." Proceedings of the Royal Society B: Biological Sciences 278, no. 1711 (2010): 1489–97. http://dx.doi.org/10.1098/rspb.2010.1747.

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A light-sensitive, externally powered microchip was surgically implanted subretinally near the macular region of volunteers blind from hereditary retinal dystrophy. The implant contains an array of 1500 active microphotodiodes (‘chip’), each with its own amplifier and local stimulation electrode. At the implant's tip, another array of 16 wire-connected electrodes allows light-independent direct stimulation and testing of the neuron–electrode interface. Visual scenes are projected naturally through the eye's lens onto the chip under the transparent retina. The chip generates a corresponding pat

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Septiani, Elisabet, Nina Dwiastuty, Ira Miranti, and Nurjanah Nurjanah. "Education Values in "Faith Like Potatoes"." Lingua Educationist: International Journal of Language Education 1, no. 1 (2022): 14–24. http://dx.doi.org/10.54099/le.v1i1.62.

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The aims of this study were to describe the education values found in the film "Faith like Potatoes" by Regardt Van Den Bergh. The method used is a descriptive analysis method that uses the film "Faith like Potatoes" by Regardt Van Den Bergh as the data source. The author uses a library research approach and documentation method by doing analysis on scripts and events as important elements in the film "Faith like Potatoes" by Regard Van Den Bergh to obtain data containing education values into a table prepared by the author. After analyzing through a series of plots and scenes in the film,

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Hou, Wanjun, Liu Liu, Hui Xi, and Tie Jia. "Research on Dynamic Monitoring and Optimization of Lighting Environment in Clothing Workshop Based on Visual Comfort." Buildings 14, no. 3 (2024): 750. http://dx.doi.org/10.3390/buildings14030750.

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T8 LED tubes with adjustable brightness and color temperature are installed in the workshop for workers to adjust their lighting independently. The illuminance of the workers’ working surface is dynamically monitored for one year, and the collected illuminance data are quantitatively analyzed to explore the suitable illuminance threshold and color temperature preference for workers in real scenes. The illuminance value is divided according to time period and season, which provides reference for the development of intelligent buildings. For the three workflows in the post-finishing workshop, th

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Zhang, Tianyue, Xu Wei, Zhi Li, et al. "Natural Scene Nutrition Information Acquisition and Analysis Based on Deep Learning." Current Bioinformatics 15, no. 7 (2020): 662–70. http://dx.doi.org/10.2174/1574893614666190723121610.

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Background: In the field of personalized health, it is often difficult for individuals to obtain professional knowledge to solve their practical problems timely and accurately. While there are some applications that can get targeted information, they often fail to function properly in nonideal environments, and they cannot achieve precise answers to individual users. Therefore, how to establish an information capture model based on big data and combine it with intelligent search is an important issue in the field of personalized health. Objective: This paper starts with the information acquisi

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Hollis, James, and James Oliver. "The Development of Virtual Reality as a Tool to Investigate Eating Behavior." Current Developments in Nutrition 4, Supplement_2 (2020): 1308. http://dx.doi.org/10.1093/cdn/nzaa059_025.

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Abstract Objectives The objective of this study was to a) determine the feasibility of eating in virtual reality (VR) environment while wearing a head mounted display (HMD) and b) determine the effect of eating in a virtual restaurant on food intake, sensory evaluation of the test food and masticatory parameters. Methods Fifteen adults were asked to report to the laboratory on two occasions, separated by at least one week, at their usual lunchtime. On reporting to the laboratory, surface electrodes were attached to the left and right masseter muscles to measure masticatory activity and a wrist

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Ciobanu, Estella Antoaneta. "Food for Thought: Of Tables, Art and Women in Virginia Woolf’s To the Lighthouse." American, British and Canadian Studies 29, no. 1 (2017): 147–68. http://dx.doi.org/10.1515/abcsj-2017-0023.

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Abstract This article examines art as it is depicted ekphrastically or merely suggested in two scenes from Virginia Woolf’s novel To the Lighthouse, to critique its androcentric assumptions by appeal to art criticism, feminist theories of the gaze, and critique of the en-gendering of discursive practices in the West. The first scene concerns Mrs Ramsay’s artinformed appreciation of her daughter’s dish of fruit for the dinner party. I interpret the fruit composition as akin to Dutch still life paintings; nevertheless, the scene’s aestheticisation of everyday life also betrays visual affinities

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Harvey, Dustin Scott. "Theatre à la Carte!" Canadian Theatre Review 134 (March 2008): 39–42. http://dx.doi.org/10.3138/ctr.134.006.

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I am sitting at a table in a popular North End diner in Halifax, looking at a menu for Café DaPoPo, a theatre event created by Garry Williams, when an actress comes up to me and asks me if I am ready to order my performance. “Just to let you know the specials are listed on the back of the menu,” she says, “and we have no one act play tonight.” As a regular theatregoer, I feel rather confused. On the one hand, I have never ordered my theatre before, so I cannot pretend to know how to do it. However, the menu clearly lists the scenes as starters, mains, and deserts, and I must confess that I am

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Rupiewicz, Romana. "Pontius Pilate as a Late Antiquity and Early Medieval Judge – Iconographic Representations." Studia Prawnicze KUL, no. 4 (December 31, 2019): 157–93. http://dx.doi.org/10.31743/sp.10613.

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The image of a judge in Late Antiquity is shrouded in mystery as visual artefacts depicting court proceedings are scarce. Early Christian sarcophagi and miniatures adorning early manuscripts help in researching this topic. Illustrations of the trial of Jesus found there fully represent jurisprudence of the 4th and 5th century. Western artists had no knowledge of the hearing held at the beginning of the first century in Jerusalem, in a Roman province, hence they recreated what they knew from experience. The pictures presenting the trial of Jesus are probably the most important iconographic evid

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Gaulke, Karsten. "Perfect in Every Sense." Nuncius 30, no. 1 (2015): 37–74. http://dx.doi.org/10.1163/18253911-03001003.

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At the center of this article is an iconographic analysis of the eight silver reliefs on the sides of a table clock made in 1591 by Jost Bürgi, the court clockmaker of Landgrave Wilhelm IV of Hessen-Kassel. The reliefs present an astronomical ancestral picture gallery, running from the Patriarchs of the Old Testament to Copernicus. The author argues that the “storyboard” for this sequence of images must have been conceived down to its smallest details by the Kassel court astronomer Christoph Rothmann; indeed, many of the scenes shown, along with many particular details depicted within them, ar

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Arrasyid, M. Fauzi, Essy Syam, and Mohd. Fauzi. "RACIAL PRACTICES IN DEEP SOUTH IN THE 1960s ON MISSISSIPPI BURNING MOVIE: A CRITICAL DISCOURSE ANALYSIS." Elite : English and Literature Journal 9, no. 2 (2022): 192–203. http://dx.doi.org/10.24252/elite.v9i2.32228.

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This study analyzes racial practices in the movie Mississippi Burning, which portrays racism in the Deep South of America in the 1960s. This study used Jäger and Meier's Critical Discourse Analysis (CDA) and a descriptive qualitative method, which explains and reveals racial practices in the Deep South through Jim Crow Law and the Ku Klux Klan in the 1960s. This study's analysis data are the scenes depicting racism in the Deep South collected from the Mississippi Burning movie and the explanation of these pictures based on Jäger and Meier's CDA. After that, these data were analyzed by selectin

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Cirillo, Vincenzo. "Visual culture in the sacred spaces figurative representation. The Duccio di Buoninsegna’s Majesty cycle of stories." Resourceedings 2, no. 3 (2019): 119. http://dx.doi.org/10.21625/resourceedings.v2i3.635.

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Starting from the XIII century the figurative arts underwent a profound transformation. In fact, we can note the gradual passage of the use of mosaic to the pictorial representation on the table and then on the wall, initially used for the altar paintings and then in all the sacred works. The figurative arts begin to break away from a predominantly symbolic conception to arrive to a narrative communication. Therefore, one of the first elements of representative experimentation begins to be the architectural space (interior and/or exterior) where to set up scenes of a sacred nature. The present

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Vidot, J., R. Santer, and O. Aznay. "Evaluation of the MERIS aerosol product over land with AERONET." Atmospheric Chemistry and Physics Discussions 8, no. 1 (2008): 3721–59. http://dx.doi.org/10.5194/acpd-8-3721-2008.

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Abstract. The Medium Resolution Imaging Spectrometer (MERIS) launched in February 2002 on-board the ENVISAT spacecraft is making global observations of top-of-atmosphere (TOA) radiances. Aerosol optical properties are retrieved over land using Look-Up Table (LUT) based algorithm and surface reflectances in the blue and the red spectral regions. We compared instantaneous aerosol optical thicknesses retrieved by MERIS in the blue and the red at locations containing sites within the Aerosol Robotic Network (AERONET). Between 2002 and 2005, a set of 500 MERIS images were used in this study. The re

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