Relevant bibliographies by topics / Tadao Ando

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Tadao Ando'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

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Journal articles on the topic "Tadao Ando"

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Roux, Jean-Marie. "Tadao Ando." Pierre d'angle 16 (2010): 45–58. http://dx.doi.org/10.5840/pda2010163.

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Ando, Tadao. "Entretien avec Tadao Ando." LC. Revue de recherches sur Le Corbusier, no. 2 (October 7, 2020): 123. http://dx.doi.org/10.4995/lc.2020.14334.

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Hassan, Soraya Masthura. "Prinsip Desain Geometri Arsitektur Tadao Ando." EMARA: Indonesian Journal of Architecture 3, no. 2 (December 15, 2017): 77–90. http://dx.doi.org/10.29080/emara.2017.3.2.77-90.

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Geometry has shown that the architecture was an expression of man and a basic principle that were always presented on an architectural work. The research was conducted through two steps with the first step was to identified the Tadao Ando’s geometry design principle through a content analysis approach. Based on the textual review, Tadao Ando's geometry design principle was tend to select the simple geometric forms as the embodiment of the building shapes. An user spatial experiences were created through inter space relationships and interactions with the surrounding environment through the geometry and shape processing and became the central to his architectural work creation. In other words, pure geometry concept was the instrument to presented all of those. The second step was to compared Tadao Ando's geometry design principles in the monistic architecture to the pluralistic architecture catagories using a precedent analysis approach. The comparisons toward the geometrical principles were more complex and quite varied geometric shapes in pluralistic architecture while simple geometric shapes can be found in the monistic architecture,as well as interlinked circular paths in pluralistic architecture which shaped by the ‘direction wall’ rather than a simple circulation path in the monistic architecture, and the wall-formed angle was a multiple of 15° in monistic architecture but varying angles in the pluralistic architecture.
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Hassan, Soraya Masthura. "Prinsip Desain Geometri Arsitektur Tadao Ando." EMARA: Indonesian Journal of Architecture 3, no. 2 (December 15, 2017): 77–90. http://dx.doi.org/10.29080/emara.v3i2.152.

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Geometry has shown that the architecture was an expression of man and a basic principle that were always presented on an architectural work. The research was conducted through two steps with the first step was to identified the Tadao Ando’s geometry design principle through a content analysis approach. Based on the textual review, Tadao Ando's geometry design principle was tend to select the simple geometric forms as the embodiment of the building shapes. An user spatial experiences were created through inter space relationships and interactions with the surrounding environment through the geometry and shape processing and became the central to his architectural work creation. In other words, pure geometry concept was the instrument to presented all of those. The second step was to compared Tadao Ando's geometry design principles in the monistic architecture to the pluralistic architecture catagories using a precedent analysis approach. The comparisons toward the geometrical principles were more complex and quite varied geometric shapes in pluralistic architecture while simple geometric shapes can be found in the monistic architecture,as well as interlinked circular paths in pluralistic architecture which shaped by the ‘direction wall’ rather than a simple circulation path in the monistic architecture, and the wall-formed angle was a multiple of 15° in monistic architecture but varying angles in the pluralistic architecture.
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Seligmann, Ari. "Tadao Ando Exhibition Endeavours and Challenges." Fabrications 28, no. 2 (May 4, 2018): 275–78. http://dx.doi.org/10.1080/10331867.2018.1437685.

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Hassan, Soraya Masthura, and Armelia Dafrina. "PROPORSI PADA KARYA DESAIN BANGUNAN TADAO ANDO DALAM KONTEKS GEOMETRI." Jurnal Arsitektur ARCADE 2, no. 1 (March 31, 2018): 33. http://dx.doi.org/10.31848/arcade.v2i1.19.

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Abstract: Proportion is one of the elements in the most basic geometric context in the process of designing an architectural work and is also one of the creativity-triggering instruments for an architect. The proportion concerns the ratio - ratio - of the geometric shape within an architectural composition. This study examines the pattern of proportions by Ando in the process of architecture to create a building, which characterizes the architecture of an Ando during his career. In this research, the content analysis method is used at several stages of research that is in the stage of finding Tadao Ando geometry design concept which is done through the textual study from several written sources and on the study of the intertextual study of the whole research samples in the form of Tadao Ando's works. this precedent method will be used in the analysis of the formative study stage, where an analysis of the work drawings such as the floor plan is performed and appears using the general theory of proportion and geometry as the basis for searching for proportions in the geometrical context of Ando's works. From the findings the ratio of proportions can be summed up several things: the dimension of length is a multiple or a derivative of the dimensions of width, width: the length where a: (x) a and (x) a: (x) a, x is a multiplier unit (0.5, 1, 1.25, 1.5, 2, 3, and 4) Keywords: Proportion, Geometric, Tadao Ando Abstrak: Proporsi merupakan salah satu elemen dalam konteks geometri yang paling mendasar di dalam proses perancangan suatu karya arsitektur dan juga merupakan salah satu instrumen pemicu kreatifitas bagi seorang arsitek. Proporsi menyangkut perbandingan – rasio – dari bentuk geometri di dalam suatu komposisi arsitektur. Penelitian ini mengkaji pola proporsi yang dilakukan oleh Ando dalam proses berarsitektur guna menciptakan suatu bangunan, yang mencirikan arsitektur seorang Ando selama perjalanan karirnya. Pada penelitian ini, metode analisis isi digunakan pada beberapa tahap penelitian yaitu pada tahap menemukan konsep desain geometri Tadao Ando yang dilakukan melalui kajian tekstual dari beberapa sumber tertulis dan pada kajian intertekstual pendeskrisian secara keseluruhan sampel penelitian yang berupa bangunan-bangunan karya Tadao Ando. motede preseden ini akan digunakan pada analisis tahap kajian formatif, dimana dilakukan analsis pada gambar kerja seperti denah, dan tampak dengan menggunakan teori umum dari proporsi dan geometri sebagai dasar penulusuran untuk menemukan proporsi dalam konteks geometri pada karya-karya Ando. Dari temuan rasio proporsi dapat disimpulkan beberapa hal yaitu: dimensi panjang merupakan kelipatan atau turunan dari dimensi lebar, lebar : panjang dimana a : (x)a dan (x)a : (x)a, x adalah unit kelipatan (0.5, 1, 1.25, 1.5, 2, 3, dan 4) Kata Kunci: proporsi, geometri, tadao ando
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Veal, Alex. "Time in Japanese architecture: tradition and Tadao Ando." Architectural Research Quarterly 6, no. 4 (December 2002): 349–62. http://dx.doi.org/10.1017/s1359135503001878.

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Farhady, Maryam, and Jeehyun Nam. "Thresholds in the Pluralistic Architecture of Tadao Ando." Journal of Asian Architecture and Building Engineering 10, no. 1 (May 2011): 31–36. http://dx.doi.org/10.3130/jaabe.10.31.

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Treib, Marc. "Review: Tadao Ando: Challenges——Faithful to the Basics." Journal of the Society of Architectural Historians 68, no. 4 (December 1, 2009): 564–66. http://dx.doi.org/10.1525/jsah.2009.68.4.564.

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Baek, Jin. "The sublime and the Azuma House by Tadao Ando." Architectural Research Quarterly 8, no. 2 (June 2004): 149–57. http://dx.doi.org/10.1017/s1359135504000181.

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This paper investigates the sublime as manifested in the architecture of Tadao Ando. The primary object of interpretation is his Azuma House (1976) in Osaka. However, according to Ando, the sublime equally characterises his religious work such as the Church of the Light (1989) near Osaka. One unique characteristic of Ando's architecture is the treatment of residential and religious buildings according to common spatial themes, challenging the conventional dichotomy between the profane and the sacred. The evocation of the sublime can be claimed as one such theme. Both buildings are particularisations of the theme of the sublime: in the case of the Azuma House into the context of the everyday and, in the case of the Church of the Light, into the context of the theological horizon of Christianity. This paper elucidates how the spatial setting of the Azuma residence conditions, in a distinguishing manner, the experience of the sublime. Given that, in the history of Western architecture, Etienne-Louis Boullée's architecture of immense emptiness (as manifested in the Metropolitan Basilica and Newton's Cenotaph) presents itself as one of the most distinctive articulations of the sublime, it is employed here as the dialogic partner for Ando's architecture of the sublime.
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Dissertations / Theses on the topic "Tadao Ando"

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Guiducci, Chiara. "Tadao ando in italia. Il confronto con l'antico." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/8782/.

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La ricerca ha l’intento di cercare di comprendere come l'architetto giapponese Tadao Ando, proveniente da una formazione autodidatta, da una cultura orientale e da una realtà in cui solo architetti con una specifica formazione possono intervenire su architetture vincolate dalla locale Legge sulla Tutela dei Beni Culturali, si approcci ad una materia di certo per lui nuova, realizzando progetti su edifici dichiarati di interesse dal Ministero dei Beni Culturali o da istituzioni equivalenti. Quindi comprendere, in modo specifico, con quale spirito e/o con quale filosofia Tadao Ando ha approcciato i progetti di restauro su edifici esistenti e quale sforzo interiore ha dovuto affrontare per adeguare la sua idea istintiva ai vincoli storici, culturali, paesaggistici e urbanistici, propri della nostra nazione. Operando, inoltre, in un Paese nel quale l’architettura costituisce una parte cospicua della memoria solida dell’umanità e il recupero dell’esistente patrimonio architettonico è uno degli elementi fondamentali che lega la comunità al territorio, il passato al presente, garantendo a quest’ultimo il futuro; in un Paese nel quale le architetture contemporanee devono, o avrebbero dovuto, dialogare in modo armonico con il preesistente. Per analizzare il suo “modus operandi” si studiano e analizzano tutte le opere che l’architetto ha realizzato o sta realizzando in Italia su edifici di interesse storico-architettonico, tenendo sempre presenti, oltre agli aspetti culturali, anche gli obiettivi della committenza, lo stato di fatto delle architetture oggetto di intervento, l'analisi delle scelte progettuali iniziali, l'indagine di tutti i cambiamenti avvenuti nel corso della progettazione e dell’esecuzione dell’opera e i rapporti che intercorrono tra l’architetto e le Soprintendenze, al fine di comprendere le circostanze in base alle quali Tadao Ando abbia avviato le sue riflessioni progettuali su edifici “antichi”; sulle quali egli è stato in grado di relazionare la sua architettura con l’architettura l’"antica".
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COUTINHO, Walkyria Tsutsumi Ferreira. "O conceito Ma: o conceito Ma na conformação de espaços em Tadao Ando." Universidade Federal de Pernambuco, 2015. https://repositorio.ufpe.br/handle/123456789/17214.

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Submitted by Isaac Francisco de Souza Dias (isaac.souzadias@ufpe.br) on 2016-06-30T18:10:37Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) DISSERTAÇÃO Walkyria Tsutsumi Ferreira Coutinho.pdf: 9876492 bytes, checksum: 742baf97ee9922210070d80a3009cea5 (MD5)
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O presente estudo visa compreender o conceito Ma, inerente na cultura oriental japonesa e identificar os possíveis espaços que caracterizariam esse conceito na produção arquitetônica de Tadao Ando, através do estudo acerca dessa cultura e das distintas abordagens sobre o Ma, como dito por Ando (2000): Arquitetos japoneses, a exemplo de Ito Yotaro, Kiwari – Module of Traditional Japanese Architecture, 1961; Isozaki Arata, Ma – nijunen ato no kikanten, (MA – Twenty Years On) e Kenmochi Takehiko, usam o termo Ma tanto para indicar o espaço físico quanto uma espécie de espaço-tempo. A espacialidade Ma parece ser de frágil visualidade, mas eminentemente comunicativa, ao convidar não só à participação perceptiva do ser humano que vivencia a espacialidade, mas também sua memória e seu pensamento, pela relação do homem com a sociedade e a cultura. (MICHIKO, 2007: p. 84). O sentido japonês do Ma não é algo criado por uma composição de elementos, é algo que toma lugar no imaginário do ser humano à medida que experimenta o vazio arquitetônico gerado pela composição desses elementos. A existência de um conceito exclusivo da cultura oriental e intrínseco a vários gêneros artísticos instigaram a investigação sobre esse tema. A partir de teorias ocidentais que auxiliassem a compreensão do espaço arquitetônico, o presente trabalho busca compreender o conceito Ma e aproximar as distintas culturas. Com esse objetivo de compreender propriamente o conceito do Ma em arquitetura e estudá-lo através do método cientifico, foram analisadas obras do arquiteto contemporâneo Tadao Ando com o fim de exemplificar as possíveis espacialidades Ma presentes nessas obras.
This study aims to comprehend the concept of Ma, inherent in the japanese culture, and to identify possible spaces that could characterize this concept in Tadao Ando’s architectural production, through the study about this culture and from different approaches about Ma, as said by Tadao Ando (2000): Japanese architects, as Ito Yotaro, Kiwari - Module of traditional Japanese Architecture, 1961;Isozaki Arata, Ma – nijunen ato no kikanten, (MA – Twenty Years On) and Kenmochi Takehiko, use the term Ma to indicate physical space and also a kind of space-time. The spatiality of Ma seems to be of a fragile visualization, but eminently communicative, when invites not only to the perceptive participation of human being that lives the spatiality, but also your memory and your thought, through the relationship between man, society and culture. (MICHIKO, 2007: p. 84). The Japanese sense of Ma is not something created by a composition of elements, it is something that takes place in the imaginary of human being as he experience the architectural void created by the composition of these elements. The existence of an exclusive concept of the eastern culture and intrinsic of various artistic genders instigated the inquiry about this theme. From the western theories that assisted the understanding of the architectural void, this dissertation seeks to comprehend the concept of Ma and approximate these different cultures. With this objective of properly comprehend the concept of Ma in architecture and study it through the scientific method, different works of the contemporary architect Tadao Ando were studied in order to exemplify possible spatialities of Ma present in these works.
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Rosenberg, Juan Pablo. "A construção do território. Abstração e natureza nas obras de Luis Barragán, Álvaro Siza e Tadao Ando." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/16/16138/tde-16022017-105934/.

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Este estudo propõe uma leitura sobre a poética arquitetônica nas obras de Luis Barragán, Alvaro Siza e Tadao Ando, a partir do elo que estabelecem no binômio construção-natureza.Tomando de suas produções projetos emblemáticos dessa relação, encontramos \"lugares arquitetônicos puros\" (HUET, 1979) que restituem o caráter ontológico da disciplina ao evocarem, nessa fronteira última da arquitetura, questões primordiais da existência humana. No diálogo que propõem entre localidade e síntese moderna, essas \"construções do lugar\" nos revelam, mais do que posturas críticas, inquietudes - ou obsessões - de seus criadores, as quais se concretizam na experiência fenomenológica das obras, por meio da \"desmaterialização\" da própria arquitetura.Barragán, em Los Clubes (1964-1968) - Cuadra San Cristóbal e a Fuente de los Amantes -, impõe agudos contrastes à paisagem para então dissolvê-los, numa \"realidade fantástica\" que consuma a improvável comunhão entre fé católica e desejo erótico; na Piscina de Leça da Palmeira Siza narra o retorno do Homem à Natureza, num \"discurso da técnica\" que desfaz, no caminho entre a cidade e a praia, o muro de concreto em areia e pedra; no Templo da Água, Tadao Ando estabelece um percurso do profano ao sagrado - da razão ocidental à espiritualidade oriental -, pela transmutação simbólica da forma geométrica, regida por vazios radicalmente disponíveis (Ma).Cada capítulo circunscreve individualmente um arquiteto e sua obra por meio de três aproximações sequenciais: inicia com as impressões da visita à obra; passa a pela genealogia da imaginação e formação da linguagem; e fecha o ciclo retornando ao projeto, analisado a partir dos desenhos e dos dados coletados ao longo da pesquisa. Pretendemos, assim, criar uma ponte entre o desígnio projetivo e a expressão obra, para identificar, nesse trajeto, os recursos poético-arquitetônicos utilizados. Na conclusão, são gerados cruzamentos horizontais entre as diferentes manifestações desses recursos nas obras - percurso, muro, água, luz etc. - como tentativa de contribuir para o léxico poético da disciplina.
This study proposes a reading of architectural poetics on the works of Luis Barragán, Alvaro Siza and Tadao Ando, departing from the link that each of them establish on the binomal construction-nature. Considering among their productions the emblematic projects of such a relationship, we can find pure architectonic places (HUET, 1979) that restore the ontological character of the discipline, evoking, through this last frontier of architecture, universal issues of the human existence. In the dialogue they propose between place and modern synthesis, those \"site constructions\" thus reveal rather than critic positions, but basic and primordial disquietudes - or obsessions - from their creators. Those disquietudes become concrete in the phenomenological experience of the place, in the very same \"dematerialization\" of architecture.Barragán, in Los Clubes (1964-1968) - Cuadra San Cristóbal and Fuente de los Amantes -, imposes sharp contrasts to the landscape to then dissolve them in a \"fantastic reality\" that consummates the unlikely match between catholic faith and erotic desire; in Leça da Palmeira Swimming Pool, Siza tells, by a \"technical speech\", the return of Man towards Nature, in a liturgic procedure that undoes, between the city and the beach, the concrete wall into sand and stone; on the Water Temple, Tadao Ando establishes a path from the profane towards the sacred - from the occidental reasoning to the oriental spirituality -, through the symbolic transmutation of the form along radically available spaces (Ma). Each chapter individually circumscribes one architect and his work through three sequential proxies: it begins with the impressions obtained in site visits; then goes through a genealogy of the imagination and the formation of the language; and closes the circle returning to the project, aproached through the drawings and data collected during the research. The goal then, is to create a bridge between the project intentions and the expression of the work, to identify, along this path, the poetic architectural resources that were used. In the conclusion, horizontal crossings are created between different expressions of those resources on the constructions - pathway, wall, water, light etc. - as a way to try to contribute to the poetic lexicon of the discipline.
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Gill, Sukhtej Singh. "A study of the characteristics of natural light in selected buildings designed by Le Corbusier, Louis I. Kahn and Tadao Ando." [College Station, Tex. : Texas A&M University, 2006. http://hdl.handle.net/1969.1/ETD-TAMU-1727.

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Nussaume, Yann. "Takao Ando et Shin Takamatsu face au désordre de la ville japonaise, relation à la ville et à la tradition : réflexion sur l'importance du milieu en architecture." Paris, EHESS, 1997. http://www.theses.fr/1997EHES0014.

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Dans cette thèse, nous avons étudié l'attitude de deux architectes contemporains japonais face au "désordre" de la ville nippone, c'est-a-dire face aux bouleversements provoques par la modernité sur le tissu urbain traditionnel. Notre choix s'est porte sur Tadao Ando et Shin Takamatsu car ils illustraient, d’après nous, deux positions très différentes : recherche d'un ordre perdu pour l'un et accentuation du "chaos" pour l'autre. Dépassant leurs divergence apparentes, l'objectif a été de montrer que leurs recherches architecturales, le rapport entre leurs bâtiments et leurs sites et le rapport a la tradition reflétaient de maniéré plus ou moins antagoniste la relation entre la société japonaise et son environnement (le milieu). Plus globalement, ce travail nous a amenés a conclure que : "les formes urbaines et architecturales dans un pays donne et a une époque donnée sont étroitement liées a la relation qu'entretient la société de ce pays avec son environnement". Face au "désordre" urbain actuel, nous soulignons l'importance de réévaluer la suprématie du bâtiment sur son environnement.
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Shirazi, Mohammadreza [Verfasser], and Eduard [Akademischer Betreuer] Führ. "Architectural theory and practice, and the question of phenomenology (the contribution of Tadao Ando to the phenomenological discourse) / Mohammadreza Shirazi ; Betreuer: Eduard Führ." Cottbus : BTU Cottbus - Senftenberg, 2010. http://d-nb.info/1114282391/34.

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Kim, YoonJin. "Recovering Sensory Pleasure Through Spatial Experience." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1368085798.

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Breier, Ana Cláudia Böer. "Museus infantis : uma questão contemporânea." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2005. http://hdl.handle.net/10183/5751.

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Esta dissertação consiste em um estudo sobre os museus infantis, buscando identificar e analisar um conjunto de questões contemporâneas que hoje participam do ambiente museal. Para a exploração das implicações arquitetônicas desta proposta museológica, foram selecionados três edifícios projetados para abrigar museus infantis: Kodomo no Yakata, de Tadao Ando, no Japão, Lied Discovery Children’s Museum, de Antoine Predock, nos Estados Unidos; e Papalote Museo del Niño, de Ricardo Legorreta, no México.
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Alipenkova, Viktorija. "Władysław Abramowicz. Próba zarysu monograficznego." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2009. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2009~D_20090629_131302-50607.

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9 maja bieżącego roku minęło 100 lat od dnia urodzin wybitnego literaturoznawcy, historyka, poety, publicysty, bibliografa, tłumacza – Władysława Abramowicza, którego imię dziś jest nieco zapomniane, bądź zupełnie nieznane. Nikt dotychczas nie napisał obszerniejszej pracy, poświęconej życiu i twórczości danej osoby. Z tego powodu temat swojej pracy sformułowałam następująco:„Władysław Abramowicz. Próba zarysu monograficznego”. Celem danej rozprawy jest próba wydobycia z zapomnienia człowieka, który swoim talentem i pracą przyczynił się do rozwoju kultury i literatury polskiej oraz litewskiej. Praca składa się z czterech rozdziałów. Rozdział I: „Biografia Władysława Abramowicza (1909-1965)”. Rozdział ten zawiera życiorys i krótko zarysowuje działalność i twórczość tego wszechstronnego człowieka. Rozdział II: „Od „świtania myśli” do regionalizmu. Poezja Władysława Abramowicza” - zawiera analizę i interpretację wierszy ze zbiorków: „Świtanie myśli” i „Regjonalne” Rozdział III: „Publicystyka i książki popularnonaukowe”. Ten rozdział przedstawia artykuły i książki napisane przez Abramowicza. Rozdział IV: „Władysław Abramowicz jako tłumacz”. Zawiera przykłady wierszy i prozy litewskich poetów, przełożonych przez Abramowicza na język polski. W zakończeniu danej rozprawy można zrobić następujące wnioski. Władysław Abramowicz to poeta, prozaik, publicysta, który ani za życia, ani po śmierci nie był zauważony. Dziś jego imię znane i kojarzone jest tylko z Biblioteką AN, w której... [toliau žr. visą tekstą]
Šių metų gegužės 9-tą dieną savo 100-asiąs gimimo metines atšventė bibliografas, poetas, publicistas, vertėjas - Vladas Abramavičius, kurio vardas šiandien yra ne tik užmirštas, bet ir visiškai nežinomas. Iki šiol niekas neparašė išsamaus darbo apie šio asmens gyvenimą ir kūrybą. Būtent dėl šios priežasties ir buvo pasirinkta tokia magistrinio darbo tema: „Vladas Abramavičius. Monografinė apybraiža“. Pagrindinis šio darbo tikslas buvo „ištraukti” iš užmaršties žmogų, kuris savo talentu ir darbu prisidėjo prie lietuvių ir lenkų kultūros ir literatūros vystymosi. Darbas susideda iš keturių skyrių. Pirmame skyriuje: „Vlado Abramavičiaus biografija (1909-1965)“, trumpai aprašyta šio asmens biografija ir supažindinama su jo veikla ir kūryba. Antrame skyriuje: „Nuo „minties brėkšmės” iki regionalizmo. Vlado Abramavičiaus poezija“, analizuojami jo vieninteliai du eilėraščių rinkiniai parašyti lenkų kalba: „Minties brėkšmė“ (Świtanie myśli) (1930) ir „Regioninė“ (Regjonalne) (1933). Trečias skyrius: „Publicistika ir mokslo-populiariosios knygos“ skirtas apžvelgti Vlado Abramavičiaus parašytus straipsnius ir knygas. Paskutinis skyrius: „Vladas Abramavičius kaip vertėjas“, kuriame pristatyti Abramavičiaus versti lietuvių rašytojų eilėraščiai ir proza į lenkų kalbą. Darbo pabaigoje buvo padarytos tokios išvados. Vladas Abramavičius tai poetas, prozaikas, publicistas, kuris nei būdamas gyvas, nei po mirties nebuvo pastebėtas. Šiandien jo vardas žinomas ir siejamas tik su Mokslų... [toliau žr. visą tekstą]
On 9th of May 2009 bibliographer, poet, publicist and translator Vladas Abramavičius, whose name is not only forgotten, but also is absolutely unknown, has celebrated his 100th birthday. Until now no one has publicized detailed work about his life and oeuvre. For this reason „Valdas Abramavičius. Monographic outline” was chosen as the theme of this thesis. Main objective of the thesis was to remember man who contributed to the evolution of Lithuanian and Polish culture and literature with his talent. Thesis contains four main parts. First chapter „Biography of Vladas Abramavičius (1909 – 1965)” outlines biography and introduces his work and oeuvre. Second chapter „Form the “dawn of the thought” till regionalism. Poetry of Vladas Abramavičius” analyses two (which were ever published) Polish poetry selection books „Dawn of the thought” (Świtanie myśli) (1930) and „Regional” (Regjonalne) (1933) Third chapter „Opinion journalism and popular science books” presents review of articles and books written by Vladas Abramavičius. Last chapter „Vladas Abramavičius as translator” overviews Lithuanian authors prose and verse translations into Polish. Following conclusions have been made: Vladas Adamavičius as poet, prosaist and publicist has not been recognized nor during his lifetime nor after his death. Nowadays his name is being associated with The Library of the Lithuanian Academy of Sciences, where he had been working for 25 years as head of Manuscripts Department. The... [to full text]
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Wakefield, Benita. "Haumanu taiao ihumanea: collaborative study with Te Tai O Marokura Kaitiaki Group : Tuakana Miriama Kahu, Teina Benita Wakefield." Lincoln University, 2008. http://hdl.handle.net/10182/1335.

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The health of the environment is integral to the health and wellbeing of the people. When the balance between Atua, whenua and tangata is disrupted, desecrated, disturbed or violated, it can have a detrimental impact on these relationships. This research study explored alternative indigenous paradigms for conceptualizing an environmental health framework that would improve the potency and health of all living things. A key question of the research study was to explore how Ngati Kuri sought to strengthen their relationship and connection with the natural world. The Hapu established Te Tai O Marokura health and social services as a vehicle to improve potency: healthy environments, healthy people. The specificity of Ngati Kuri experiences provided a broader context for researching and theorizing about restorative models that utilized traditional knowledge localized to a particular area. Another key question was to examine how Maori cultural values that were embedded within a worldview, could offer insights and constructs for new ways of being and thinking in the modern world. Kaupapa Maori philosophical positioning and theorizing informed the approaches and practices underpinning the study. The key aspects of the methodology were constructed around the tikanga principles of tinorangatiratanga, whakapapa and kaitiakitanga to provide a rationale for the collaboration formed with the Hapu. At the heart of the thesis is the validity given to the collective ownership of indigenous knowledge which challenges the fictional notion of a singular, temporally bound authorship. The thesis reflects the whakawhanaungatanga (reciprocal understanding) relationship between the Tuakana represented by Miriama Kahu and the Teina, Benita Wakefield working collaboratively with the Kaitiaki construct group formed to ensure that the use of indigenous knowledge and its transmission processes had honest transparency. The Tuakana was responsible for providing guidance, wisdom and mentoring to the Teina, the enrolled academic student responsible for producing the written thesis. These innovative collaborative Kaupapa Maori methods and practices in the study have tested the boundaries of conventional doctoral processes, breaking university academic regulations and challenging the western academy in the political nature of collective knowledge production and validity of indigenous knowledge. Qualitative and quantitative processes, approaches and methods were also utilized to inform the study and to ensure reflexivity of research practices. The key findings of the study were: • Improving potency requires a depth of intimacy and connection with all living things that involves a reciprocal understanding of the relationship between Atua, whenua and tangata. • Indigenous knowledge is localized to a spatial area and embedded within a worldview that validates and affirms cultural values and beliefs which continue to have relevance in more contemporary times. • The transformative nature of alternative indigenous paradigms must encompass the totality of creation, humanity and their genealogical and inter-generational linkages to all life. A major contribution of this PhD has been to create new knowledge, ways of thinking and meaning for restoring potency through the environmental health conceptual framework grounded in cultural and spiritual values. The specific focus on Ngati Kuri traditional knowledge authentic to the Hapu and their application, has significantly contributed towards constructing alternative indigenous approaches for meeting the challenges within the modern world.
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Books on the topic "Tadao Ando"

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Tadao Ando details =: Andō Tadao ditēru-shū. Tokyo: A.D.A. Edita, 1991.

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Fumo, Marina. Tadao Ando. Napoli: Clean Edizioni, 2000.

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Tadao Ando. Milano: Motta architettura, 2007.

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Tadao Ando. 2nd ed. Basel: Birkhauser, 1995.

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Andō, Tadao. Tadao Ando. Paris: Centre Georges Pompidou, 1993.

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1932-, Futagawa Yukio, Frampton Kenneth, and Takase Yoshio 1930-, eds. Tadao Ando. Tokyo, Japan: A.D.A. Edita, 1987.

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1941-, Andō Tadao, ed. Tadao Ando. Basel: Birkhäuser, 2009.

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1950-, Kawamukai Masato, and Zardini Mirko, eds. Tadao Ando. London: Academy Editions, 1990.

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1941-, Andō Tada̲o, Wrede Stuart, and Museum of Modern Art (New York, N.Y.). Dept. of Architecture and Design., eds. Tadao Ando. New York: Museum of Modern Art, 1991.

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Andō, Tadao. Tadao Ando. Tokyo: A.D.A. Edita, 1995.

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Book chapters on the topic "Tadao Ando"

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Nussaume, Yann. "Ando: A Source of Inspiration?" In Tadao Ando, 167–81. Basel: Birkhäuser Basel, 2009. http://dx.doi.org/10.1007/978-3-0346-0381-2_9.

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Nussaume, Yann. "The Japanese Context." In Tadao Ando, 13–30. Basel: Birkhäuser Basel, 2009. http://dx.doi.org/10.1007/978-3-0346-0381-2_1.

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Nussaume, Yann. "Matrix: Childhood in Osaka/Kansai." In Tadao Ando, 31–42. Basel: Birkhäuser Basel, 2009. http://dx.doi.org/10.1007/978-3-0346-0381-2_2.

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Nussaume, Yann. "A Self-Taught Man." In Tadao Ando, 43–48. Basel: Birkhäuser Basel, 2009. http://dx.doi.org/10.1007/978-3-0346-0381-2_3.

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Nussaume, Yann. "First Architectural Experiments." In Tadao Ando, 49–60. Basel: Birkhäuser Basel, 2009. http://dx.doi.org/10.1007/978-3-0346-0381-2_4.

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Nussaume, Yann. "Toward a Progressive Openness of Buildings." In Tadao Ando, 61–72. Basel: Birkhäuser Basel, 2009. http://dx.doi.org/10.1007/978-3-0346-0381-2_5.

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Nussaume, Yann. "Establishment of an Architectural Style." In Tadao Ando, 73–106. Basel: Birkhäuser Basel, 2009. http://dx.doi.org/10.1007/978-3-0346-0381-2_6.

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Nussaume, Yann. "Buildings as Catalysts for Landscapes." In Tadao Ando, 107–33. Basel: Birkhäuser Basel, 2009. http://dx.doi.org/10.1007/978-3-0346-0381-2_7.

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Nussaume, Yann. "Buildings as Indicators of Place." In Tadao Ando, 135–66. Basel: Birkhäuser Basel, 2009. http://dx.doi.org/10.1007/978-3-0346-0381-2_8.

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Shigeru, Nakayama. "Shizuki Tadao." In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, 3989. Dordrecht: Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-007-7747-7_8857.

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Conference papers on the topic "Tadao Ando"

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QIN, Haiyuan, Huayan ZHAO, Xinyu CAO, Long CHEN, and Yuanchun XIA. "Analysis of Tadao Ando Building Humanism." In 2016 International Conference on Architectural Engineering and Civil Engineering. Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/aece-16.2017.5.

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Bigaj, Przemyslaw. "SOLIDITY, UTILITY, BEAUTY � VITRUVIAN FEATURES OF TADAO ANDO�S CONCRETE ARCHITECTURE." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/5.3/s21.070.

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Tasso Silva, Arissa, and ANA MARIA TAGLIARI FLORIO. "Projetos residenciais na cidade de Osaka desenhados por Tadao Ando na década de 1970." In XXV Congresso de Iniciação Cientifica da Unicamp. Campinas - SP, Brazil: Galoa, 2017. http://dx.doi.org/10.19146/pibic-2017-78837.

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Hillson, K., M. Peck, C. Pao, S. Brown, C. Nwokoro, N. Oban, and S. Thavagnanam. "Seeing is believing: a paediatric ‘Therapeutic and Dynamic Airway Assessment’ (TaDAA) service." In ERS International Congress 2022 abstracts. European Respiratory Society, 2022. http://dx.doi.org/10.1183/13993003.congress-2022.1424.

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Kargar Bideh, Minoo, Andreas Petlund, Carsten Griwodz, Iffat Ahmed, Razieh behjati, Anna Brunstrom, and Stefan Alfredsson. "TADA: An Active Measurement Tool for Automatic Detection of AQM." In 9th EAI International Conference on Performance Evaluation Methodologies and Tools. ICST, 2016. http://dx.doi.org/10.4108/eai.14-12-2015.2262684.

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Kim, Sungwon, Hyunae Park, and Hwansoo Lee. "The Diffusion Barriers of AI Mobility Service: the Case of TADA." In 2020 International Conference on Artificial Intelligence in Information and Communication (ICAIIC). IEEE, 2020. http://dx.doi.org/10.1109/icaiic48513.2020.9065038.

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Wu, Y., Q. Wang, L. Li, S. Han, X. Zhu, and H. Liu. "LINC00511 Promotes Lung Squamous Cell Carcinoma Proliferation and Migration Via Inhibiting miR-150-5p and Activating TADA1." In American Thoracic Society 2020 International Conference, May 15-20, 2020 - Philadelphia, PA. American Thoracic Society, 2020. http://dx.doi.org/10.1164/ajrccm-conference.2020.201.1_meetingabstracts.a2532.

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Phuphong, S., and C. Surussavadee. "An Artificial Neural Network Based Runoff Forecasting Model in the Absence of Precipitation Data: A Case Study of Khlong U-Tapao River Basin, Songkhla Province, Thailand." In 2013 Fourth International Conference on Intelligent Systems, Modelling and Simulation (ISMS 2013). IEEE, 2013. http://dx.doi.org/10.1109/isms.2013.51.

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Komai, Yukio, Yukio Komai, Mana Sakata, Mana Sakata, Masaki Nakajima, Masaki Nakajima, Sae Tanaka, and Sae Tanaka. "RELEASE OF NUTRIENTS FROM BOTTOM SEDIMENTS IN OSAKA BAY, JAPAN IN 2015." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.31519/conferencearticle_5b1b937eec5797.84530079.

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Osaka Bay is the most polluted enclosed sea area, in which is located the eastern part of the Seto Inland Sea, Japan. There are four kinds of sources on loadings of nutrients to Osaka Bay, which are land including rivers and industrial effluents beside coast, ocean sea water, release from bottom sediment to sea water, and wet and dry deposition from air. The pollutant loadings inflowing from the land to Osaka Bay have been cut by various policies since 1970’s. The concentrations of nutrients in the inner part of Osaka Bay have showed an obvious decreasing tendency. However, the water quality in offshore sea has not satisfied the environmental standard on nutrients. We investigated the amount of nutrients released from bottom sediments. The core samples were taken at two stations in the inner part of Osaka Bay once a month from February to November, 2015. The core incubation experiment in laboratory was conducted for 24 hours according to Tada et.al. The concentrations of ammonium nitrogen (NH4-N) and phosphate phosphorus (PO4-P) were measured by an automatic analyzer. The flux showed similar range with the values investigated in 1986. The results suggested that the flux of nutrients from bottom sediments in the inner part of Osaka Bay has not decreased during summer season at least since 1985. Therefore, the contribution of release from bottom sediment on the nutrients budget would relatively become larger in inner part of Osaka Bay.
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Komai, Yukio, Yukio Komai, Mana Sakata, Mana Sakata, Masaki Nakajima, Masaki Nakajima, Sae Tanaka, and Sae Tanaka. "RELEASE OF NUTRIENTS FROM BOTTOM SEDIMENTS IN OSAKA BAY, JAPAN IN 2015." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.21610/conferencearticle_58b43154dd828.

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Osaka Bay is the most polluted enclosed sea area, in which is located the eastern part of the Seto Inland Sea, Japan. There are four kinds of sources on loadings of nutrients to Osaka Bay, which are land including rivers and industrial effluents beside coast, ocean sea water, release from bottom sediment to sea water, and wet and dry deposition from air. The pollutant loadings inflowing from the land to Osaka Bay have been cut by various policies since 1970’s. The concentrations of nutrients in the inner part of Osaka Bay have showed an obvious decreasing tendency. However, the water quality in offshore sea has not satisfied the environmental standard on nutrients. We investigated the amount of nutrients released from bottom sediments. The core samples were taken at two stations in the inner part of Osaka Bay once a month from February to November, 2015. The core incubation experiment in laboratory was conducted for 24 hours according to Tada et.al. The concentrations of ammonium nitrogen (NH4-N) and phosphate phosphorus (PO4-P) were measured by an automatic analyzer. The flux showed similar range with the values investigated in 1986. The results suggested that the flux of nutrients from bottom sediments in the inner part of Osaka Bay has not decreased during summer season at least since 1985. Therefore, the contribution of release from bottom sediment on the nutrients budget would relatively become larger in inner part of Osaka Bay.
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