Journal articles: 'Tadao Ando'

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Roux, Jean-Marie. "Tadao Ando." Pierre d'angle 16 (2010): 45–58. http://dx.doi.org/10.5840/pda2010163.

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Ando, Tadao. "Entretien avec Tadao Ando." LC. Revue de recherches sur Le Corbusier, no. 2 (October 7, 2020): 123. http://dx.doi.org/10.4995/lc.2020.14334.

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Hassan, Soraya Masthura. "Prinsip Desain Geometri Arsitektur Tadao Ando." EMARA: Indonesian Journal of Architecture 3, no. 2 (December 15, 2017): 77–90. http://dx.doi.org/10.29080/emara.2017.3.2.77-90.

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Geometry has shown that the architecture was an expression of man and a basic principle that were always presented on an architectural work. The research was conducted through two steps with the first step was to identified the Tadao Ando’s geometry design principle through a content analysis approach. Based on the textual review, Tadao Ando's geometry design principle was tend to select the simple geometric forms as the embodiment of the building shapes. An user spatial experiences were created through inter space relationships and interactions with the surrounding environment through the geometry and shape processing and became the central to his architectural work creation. In other words, pure geometry concept was the instrument to presented all of those. The second step was to compared Tadao Ando's geometry design principles in the monistic architecture to the pluralistic architecture catagories using a precedent analysis approach. The comparisons toward the geometrical principles were more complex and quite varied geometric shapes in pluralistic architecture while simple geometric shapes can be found in the monistic architecture,as well as interlinked circular paths in pluralistic architecture which shaped by the ‘direction wall’ rather than a simple circulation path in the monistic architecture, and the wall-formed angle was a multiple of 15° in monistic architecture but varying angles in the pluralistic architecture.

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Hassan, Soraya Masthura. "Prinsip Desain Geometri Arsitektur Tadao Ando." EMARA: Indonesian Journal of Architecture 3, no. 2 (December 15, 2017): 77–90. http://dx.doi.org/10.29080/emara.v3i2.152.

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Geometry has shown that the architecture was an expression of man and a basic principle that were always presented on an architectural work. The research was conducted through two steps with the first step was to identified the Tadao Ando’s geometry design principle through a content analysis approach. Based on the textual review, Tadao Ando's geometry design principle was tend to select the simple geometric forms as the embodiment of the building shapes. An user spatial experiences were created through inter space relationships and interactions with the surrounding environment through the geometry and shape processing and became the central to his architectural work creation. In other words, pure geometry concept was the instrument to presented all of those. The second step was to compared Tadao Ando's geometry design principles in the monistic architecture to the pluralistic architecture catagories using a precedent analysis approach. The comparisons toward the geometrical principles were more complex and quite varied geometric shapes in pluralistic architecture while simple geometric shapes can be found in the monistic architecture,as well as interlinked circular paths in pluralistic architecture which shaped by the ‘direction wall’ rather than a simple circulation path in the monistic architecture, and the wall-formed angle was a multiple of 15° in monistic architecture but varying angles in the pluralistic architecture.

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Seligmann, Ari. "Tadao Ando Exhibition Endeavours and Challenges." Fabrications 28, no. 2 (May 4, 2018): 275–78. http://dx.doi.org/10.1080/10331867.2018.1437685.

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Hassan, Soraya Masthura, and Armelia Dafrina. "PROPORSI PADA KARYA DESAIN BANGUNAN TADAO ANDO DALAM KONTEKS GEOMETRI." Jurnal Arsitektur ARCADE 2, no. 1 (March 31, 2018): 33. http://dx.doi.org/10.31848/arcade.v2i1.19.

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Abstract: Proportion is one of the elements in the most basic geometric context in the process of designing an architectural work and is also one of the creativity-triggering instruments for an architect. The proportion concerns the ratio - ratio - of the geometric shape within an architectural composition. This study examines the pattern of proportions by Ando in the process of architecture to create a building, which characterizes the architecture of an Ando during his career. In this research, the content analysis method is used at several stages of research that is in the stage of finding Tadao Ando geometry design concept which is done through the textual study from several written sources and on the study of the intertextual study of the whole research samples in the form of Tadao Ando's works. this precedent method will be used in the analysis of the formative study stage, where an analysis of the work drawings such as the floor plan is performed and appears using the general theory of proportion and geometry as the basis for searching for proportions in the geometrical context of Ando's works. From the findings the ratio of proportions can be summed up several things: the dimension of length is a multiple or a derivative of the dimensions of width, width: the length where a: (x) a and (x) a: (x) a, x is a multiplier unit (0.5, 1, 1.25, 1.5, 2, 3, and 4) Keywords: Proportion, Geometric, Tadao Ando Abstrak: Proporsi merupakan salah satu elemen dalam konteks geometri yang paling mendasar di dalam proses perancangan suatu karya arsitektur dan juga merupakan salah satu instrumen pemicu kreatifitas bagi seorang arsitek. Proporsi menyangkut perbandingan – rasio – dari bentuk geometri di dalam suatu komposisi arsitektur. Penelitian ini mengkaji pola proporsi yang dilakukan oleh Ando dalam proses berarsitektur guna menciptakan suatu bangunan, yang mencirikan arsitektur seorang Ando selama perjalanan karirnya. Pada penelitian ini, metode analisis isi digunakan pada beberapa tahap penelitian yaitu pada tahap menemukan konsep desain geometri Tadao Ando yang dilakukan melalui kajian tekstual dari beberapa sumber tertulis dan pada kajian intertekstual pendeskrisian secara keseluruhan sampel penelitian yang berupa bangunan-bangunan karya Tadao Ando. motede preseden ini akan digunakan pada analisis tahap kajian formatif, dimana dilakukan analsis pada gambar kerja seperti denah, dan tampak dengan menggunakan teori umum dari proporsi dan geometri sebagai dasar penulusuran untuk menemukan proporsi dalam konteks geometri pada karya-karya Ando. Dari temuan rasio proporsi dapat disimpulkan beberapa hal yaitu: dimensi panjang merupakan kelipatan atau turunan dari dimensi lebar, lebar : panjang dimana a : (x)a dan (x)a : (x)a, x adalah unit kelipatan (0.5, 1, 1.25, 1.5, 2, 3, dan 4) Kata Kunci: proporsi, geometri, tadao ando

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Veal, Alex. "Time in Japanese architecture: tradition and Tadao Ando." Architectural Research Quarterly 6, no. 4 (December 2002): 349–62. http://dx.doi.org/10.1017/s1359135503001878.

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Farhady, Maryam, and Jeehyun Nam. "Thresholds in the Pluralistic Architecture of Tadao Ando." Journal of Asian Architecture and Building Engineering 10, no. 1 (May 2011): 31–36. http://dx.doi.org/10.3130/jaabe.10.31.

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Treib, Marc. "Review: Tadao Ando: Challenges——Faithful to the Basics." Journal of the Society of Architectural Historians 68, no. 4 (December 1, 2009): 564–66. http://dx.doi.org/10.1525/jsah.2009.68.4.564.

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Baek, Jin. "The sublime and the Azuma House by Tadao Ando." Architectural Research Quarterly 8, no. 2 (June 2004): 149–57. http://dx.doi.org/10.1017/s1359135504000181.

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This paper investigates the sublime as manifested in the architecture of Tadao Ando. The primary object of interpretation is his Azuma House (1976) in Osaka. However, according to Ando, the sublime equally characterises his religious work such as the Church of the Light (1989) near Osaka. One unique characteristic of Ando's architecture is the treatment of residential and religious buildings according to common spatial themes, challenging the conventional dichotomy between the profane and the sacred. The evocation of the sublime can be claimed as one such theme. Both buildings are particularisations of the theme of the sublime: in the case of the Azuma House into the context of the everyday and, in the case of the Church of the Light, into the context of the theological horizon of Christianity. This paper elucidates how the spatial setting of the Azuma residence conditions, in a distinguishing manner, the experience of the sublime. Given that, in the history of Western architecture, Etienne-Louis Boullée's architecture of immense emptiness (as manifested in the Metropolitan Basilica and Newton's Cenotaph) presents itself as one of the most distinctive articulations of the sublime, it is employed here as the dialogic partner for Ando's architecture of the sublime.

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León Alvarado, Leticia Selene. "Experiencia y emoción en arquitectura religiosa." Actas de Arquitectura Religiosa Contemporánea 8 (December 21, 2021): 90–99. http://dx.doi.org/10.17979/aarc.2021.8.0.8851.

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Desde su inicio, la arquitectura ha sido capaz de influir en la experiencia y la emoción de las personas. Sin embargo, a partir de la segunda mitad del siglo XX, la teoría de la arquitectura ha potenciado estos dos aspectos en aquéllos que dejan de concebirse como usuarios para reconocerse como habitantes. La arquitectura religiosa no escapa de esta realidad, puesto que, aunado a su carácter sagrado, está el hecho de que varios arquitectos, entre los que destaca el japonés Tadao Ando, se han concentrado en potenciar la vivencia desde la corporeidad. Con base en lo anterior, el presente documento tiene como objetivo analizar la forma en la que Tadao Ando materializa sus espacios religiosos, priorizando la experiencia y la emoción. Para ello, se analizan tres templos ubicados en Japón: la Capilla del Viento, la Capilla sobre el Agua y la Iglesia de la Luz.

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Bigaj, Przemysław. "Woda jako element idei i kompozycji w architekturze Tadao Ando." Środowisko Mieszkaniowe 22 (2018): 147–55. http://dx.doi.org/10.4467/25438700sm.18.007.8517.

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Bigaj, Przemysław. "Geometria determinowana światłem i materią jako imperatyw twórczy architektury Tadao Ando." Środowisko Mieszkaniowe 18 (2017): 21–29. http://dx.doi.org/10.4467/25438700sm.17.003.7593.

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Warke, Val K. "Education of an Architect, Tadao Ando: The Yale Studio & Current Works." Journal of Architectural Education 43, no. 4 (July 1990): 45–50. http://dx.doi.org/10.1080/10464883.1990.10758588.

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Wong, Joseph Francis. "Conceptual Engawa: The Experience of Ring-Based Circulation in Tadao Ando Museums." Environment and Planning B: Planning and Design 41, no. 2 (April 2014): 229–50. http://dx.doi.org/10.1068/b39012.

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González-Miranda, Carolina. "21_21 Design Sight." i+Diseño. Revista Científico-Académica Internacional de Innovación, Investigación y Desarrollo en Diseño 9 (April 7, 2014): 211–18. http://dx.doi.org/10.24310/idiseno.2014.v9i.12591.

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Visitar Japón sorprende simplemente por el cambio cultural, la forma, el ser y el vivir. Visitar un museo del diseño en la capital nipona, sueño, idea y realidad del diseñador Issey Miyake, construido por el premio Pritzker Tadao Ando, mejora aún si cabe el abrumador viaje lleno de contraste e identidad propia del lugar. Basados en la cotidianeidad, en la naturaleza, en la representación simple y mínima, en el alma, y todo bajo la mirada del diseño, es como estos dos genios singulares han creado junto a otros, un museo del diseño que básicamente enamora. Así de simple y complejo a la vez.

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Sorte Junior, Waldemiro Francisco. "A Influência da Estética Tradicional Japonesa na Arquitetura de Tadao Ando: Um exame da Igreja da Luz." Estudos Japoneses, no. 39 (July 8, 2018): 39–60. http://dx.doi.org/10.11606/issn.2447-7125.v0i39p39-60.

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Este artigo examina a Igreja da Luz, obra arquitetônica projetada por Tadao Ando e concluída em 1989, de modo a ilustrar como valores centrais da estética tradicional japonesa, em especial wabi-sabi e yûgen, permanecem até hoje como conceitos básicos centrais na apreciação da beleza em expressões artísticas desse país. Argumenta-se que as expressões artísticas japonesas são marcadas por uma tendência cumulativa, e não exclusivista ou substitutiva, dos padrões estéticos. Assim, observa-se que tradições estéticas passadas tendem a ser acolhidas em vez de rejeitadas por novos ideais de beleza, de modo que conseguem coexistir de forma harmônica em uma mesma obra

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Sorte Junior, Waldemiro Francisco. "A Influência da Estética Tradicional Japonesa na Arquitetura de Tadao Ando: Um exame da Igreja da Luz." Estudos Japoneses 39 (July 8, 2018): 39–60. http://dx.doi.org/10.11606/issn.2447-7125.v39i0p39-60.

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Este artigo examina a Igreja da Luz, obra arquitetônica projetada por Tadao Ando e concluída em 1989, de modo a ilustrar como valores centrais da estética tradicional japonesa, em especial wabi-sabi e yûgen, permanecem até hoje como conceitos básicos centrais na apreciação da beleza em expressões artísticas desse país. Argumenta-se que as expressões artísticas japonesas são marcadas por uma tendência cumulativa, e não exclusivista ou substitutiva, dos padrões estéticos. Assim, observa-se que tradições estéticas passadas tendem a ser acolhidas em vez de rejeitadas por novos ideais de beleza, de modo que conseguem coexistir de forma harmônica em uma mesma obra

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김민정 and 이종협. "A Study on the Exhibition Space of Ando Tadao Considering the Characteristics of Naoshima." Journal of Korea Intitute of Spatial Design 13, no. 4 (August 2018): 143–54. http://dx.doi.org/10.35216/kisd.2018.13.4.143.

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Kwon, Gyoung-Nam. "Design Language and Architectural Characteristics of the Yumin Art Museum Designed by Tadao Ando." KIEAE Journal 21, no. 5 (October 31, 2021): 137–48. http://dx.doi.org/10.12813/kieae.2021.21.5.137.

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Kim, Shin-Hye, and Chang-Sung Kim. "An Analysis on the Organization of Space and Light Showed in Ando Tadao’ Museum." KIEAE Journal 17, no. 5 (October 31, 2017): 61–68. http://dx.doi.org/10.12813/kieae.2017.17.5.061.

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Kwon, Gyoung-Nam. "Design Language and Architectural Characteristics of the Chichu Art Museum Designed by Tadao Ando." KIEAE Journal 18, no. 5 (October 31, 2018): 29–40. http://dx.doi.org/10.12813/kieae.2018.18.5.029.

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Kim, Dong Young. "A Study on the Japanese traditional aspects at the Tadao Ando and Kengo Kuma’s Works." Residential Environment Institute Of Korea 14, no. 3 (June 30, 2016): 133–45. http://dx.doi.org/10.22313/reik.2016.14.3.133.

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Rhee, Hye-Ra, and Ho-Sup Kan. "A study on the Fashion Design with the Application of Nude Style of Architecture - Centering on the Ando Tadao's Architecture -." Korean Society of Costume 62, no. 3 (April 30, 2012): 39–56. http://dx.doi.org/10.7233/jksc.2012.62.3.039.

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Della Longa, Giorgio. "La presencia de la arquitectura reformada en el Premio Internazionale Frate Sole." Actas de Arquitectura Religiosa Contemporánea 5 (July 25, 2017): 54–65. http://dx.doi.org/10.17979/aarc.2017.5.0.5142.

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Este texto pretende analizar la presencia de la arquitectura protestante en las seis ediciones del Premio Internazionale di Architettura Sacra Frate Sole (1996-2016). Una presencia que se ha ido incrementando con el paso de los años, aunque lograra su máximo reconocimiento ya en la primera edición, cuando el premio recayó en el conjunto de tres capillas construidas por el arquitecto japonés Tadao Ando. Conviene recordar el carácter específico del Premio Internacional Frate Sole (en cada convocatoria sólo se pueden presentar las iglesias terminadas diez años atrás), así como su vocación inclusiva, contemporánea y universal de promoción de la arquitectura sacra. Se analizarán las propuestas significativas —más allá de las premiadas— recibidas de las distintas denominaciones protestantes, para incidir en su especificidad. Los resultados obtenidos ayudan a valorar la alta calidad media de las propuestas en el discurso arquitectónico mundial.

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Lewandowska, Agnieszka. "Reducing architecture to an image." Journal of Education Culture and Society 10, no. 2 (September 2, 2019): 239–44. http://dx.doi.org/10.15503/jecs20192.239.244.

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Aim. The subject of this work is reduction of architecture complexity to particular image, deprived of its context and time. The author aims to present the problem of perceiving architecture through visual experience only. Methods. The author of the article describes the process of reduction basing on example of iconic sacred building – Church if the Light, designed by Japanese architect Tadao Ando. The analysis of all stages of transformation and reinterpretation of original complex design is conducted. The aim is to indicate how misrepresentation of design and reduction to particular image was transferred to architecture once again. Results and Conclusion. The essential conclusion of the article is the impact and power of image culture. The author of the article indicates how contemporary world of pictures influences human perception of space and limit it to one sense – sight.

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Aguiar da Cunha, Helder. "bysteel materializa gesto de sir Richard Rogers." Metálica, no. 67 (September 30, 2022): 14–16. http://dx.doi.org/10.30779/cmm_metalica_67_02.

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Instalada no Château La Coste perto de Aix-en-Provence, a obra é “um encontro entre a arte e a ciência” Estávamos em 2011 quando sir Richard Rogers, Nobel da Arquitetura, foi convidado por um seu grande amigo – Paddy McKillen – para projetar uma galeria de arte na sua propriedade Château La Coste, uma herdade vinícola onde, para além de um extenso vinhedo existe um hotel (W*214), restaurantes e um roteiro cultural com obras de artistas estratosféricos como Louise Bourgeois, Renzo Piano, Oscar Niemeyer, Tadao Ando entre muitos outros. A galeria teria de cumprir apenas dois requisitos: servir o propósito de uma galeria de arte e providenciar uma vista única sobre a herdade e a sua envolvente. A ideia foi ganhando forma ao longo de 10 anos. O primeiro passo foi situar o local onde instalar a galeria.

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Cho, Jong-Soo. "A Study on the Experiential Space Concept and the Expression Method in Contemporary Architectural Space - Ando Tadao and Peter Zumthor -." Journal of the architectural institute of Korea planning & design 33, no. 4 (April 30, 2017): 21–30. http://dx.doi.org/10.5659/jaik_pd.2017.33.4.21.

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Думнова, Эльнара Михайловна. "VISUALIZATION OF TRADITIONAL AESTHETIC PRINCIPLES IN MODERN ARCHITECTURE OF JAPAN." ΠΡΑΞΗMΑ. Journal of Visual Semiotics, no. 4(34) (December 8, 2022): 82–101. http://dx.doi.org/10.23951/2312-7899-2022-4-82-101.

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Представлен результат исследования соотношения традиций и новаций в современной архитектуре Японии. Уникальность современной японской архитектуры состоит в эффективной экспликации традиционных эстетических принципов в визуальном искусстве, развитие которого неизбежно детерминировано социально-историческим контекстом. Прослежена экспликация эстетических принципов (моно-но аварэ, югэн, ваби, саби), сформированных в эпоху Средневековья, в современном социокультурном пространстве Страны восходящего солнца. Эти принципы сохраняют себя в качестве элементов современной эстетической парадигмы, на основе которой происходит развитие архитектуры, и детерминируют формирование кодов архитектурного пространства. Продемонстрировано развитие новых направлений в современной японской архитектуре. Обосновано, что среди них доминирующее значение получили минимализм и метаболизм. Несмотря на влияние западных архитектурных образцов, их представителям удалось сохранить архитектурную самобытность, сформировав новые архитектурные стили. Это оказалось осуществимым благодаря гибкому балансированию между традициями и новациями, а также их эффективному синтезу; современная японская архитектура становится одним из способов сохранения культурной самобытности в контексте влияния западных архитектурных образцов. Выявлены основные архитектурные приемы, являющиеся проводниками традиции в современной архитектуре: позиционирование архитектуры как продолжения природы, чем обусловлено формообразование; воплощение традиционных эстетических принципов посредством элементов архитектурного пространства (пустота–промежуток–тень); использование сочетаний традиционных и современных материалов. The article analyzes the problem of the correlation of traditions and innovations in modern architecture in Japan. The problem of preserving architectural identity has become especially relevant in the context of globalization. The uniqueness of modern Japanese architecture consists in the effective explication of traditional aesthetic principles in visual art, whose development is inevitably determined by the socio-historical context. The traditional aesthetic principles which were formed in the Middle Ages and have preserved their significance and influence on the modern socio-cultural space of the Land of the Rising Sun are considered. Among them are the principles of mono-no avare, yugen, wabi, sabi. These principles reflect the traditional Japanese worldview and peculiarities of thinking, since they go back to the traditional religious and philosophical teachings that have spread in Japan. Their visualization by means of architectural techniques is especially significant because it allows us to maintain socio-cultural continuity and the connection of times. They are the elements of the modern aesthetic paradigm on the basis of which architecture develops, they determine the formation of codes of architectural space. The most important is the aesthetics of wabi-sabi, which has combined two principles. It defines moral qualities as well as their visualization in material culture, particularly in architecture. It underlies the simplicity and incompleteness of forms close to emptiness, proximity to nature, appeal to the inner essence of things that are inconspicuous externally, the value of damages reflecting the course of time and events in the past. Japanese minimalism originates in the aesthetics of wabi-sabi. Taken together, these aesthetic principles form the quintessence of the Japanese worldview, which is notable by contemplation and positioning of nature and man as a unity. Visualization of this aesthetics in architecture has proved to be achievable through the use of natural materials (wood, bamboo, rice paper) and planning of residential space. New trends have been developed in modern Japanese architecture, including minimalism and metabolism. Despite the influence of Western architectural patterns, representatives of the trends managed to preserve architectural identity by forming new architectural styles. This turned out to be feasible due to the flexible balancing between traditions and innovations, and their effective synthesis. The main architectural techniques that are the conductors of tradition in modern architecture are considered: (a) positioning of architecture as a continuation of nature, which is the reason for special shaping; (b) embodiment of traditional aesthetic principles through elements of architectural space – emptiness–gap–shadow; (c) combination of traditional and modern materials. The article presents a semiotic analysis of several architectural objects: the Museum of Modern Art, Hiroshima, architect Kisho Kurokawa; Global Loop, EXPO 2005, Aichi, architect Kiyonori Kikutake; Church of the Light, Ibaraki, architect Tadao Ando; the Water Temple, Awaji, architect Tadao Ando. The analysis demonstrates some spatial codes that reveal the deep iconic and symbolic wholeness of architectural objects, reflecting the amalgamation of traditional and modern consciousness of the Japanese.

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Wu, Xiaowen, and Claudio Gambadella. "Religions Culture Sharps the Space." Resourceedings 2, no. 3 (November 28, 2019): 184. http://dx.doi.org/10.21625/resourceedings.v2i3.658.

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Religious culture shapes the characters of space and it reflects people’s attitudes towards the relationships between people and gods. Every religious architecture, such as a temple or a church, demonstrates its physical connections with life. This paper focuses on comparing different countries’ religious architectures to better understand the dominant cultural elements which influence design concepts of these architectures. In Western cultures, the religious architecture format is the church. However, Tadao Ando designs the Church of the Light with oriental features. It changes western religious cultures to adapt to local conditions. Ando’s work is just one of many examples in which the local culture can transform religious architecture form with their own characters, and nake it become an iconic mark to represent their country. This paper, analyzing project thinking and development invovling a local citizen, user, artist, and architect, tries to find out how design concepts, decisions on site location, and construction method will be determined. In these case studies on architectural formats from all over the world, this paper uses valuable data to show what elements will be the most critical ones to influence people’s thinking about religious cultures and religious architectural transformation. Furthermore, in this research, it compares religious cultural characters between western and oriental regions. This research also answers questions about how cultures change local people’s behaviors. This is the most valuable point of religious architectures, because they can comfort people and mitigate their sorrow. The research demonstrates how religious cultures and understanding about life can further develop architecture forms. Local materials and conditions are key factors which greatly influence architectural designs. Moreover, this paper compares the latest technology and development of construction materials to illustrate how technology reshapes religious designs in our age. It links local cultures with contemporary architectures to help local architectures continue to develop with their unique characters instead of being eliminated by globalization.

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García Bueno, Antonio, and Karina Medina Granados. "conversando con... William J.R. Curtis." EGA Revista de expresión gráfica arquitectónica 24, no. 37 (November 18, 2019): 12. http://dx.doi.org/10.4995/ega.2019.12683.

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William J.R. Curtis (Kent, 1948), es un galardonado historiador de reconocido prestigio internacional y crítico de arquitectura, a la vez que escritor, comisario y fotógrafo. Sus obras escritas son referentes para el estudio de la arquitectura. Aprovechando la visita realizada a Granada con motivo de su exposición “Abstracción y Luz” que tuvo lugar en el Palacio de Carlos V en la Alhambra entre los meses de septiembre y noviembre de 2015, nos pudo mostrar sus diferentes facetas humanistas a través de su obra y su visión de la arquitectura, el paisaje y el mundo. Curtis realizó sus estudios en el Courtauld Institute of Art de la Universidad de Londres y posteriormente en la Universidad de Harvard. Ha impartido docencia en Historia del Arte, Teoría del Diseño y la Arquitectura en universidades de todo el mundo (Europa, Estados Unidos, Latino América, Australia, Asia,…). Universidades como Harvard, Universidad de California, Asociación de Arquitectura de Londres, Universidad de Cambridge, ETSAB Barcelona, son algunas de las instituciones que han tenido el placer de contar con William Curtis como docente. Entre sus muchas obras escritas de historia, crítica y teoría, ha tratado temas muy variados como la arquitectura contemporánea, paisajismo, diseño, historiografía, educación visual, arquitectura vernácula, arquitectura india, arquitectura bereber del pre-Sáhara… Se puede destacar su libro Modern Architecture Since 1900 (Phaidon, tercera edición revisada 1996), que ha sido referente a nivel internacional y traducido en cinco idiomas. Otros de sus libros con gran impactos han sido: Le Corbusier: Ideas and Forms (Phaidon, segunda edición 2015); Denys Lasdun: Architecture, City, Landscape (Phaidon, 1994). Entre sus contribuciones más recientes encontramos: Abstractions in Space: Tadao Ando, Ellsworth Kelly, Richard Serra (Pulitzer Foundation, St. Louis, 2001); Barcelona 1992-2004 (Guim Costa, Gustavo Gili, 2004); y RCR Aranda, Pigem, Vilalta Arquitectes: Entre la abstracción y la naturaleza (Gustavo Gili, Barcelona, 2004). Añadir que ha escrito gran cantidad de monografías sobre arquitectura moderna y contemporánea, así como sobre Le Corbusier. Sus críticas y monografías se pueden encontrar en revistas internacionales de reconocido prestigio entre las que se encuentra, entre otras, El Croquis (Madrid) y Architectural Review (Londres). Mencionar que William Curtis ha sido conferenciante en muchos encuentros y debates críticos en todo el mundo. Ha participado como jurado en competiciones internacionales de diferente índole, así como ha ocupado diferentes puestos honoríficos en numerosas instituciones. Junto con todos estos méritos, hay que mencionar los últimos premios con los que ha sido galardonado: Medal of Foundation for Museum of Finnish Architecture, 50th Anniversary, 2006; y Premio de Oro a la Aportación Global de la Arquitectura (CERA, A+D, India, 2014). Para completar su faceta humanista, William además de escritor de libros y ensayos críticos, realiza pinturas, dibujos y fotografías sobre la abstracción de la naturaleza y su forma de ver el mundo. Entre sus exposiciones se encuentran: Mielen Maisemia/Mental Landscapes (Museo de Arquitectura de Finlandia, Helsinki 2000); Mental Landscapes/Paisajes Mentales (Círculo de Bellas Artes, Madrid 2002); Carpenter Center for the Visual Arts (Harvard 2004); Architectures du Monde. Le regard de William J.R. Curtis (Centre Méridional de l’Architecture et de la Ville en Toulouse, 2004-2005); Structures of Light (Museo Alvar Aalto, Finlandia, 2007). Y por último Abstracción y Luz/Abstraction and Light (Patronato de la Alhambra y Generalife, Granada, 2015), gracias a la cual ha sido posible esta entrevista. Rodeado de sus dibujos y pinturas, Williams nos ha contestado a nuestras preguntas, enfatizando en temas como la luz, la sombra, el agua y el espacio. Mientras, sentíamos la fuerza y presencia de estos conceptos en su obra, reforzados por el espacio en el que estaban expuestos, el Palacio de Carlos V en la Alhambra. A través de sus fotografías y dibujos nos muestra su forma de mirar el mundo mediante la abstracción.

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32

Murtinho, Vitor. "Halle au Blé: O templo parisiense da abundância." Metálica, no. 61 (March 31, 2021): 12–17. http://dx.doi.org/10.30779/cmm_metalica_61_03.

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A Halle au Blé – mais tarde Bourse de Commerce – era um edifício que na sua génese estava vocacionado para o armazenamento de cereais. Este espaço foi, ao longo do tempo, sujeito a várias transformações, tendo a mais recente ocorrido, já este século, sob a batuta de Tadao Ando1. Trata-se de uma das primeiras obras arquitetónicas onde existiu o recurso a soluções metálicas para a construção de raiz de uma cúpula. Considerando o vão em causa, cujo diâmetro seria muito próximo do Panteão de Roma, tratava-se de um desafio inovador que, pela sua solução e materialidade, era experimentado pela primeira vez na história da arquitetura...

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33

Ishikawa, N. "Dr Tadao Shimao (1924–2021)." International Journal of Tuberculosis and Lung Disease 25, no. 7 (July 1, 2021): 602–3. http://dx.doi.org/10.5588/ijtld.21.0264.

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Nakanishi, Toshio. "Atsuyoshi Takao." Cardiology in the Young 17, no. 5 (October 2007): 461–69. http://dx.doi.org/10.1017/s1047951107001060.

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Young, Katharine. ": Culture Embodied . Michael Moerman, Masaichi Nomura, Tadao Umesao." American Anthropologist 93, no. 4 (December 1991): 970–71. http://dx.doi.org/10.1525/aa.1991.93.4.02a00320.

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Sasaki, Masato, Seiya Hirai, Masakazu Kawabe, and Kuniyoshi Tanaka. "Reply to Takao et al." European Journal of Cardio-Thoracic Surgery 28, no. 4 (October 2005): 657–58. http://dx.doi.org/10.1016/j.ejcts.2005.06.022.

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KATZ, A. "Michiko Tada (1938–2005)." Journal of Molecular and Cellular Cardiology 40, no. 3 (March 2006): 421–23. http://dx.doi.org/10.1016/j.yjmcc.2005.12.001.

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Rosoff, Philip M. "TADA Is Still Unfair." American Journal of Bioethics 15, no. 8 (July 30, 2015): 56–58. http://dx.doi.org/10.1080/15265161.2015.1043406.

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Tadjo, Veronique, and Stephen Gray. "Veronique Tadjo Speaks with Stephen Gray." Research in African Literatures 34, no. 3 (2003): 142–47. http://dx.doi.org/10.1353/ral.2003.0065.

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Stupazzoni, Marco. "Takao Kashiwagi, Balzac, romancier du regard." Studi Francesi, no. 142 (XLVIII | I) (July 1, 2004): 207. http://dx.doi.org/10.4000/studifrancesi.40892.

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Raschi, Nataša. "Véronique Tadjo, En compagnie des hommes." Studi Francesi, no. 188 (LXIII | II) (August 1, 2019): 399–401. http://dx.doi.org/10.4000/studifrancesi.20387.

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Ring, Johannes. "Professor Tomio Tada in memoriam." Allergo Journal 19, no. 4 (June 2010): 228. http://dx.doi.org/10.1007/bf03362318.

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Sabato, G., M. Elsing, C. Gumpert, S. Kamioka, E. Moyse, A. Nairz, and T. Eifert. "ATLAS fast physics monitoring: TADA." Journal of Physics: Conference Series 898 (October 2017): 092015. http://dx.doi.org/10.1088/1742-6596/898/9/092015.

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Tadjo, Véronique. "V�ronique Tadjo Speaks with Stephen Gray." Research in African Literatures 34, no. 3 (September 2003): 142–47. http://dx.doi.org/10.2979/ral.2003.34.3.142.

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de Boer, J. C. "Circumventing the Evils of Colonialism: Yanaihara Tadao and Zionist Settler Colonialism in Palestine." positions: east asia cultures critique 14, no. 3 (December 1, 2006): 567–95. http://dx.doi.org/10.1215/10679847-2006-014.

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Tsai, Keh-Chyuan, Huan-Wei Chen, Ching-Ping Hong, and Yung-Feng Su. "Design of Steel Triangular Plate Energy Absorbers for Seismic-Resistant Construction." Earthquake Spectra 9, no. 3 (August 1993): 505–28. http://dx.doi.org/10.1193/1.1585727.

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Building structures must be constructed to dissipate a large amount of seismic energy in order to achieve economical earthquake-resistant constructions. In this paper, recent research findings on the effectiveness of using steel triangular plates welded as the added damping and stiffness (ADAS) device for earthquake-resistant structures are presented. Experimental results indicate that a properly welded steel triangular-plate added damping and stiffness device (TADAS) can sustain a large number of yielding reversals without any stiffness or strength degradation. The effects of the ratio of the TADAS element stiffness to that of the bare frame, and the ratio of the entire frame yield strength to that associated with the TADAS element on the seismic response of the added damping and stiffness structures are discussed. Based on these studies, a design methodology and an example are developed for the application of the TADAS device in earthquake-resistant constructions.

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Wilson, Charles B. "In Memory of Takao Hoshino (1932–1993)." Brain Pathology 3, no. 2 (April 1993): 191–92. http://dx.doi.org/10.1111/j.1750-3639.1993.tb00743.x.

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Houliston, B. R., A. F. Merry, and D. T. Parry. "TADAA: Towards Automated Detection of Anaesthetic Activity." Methods of Information in Medicine 50, no. 05 (2011): 464–71. http://dx.doi.org/10.3414/me11-02-0001.

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SummaryBackground: Task analysis is a valuable research method for better understanding the activity of anaesthetists in the operating room (OR), providing evidence for designing and evaluating improvements to systems and processes. It may also assist in identifying potential error paths to adverse events, ultimately improving patient safety. Human observers are the current ‘gold standard’ for capturing task data, but they are expensive and have cognitive limitations.Objectives: Towards Automated Detection of Anaesthetic Activity (TADAA) – aims to produce an automated task analysis system, employing Radio Frequency Identification (RFID) technology to capture anaesthetists’ location, orientation and stance (LOS). This is the first stage in a scheme for automatic detection of activity.Methods: Active RFID tags were attached to anaesthetists and various objects in a high fidelity OR simulator, and anesthetic procedures performed. The anaesthetists’ LOSs were calculated using received signal strength (RSS) measurements combined with machine learning tools including Self-Organizing Maps (SOMs). These LOSs were compared to those derived from video recordings.Results: SOM clustering was effective at determining anaesthetists’ LOS from RSS data for each procedure. However cross-procedure comparison was less reliable, probably because of changes in the environment.Conclusions: Active RFID tags provide potentially useful information on LOS at a low cost and with minimal impact on the work environment. Machine learning techniques may be employed to handle the variable nature of RFID’s radio signals. Work on mapping LOS data to activities will involve integration with other sensors and task analysis techniques.

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King, Adele. "Loin de mon pÃ¨re by Véronique Tadjo." World Literature Today 84, no. 5 (2010): 66–67. http://dx.doi.org/10.1353/wlt.2010.0139.

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TAYLOR, JEREMY E. "Colonial Takao: the making of a southern metropolis." Urban History 31, no. 1 (May 2004): 48–71. http://dx.doi.org/10.1017/s0963926804001786.

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This article explores the relationship between colonial ideologies and urban planning in the context of the pre-war Japanese empire. It does so by examining the second largest city in what was Japan's first formal overseas colony of Taiwan. By exploring some of the key texts through which the city of Takao (Kaohsiung) was depicted and its future debated in the colonial era, the ways in which imperial ideologies, such as the ‘southern advance’ of the Japanese empire, influenced and were reflected in urban space will be considered.

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Journal articles on the topic 'Tadao Ando'

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