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Journal articles on the topic 'Tadjo'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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1

Tadjo, Veronique, and Stephen Gray. "Veronique Tadjo Speaks with Stephen Gray." Research in African Literatures 34, no. 3 (2003): 142–47. http://dx.doi.org/10.1353/ral.2003.0065.

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2

Raschi, Nataša. "Véronique Tadjo, En compagnie des hommes." Studi Francesi, no. 188 (LXIII | II) (August 1, 2019): 399–401. http://dx.doi.org/10.4000/studifrancesi.20387.

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3

Tadjo, Véronique. "V�ronique Tadjo Speaks with Stephen Gray." Research in African Literatures 34, no. 3 (September 2003): 142–47. http://dx.doi.org/10.2979/ral.2003.34.3.142.

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4

Carrierre, Suzanne Gasster. "Loin de mon père by Véronique Tadjo." French Review 85, no. 2 (2011): 409–10. http://dx.doi.org/10.1353/tfr.2011.0064.

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5

Chinwe Jane, Okolo, and Nneka Brown Onubiyi. "La Reine Pokou De Véronique Tadjo Une Subversion Dialogique D’un Discours Social Ivoirien." International Journal of Social Sciences and Humanities Invention 7, no. 07 (July 7, 2020): 6001–7. http://dx.doi.org/10.18535/ijsshi/v7i07.01.

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La littérature postmoderne est forte marquée par la critique de la déconstruction et la réévaluation des conventions littéraires car le postmodernisme comprend des traits comme la contradiction, le hasard, la permutation, l’excès ou la discontinuité parmi d’autres. La légende d’Abraha Pokou s’est vue adoptée comme le mythe fondateur de la nation ivoirienne. Face aux turbulences sociales en Côte d’Ivoire Véronique Tadjo dans son roman La Reine Pokou entreprend une réécriture de cette légende et discours social ivoirien. Notre propos ici c’est de jeter un regard sur La Reine Pokou de Véronique Tadjo afin de dégager la textualisation de la subversion dialogique de ce discours social. La Reine Pokou se révèle une subversion dialogique de ce discours social ivoirien. La subversion dialogique de ce discours social s’avère significative du fait qu’elle fait naître une remise en question de cette légende dans la conscience sociale ivoirienne. La textualisation de la subversion dialogique de la légende dans le roman prête foi au rôle important de la littérature dans l’évolution des mœurs et des habitudes de la société dans laquelle elle se trouve. Ainsi, de par sa plume, Véronique Tadjo éveille une prise de conscience et une crise de conscience chez les Ivoiriens qui sont impliquées d’une manière ou d’une autre dans les perturbations sociopolitiques en Côte d’Ivoire.
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6

Onyemelukwe, Ifeoma Mabel, Chukwunonso Hyacinth Muotoo, and Mercy Eghonghon Odudigbo. "La Thanatologie dans L’ombre D’imana: Voyages Jusqu’au Bout du Rwanda de Veronique Tadjo." UJAH: Unizik Journal of Arts and Humanities 21, no. 1 (July 31, 2020): 71–101. http://dx.doi.org/10.4314/ujah.v21i1.4.

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La mort est la mort pour chaque être humain partout dans le monde, peu importe son âge, son rang social, sa race ou sa couleur. Mais quelques divergences se manifestent dans le cadre de la conception de la mort par des individus et groupes divers. L’objectif de la présente recherche est l’étude de la mort, ou la thanatologie dans L’ombre d’Imana : voyages jusqu’au bout du Rwanda de l’écrivaine ivoirienne, Véronique Tadjo. Elle dispose, principalement, de deux théories critiques : l’écocritique et la psychanalyse. La typologie de l’écocritique selon le postulat d’Ifeoma Onyemelukwe s’avère utile dans cette étude ; de même l’approche sociologique. Notre recherche aboutit à huit types de mort : physique, psychologique, spirituelle et symbolique, entre autres. Il a été constaté que Tadjo, dans L’ombre d’Imana : voyages jusqu’au bout du Rwanda, ne se contente pas avec la peinture de l’horreur du génocide, qu’elle a d’ailleurs fait excellemment, mais elle va plus loin pour proposer des solutions concrètes au fléau mondial appelé le génocide. Alors, elle recommande la mort de la haine et du génocide au Rwanda ; préconise la réconciliation et la naissance d’un nouveau Rwanda. Heureusement qu’aujourd’hui, le Rwanda a été reconstruit au point d’être l’une des étoiles les plus brillantes d’Afrique (Newey 1). Mots clés : Thanatologie, mort, génocide, L’ombre d’Imana: voyages jusqu’au bout du Rwanda, Veronique Tadjo
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7

Wimbush, Antonia. "Véronique Tadjo et la solidarité humaine: an interview." Australian Journal of French Studies 55, no. 3 (December 2018): 248–60. http://dx.doi.org/10.3828/ajfs.2018.22.

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8

Florêncio, Jéssica Rodrigues, and Josilene Pinheiro-Mariz. "Interview avec Véronique Tadjo à propos de la nouvelle : Ayanda, la petite fille qui ne voulait pas grandir." Revista Letras Raras 5, no. 2 (November 18, 2016): 187–91. http://dx.doi.org/10.35572/rlr.v5i2.681.

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Née à Paris d’un père ivoirien et d’une mère française, Véronique Tadjo est née à Paris et a grandi en Côte d´Ivoire. Elle est poète, romancière, peintre et auteur de livres pour la jeunesse qu’elle illustre elle-même.
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9

Attikpoé, Kodjo. "Véronique Tadjo: Écrire la vie, pour tous les âges." Nouvelles Études Francophones 35, no. 2 (2020): 24–40. http://dx.doi.org/10.1353/nef.2020.0028.

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10

Migraine-George, Thérèse. "« L'Autre » dans Champs de bataille et d'amour de Véronique Tadjo." Women in French Studies 15, no. 1 (2007): 67–83. http://dx.doi.org/10.1353/wfs.2007.0002.

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11

Campbell. "National Allegory as Feminist Critical Discourse: Boni, Tadjo, and Ivoirité." Research in African Literatures 50, no. 1 (2019): 36. http://dx.doi.org/10.2979/reseafrilite.50.1.03.

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12

Snyman, Elisabeth. "Véronique Tadjo: Is there hope beyond the divisions in contemporary Africa?" Tydskrif vir Letterkunde 55, no. 1 (March 19, 2018): 18–27. http://dx.doi.org/10.17159/2309-9070/tvl.v.55i1.1646.

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This article proposes a reading of three texts The Blind Kingdom (1990), Queen Pokou. Concerto for a sacrifice (2004) and Far from my Father (2010) written by the Ivorian author Véronique Tadjo, in order to examine the author's representation of, and reflexion on separation and division, be it within a nation, amongst groups, or in the heart of a family. In Tadjo's novelistic universe, such divisions often require the intervention of a female protagonist, whose own existence is deeply influenced by tensions and frictions between two opposing camps. I shall argue that the agency of these protagonists is never futile and may even point to a way to go beyond the original divisions. Tadjo's representation of division in these three texts goes beyond generic boundaries to open up a rich variety of perspectives on the problems she deals with. I shall demonstrate how the author draws on various genres such as poetry, the African folktale, the novel, as well as autofiction in order to engage the reader in a profound reflexion on the current state and future of the African continent.
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13

Mwepu, Patrick Kabeya. "Entre vacuité et plénitude: Loin de mon père de Véronique Tadjo." French Review 88, no. 4 (2015): 33–46. http://dx.doi.org/10.1353/tfr.2015.0232.

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14

Medouda, Sabrina. "Femmes, violences et Francophonie : des identités problématiques Véronique Tadjo et Tanella boni." Women in French Studies 25, no. 1 (2017): 172–82. http://dx.doi.org/10.1353/wfs.2017.0013.

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15

Narbona, Inmaculada Díaz. "Tadjo, Véronique, L’ombre d’Imana. Voyages jusqu’au bout du Rwanda, Paris, Actes Sud, 2000." Études littéraires 35, no. 1 (2003): 121. http://dx.doi.org/10.7202/008638ar.

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16

Bale, Kjersti. "Tilknyttet verden: Indignasjon i essays av Maryse Condé, Véronique Tadjo og Arundhati Roy." Norsk litteratur­vitenskapelig tidsskrift 24, no. 01 (May 6, 2021): 7–21. http://dx.doi.org/10.18261/issn.1504-288x-2021-01-02.

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17

Muvuti, Shelton. "Revisiting trauma and homo religiosus in selected texts by Mongo Beti and Véronique Tadjo." Tydskrif vir Letterkunde 55, no. 1 (March 19, 2018): 28–40. http://dx.doi.org/10.17159/2309-9070/tvl.v.55i1.1582.

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This paper locates religion within the literary narratives of traumatogenic experiences such as war and genocide as depicted in the novels The Poor Christ of Bomba by Mongo Beti and Véronique Tadjo's The Shadows of Imana: Travels in the Heart of Rwanda. In spite of evident reference to the role played by religion in traumatic and traumatising encounters, it features simply as a footnote to the ethnic tensions that underpin these encounters. Drawing on the theoretical work of Kurtz (2014) and other scholars as well as casting a glance at anticolonial and postcolonial Francophone literatures, this paper argues that trauma in modern postcolonial Francophone literature is ubiquitous. It reveals itself in the post-independence contradictions and injustices as depicted by modern francophone authors and thinkers whose subject matter is largely dominated by such motifs as corruption, war, violence, insanity, rape, poverty, disillusionment, which all accommodate a direct challenge to religion. The absence of religiosity in trauma literature suggests a reversal of the socio-historical stereotype that frames Africans as highly religious, and whose opposition to religion is a result of enlightenment through education.
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18

Mizouni, Sophia. "Triple posture testimoniale de Véronique Tadjo dans L’Ombre d’Imana. Voyages jusqu’au bout du Rwanda." Nouvelles Études Francophones 30, no. 1 (2015): 66–78. http://dx.doi.org/10.1353/nef.2015.0031.

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19

Cassinadri, Francesca. "Raconter une épidémie : Ébola dans les romans de Véronique Tadjo et de Paule Constant." Études littéraires africaines, no. 50 (2020): 165. http://dx.doi.org/10.7202/1076041ar.

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20

Pellegrino, Isabella. "Réflexion sur la traduction de la littérature enfantine africaine : Véronique Tadjo et Michelle Tanon-Lora." ALTERNATIVE FRANCOPHONE 1, no. 3 (January 5, 2011): 67–78. http://dx.doi.org/10.29173/af9628.

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La littérature enfantine africaine écrite est un phénomène récent et encore peu connu. Chez ces deux auteurs, elle représente une mission éthique et sociale à réaliser concrètement à la première personne. Bien que le sentiment de cette mission arrive à s’imposer très lourdement sur le traducteur, lui donnant une conscience un peu spéciale de ce qu’il est en train de faire, l’analyse des ses choix de traduction met au jour plutôt les échecs ainsi que les succès obtenus. Les uns comme les autres pourraient pourtant contribuer à développer la réflexion sur ces textes.
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21

Adou, Kouamé. "Memory and exile: The transatlantic and diasporic dimensions of the myth of Ashanti Princess Abla Pokou." Varias, no. 39 (September 23, 2015): 145–59. http://dx.doi.org/10.7202/1033138ar.

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Transmis par la tradition orale à travers les contes, le mythe de la reine Pokou a traversé les âges pour être perçu de nos jours par certains critiques, sociologues et anthropologues comme le mythe fondateur de la nation ivoirienne. Selon le mythe originel, la confédération Ashanti créée en Afrique de l’ouest vers 1690 fut âprement déchirée par une guerre de succession après la mort d’Osei Tutu en 1718. Cette guerre intestine prit une ampleur significative au point que la princesse Abla Pokou dut fuir le royaume avec ses partisans. Mais, pour pouvoir échapper à leurs ennemis qui les poursuivaient, Pokou fut obligée de sacrifier son fils unique afin de rendre possible la traversée du fleuve Comoé. Le but de cet article est de montrer que ce mythe d’origine, longtemps confiné aux oeuvres littéraires des écrivains ivoiriens, a récemment pris une dimension littéraire transatlantique et diasporique grâce aux écrivains migrants et multiculturels tels que l’Ivoirienne Véronique Tadjo et le Britannique d’origine jamaïcaine Dean Atta.
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22

Uetto-Békrou, Viviane Gbadoua. "Texte hybride, texte pluriel dans Une Vie de crabe de Tanella Boni et Le Royaume aveugle de Véronique Tadjo." Nouvelles Études Francophones 29, no. 1 (2014): 147–56. http://dx.doi.org/10.1353/nef.2014.0054.

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23

M. Valère, Djagoua Eric, Bakayoko Fatoumata, Kouadio Maffoué Jeanne, Kassi A. Jean-Baptiste, Mobio A. Brice Hervé, Adonis Krou Kouamé, Tiemélé Jacques André, and Yavo Patricia. "Cartographie De La Dynamique Du Trait De Cote A Grand-Lahou : Utilisation De L’outil « Digital Shoreline Analysis System (Dsas)»." European Scientific Journal, ESJ 12, no. 36 (December 31, 2016): 327. http://dx.doi.org/10.19044/esj.2016.v12n36p327.

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Like many coasts, coastal erosion is evident on all the Ivorian coast and is characterized by the destruction of physical assets (infrastructure, habitat and sightseeing). Especially in Grand-Lahou, it threatens a fishing village located on a strip of land 200 meters separating the Atlantic Ocean from the Tadjo lagoon and facing the mouth of the Bandama River. To contribute to the choice of sustainable coastal development in Grand-Lahou, this study aims to characterize the dynamics of the coastline by performing coastal erosion map locally for the best appreciation of the erosion phenomenon. To do this, the GIS which consisted of compilation of coastlines data from Landsat images from 1998, 2001, 2005, 2009, 2011 and 2014 in the study area. The dynamic of the coastline in this zone was done through the Digital Shoreline Analysis System (DSAW). The variations observed between 1998 and 2014 show a coastline fattening at an average rate of 2.09 m / year in the west of the river mouth before Lahou-Kpanda village and erosion with a speed of 0.84 m / year on rest of the shore after Lahou Kpanda village.
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24

Lyakhovskaya, Nina D. "Shadow of Imana: Travels in the Heart of Rwanda by Véronique Tadjo as the First Travelogue in the Francophone African Literatures." Studia Litterarum 2, no. 4 (2017): 156–69. http://dx.doi.org/10.22455/2500-4247-2017-2-4-156-169.

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25

Plaiche, Karel. "« L’ombre d’Imana » ou "l’expérience du dire" du génocide au Rwanda." Convergences francophones 6, no. 3 (January 15, 2021): 58–73. http://dx.doi.org/10.29173/cf587.

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Écrit en 2000 « L’ombre d’Imana » de Véronique Tadjo invite à penser la relation témoignage-littérature dans le cadre du génocide des Tutsi du Rwanda. Si l’œuvre illustre bien qu’écrire l’expérience génocidaire est possible, son écriture hétéroclite lui confère un statut difficilement classable qui démontre la complexité d’une telle entreprise, notamment au sein de l’espace littéraire qui relève de la fabulation. « L’ombre d’Imana » fait partie des premiers textes écrits par des écrivains qui n’ont pas vécu directement le drame et son éclatement reflète les tentatives de circonscrire un événement traumatique qui semble pousser l’imagination et le langage à (et hors de) leurs limites. Si le texte réaffirme donc la posture engagée de l’auteure, il illustre surtout « l’expérience du dire » (Ngandu 2011) qu’engendre le génocide qui suppose tout un travail de façonnage du discours. Comment l’auteure, en tant que témoin « tiers » (Coquio 2004), représente-t-elle ce temps de violence extrême ? Comment transmet-elle la mémoire des victimes et par quelles stratégies littéraires, esthétiques et discursives rend-elle son témoignage percutant dans l’optique d’une transmission crédible et convaincante ? En nous focalisant sur le jeu entre le factuel et le fictionnel, entre autres, cet article explore la transformation artistique de son témoignage visant un choix des meilleures façons de dire les faits.
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26

Paravy, Florence. "MONENEMBO Tierno, L’aîné des orphelins, DIOP Boubacar Boris, Murambi, le livre des ossements et TADJO Véronique, L’ombre d’Imana. Voyages jusqu’au bout du Rwanda." Études littéraires africaines, no. 10 (2000): 53. http://dx.doi.org/10.7202/1041942ar.

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27

Roux, Jean-Marie. "Tadao Ando." Pierre d'angle 16 (2010): 45–58. http://dx.doi.org/10.5840/pda2010163.

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28

Ropiak, Sławomir. "LA FIGURA DE JUDAS TADEO EN CANTOS RELIGIOSOS SELECCIONADOS EN IDIOMA POLACO." Forum Teologiczne, no. 21 (November 6, 2020): 169–86. http://dx.doi.org/10.31648/ft.6094.

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En la tradición del canto polaco, hay varios cantos, himnos y canciones dedicadas a San Judas Tadeo. El análisis de siete textos seleccionados sobre San Judas Tadeo permitió esbozar la figura de este Apóstol en la conciencia de la comunidad católica polaca a principios del siglo XX y XXI. Judas Tadeo es un apóstol de corazón tierno y ferviente. Jesucristo lo eligió como su mensajero, confió en él y le encargó predicar la palabra Dios con poder y milagros. Judas Tadeo proclamaba celosamente a Jesús el Señor, Su Evangelio y sanaba a los enfermos.San Judas Tadeo es adorado en la Iglesia junto con Simón el Zelote. Juntos, convertían valientemente al pueblo a Dios, sellaron el testimonio con su muerte, y ahora disfrutan de la recompensa eterna en el cielo y reciben la gloria de toda la Iglesia. Judas Tadeo es un santo mártir que participa en los sufrimientos y la gloria de Cristo. Judas Tadeo es un pariente de Jesús y un defensor eficaz ante el santo trono de Jesús. No desprecia las súplicas. Gracias a sus méritos, Judas Tadeo es un santo patrón de las causas imposibles, desesperadas y finales, incluidos los problemas morales y sociales contemporáneos. Judas Tadeo proporciona apoyo espiritual en la lucha final por la salvación eterna, también en la hora de la muerte y en el juicio de Dios; protege a muchos del infierno. Judas Tadeo es invocado por los pecadores, como patrón de la conversión y ayudante en la expiación del mal cometido. Su intercesión contribuye a obtener indulgencias y a recibir el perdón de las penas y deudas. En la fe de los adoradores, Judas Tadeo fue amado por la Madre de Dios.
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Matsuo, Toshihiko, and Chie Nakago-Matsuo. "Tadao Nakago, 1933-2016." American Journal of Orthodontics and Dentofacial Orthopedics 149, no. 5 (May 2016): 771–72. http://dx.doi.org/10.1016/j.ajodo.2016.03.002.

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30

Igarashi, Osamu (Sam), and Kirk Gelatt. "Tadao Kotani (1943-2003)." Veterinary Ophthalmology 6, no. 4 (December 2003): 341. http://dx.doi.org/10.1111/j.1463-5224.2003.00336.x.

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31

Ando, Tadao. "Entretien avec Tadao Ando." LC. Revue de recherches sur Le Corbusier, no. 2 (October 7, 2020): 123. http://dx.doi.org/10.4995/lc.2020.14334.

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32

Ishikawa, N. "Dr Tadao Shimao (1924–2021)." International Journal of Tuberculosis and Lung Disease 25, no. 7 (July 1, 2021): 602–3. http://dx.doi.org/10.5588/ijtld.21.0264.

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33

Lorenzo Hernández, María. "Entrevista a Nicolás Matjí, productor de Las aventuras de Tadeo Jones." Con A de animación, no. 3 (February 18, 2013): 54. http://dx.doi.org/10.4995/caa.2013.1422.

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Nicolás Matjí lleva desde el año 1999 en el mundode la producción cinematográfica, a través de sus productorasLa Fiesta PC y Lightbox Entertainment S.L.En el año 2003 decide especializarse en la producciónde contenidos de animación, produciendo los cortometrajesde Enrique Gato Tadeo Jones (2004), y TadeoJones y el sótano maldito (2007), además de Changes(2006), Tachaaan! (2009) y La Bruxa (2010). En elaño 2008 funda Lightbox Entertainment S.L. juntoa Enrique Gato, con el objetivo de producir largometrajesde animación para una audiencia global. Lasaventuras de Tadeo Jones (2012) es el primer largometrajede animación de Lightbox Entertainment, al queseguirá una secuela en breve. En su entrevista, NicolásMatjí nos desvela algunos detalles de la producción deLas aventuras de Tadeo Jones, película revelación en lacartelera española del pasado año.
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Hernández-Fernández, Javier. "Editorial." Revista Mutis 5, no. 2 (February 7, 2016): 4. http://dx.doi.org/10.21789/22561498.1068.

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35

Oliveros-Sepúlveda, David, Eliana Hijuelos-Franco, Jenis Margoth Trespalacio-Torres, and Giovanni Franco Sepúlveda. "Implementación del Software SimSched DBS para un yacimiento polimetálico modificando variables geométricas." Boletín de Ciencias de la Tierra, no. 43 (January 1, 2018): 53–58. http://dx.doi.org/10.15446/rbct.n43.59678.

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Con el siguiente artículo se pretende estudiar el tajo final de un yacimiento hipotético polimetálico utilizando el software SimSched DBS, basado en un conjunto de etapas consecutivas como tajo final con tajos anidados, diseño de fases, secuencia operacional período a período, entre otros; esto mediante la modificación y análisis de variables geométricas como son el ángulo del talud, el avance vertical y el fondo del tajo. Además, se estudia la estrecha relación entre la variación del Valor Presente Neto (VPN) y la modificación de las tres variables geométricas consideradas anteriormente.
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36

Gorenskaia, Elena N., Bato Ch Kholkhoev, Viktor G. Makotchenko, Mariia N. Ivanova, Vladimir E. Fedorov, and Vitaliy F. Burdukovskii. "Hydrothermal Synthesis of N-Doped Graphene for Supercapacitor Electrodes." Journal of Nanoscience and Nanotechnology 20, no. 5 (May 1, 2020): 3258–64. http://dx.doi.org/10.1166/jnn.2020.17388.

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N-doped graphene based on graphene oxide and 3,3′,4,4′-tetraaminodiphenyl oxide (TADPO) was obtained using a one-step hydrothermal process. The resulting materials were fully characterized using elemental analysis, infrared spectroscopy, Raman spectroscopy, thermogravimetric analysis, X-ray diffraction, scanning electron micrographs, and transmission electron microscopy. The findings reveal that benzimidazole rings were formed during the reaction, and the mass content of nitrogen in the obtained material varied from 12.3% to 14.7%, depending on the initial concentration of TADPO. Owing to the redox activity of benzimidazole rings, the new N-doped graphene materials demonstrated a high specific capacitance, reaching 340 F g−1 at 0.1 A g−1, which was significantly higher than that of the sample of reduced graphene oxide obtained under similar conditions without the use of TADPO (169 F g−1 at 0.1 A g−1). The resulting material also exhibited good cyclic stability after 5000 cycles.
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37

Hassan, Soraya Masthura. "Prinsip Desain Geometri Arsitektur Tadao Ando." EMARA: Indonesian Journal of Architecture 3, no. 2 (December 15, 2017): 77–90. http://dx.doi.org/10.29080/emara.2017.3.2.77-90.

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Geometry has shown that the architecture was an expression of man and a basic principle that were always presented on an architectural work. The research was conducted through two steps with the first step was to identified the Tadao Ando’s geometry design principle through a content analysis approach. Based on the textual review, Tadao Ando's geometry design principle was tend to select the simple geometric forms as the embodiment of the building shapes. An user spatial experiences were created through inter space relationships and interactions with the surrounding environment through the geometry and shape processing and became the central to his architectural work creation. In other words, pure geometry concept was the instrument to presented all of those. The second step was to compared Tadao Ando's geometry design principles in the monistic architecture to the pluralistic architecture catagories using a precedent analysis approach. The comparisons toward the geometrical principles were more complex and quite varied geometric shapes in pluralistic architecture while simple geometric shapes can be found in the monistic architecture,as well as interlinked circular paths in pluralistic architecture which shaped by the ‘direction wall’ rather than a simple circulation path in the monistic architecture, and the wall-formed angle was a multiple of 15° in monistic architecture but varying angles in the pluralistic architecture.
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38

Hassan, Soraya Masthura. "Prinsip Desain Geometri Arsitektur Tadao Ando." EMARA: Indonesian Journal of Architecture 3, no. 2 (December 15, 2017): 77–90. http://dx.doi.org/10.29080/emara.v3i2.152.

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Geometry has shown that the architecture was an expression of man and a basic principle that were always presented on an architectural work. The research was conducted through two steps with the first step was to identified the Tadao Ando’s geometry design principle through a content analysis approach. Based on the textual review, Tadao Ando's geometry design principle was tend to select the simple geometric forms as the embodiment of the building shapes. An user spatial experiences were created through inter space relationships and interactions with the surrounding environment through the geometry and shape processing and became the central to his architectural work creation. In other words, pure geometry concept was the instrument to presented all of those. The second step was to compared Tadao Ando's geometry design principles in the monistic architecture to the pluralistic architecture catagories using a precedent analysis approach. The comparisons toward the geometrical principles were more complex and quite varied geometric shapes in pluralistic architecture while simple geometric shapes can be found in the monistic architecture,as well as interlinked circular paths in pluralistic architecture which shaped by the ‘direction wall’ rather than a simple circulation path in the monistic architecture, and the wall-formed angle was a multiple of 15° in monistic architecture but varying angles in the pluralistic architecture.
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39

Wiswesser, William J. "Safety of reactive chemicals (Tadao, Yoshida)." Journal of Chemical Education 65, no. 6 (June 1988): A170. http://dx.doi.org/10.1021/ed065pa170.2.

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40

Yang, Daqing, and Susan C. Townsend. "Yanaihara Tadao and Japanese Colonial Policy." Monumenta Nipponica 56, no. 4 (2001): 549. http://dx.doi.org/10.2307/3096675.

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41

Seligmann, Ari. "Tadao Ando Exhibition Endeavours and Challenges." Fabrications 28, no. 2 (May 4, 2018): 275–78. http://dx.doi.org/10.1080/10331867.2018.1437685.

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42

Lux, Benno, and Atsuhito Sawabe. "In memory of Prof. Tadao Inuzuka." Diamond and Related Materials 5, no. 9 (July 1996): xxxvii—xxxviii. http://dx.doi.org/10.1016/0925-9635(96)80079-3.

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43

Molina, Andrés. "Los caudales ecológicos en la planificación hidrológica. Reflexiones a la luz de la Sentencia del Tribunal Supremo 309/2019 de 11 de marzo, relativa al plan hidrológico del Tajo y sus posibles impactos en el Trasvase Tajo-Segura." Sustainability economic social and environmental, no. 1 (July 15, 2019): 13. http://dx.doi.org/10.14198/sostenibilidad2019.1.02.

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El artículo analiza la reciente Sentencia del Tribunal Supremo 309/2019 de 11 de marzo, por la que se anula el plan hidrológico de la demarcación del Tajo por no contener una determinación concreta de los caudales ecológicos en cuatro masas de agua estratégicas. El interés del trabajo radica en la potencial afección que podría tener la fijación desproporcionada de tales volúmenes en los usuarios del Trasvase Tajo Segura, cuyos aprovechamientos dependientes del Trasvase están en función del volumen de recursos almacenados en el Alto Tajo. El incremento de estos caudales supondría mayores desembalses y, potencialmente, menores trasvases al Segura. Al hilo de esta cuestión se analizan los aspectos fundamentales del régimen jurídico de los caudales ecológicos, el elevado componente discrecional de su fijación, y la potencial responsabilidad patrimonial derivada de su implantación.
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44

Cid, Gabriel. "¿Castigo divino o Fenómeno natural? Mentalidad religiosa y mentalidad científica en Chile en torno al terremoto de 1822." Revista de Historia y Geografía, no. 30 (May 15, 2015): 85. http://dx.doi.org/10.29344/07194145.30.388.

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ResumenEl artículo analiza, a partir del terremoto del 19 de noviembre de 1822 quesacudió a las provincias de Valparaíso y Santiago, el enfrentamiento entre lasmentalidades religiosas y científicas en torno a la explicación de la catástrofe.El texto estudia tanto las prácticas religiosas que se llevaron a cabo por la población para aplacar la ira divina a la cual atribuía el origen del terremoto, como las críticas de la intelectualidad racionalista que explicaba la tragedia como un fenómeno natural sin vinculación con lo divino. En este sentido, el artículo reconstruye la polémica intelectual a la que dio lugar el terremoto en la opinión pública de la época y que animaron autores como Bernardo de Vera y Pintado, Camilo Henríquez y fray Tadeo Silva.Palabras clave: Terremoto, Religión, Ilustración, Bernardo de Vera y Pintado,Tadeo Silva.Divine Punishment or Natural Phenomenon? Religious and Scientific Mentality in Chile Regarding the 1822 Earthquake.AbstractFocusing on the explanation for the earthquake of November 19, 1822 whichaffected the provinces of Valparaiso and Santiago, this article analyses the clash between scientific and religious mentalities. The text studies both religious practices to appease divine rage as a cause of the earthquake as well as rationalisticintellectual reasoning attributing the catastrophe to natural phenomena.The article reconstructs public opinion’s intellectual debate in the voice of authorssuch as Bernardo de Vera y Pintado, Camilo Henriquez and Friar Tadeo Silva.Key words: Earthquake, Religion, Enlightenment, Bernardo de Vera y Pintado, Tadeo SilvaUna versión preliminar de este trabajo fue presentada en las III Jornadas de Historia de lasMentalidades y de la Cultura: Historia y religiosidad, Universidad de Concepción, octubre de2011. El autor agradece a Vasco Castillo sus comentarios a una primera versión de este texto
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45

Wangler, R. D., W. P. Peterson, and H. V. Sparks. "d-Propranolol prevents adenosine formation associated with myocardial hypoperfusion." American Journal of Physiology-Heart and Circulatory Physiology 256, no. 3 (March 1, 1989): H772—H778. http://dx.doi.org/10.1152/ajpheart.1989.256.3.h772.

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d-Propranolol eliminates the increased adenine nucleoside release from hypoperfused hearts [R. D. Wangler, D. F. DeWitt, and H. V. Sparks, Am. J. Physiol. 247 (Heart Circ. Physiol. 16): H330-H336, 1984]. To determine whether d-propranolol reduces adenosine formation or adenosine release into the vascular compartment, we measured myocardial tissue adenosine (TADO). Decreased formation would lower TADO, whereas decreased release would elevate TADO. Reduction of perfusion pressure by 50% reduced coronary flow (CF), venous oxygen tension (PVO2), and myocardial oxygen consumption (MVO2) by approximately 40, 25, and 35%, respectively. Total adenosine and inosine released during 30 min of hypoperfusion increased 10- and 5-fold, respectively. Also, TADO increased from 2.68 +/- 0.37 to 5.17 +/- 0.67 nmol/g (P less than 0.05). In the presence of d-propranolol, the same reduction in perfusion pressure caused a similar decrease in CF and MVO2. d-Propranolol eliminated the release of adenosine and inosine associated with hypoperfusion. TADO after 30 min of hypoperfusion plus d-propranolol was not significantly increased (3.27 +/- 0.40 nmol/g) and was significantly less than hypoperfused hearts. When severe hypoperfusion was created by reducing perfusion pressure 75%, adenosine release still did not increase if d-propranolol was present. When adenosine release was plotted as a function of oxygen supply-consumption, they were related in a hyperbolic fashion. Despite the severity of hypoperfusion, in the presence of d-propranolol the supply-to-consumption ratio was similar to that of the control perfusion group (no drug). We conclude that d-propranolol blocks nucleoside formation during hypoperfusion by reducing oxygen demand such that a reduction of oxygen supply no longer stimulates adenosine formation.
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46

Hassan, Soraya Masthura, and Armelia Dafrina. "PROPORSI PADA KARYA DESAIN BANGUNAN TADAO ANDO DALAM KONTEKS GEOMETRI." Jurnal Arsitektur ARCADE 2, no. 1 (March 31, 2018): 33. http://dx.doi.org/10.31848/arcade.v2i1.19.

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Abstract: Proportion is one of the elements in the most basic geometric context in the process of designing an architectural work and is also one of the creativity-triggering instruments for an architect. The proportion concerns the ratio - ratio - of the geometric shape within an architectural composition. This study examines the pattern of proportions by Ando in the process of architecture to create a building, which characterizes the architecture of an Ando during his career. In this research, the content analysis method is used at several stages of research that is in the stage of finding Tadao Ando geometry design concept which is done through the textual study from several written sources and on the study of the intertextual study of the whole research samples in the form of Tadao Ando's works. this precedent method will be used in the analysis of the formative study stage, where an analysis of the work drawings such as the floor plan is performed and appears using the general theory of proportion and geometry as the basis for searching for proportions in the geometrical context of Ando's works. From the findings the ratio of proportions can be summed up several things: the dimension of length is a multiple or a derivative of the dimensions of width, width: the length where a: (x) a and (x) a: (x) a, x is a multiplier unit (0.5, 1, 1.25, 1.5, 2, 3, and 4) Keywords: Proportion, Geometric, Tadao Ando Abstrak: Proporsi merupakan salah satu elemen dalam konteks geometri yang paling mendasar di dalam proses perancangan suatu karya arsitektur dan juga merupakan salah satu instrumen pemicu kreatifitas bagi seorang arsitek. Proporsi menyangkut perbandingan – rasio – dari bentuk geometri di dalam suatu komposisi arsitektur. Penelitian ini mengkaji pola proporsi yang dilakukan oleh Ando dalam proses berarsitektur guna menciptakan suatu bangunan, yang mencirikan arsitektur seorang Ando selama perjalanan karirnya. Pada penelitian ini, metode analisis isi digunakan pada beberapa tahap penelitian yaitu pada tahap menemukan konsep desain geometri Tadao Ando yang dilakukan melalui kajian tekstual dari beberapa sumber tertulis dan pada kajian intertekstual pendeskrisian secara keseluruhan sampel penelitian yang berupa bangunan-bangunan karya Tadao Ando. motede preseden ini akan digunakan pada analisis tahap kajian formatif, dimana dilakukan analsis pada gambar kerja seperti denah, dan tampak dengan menggunakan teori umum dari proporsi dan geometri sebagai dasar penulusuran untuk menemukan proporsi dalam konteks geometri pada karya-karya Ando. Dari temuan rasio proporsi dapat disimpulkan beberapa hal yaitu: dimensi panjang merupakan kelipatan atau turunan dari dimensi lebar, lebar : panjang dimana a : (x)a dan (x)a : (x)a, x adalah unit kelipatan (0.5, 1, 1.25, 1.5, 2, 3, dan 4) Kata Kunci: proporsi, geometri, tadao ando
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47

Melgarejo, J., and B. Montano. "The power efficiency of the Tajo-Segura transfer and desalination." Water Science and Technology 63, no. 3 (February 1, 2011): 536–41. http://dx.doi.org/10.2166/wst.2011.254.

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The origin of the water supply system of Tajo-Segura, in 1932, goes back to when it was the unique possible solution to the shortage of hydric resources in the Confederación Hidrográfica del Segura (CHS). Its energy consumption is not homogeneous; it could be bigger or smaller, depending on the different water destination. The energy cost average of water of the Tajo-Segura water supply system is 1.21 kWh/m3. The energy consumption of desalination depends on the type of process used to desalinate the water, the time of operation and the capacity of the plant, and also on the density of water to treat. In any case, the energy consumption of the desalination ranges between 3.8 and 4.2 kWh/m3; obviously that is bigger than those obtained of the Tajo-Segura water supply system (1.21 kWh/m3).
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48

Pikelytė, Zita. "Krekenavos fotografo Tado Bajorūno darbo užrašai." Bibliotheca Lituana 4 (November 4, 2018): 209–22. http://dx.doi.org/10.15388/biblita.2017.12135.

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[straipsnis ir santrauka lietuvių kalba; santrauka anglų kalba] Straipsnyje nagrinėjami Panevėžio apskrities Krekenavos miestelyje 1920–1945 metais gyvenusio ir dirbusio fotografo Tado Bajorūno už­rašai – paprasta užrašų knygelė, kurioje surašytos jo 1934–1941 metais gautos pajamos. Atlikę atvejo studiją – išanalizavę šiuos užrašus, galime sužinoti, ar tuo laikotarpiu fotografija mažame miestelyje buvo pelnin­gas verslas ir kokia veikla, neskaitant fotografijos, fotografas dar užsiėmė, kiek daugiausia pajamų gavo ir už kokią veiklą. Apibendrinę rezultatus ir pasitelkę duomenis, atspindinčius kitų Lietuvos regionuose aptaria­muoju laikotarpiu dirbusių fotografų veiklą, galėsime susidaryti bendrą jų ekonominės situacijos vaizdą.
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49

Melgarejo Moreno, Joaquín. "Balance económico del trasvase Tajo-Segura." Investigaciones Geográficas, no. 24 (December 15, 2000): 69. http://dx.doi.org/10.14198/ingeo2000.24.03.

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La adecuación del trasvase Tajo-Segura a los criterios generales que sirven de base a la legislación que regula las transferencias de agua, el análisis de la política tarifaria y el balance económico de su gestión entre 1979 y 1995 son los principales temas que se abordan en este artículo. El modelo de explotación del Acueducto Tajo-Segura significó una ruptura en el sistema de financiación de las obras hidráulicas por el Estado, se perseguía que los usuarios fuesen los que corriesen con las inversiones y con los gastos de funcionamiento, buscando la autosuficiencia, al tiempo que la obtención de recursos adicionales para el cumplimiento de las obligaciones compensatorias con la cuenca cedente. La explotación del ATS y sus resultados económicos se han visto condicionados por la planificación de las obras y por la infrautilización que se ha venido haciendo de las mismas, lo que ha repercutido en un encarecimiento del agua conducida y ha servido para cuestionar la rentabilidad del trasvase.
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50

Veal, Alex. "Time in Japanese architecture: tradition and Tadao Ando." Architectural Research Quarterly 6, no. 4 (December 2002): 349–62. http://dx.doi.org/10.1017/s1359135503001878.

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