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Wakefield, Benita. "Haumanu taiao ihumanea: collaborative study with Te Tai O Marokura Kaitiaki Group : Tuakana Miriama Kahu, Teina Benita Wakefield." Lincoln University, 2008. http://hdl.handle.net/10182/1335.
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The health of the environment is integral to the health and wellbeing of the people. When the balance between Atua, whenua and tangata is disrupted, desecrated, disturbed or violated, it can have a detrimental impact on these relationships. This research study explored alternative indigenous paradigms for conceptualizing an environmental health framework that would improve the potency and health of all living things. A key question of the research study was to explore how Ngati Kuri sought to strengthen their relationship and connection with the natural world. The Hapu established Te Tai O Marokura health and social services as a vehicle to improve potency: healthy environments, healthy people. The specificity of Ngati Kuri experiences provided a broader context for researching and theorizing about restorative models that utilized traditional knowledge localized to a particular area. Another key question was to examine how Maori cultural values that were embedded within a worldview, could offer insights and constructs for new ways of being and thinking in the modern world. Kaupapa Maori philosophical positioning and theorizing informed the approaches and practices underpinning the study. The key aspects of the methodology were constructed around the tikanga principles of tinorangatiratanga, whakapapa and kaitiakitanga to provide a rationale for the collaboration formed with the Hapu. At the heart of the thesis is the validity given to the collective ownership of indigenous knowledge which challenges the fictional notion of a singular, temporally bound authorship. The thesis reflects the whakawhanaungatanga (reciprocal understanding) relationship between the Tuakana represented by Miriama Kahu and the Teina, Benita Wakefield working collaboratively with the Kaitiaki construct group formed to ensure that the use of indigenous knowledge and its transmission processes had honest transparency. The Tuakana was responsible for providing guidance, wisdom and mentoring to the Teina, the enrolled academic student responsible for producing the written thesis. These innovative collaborative Kaupapa Maori methods and practices in the study have tested the boundaries of conventional doctoral processes, breaking university academic regulations and challenging the western academy in the political nature of collective knowledge production and validity of indigenous knowledge. Qualitative and quantitative processes, approaches and methods were also utilized to inform the study and to ensure reflexivity of research practices. The key findings of the study were: • Improving potency requires a depth of intimacy and connection with all living things that involves a reciprocal understanding of the relationship between Atua, whenua and tangata. • Indigenous knowledge is localized to a spatial area and embedded within a worldview that validates and affirms cultural values and beliefs which continue to have relevance in more contemporary times. • The transformative nature of alternative indigenous paradigms must encompass the totality of creation, humanity and their genealogical and inter-generational linkages to all life. A major contribution of this PhD has been to create new knowledge, ways of thinking and meaning for restoring potency through the environmental health conceptual framework grounded in cultural and spiritual values. The specific focus on Ngati Kuri traditional knowledge authentic to the Hapu and their application, has significantly contributed towards constructing alternative indigenous approaches for meeting the challenges within the modern world.
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Rainforth, Hannah Jane. "Tiakina kia ora : protecting our freshwater mussels : a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Masters in Ecological Restoration /." ResearchArchive@Victoria e-Thesis, 2008. http://hdl.handle.net/10063/839.
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Carter, Carrie Alita. "Inventing taiko." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50605823.
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In the mid-1950s, Japan’s Daihachi Oguchi revived the taiko piece Suwa Ikaduchi, which had traditionally been played at the Nagano Prefecture Suwa Shrine. Until then, the song was played by a single male drummer for ritual at the shrine, a common use of Japanese drums throughout history. Oguchi made changes to the music, creating an ensemble of drums that emulated the Western drum kit, resulting in a new musical genre, which we now refer to as “taiko” in English. Nearly 60 years later, this musical form has spread across the globe with great popularity.
The main points of this thesis are to clarify the distinct reference to an historic past required to discuss taiko within Hobsbawm’s theory of invented tradition, to present individuals and communities involved in the formalization of taiko, and to consider what can be learned from the ordinary musician. All of these lead to a better understanding of the process of the formalization, or metamorphosis of taiko, which has not previously been examined.
Following the Introduction, Chapters One and Two provide background on both the instruments and the music of taiko. A survey of the inception of pioneer taiko groups in Japan and the United States, where taiko developed simultaneously, can be found in Chapter Four. The preceding Chapter Three presents new research regarding the community where the Suwa Ikaduchi score was discovered, and begins to consider the relationship between the taiko ensemble and the community in which it is formed. This connection between the taiko ensemble and community is reinforced by the story of Eitetsu Hayashi in the fifth chapter, a former member of one of Japan’s first professional taiko groups.
Taiko is still developing as a music and a performance art, but we are able to draw conclusions about what is special about taiko in considering the relationship between taiko and community throughout these early years of development. The final chapter tells the stories of two non-professional taiko musicians, one in the United States and one in Japan, concluding that the “traditional” roots of taiko helped to develop a musical genre today with a purpose greater than the music itself.
Appendix I includes a copy of the Suwa Ikaduchi drum score, instructions on how to read it using taiko’s system of oral transmission, and a chart explaining the basic rhythmic value of the system. A chronology of events in Japanese American history can be found in Appendix II. Appendix III includes figures of the different kinds of taiko, photos of the Osaka region’s danjiri, and newspaper articles printed during taiko’s formative years.published_or_final_version
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Panalaks, Miyako Saito. "The Ma of Taiko." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ63548.pdf.
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Galarza, Surey M. "Complicating Taino identifications among Puerto Ricans rearticulations of the Taino trope within nationalist identification debates in Puerto Rico /." Diss., Online access via UMI:, 2007.
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Keyes, Roger Start. "Courage and silence : a study of the life and color woodblock prints of Tsukioka Yoshitoshi, 1839-1892 /." Ann Arbor (Mich.) : University microfilms international, 1987. http://catalogue.bnf.fr/ark:/12148/cb355359545.
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Rönkkö, E. (Emilia). "Kulttuuriympäristöselvitykset:tieto, taito ja ymmärrys maaseudun maankäytön suunnittelussa." Doctoral thesis, University of Oulu, 2012. http://urn.fi/urn:isbn:9789514298158.
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Abstract The research focuses on rural environments and the questions concerning cultural environment surveys in land use planning. The main purpose of the study is to scrutinize how survey information serves planning. The focus is on pointing out the challenges which can be identified in data management and utilization of information. Main challenges are related to the extendedness and increasing workload of surveys, fragmentation of information and the emphasis put on expertise knowledge. The problems are mainly caused by the lack of well-established practical examples, partly on the hegemony of sector based planning and rationalist-comprehensive tradition in theory of science. Yet the surveys form basically the framework, in which the object or area is been reviewed in the preparation phase of planning. In that sense, the chosen methods in fact-finding also define which qualities primarily come into focus. Single methods or viewpoints and the theories they rely on enlighten the whole only in part. On this basis the aims of the study can be divided roughly in three sections – firstly to the critique of the current practices, secondly, conceptual definition of the structural components of the cultural environment itself, and thirdly, formulation of an integrative approach derived from the above mentioned points of departure. The general understanding of the interaction between man, culture and environment is achieved through phenomenological and existential hermeneutics. The person mapping or exploring the environment with his methods is seen as ”link” between the existing conditions and the future plan. Through that, the overall terms of perception and practice-bound preconditions of human interpretation will come under scrutiny. The study aims to ponder the integration of different approaches and angles, forming a ”toolkit” for environmental analytics and interpretation as a kind of a complexity management. Cultural environment surveys should be developed in a way that they would regard areas as thematic and functional entities instead of a sum of single elements. The research results are presented as a matrix of needs-and-goals -analysis, which forms a framework of assessment for values and desicions. The aim is to clarify the general set-up of land use planning which includes various stakeholders and is multidisciplinary by nature, especially in the context of cultural environments. The needs-and-goals -analysis is based on cultural environment profiling, which includes recognition of values and tolerance towards changes. The purpose of an integrative analysis is to bring out development possibilities and restrictions, together with different development goals. The intensions of different stakeholders should be brought out early enough, in order to prevent disagreements to evolve into conflicts and problemsTiivistelmä Tässä tutkimuksessa käsitellään maaseudun kulttuuriympäristöjä sekä maankäytön suunnittelun valmisteluvaiheessa tuotettuja kulttuuriympäristöselvityksiä. Tutkimuksessa tarkastellaan, miten suunnittelun tausta-aineistoina toimivat selvitykset ja niiden sisältämä tieto voitaisiin jäsentää palvelemaan paremmin suunnittelua. Tutkimuksessa on pyritty tuomaan esiin haasteita, joita tiedon hallinnassa ja hyödynnettävyydessä suunnittelun pohjaksi on voitu todeta. Pääasiallisesti nämä liittyvät selvitystiedon laajuuteen ja kuormittavuuteen, sektoroitumiseen ja asiantuntijanäkökulman korostumiseen. Tutkimuksessa esille tuodut ongelmat johtuvat osin selkeitten toimintamallien puutteesta, osin sektorisuunnittelun vahvasta taustavaikutuksesta sekä rationalistis-komprehensiivisesta perinteestä tieteenteoriassa. Kaavoituksen valmisteluvaiheen selvitykset muodostavat kuitenkin viitekehyksen, jonka puitteissa suunnittelualuetta tarkastellaan. Siten valitut tiedonhankinnan menetelmät määrittävät mihin ominaisuuksiin tarkastelun fokus ensisijaisesti painottuu. Käytännössä yksittäiset menetelmät tai niiden taustalla olevat tieteenalat valottavat kokonaisuutta kuitenkin vain osittaisesti ja hajanaisesti. Tutkimuksen tavoitteet voidaan jakaa karkeasti kolmeen eri osa-alueeseen - edellä mainittuun nykyisten käytäntöjen kritiikkiin, ilmiöstä itsestään määrittyvien rakennetekijöiden teoreettis-käsitteelliseen määrittelyyn sekä tähän nojautuvan integroivan lähestymistavan muodostamiseen. Tutkimuksessa hahmotellun kokonaiskäsityksen perustana on fenomenologisen ja eksistentiaalisen analytiikan keinoin määritelty ymmärrys ihmisen, kulttuurin ja ympäristön vuorovaikutuksesta. Tarkasteltavana ovat täten havainnoinnin yleiset edellytykset sekä ne käytäntösidonnaiset ennakkoehdot, joiden myötä selvityksen laatija muodostaa tulkintansa. Kulttuuriympäristöä tutkiva ihminen on keinovalikoimineen eräänlainen ”linkki” olemassa olevan ympäristön ja tulevan suunnitelman välillä. Tutkimuksessa on pohdittu eri näkökulmien integroitumista eräänlaiseksi organisoiduksi kompleksisuuden hallinnaksi, jonka perustana on havaintojen tekemisen ”välinekokonaisuus” kohteena olevan ympäristön piirteistä. Selvitysmenetelmiä tulisi kehittää ennen muuta siten, että kulttuuriympäristöjen tarkastelu teemallisten ja toiminnallisten kokonaisuuksien kautta mahdollistuisi nykyistä paremmin yksittäisten kohteitten sijaan. Tutkimuksen tuloksena esitetty tarve- ja tavoiteanalyysi muodostaa tulkintakehyksen suunnitteluvalinnoille ja toisaalta selkiyttää monitoimijaisen ja monialaisen suunnittelun lähtökohtia. Lähtökohtana on kulttuuriympäristöprofiilin laadinta, arvojen ja muutoksensietokyvyn määrittely sekä kehittämispotentiaalien esille nostaminen vaihtoehtoisten kehityspolkujen hahmottamisessa. Eri osapuolten tarpeet ja tavoitteet on myös tuotava esille riittävän aikaisin. Tällä on pyrittävä ennen muuta ehkäisemään ristiriitojen kehittymistä konflikteiksi ja asenteiden lukkiutumista vastakkainasetteluiksi
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Santos, Antônio Henrique dos. "O Vale do Rio Taia-HY." Florianópolis, SC, 2005. http://repositorio.ufsc.br/handle/123456789/101825.
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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Ciências Agrárias. Programa de Pós-Graduação em Agroecossistemas.Made available in DSpace on 2013-07-15T23:18:31Z (GMT). No. of bitstreams: 1 221227.pdf: 15102044 bytes, checksum: c94444b7277e97d0c056ef63bd7ae59d (MD5)
Este levantamento descreve etnobotanicamente plantas produtores de raízes tuberosas, sendo quatro espécies nativas e três espécies introduzidas, originárias da Ásia e África. Estas culturas são mantidas por descendentes de colonizadores alemães, cujos ancestrais colonizaram a parte norte do litoral catarinense. São consideradas como culturas de colheita oculta, pelo fato destas não serem incluídas em estatísticas oficiais publicadas pelo governo, apesar de sua importância na alimentação dos produtores. Estes produtores estão inseridos numa economia dualizada, produzindo bens para o mercado, através de uma agricultura modernizada, e ao mesmo tempo, mantêm a produção tradicional, através do cultivo destas plantas para sua subsistência. Foram determinados os nomes populares e sua classificação botânica, através da coleta de folhas, flores e órgãos subterrâneos de reserva e também por informações sobre qualidades culinárias e outras características, como odor, etc. Especialistas foram consultados quando as chaves botânicas utilizadas não foram suficientes. Duas espécies de mangarito foram encontradas: o mangarito branco (Xanthosoma riedelianum Schott) e o mangarito roxo (Xanthosoma sp.). Diferenças significativas existem entre os dois: o mangarito roxo possui plantas com maior porte, túberos com uma casca mais aderida e de coloração roxa, e exige o cultivo em condições de coivara, com sombreamento parcial. Suas folhas com formato peltado, não permitem classificá-lo entre as espécies de Xanthosoma cultivadas. Desta planta foram preparadas exsicatas e estas foram depositadas em institutos botânicos e aguardam classificação. Outras culturas nativas identificadas foram: taiá (Xanthosoma sagittifolium Schott) e cará-mimoso (Dioscorea trifida L.). As culturas introduzidas classificadas foram: taiá-japão (Colocasia esculenta Schott, var. antiquorum), cará-do-ar (Dioscorea bulbifera L.) e cará-de-pão (Dioscorea alata L.). Para conhecer o manejo destas plantas, foram utilizadas várias metodologias como: oficinas, exposição de raízes e entrevistas com informantes-chave. Roças de coivara e quintais agroflorestais são utilizados comumente para sua produção. Foram acompanhados cinco produtores na hora do preparo de pratos, revelando uma variedade de formas de preparo como alimento. Estas culturas representam um papel importante como segurança alimentar, podendo ser colhidas ao longo do ano e requerem poucos cuidados, representando um potencial econômico aos pequenos produtores se houver expansão do mercado.
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Ramos, Toni-Ann 1964. "Maintenance of Taino traditions within Puerto Rican culture." Thesis, The University of Arizona, 1995. http://hdl.handle.net/10150/278503.
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Puerto Rican people and culture are the result of the often violent contact between the colonizing forces of Spain, the African people they later enslaved and the indigenous population of the island. Over time, the blending of these three diverse peoples, each with their own unique culture and traditions, resulted in a new population currently known as Puerto Rican. Little information is available, however, regarding Taino culture and society prior to European contact, and even less is known about their ongoing contributions to Puerto Rican culture. This thesis brings together accurate information about the indigenous people of Boriquen. It attempts to correct distortions and untruths about Taino culture, providing alternative interpretations and giving recognition to the Taino legacy which remains a part of Puerto Rican culture today.
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Guiducci, Chiara. "Tadao ando in italia. Il confronto con l'antico." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/8782/.
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La ricerca ha l’intento di cercare di comprendere come l'architetto giapponese Tadao Ando, proveniente da una formazione autodidatta, da una cultura orientale e da una realtà in cui solo architetti con una specifica formazione possono intervenire su architetture vincolate dalla locale Legge sulla Tutela dei Beni Culturali, si approcci ad una materia di certo per lui nuova, realizzando progetti su edifici dichiarati di interesse dal Ministero dei Beni Culturali o da istituzioni equivalenti.
Quindi comprendere, in modo specifico, con quale spirito e/o con quale filosofia Tadao Ando ha approcciato i progetti di restauro su edifici esistenti e quale sforzo interiore ha dovuto affrontare per adeguare la sua idea istintiva ai vincoli storici, culturali, paesaggistici e urbanistici, propri della nostra nazione. Operando, inoltre, in un Paese nel quale l’architettura costituisce una parte cospicua della memoria solida dell’umanità e il recupero dell’esistente patrimonio architettonico è uno degli elementi fondamentali che lega la comunità al territorio, il passato al presente, garantendo a quest’ultimo il futuro; in un Paese nel quale le architetture contemporanee devono, o avrebbero dovuto, dialogare in modo armonico con il preesistente.
Per analizzare il suo “modus operandi” si studiano e analizzano tutte le opere che l’architetto ha realizzato o sta realizzando in Italia su edifici di interesse storico-architettonico, tenendo sempre presenti, oltre agli aspetti culturali, anche gli obiettivi della committenza, lo stato di fatto delle architetture oggetto di intervento, l'analisi delle scelte progettuali iniziali, l'indagine di tutti i cambiamenti avvenuti nel corso della progettazione e dell’esecuzione dell’opera e i rapporti che intercorrono tra l’architetto e le Soprintendenze, al fine di comprendere le circostanze in base alle quali Tadao Ando abbia avviato le sue riflessioni progettuali su edifici “antichi”; sulle quali egli è stato in grado di relazionare la sua architettura con l’architettura l’"antica".
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Peros, Matthew Charles. "Coastal environments and Taino occupation at Los Buchillones, Cuba." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape4/PQDD_0015/MQ59194.pdf.
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Nakamoto, Henrique Okajima. "Significados do taiko no Instituto Cultural Nipo Brasileiro de Campinas." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/274754.
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Orientador: Silvia Cristina Franco AmaralDissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação Fisica
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Resumo: Esta pesquisa investigou os significados do taikô no Instituto Cultural Nipo Brasileiro de Campinas (ICNBC). O taikô é uma prática musical, percussiva, corporal e coletiva, que utiliza os tambores japoneses (taikô) como instrumentos principais. O ICNBC, por sua vez, é uma associação destinada à reunião social de nipo-descendentes em torno de atividades diversas, incluindo as chamadas "atividades culturais", de origem japonesa, dentre as quais o taikô, na época da pesquisa, figurava com destaque. O grupo de taikô "Wadaiko Tsubame Nipo Campinas" era formado por jovens que, em sua maioria, mantinham entre si um convívio para além dessa prática, por meio da participação nos grupos etários kodomo-kai (grupo de crianças), junia-kai (grupo de adolescentes) e seinen-kai (grupo de jovens adultos), nos eventos da comunidade, nas demais atividades "culturais" e esportivas e em outros âmbitos. Diante dessa participação ampla e, em grande medida, etnicamente centrada, a investigação foi direcionada aos aspectos que constituíam, por um lado, a organicidade e, por outro, a autonomia da prática em relação ao contexto comunitário no qual ela se inseria. Com este enfoque, significados como "disciplina", "união" e "liderança" foram descritos em seus aspectos abrangentes e específicos, dando margem a discussões sobre "identidade", "hibridação", "apropriação", "sociação" e "sociabilidade".
Abstract: This research investigated the meanings of taiko at the Instituto Cultural Nipo Brasileiro de Campinas (ICNBC). Taiko is a musical, percussive, bodily and collective practice, which uses the Japanese drums (taiko) as main instruments. The ICNBC is an association for the social gathering of Japanese descendants, through various activities, including what the native called as "cultural activities" (designating those originated in Japan) among which taiko figured prominently, at the moment of this research. The taiko group "Wadaiko Tsubame Nipo Campinas" was formed by young people engaged in social activities that occurred beyond this practice, including the participation in the age groups kodomo-kai (group of children), junia-kai (group of teenagers) and seinen-kai (group of young adults), in community events, in other "cultural" and sports activities, among other areas. Whereupon this broad and ethnically-centered participation, the research focused on those aspects which constitute, on the one hand, the belonging and, on the other, the autonomy of the practice in relation to the community context. With this approach, meanings such as "discipline", "union" and "leadership" were described in their broad and specific aspects, giving rise to discussions of "identity", "hybridization", "ownership", "sociation" and "sociability".
Mestrado
Educação Fisica e Sociedade
Mestre em Educação Física
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Ostapkowicz, Joanna. "Taino wooden sculpture : Duhos, rulership and the visual arts in the 12th-16th century Caribbean." Thesis, University of East Anglia, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300073.
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Baldwin, Ian Robert. "Total synthesis of acetoxyodontoschismenol." Thesis, University of Southampton, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284653.
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Probert, Gareth David. "The zirconocene-mediated synthesis of amines." Thesis, University of Southampton, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.242623.
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Ondrake, Laura Katherine. "Hirabayashi Taiko: Issues of Subjectivity in Japanese Women’s Autobiography in Fiction." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1250261685.
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Leung, Hoi-chun Edward, and 梁凱俊. "An investigation of the environmental impacts of the Taipo industrial estate." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31258657.
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Lumley, Susanne Helen. "Late Quaternary vegetational and environmental history of the Taitao Peninsula, Chile." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320035.
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Thirion, Jean-François. "Du karaté au taido sport, art martial ou nouvelle manière d'être /." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb376015240.
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Leung, Hoi-chun Edward. "An investigation of the environmental impacts of the Taipo industrial estate /." Hong Kong : University of Hong Kong, 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B14014907.
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Fors, M. (Milla), and A. (Anni) Pirskanen. "Lastentarhanopettajien pedagoginen taito huomata ja tulkita 5–6-vuotiaiden lasten riitatilanteita." Master's thesis, University of Oulu, 2019. http://jultika.oulu.fi/Record/nbnfioulu-201901121045.
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Tiivistelmä. Riitatilanteet ovat arkipäiväinen osa lasten välisiä suhteita. Lapset ratkaisevat riitatilanteita eri tavoin ja tarvitsevat niiden ratkaisemiseen usein aikuisen apua. Riitatilanteiden selvittämistä harjoitellaan arjen eri tilanteissa, jossa lastentarhanopettaja on merkittävässä roolissa.
Tutkimuksen tavoitteena on selvittää lastentarhanopettajien käsityksiä 5–6-vuotiaiden lasten välisistä riitatilanteista. Lisäksi tutkimuksessa halutaan selvittää millaisia käsityksiä lastentarhanopettajilla on omista keinoista tukea riitatilanteita.
Tutkimus toteutettiin laadullisena, fenomenografisena tutkimuksena. Aineiston analyysissa on käytetty soveltuvin osin fenomenografista analyysimenetelmää. Aineisto kerättiin haastattelun avulla. Haastatteluun osallistui 4 lastentarhanopettajaa. Haastateltavilla lastentarhanopettajilla oli työkokemusta 1–30 vuoden väliltä. Haastateltavat olivat koulutustaustaltaan opistotaustaisia lastentarhanopettajia tai kasvatustieteen maistereita. Tutkimuksen teoreettinen viitekehys on rakentunut aiemmista aiheeseen liittyvistä tutkimuksista ja teorioista, jotka ovat olleet pääasiassa kehityspsykologisia.
Analyysin tuloksena syntyi kaksi kuvauskategoriaa, jotka kuvaavat lastentarhanopettajien käsityksiä lasten riitatilanteista ja omista keinoista tukea niitä. Nämä kuvauskategoriat olivat: lasten sosiaaliset taidot ja lastentarhanopettajan ammattitaito. Lastentarhanopettajat käsittivät lasten riitatilanteet tavallisina, vertaissuhteessa tapahtuvana ilmiönä, joiden syntymiseen vaikuttaa lapsen sosiaalisten taitojen kehittyneisyys. Lastentarhanopettajan ammattitaito ja sensitiivisyys koettiin tärkeimpinä tekijöinä lasten riitatilanteiden tukemisessa.
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Sasamoto-Collins, Hiromi. "Three modern Japanese dissenters - Minobe Tatsukichi, Sakai Toshihiko and Saitô Takao." Thesis, University of Edinburgh, 2005. http://hdl.handle.net/1842/30721.
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Rutés, Sébastien. "Stratégies de l'intertextualité dans l'oeuvre policière de Paco Ignacio Taibo II." Paris 3, 2003. http://www.theses.fr/2003PA030124.
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Le recours massif à l'intertextualité permet au Mexicain Paco Ignacio Taibo II de tisser autour de ses romans policiers des réseaux de références éclectiques dont le moindre des objets n'est pas de fonder la prétention à la littérarité d'un genre relégué aux marges de la littérature. La pratique référentielle revêt de multiples fonctions stylistiques ou narratives qui accréditent la fiction de la présence inexorable du littéraire au cœur même du quotidien, en dotant la diégèse d'un double horizon référentiel. La récupération intertextuelle, parallèle à celle des grands mythes révolutionnaires historiques, promeut des figures héroi͏̈ques tirées de la littérature populaire et qui se substituent aux figures politiques en tant qu'inspiratrices de comportements individuels engagés et allégories des valeurs d'une communauté en lutte. Ces figures dûment mythifiées intègrent finalement un complexe Panthéon lai͏̈c proposé par l'écrivain en modèle à ses personnages, mais aussi à ses lecteursThe considerable recourse to intertextuality enables Mexican Paco Ignacio Taibo II to weave around his detective novels a web of eclectic references which main objective is obviously to justify claiming the literariness to a genre often confined to the fringes of literature. The use of reference takes on multiple stylistic functions or narratives which accredit the fiction with the inexorable presence of the literary in the heart of even everyday life, endowing the diegesis with a two-tiered system of reference. The intertextual reprocessing, parallel to that of the great historical revolutionary myths, promotes heroic characters taken from popular literature. They substitute political figures as the inspiring force behind committed individual behaviour and allegories to values of a struggling community. These duly mythicized figures finally integrate into a complex secular Pantheon which is put forward as a model by the writer not only to his characters but also to his readers
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Thirion, Jean-François. "Du karate au taido, sport, art martial, ou nouvelle manière d'être." Paris 8, 1986. http://www.theses.fr/1987PA080036.
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Du karate au taido, sport, art martial ou nouvelle maniere d'etre il s'agira, en partie, dans ce travail, de remonter aux sources, d'y reperer les differents choix effectues a des moments donnes entrainant des cheminements differents dans l'evolution socio-historique de l'activite et par la dans ces modalites de pratique. Le karate etant comme toutes les activites humaines au centre de differents enjeux. D'autre part, l'interaction des cultures (orient occident) devrait egalement permettre d'identifier les fondements et les principes essentiels devant mener l'homme a la maturite et de degager ce qui pourrait etre une veritable culture corporelle. En particulier, nous essaierons d'apporter des elements de reponses a un certain nombre de questions de fond. Pourquoi pratiquer un art ne dans une autre culture et a une autre epoque? Quelle est la legitimite, le degre de coherence et le sens de l'activite karate dans la societe d'aujourd'hui? A quel manque d'etre, le karate vient-il apporter un remede? Quelles plaies soignons-nous lorsque annees apres annees, nous repetons les memes gestes? Qu'y-a-t-il derriere le mythe de l'inviabilite de la toute puissance? Quel peut-etre un travail transformateur et constructeur du corps?From karate to taido : sport, martial art or new lifestyle? The present inquiry will be partly concerned with going back to sources, there to trace the various choices made at given times that have led down various paths through the socio-historical evolution of the pursuit in question thereby affecting its lines of practice. Like all human pursuits, karate is in fact a focal point for various vested interests. At the same time, the interplay of eastern and western cultures should also enable the foundations - the essential principles that ostensibly bring mankind to maturity to be pinpointed and the possible meaning of a truly body-based culture to be elucidated. More precisely, we shall endeavour to provide at least partial answers to a number of basic questions. - why practise an art born of another culture at another period in time? - how legitimate, relevant and meaningful is the practise of karate in today's society? - what kind of personnal shortcoming is karate there to remedy? - what evils do we palliate by the repetition of the self-same gestures over many years?
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Norley, Mark Colin. "Studies directed towards the synthesis of rapamycin." Thesis, University of Southampton, 1996. https://eprints.soton.ac.uk/406818/.
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Fagbemigun, Taiwo Kayode [Verfasser]. "Green developers for heat-sensitive layers of thermal paper / Taiwo Kayode Fagbemigun." Hamburg : Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky, 2021. http://d-nb.info/1237415012/34.
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COUTINHO, Walkyria Tsutsumi Ferreira. "O conceito Ma: o conceito Ma na conformação de espaços em Tadao Ando." Universidade Federal de Pernambuco, 2015. https://repositorio.ufpe.br/handle/123456789/17214.
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O presente estudo visa compreender o conceito Ma, inerente na cultura oriental japonesa e identificar os possíveis espaços que caracterizariam esse conceito na produção arquitetônica de Tadao Ando, através do estudo acerca dessa cultura e das distintas abordagens sobre o Ma, como dito por Ando (2000): Arquitetos japoneses, a exemplo de Ito Yotaro, Kiwari – Module of Traditional Japanese Architecture, 1961; Isozaki Arata, Ma – nijunen ato no kikanten, (MA – Twenty Years On) e Kenmochi Takehiko, usam o termo Ma tanto para indicar o espaço físico quanto uma espécie de espaço-tempo. A espacialidade Ma parece ser de frágil visualidade, mas eminentemente comunicativa, ao convidar não só à participação perceptiva do ser humano que vivencia a espacialidade, mas também sua memória e seu pensamento, pela relação do homem com a sociedade e a cultura. (MICHIKO, 2007: p. 84). O sentido japonês do Ma não é algo criado por uma composição de elementos, é algo que toma lugar no imaginário do ser humano à medida que experimenta o vazio arquitetônico gerado pela composição desses elementos. A existência de um conceito exclusivo da cultura oriental e intrínseco a vários gêneros artísticos instigaram a investigação sobre esse tema. A partir de teorias ocidentais que auxiliassem a compreensão do espaço arquitetônico, o presente trabalho busca compreender o conceito Ma e aproximar as distintas culturas. Com esse objetivo de compreender propriamente o conceito do Ma em arquitetura e estudá-lo através do método cientifico, foram analisadas obras do arquiteto contemporâneo Tadao Ando com o fim de exemplificar as possíveis espacialidades Ma presentes nessas obras.
This study aims to comprehend the concept of Ma, inherent in the japanese culture, and to identify possible spaces that could characterize this concept in Tadao Ando’s architectural production, through the study about this culture and from different approaches about Ma, as said by Tadao Ando (2000): Japanese architects, as Ito Yotaro, Kiwari - Module of traditional Japanese Architecture, 1961;Isozaki Arata, Ma – nijunen ato no kikanten, (MA – Twenty Years On) and Kenmochi Takehiko, use the term Ma to indicate physical space and also a kind of space-time. The spatiality of Ma seems to be of a fragile visualization, but eminently communicative, when invites not only to the perceptive participation of human being that lives the spatiality, but also your memory and your thought, through the relationship between man, society and culture. (MICHIKO, 2007: p. 84). The Japanese sense of Ma is not something created by a composition of elements, it is something that takes place in the imaginary of human being as he experience the architectural void created by the composition of these elements. The existence of an exclusive concept of the eastern culture and intrinsic of various artistic genders instigated the inquiry about this theme. From the western theories that assisted the understanding of the architectural void, this dissertation seeks to comprehend the concept of Ma and approximate these different cultures. With this objective of properly comprehend the concept of Ma in architecture and study it through the scientific method, different works of the contemporary architect Tadao Ando were studied in order to exemplify possible spatialities of Ma present in these works.
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Ojurongbe, Taiwo Adetola [Verfasser]. "Comparison of different proximity measures and classification methods for binary data / Taiwo Adetola Ojurongbe." Gießen : Universitätsbibliothek, 2012. http://d-nb.info/1063954606/34.
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Le, Moigne José. "Subduction d'une dorsale océanique active : géologie des ophiolites de Taitao (point triple du Chili)." Brest, 1994. http://www.theses.fr/1994BRES2031.
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La peninsule de taitao (4546's-74w) est situee a 50 km au sud du point triple du chili. Elle a ete a deux reprises le lieu de la subduction de la ride du chili sous la marge continentale, vers 5 ma et 3 ma. A la suite de l'echantillonnage de terrain, des analyses structurales et petro-geochimiques ont precise les liens entre la subduction de la dorsale et la mise en place de l'ophiolite et du magmatisme associe. Nous montrons que l'ophiolite de taitao est incomplete car les deux unites volcano-sedimentaires decrites ne constituent pas sa couverture. La premiere unite plio-pleistocene repose en discordance sur la marge. Elle s'est deposee en milieu marin peu profond durant la subduction de la ride du chili. La seconde unite se distingue par un metamorphisme dans le facies des schistes verts. Les laves des deux unites comprennent des basaltes de ride medio-oceanique (morb), des andesites et des dacites comparables en composition a des roches d'arc volcanique. Les caracteristiques chimiques de ces roches s'expliquent par un processus de contamination crustale de basaltes de type morb. Les suites volcaniques sont donc considerees comme le produit de l'emission de morb par la dorsale enfouie a de faibles profondeurs sous la marge. Pendant leur remontee a travers la croute continentale, ces magmas ont ete contamines a des degres variables. L'ophiolite est vue comme une section de croute oceanique detachee de la plaque plongeante lors de la collision ride-fosse puis incorporee a la marge, avant ou pendant le magmatisme anormalement proche de la fosse
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Collado, Michael. "Paco Ignacio Taibo II et le roman policier : de la défaite de la justice à la gloire de l'énigme." Montpellier 3, 2003. http://www.theses.fr/2003MON30043.
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Le roman policier est l'illustration fictive d'une justice toujours victorieuse dans son combat face au crime et le succès très relatif du genre au Mexique montre que la société mexicaine ne peut être le réceptacle d'une telle idéologie. Néanmoins, P. I. Taibo II a su, contre toute logique historique, réconcilier le genre et ce pays. Au travers de Cosa fácil, La vida misma et Cuatro manos, le manichéisme du roman policier laisse peu à peu place à un brouillage axiologique plus adapté aux mentalités collectives mexicaines. Parallèlement, l'énigme, suivant le cours de stérilisation du thème de l'enquête, disparaît des intrigues. Or, ce phénomène a lieu alors même que la structure énigmatique se complexifie. Cuatro manos représente donc l'échec de la justice et la quintessence structurelle de l'énigme. Il est aussi une tentative d'appropriation littéraire et de réorganisation de la vision déstructurée qu'entraîne la profusion communicationnelle postmoderneThe crime novel is the imaginary illustration of a constant victorious justice in its fight against crime and its very relative success in Mexico proves that mexican society cannot be the gathering place of such an ideology. Nevertheless, P. I. Taibo II managed, contrary to historical logic, to reconcile the genre with the country. Through Cosa Fácil, La vida misma and Cuatro manos, an axiological jamming, better suited to collective mexican mentalities, gradually replaces crime novel manicheanism. At the same time, the enigma, following the sterilisation course of the investigation theme, disappears from plots. This phenomenon takes place when the enigmatic structure is getting more intricated. Therefore, Cuatro manos represents the defeat of the justice and the structural quintessence of the enigma. It is an attempt to litterary appropriateness and reorganisation of the destructured vision resulting from postmodern communicational abundance
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Cintron, David. "THE TAÍNO ARE STILL ALIVE, TAÍNO CUAN YAHABO: AN EXAMPLE OF THE SOCIAL CONSTRUCTION OF RACE AND ETHNICITY." Master's thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3870.
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Definitions and boundaries of race and ethnicity are socially constructed. They are malleable inventions created by the negotiation of ascribed ideas from outside groups and asserted notions from the inside group's membership. The revitalization of Taíno identity and culture within the Puerto Rican and related communities is a classic case example of this negotiation. Although objective conditions exist to recognize the descendants of these Caribbean aboriginals as an identifiable group, their identities are contested and sometimes ridiculed. Even though Taíno heritage is accepted as an essential root of Puerto Rico's cultural and biological make-up, this group has been classified as extinct since the early 16th century. This thesis analyzes the official newsletters of the Taíno Nation of the Antilles--one of the leading organizations working for revitalization. The content of this material culture was dissected and organized into rhetorical categories in order to reveal patterns of endogamic assertions of race and ethnicity. This thesis will provide a descriptive analysis of the Taíno Nation's rhetorical process of convincing the world that they do in fact exist.M.A.
Department of Sociology
Sciences
Applied Sociology
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Wigginton, Sheridan L. "El negro detras de la oreja : a critical theory approach to Dominican ethnicity through textbooks /." free to MU campus, to others for purchase, 2001. http://wwwlib.umi.com/cr/mo/fullcit?p3075413.
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Felix, Robert. "Finding God and gospel in the foundations of native American myths and beliefs." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.
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VanderVeen, James M. "Subsistence patterns as markers of cultural exchange European and Taino interactions in the Dominican Republic /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3232567.
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Thesis (Ph.D.)--Indiana University, Dept. of Anthropology, 2006."Title from dissertation home page (viewed July 9, 2007)." Source: Dissertation Abstracts International, Volume: 67-08, Section: A, page: 3039. Adviser: Geoffrey W. Conrad.
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Kusakabe, Madoka. "Sata Ineko and Hirabayashi Taiko: The Café and Jokyû as a Stage for Social Criticism." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12084.
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xii, 251 p.Sedimentations of transformations and experiences empowered the 20th century writers Sata Ineko and Hirabayashi Taiko as writers. Because of their mutual belief in the early principles of the proletarian literary movement--writing the reality of the working class from their perspectives--both produced works centered on daily life. In not only delineating but also examining the daily occurrences, their stories and critiques acutely exposed the issues, the conditions, and the exploitation of the working class under capitalism, particularly the unfair and unreasonable treatment of women and women workers under the patriarchal slogan "Good Wives and Wise Mothers" and the discrimination of women workers and writers even within the proletarian movement. The café proved the best site for both to offer keen analyses. Materializing the actual working experiences of jokyû (café waitresses), they exposed the superficiality of Japanese modernity in the 1920s and 30s, the suppression and oppression of women under patriarchy, commodification and exploitation of working women under capitalism, and the ultimate consequences--social myopia and deterioration of human life. While the café was for jokyû a site of exploration and challenge by overturning the dominant power hierarchy practiced in society, for Sata and Hirabayashi, writing about the café challenged the prejudice and confinement of existing categorizations such as "women," "women workers," " jokyû ," "women writers," and "proletarian writers." Both Sata and Hirabayashi treated the café and jokyû as realistic and multifaceted. To strengthen this realism, both writers relied on their own corporeal experiences and sensations, supporting honest illustrations of power dynamics and the dual-system oppression of women at play within and beyond the café environment. Both acknowledged the body as a site of complication and possibility. Through their acknowledgments beyond the surface inscriptions that restrict and limit who and what lies within, both Sata and Hirabayashi contended that the body was an interactive and potentially productive catalyst for change. For them, the corporeal experience proved more effective for gaining consciousness, obtaining class-consciousness, and eventually achieving ideological resolution than through doctrinal readings and teachings.
Committee in charge: Stephen Kohl, Chairperson; Alisa Freedman, Member; Tze-Lan Sang, Member; Jeffrey Hanes, Outside Member
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Zanella, Fiorelo. "A mortalidade linguística do dialeto italiano no município de Taió - SC." reponame:Repositório Institucional da UFSC, 1985. http://repositorio.ufsc.br/handle/123456789/101368.
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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Florianópolis, 1985.Made available in DSpace on 2013-07-15T20:46:37Z (GMT). No. of bitstreams: 0Bitstream added on 2016-01-08T15:08:42Z : No. of bitstreams: 1 312557.pdf: 5897018 bytes, checksum: 544f335330179f9813af0e2ab8d335ea (MD5)
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Martins, Simone. "FLUTUAÇÕES DO BUTOH NO CORPO DO ARTISTA QUE DANÇA: POÉTICAS DA MESTIÇAGEM." reponame:Repositório Institucional da UFBA, 2013. http://www.repositorio.ufba.br/ri/handle/ri/11966.
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Esta dissertação pretende estabelecer uma ponte flutuante para dar início a uma viajem com trânsitos, deslocamentos, migrações que exploram as misturas entre campos de conhecimento, entre linguagens, entre textos, entre danças. Este estudo tratará as danças e os corpos que dançam como objetos flutuantes percebendo-os a partir de seu movimento ondulatório, em constante vibração, propagação, perturbação, mistura e dissipação. Elegendo como foco da investigação os estados de contaminação, optamos por um diálogo-correspondência, com dois artistas japoneses, que em seus percursos de vida, deixam marcas de seus passos no Brasil, Takao Kusuno (1945-2001) e Tadashi Endo (1947). Escavando o corpo do artista da dança, atraídos pelo Ankoku Butoh como alvo de indagações, experimentações e criações. Entendendo a Dança do Butoh na linha de fuga deleuzeana (DELEUZE, 1996), de sua filosofia tomamos a visão rizomática e desvios. Os temas que abordaremos partem da reflexão relativa aos processos de mestiçagem da cultura nos valendo das ideias do filósofo Michel Serres (SERRES,1993). Mestiçagem que acreditamos ocorrer no corpo do artista que entra em contato com uma dança que não conhece, passando a confrontar-se com processos de desestabilização, de atualização e incorporação da informação estrangeira. Segundo a visão da Teoria Geral de Sistemas e de acordo com Jorge de Albuquerque Vieira, todos os sistemas do universo evoluem num estado de contínua flutuação. Estas flutuações se dão por meio de crises e perturbações em etapas sucessivas tal qual na noção de auto organização sistêmica de Ilya Prigogine (PRIGOGINE & STENGERS, 1984, ) que trata da ordem a partir das flutuações, desvios que implicam em sequências de instabilidades. Nos aproveitamos do intercruzamento da dança com as ciências cognitivas com o conceito de mediação do corpo mídia (Greiner & Katz, 2001) dos fluxos de informação, observamos os processos de ‘’embodiment/corporalização’’ (Queiroz, 2004, 2009) e investigamos a capacidade de um sistema (butoh), produzir efeitos e criar condições, para que estes efeitos se estabilizem e inventem novas configurações. Neste estudo propusemos uma pesquisa de campo intitulada Experiências Flutuantes do Butoh (Brasil-Peru). As experiências se entrecruzam com a elaboração da dissertação tornando-se uma ‘’zona de flutuação’’ onde investigamos como as informações se propagam, modificam, passam por adaptações, se estabelecem de imediato em novas soluções ou ocorrem em etapas crísicas, como sugere o conceito do Evolon (MENDE, apud VIEIRA, 2007) e corpo crise (Greiner, 2010). Nesta escrita-dança–crise experimentamos os processos de mestiçagem no corpo do artista que dança afetado pelo butoh, constituindo explorações em campos interdisciplinares.
PROGRAMA DE PÓS GRADUAÇÃO EM DANÇA- ESCOLA DE DANÇA
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Hara, Nobuo. "Frobenius action on singularities and tight closure = Furobeniusu shazō no tokuiten eno sayō to taito kurōjā /." Electronic version of summary, 1996. http://www.wul.waseda.ac.jp/gakui/gaiyo/2365.pdf.
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Azevedo, Diana M. "Late Taino Occupation of Jamaica: A Zooarchaeological Analysis of Faunal Materials from the Bluefields Bay Site." DigitalCommons@USU, 2015. https://digitalcommons.usu.edu/etd/4412.
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My thesis seeks to answer the broad questions: can early foragers alter marine resources in island settings and can archaeological data provide insights into these changes. These questions highlight two important issues. The first issue reflects the common belief that small-scale societies did not affect their environments. The second issue centers on growing concern over the collapse of fisheries across the globe.
To answer these questions, I use fish bones recovered from an archaeological site located in Belmont, Jamaica near the Bluefields Bay marine sanctuary. The Bluefields Bay site dates to the late Taíno occupation of Jamaica. The name Taíno refers to the peoples who greeted Columbus. I conduct my analyses through the identification of the faunal bones to lowest taxonomic level, and apply the theoretical tool known as resource depression to detect declines in the relative abundance of large-bodied fishes, reductions in fish body size, and changes to fish community composition. I found significant changes in body size and diversity of fishes through time, pointing to shifts in the marine ecosystem due to human exploitation that occurred nearly a thousand years ago.
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McCarton, B. "The population dynamics of some species of fish in the river Taia, Sierra Leone." Thesis, Coventry University, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.383664.
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Osun, Taiwo [Verfasser]. "Impact of Agricultural Technology and Market Access on Welfare of Rice Producing Households in Nigeria / Taiwo Osun." Kiel : Universitätsbibliothek Kiel, 2015. http://d-nb.info/1067441484/34.
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Nakano, Ryoko. "The implications of international relations in Japan, 1920 to 1957 : the work and contribution of Yanaihara Tadao." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416654.
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Rosenberg, Juan Pablo. "A construção do território. Abstração e natureza nas obras de Luis Barragán, Álvaro Siza e Tadao Ando." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/16/16138/tde-16022017-105934/.
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Este estudo propõe uma leitura sobre a poética arquitetônica nas obras de Luis Barragán, Alvaro Siza e Tadao Ando, a partir do elo que estabelecem no binômio construção-natureza.Tomando de suas produções projetos emblemáticos dessa relação, encontramos \"lugares arquitetônicos puros\" (HUET, 1979) que restituem o caráter ontológico da disciplina ao evocarem, nessa fronteira última da arquitetura, questões primordiais da existência humana. No diálogo que propõem entre localidade e síntese moderna, essas \"construções do lugar\" nos revelam, mais do que posturas críticas, inquietudes - ou obsessões - de seus criadores, as quais se concretizam na experiência fenomenológica das obras, por meio da \"desmaterialização\" da própria arquitetura.Barragán, em Los Clubes (1964-1968) - Cuadra San Cristóbal e a Fuente de los Amantes -, impõe agudos contrastes à paisagem para então dissolvê-los, numa \"realidade fantástica\" que consuma a improvável comunhão entre fé católica e desejo erótico; na Piscina de Leça da Palmeira Siza narra o retorno do Homem à Natureza, num \"discurso da técnica\" que desfaz, no caminho entre a cidade e a praia, o muro de concreto em areia e pedra; no Templo da Água, Tadao Ando estabelece um percurso do profano ao sagrado - da razão ocidental à espiritualidade oriental -, pela transmutação simbólica da forma geométrica, regida por vazios radicalmente disponíveis (Ma).Cada capítulo circunscreve individualmente um arquiteto e sua obra por meio de três aproximações sequenciais: inicia com as impressões da visita à obra; passa a pela genealogia da imaginação e formação da linguagem; e fecha o ciclo retornando ao projeto, analisado a partir dos desenhos e dos dados coletados ao longo da pesquisa. Pretendemos, assim, criar uma ponte entre o desígnio projetivo e a expressão obra, para identificar, nesse trajeto, os recursos poético-arquitetônicos utilizados. Na conclusão, são gerados cruzamentos horizontais entre as diferentes manifestações desses recursos nas obras - percurso, muro, água, luz etc. - como tentativa de contribuir para o léxico poético da disciplina.This study proposes a reading of architectural poetics on the works of Luis Barragán, Alvaro Siza and Tadao Ando, departing from the link that each of them establish on the binomal construction-nature. Considering among their productions the emblematic projects of such a relationship, we can find pure architectonic places (HUET, 1979) that restore the ontological character of the discipline, evoking, through this last frontier of architecture, universal issues of the human existence. In the dialogue they propose between place and modern synthesis, those \"site constructions\" thus reveal rather than critic positions, but basic and primordial disquietudes - or obsessions - from their creators. Those disquietudes become concrete in the phenomenological experience of the place, in the very same \"dematerialization\" of architecture.Barragán, in Los Clubes (1964-1968) - Cuadra San Cristóbal and Fuente de los Amantes -, imposes sharp contrasts to the landscape to then dissolve them in a \"fantastic reality\" that consummates the unlikely match between catholic faith and erotic desire; in Leça da Palmeira Swimming Pool, Siza tells, by a \"technical speech\", the return of Man towards Nature, in a liturgic procedure that undoes, between the city and the beach, the concrete wall into sand and stone; on the Water Temple, Tadao Ando establishes a path from the profane towards the sacred - from the occidental reasoning to the oriental spirituality -, through the symbolic transmutation of the form along radically available spaces (Ma). Each chapter individually circumscribes one architect and his work through three sequential proxies: it begins with the impressions obtained in site visits; then goes through a genealogy of the imagination and the formation of the language; and closes the circle returning to the project, aproached through the drawings and data collected during the research. The goal then, is to create a bridge between the project intentions and the expression of the work, to identify, along this path, the poetic architectural resources that were used. In the conclusion, horizontal crossings are created between different expressions of those resources on the constructions - pathway, wall, water, light etc. - as a way to try to contribute to the poetic lexicon of the discipline.
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Nussaume, Yann. "Takao Ando et Shin Takamatsu face au désordre de la ville japonaise, relation à la ville et à la tradition : réflexion sur l'importance du milieu en architecture." Paris, EHESS, 1997. http://www.theses.fr/1997EHES0014.
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Dans cette thèse, nous avons étudié l'attitude de deux architectes contemporains japonais face au "désordre" de la ville nippone, c'est-a-dire face aux bouleversements provoques par la modernité sur le tissu urbain traditionnel. Notre choix s'est porte sur Tadao Ando et Shin Takamatsu car ils illustraient, d’après nous, deux positions très différentes : recherche d'un ordre perdu pour l'un et accentuation du "chaos" pour l'autre. Dépassant leurs divergence apparentes, l'objectif a été de montrer que leurs recherches architecturales, le rapport entre leurs bâtiments et leurs sites et le rapport a la tradition reflétaient de maniéré plus ou moins antagoniste la relation entre la société japonaise et son environnement (le milieu). Plus globalement, ce travail nous a amenés a conclure que : "les formes urbaines et architecturales dans un pays donne et a une époque donnée sont étroitement liées a la relation qu'entretient la société de ce pays avec son environnement". Face au "désordre" urbain actuel, nous soulignons l'importance de réévaluer la suprématie du bâtiment sur son environnement.
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Taiwo, Moyinoluwa Temitope [Verfasser], Hamid [Gutachter] Kashkar, and Manolis [Gutachter] Pasparakis. "Role of Platelet-Derived Growth Factor Receptor signalling in microglia-mediated neuroinflammation / Moyinoluwa Temitope Taiwo ; Gutachter: Hamid Kashkar, Manolis Pasparakis." Köln : Universitäts- und Stadtbibliothek Köln, 2020. http://d-nb.info/1221718436/34.
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Wakefield, Benita Kahu Miriama. ""Haumanu taiao ihumanea" : collaborative study with Te Tai O Marokura Kaitiaki Group : PHD [i.e. Doctor of Philosophy] thesis [Lincoln University] /." 2008. http://hdl.handle.net/10182/1335.
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Lu, Yu-Hsiu, and 呂幼秀. "Effects of "Taiko Activities" on Preschoolers’ Attention Development." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/07121123207305063205.
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碩士樹德科技大學
兒童與家庭服務系
103
Preschoolers express their needs through action. Children at this age tend to lose their concentration and get frustrated easily. The research shows, "Taiko activity" helps to children to concentrate and focus on their energy throughout the process. Through Taiko, children establish the internal sense of order, improve temperament ( chen xin-yi,2012). Because of the concentration that it takes to practice strike posture, memorize the beats, and observation of coordination between the individual and others, children are able to practice through repetition and focus on one thing which helps to achieve overall team efforts. This research focus on how "Taiko Activities" affect preschoolers’ attention. We divided 18 preschoolers from a private school in Kaohsiung into two groups, Nine children as the experimental group, and the other nine as the control group. Every morning they practice 30 minutes of "Taiko Activities". The "Taiko Activities" experiment is divided into two phases for a total of 16 weeks. We use neuropsychological test software combines with interviews for final analysis. The results of this study indicated that "Taiko activity" can effectively improve these preschoolers’ performance of alertness and flexibility attention on the test. Both groups performed better than before they started "Taiko Activities". "Taiko Activities" can improve preschoolers’ attention and performance.
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Prata, Débora Patrícia dos Santos 1994. "Arquitetura tradicional japonesa : o caso de Tadao Ando." Master's thesis, 2018. http://hdl.handle.net/11067/3843.
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Dissertação de mestrado integrado em Arquitectura, Universidade Lusíada de Lisboa, 2018Exame público realizado em 4 de Junho de 2018
A presente dissertação retrata uma investigação teórica ao universo arquitetónico tradicional japonês, procurando adquirir os recursos necessários para comprovar que a concretização prática da obra de Ando surge através das permissas teóricas analisadas. São desse modo encetadas minuciosas indagações, em primeiro lugar ao universo cultural Japonês: inquirindo as suas origens; filosifia, religião e artes, cimentando as proposições do pensamento, acções e motivações do seu povo e, subsequentemente, ao universo arquitetónico: analisando a casa de chá, templos e jardins, figurando a concepção do espaço como elemento intrinseco dos fundamentos tradicionais japoneses. A última temática considerada funde um exame metódico há vida de Tadao Ando, descrevendo o seu percurso e mencionando o seu tributo laboral à arquitetura contemporanea, demonstrada pela génese de várias obras paradigmáticas que magistralmente perpetuou em construção. Será igualmente defendido e demonstrado que os princípios tradicionais japoneses imperam no seu legado arquitetónico.
The present dissertation shows a theorical research of the traditional Japanese architectural universe, seeking to acquire the necessary capabilities to confirm that the implementation of the work of Ando comes through the theorical premises explored. Are thereby undertaken thorough inquiries, firstly to the Japanese cultural universe: questioning its origins; philosophy, religion and arts, cementing the propositions of thought, actions and motivations of its people and, subsequently, to the architectural universe: analyzing the tea house, temples and gardens, featuring the design of space as intrinsic element of traditional Japanese fundamentals. The last considered theme unites a methodical examination to the life of Tadao Ando, describing his steps and mentioning his labor tribute to the contemporary architecture, demonstrated by the genesis of several paradigmatic works that masterfully perpetuated in construction. It will also be defended and demonstrated that the traditional Japanese principles prevail in his architectural legacy.
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HUANG, CHI-WEI, and 黃祈瑋. "Effects of "Taiko Activities" on Preschoolers’Body Action Development." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/ps78s3.
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碩士正修科技大學
幼兒保育研究所
106
This research explores Effects of "Taiko Activities" on preschoolers’body action development to improve the body movements of young children and teaching methods. The survey data were from 23 preschool children aged 5 years old in Kaohsiung City Kindergarten. As a research sample. The relationship between sensory integration with the Taiko course and practices before and after tests for body movement training. The child's sensory integration function was measured and the total scores of the nine items were analyzed by Excel： 一、There is a significant difference between the Taigu activity and the total score between the Pre-test and post-tests. 二、It is significant correlation between the integrated motion tests on both sides of the body and the total score. 三、Taiko activities and body movements have a mutual relationship. 四、There is a significant correlation between the Taiko activity and the child's sensory integration test. According to these above facts and related documents, we suggest that the parents don’t need to let the children to read, write and arithmetic too early. Rather than let the children to develop its sensory integration sense organs function completely with play, then could make the children to study better and happier. Keyword：Taiko, Sensory Integration, Body Movement
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Giao, Pham Ngoc Quynh, and 范玉瓊姣. "The 2D contructions rule in Tadao Ando Design." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/46391360752736424259.
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