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Journal articles on the topic 'Tajik literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Sadriddin, AYNIY. "ALISHER NAVOI AND TAJIK LITERATURE." International journal of Alisher NAvoi 2, no. 3 (2022): 5. https://doi.org/10.5281/zenodo.7302615.

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Алишер Навоийнинг тожикча тахаллуси. Алишер ўзбекча асарларида «Навоий» тахаллусини ишлатган бўлиб, форсча-тожикча шеърларида «Фоний» тахаллусини қабул этган. Шунинг ила баробар баъзи ўзбекча асарларини «Фоний» ва баъзи тожикча шеърлариии «Навоий» тахаллуси билан ҳам ёзган. Маълумдирки, Алишернинг буюк ва машҳур асарларидан бири Атторнинг "Мантиқуттайр» асарига назира бўлган «Лисонут-тайр»дир.

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Ashrapov, Bahodurjon. "Professor Nizomiddin Murodi’s Contribution to the Study and Exploration of Literary Ties between Tajik-Persian and Chinese Literatures (on the example of Uyghur literature)." Stephanos Peer reviewed multilanguage scientific journal 70, no. 2 (2025): 45–52. https://doi.org/10.24249/2309-9917-2025-70-2-45-52.

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The given article dwells on the significant contributions of Professor Nizomiddin Murodi to the study of literary ties between Tajik-Persian and Chinese literatures, focusing specifically on the influence of Persian-Tajik traditions on Uyghur literature. Professor Murodi’s extensive research, encompassing monographs, articles, and international lectures, explores themes such as Tajik folklore in classical Persian-Tajik poetry, and the transmission of these traditions into Uyghur literary works, the historical context, and impact of the destruction of the ancient Uyghur alphabet. The findings h

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3

Amonov, Ulugmurod. "SADRIDDIN AINI'S CRITICAL VIEWS (BASED ON THE TAZKIRAH “SAMPLE TAJIK LITERATURE”)." European International Journal of Pedagogics 4, no. 11 (2024): 200–207. http://dx.doi.org/10.55640/eijp-04-11-40.

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In this article, the author scientifically analyzes the tazkiras “Namunayi adabiyoti tojik” - "Tajik sample literature" written by Sadriddin Aini, the leader of the modernist movement, poet, writer, literary critic, navai scholar, which is different from the tazkirachil traditions of Eastern classical literature, and the work of the writer is directly related to the literary environment of Bukhara. Afzal Masum Pirmasti, Hayrat, Abdulkadirkhoja Savdo, enlightened writers (Bepul), his attitude towards creators like Sabboq Bukhari, his attitude towards their work, examples given as a literary cri

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Seay, Nicholas. "Soviet-Tajik Writing Intelligentsia in the Late 1930s." RUDN Journal of Russian History 19, no. 1 (2020): 119–35. http://dx.doi.org/10.22363/2312-8674-2020-19-1-119-135.

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This paper looks at the formation of a Tajik-Soviet writing elite in the 1930s, exploring how a new generation of Soviet writers in the late 1930s emerged out of new state institutions. Prior to their emergence, the founders of Tajik literature - Sadriddin Aini and Abolqosim Lahuti - used their unique position vis-à-vis Moscow to shape the direction of Tajik literature. Despite the former’s important place in Soviet hagiography, it was the younger generation of Tajik writers - including writers like Mirzo Tursunzoda, Jalol Ikromi, Sotim Ulughzoda, and others - that emerged on the all-Union wri

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Loy, Thomas. "The Guide to Knowledge: The Journal Rahbar-i Dānish and Its Role in Creating a Soviet Tajik Literature (1927–1932)." Iranian Studies 55, no. 3 (2022): 653–74. http://dx.doi.org/10.1017/irn.2022.3.

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AbstractDespite being in operation for a mere five years, the Soviet-era Tajik (Persian) journal Rahbar-i Dānish (1927–1932) was a key venue for exploring and debating the merits of Tajik literature in the context of new ideological and literary trends. Established litterateurs as well as literary newcomers published examples of their literature and literary criticism in this first Tajik monthly social, educational, and literary journal. The present article reviews the history of Rahbar-i Dānish and some of its authors to trace their influence on Tajik literature and literary criticism in the

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Zaripova, Dilfuza Bakhtiyorovna. "The role of didactic works in world literature." International Journal on Integrated Education 3, no. 2 (2020): 10–14. http://dx.doi.org/10.31149/ijie.v3i2.316.

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In the 10th - 11th centuries, Persian - Tajik fiction began to develop, with some governors, especially Samanis, paying much attention to the development of Persian poetry. Literary centers were established in Bukhara, Samarkand, Marv, Balkh and Nishapur. The great speakers like Rudaki, Daqiqiy, Firdavsi, Asadi Tusi, Nosir Khisraf, Omar Khayyam, Nizami Ganjavi from the Tajik, Iranian and Azerbaijani nations were educated. Each of these writers has their own way of life and creativity, artistic style and literary services. Accordingly, these writers, who have lived and worked in such places as

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7

Mahmud, Abdullaev. "EARLY LIFE AND EDUCATION OD SADRIDDIN AYNIY." European International Journal of Pedagogics 4, no. 11 (2024): 162–64. http://dx.doi.org/10.55640/eijp-04-11-31.

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Sadriddin Ayni (1878–1954) was a prominent Tajik writer, intellectual, and cultural figure, often considered one of the founding fathers of modern Tajik literature and an advocate for the cultural and national identity of the Tajik people. His life and work reflect a deep commitment to education, language, and the modernization of Central Asia in the context of both Russian imperialism and the Soviet regime.

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8

T o x i r o v a, S. "RUSSIAN ORIENTALISTS AND LITERARY CRITICS’ CONTRIBUTION IN THE RESEARCH OF THE TAJIK LITERATURE." 2022-yil, 3-son (133/1) ANIQ FANLAR SERIYASI 2, no. 132/2 (2022): 1–7. http://dx.doi.org/10.59251/2181-1296.v2.1322.59.

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The article is devoted to the role and status of Persian and Tajik poets and writers among Western writers, their influence and contribution to the development of World Literature, the translation of invaluable treasures of Persian and Tajik writers in the West.The name of Sadriddin Aini crossed the borders of Central Asia and spread among readers throughout Europe. Sadriddin Aini’s biography and a list of his works are given in the English encyclopedia «Britannica» and available in more than 30 different languages.

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Rahmatlloyev, Ahtam. "OGAHI TRANSLATION ACTIVITIES: THE CASE OF PERSIAN-TAJIK LITERATURE." Theoretical & Applied Science 101, no. 09 (2021): 450–53. http://dx.doi.org/10.15863/tas.2021.09.101.49.

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10

Perry, John R. "Tajik Literature: Seventy Years Is Longer than the Millennium." World Literature Today 70, no. 3 (1996): 571. http://dx.doi.org/10.2307/40042068.

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11

Sh., Yarashov, and Khudoiberdiev Sh. "EVOLUTION OF THE NARRATIVE GENRE IN PERSIAN-TAJIK LITERATURE." International Journal of Education, Social Science & Humanities. FARS Publishers 11, no. 3 (2023): 871–75. https://doi.org/10.5281/zenodo.7782451.

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in this article, the critical issues of the formation and evolution of the narrative genre, changes in its content and ideological and formal content, are discussed in the example of the stories of young people of classic and modern Tajik literature, and the differences and general characteristics of this genre are clarified in the example of the comparative method. There are also interesting comments about the change of the story term.

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12

Amonov, Mukhtorjon. "Persian-Tajik Izafa Constructions in The Uzbek Language and Their Functional Scope." American Journal of Philological Sciences 5, no. 5 (2025): 203–7. https://doi.org/10.37547/ajps/volume05issue05-54.

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This article examines the syntactic and semantic features of Persian-Tajik izafa constructions within the Uzbek language, focusing on their historical development, structural integration, and phonetic transformation. Through examples drawn from classical Uzbek literature, particularly the works of Alisher Navoi and his successors, the study explores how izafa constructions were adopted and adapted in Uzbek, often resulting in idiomatic expressions with shifted meanings. The research also addresses the typological differences between Uzbek and Tajik, as well as the implications of these structu

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Hazratkuliyon, Dilshodai Farxodzod. "A FEW WORDS ABOUT THE DEVELOPMENT OF POETRY OF PRAISE IN THE TAJIK LITERATURE OF UZBEKISTAN." International journal of word art 5, no. 6 (2022): 4. https://doi.org/10.5281/zenodo.7393765.

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This article talks about one of the aspects of Tajik literature that is developing in the literary environment of modern Uzbekistan - "madeha" poetry, its role in the poems of modern Tajik poets and its specific aspects. Madeha poetry has its traditions in the form of madeha. Today, this literary tradition continues in spirit, and sometimes becomes a reality. Praise by the poet of the Motherland, glorification of the great features of the figures of high significance of the poem of national selfknowledge, and this principle has appeared in Tajik literature since the 60s of the XX cen

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14

Nafisi, Gholam Abas, Mohammad Ali Davood Abadi Farahani, and Ali Sar Yaghoubi. "Tajikistan Contemporary Poetry Themes." Journal of Language and Literature 19, no. 2 (2019): 55. http://dx.doi.org/10.24071/joll.v19i2.2130.

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<p>Tajik poetry deviated from its mainstream with the victory of the communist revolution. The imposition of Russian language and the new communist literature made Tajik poetry to take influence from the works of Russian romantic poets and to have new themes. Meanwhile, it benefited from the ancient Persian poets and one can see the rhetorical figures such as metaphor, simile, conflict, pun, Īhām, proverb, husn-i ta'lil (good reason), imagery and paradox in the works of Tajik poets. Additionally, Bīdel's poem has also had a clear influence on the poetry of some contemporary poets. Tajik

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15

Nozimova, Shahnoza. "Hijab in a Changing Tajik Society." Central Asian Affairs 3, no. 2 (2016): 95–116. http://dx.doi.org/10.1163/22142290-00302001.

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This article investigates Islamic veiling (hijab), an issue that has occupied center stage in the public debate in Tajikistan. State officials and institutions view it as alien (begona), while proponents argue it is a religious obligation (farz) to be fulfilled by every pious woman, especially outside of her domestic settings. I detail the limitations and functionalities that hijab offers for women in contemporary Tajikistan. In particular, as women experience increased pressure to seek employment outside of the home, there appears to be a need to construct new, socially acceptable, mechanisms

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16

Hazratkuliyon, D. F. "Development of the tradition of “zullisoinayn” in Tajik poetry of modern Uzbekistan." Neophilology 10, no. 3 (2024): 634–43. http://dx.doi.org/10.20310/2587-6953-2024-10-3-634-643.

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INTRODUCTION. In Uzbek literary criticism, the term “zullisoinayn” is used for poetry created in two languages. At one time, Alisher Navoi was a bright example of such creativity. The relevance of the study is due to its connection with the development of this literary tradition in the work of modern Uzbek poets. At present, the poetic technique of “zullisoinayn” of bilingual poets' poems makes a significant contribution to strengthening literary ties and the development of Tajik literature in modern Uzbekistan. The purpose of the study is to identify the significance of the work of Tajik poet

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Saidov, Zaynularab Z. "Creativity of Modern Russian Writers in Teaching Russian Language to Tajik High School Students: Theoretical and Practical Aspects." World of the Russian Word, no. 1 (2023): 88–96. http://dx.doi.org/10.21638/spbu30.2023.111.

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In this article we are talking about the appeal in teaching the Russian language to the work of modern Russian writers who are known in Russia and abroad, when teaching the Russian language to Tajik high school students. As a work, the analysis of which can serve as an example for work in the lessons of Russian language and literature in a Tajik school, the story of Evgeny G. Vodolazkin “Kunstkamera in faces” was chosen. The article provides a rationale for its methodological value in teaching the Russian language, a linguistic analysis of the text is carried out, accompanied by tasks and exer

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Avulova Nargiza Toxirovna. "Colors and their artistic image creation features." International Journal on Integrated Education 3, no. 10 (2020): 251–54. http://dx.doi.org/10.31149/ijie.v3i10.747.

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Colors have long been used by artists as a means of depicting unique and beautiful landscapes, to ensure the attractiveness of speech, to create an artistic image in poetry. The colors are used in works of art, mainly in lyrical genres, reveals the appearance of inner experiences, emotions, beauty and creative influence. In poetry, such forms of art as allegory, allegory and irony are expressed through colors.Classical and modern Persian-Tajik poets skillfully used the means of color in their work, creating beautiful and unique images through their artistic potential. Nowadays, in Tajik litera

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Tojiboeva, Ozoda Tohirovna. "Translations Of Category Plots Into Uzbek Literature." American Journal of Social Science and Education Innovations 03, no. 04 (2021): 307–11. http://dx.doi.org/10.37547/tajssei/volume03issue04-45.

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A series of plot works of a formative nature are common in Eastern literature. The works of Firdavsi, Nizami Ganjavi, Khisrav Dehlavi, Alisher Navoi, consisting of seven works depicting the image of Bahrom, have been published in different versions in oral literature. Such works, which contain many incisive events in one work, were loved and read by the people of their time. In Uzbek literature, such works have been translated and reworked from Persian-Tajik. This article provides information on a prose translation of “Bahrom and Gulandom”. Information is provided on the authors who carried ou

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Yudina, T. N., and D. A. Besfamilnyi. "Ethnonational discourse of migrants in social networks on the example of Tajik and Kyrgyz virtual communities on VK." Digital Sociology 6, no. 3 (2023): 62–72. http://dx.doi.org/10.26425/2658-347x-2023-6-3-62-72.

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The use of Russian-language social networks by migrants from Tajikistan and Kyrgyzstan, primarily on VK, has increased significantly in recent years. This network has enabled easy communication both within and between ethnic communities. It has become a social space of ethno-national discourse with its own laws and rules of social interaction, including conflictogenic one. At the same time, publications on ethno-national discourse of Tajik and Kyrgyz migrants in social networks are practically absent in Russian scientific literature. In this regard, the authors have set a goal to identify the

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21

Maksudov, Badriddin. "NAVOI INTRODUCTION IN TAJIKISTAN." INTERNATIONAL JOURNAL OF ALISHER NAVOI 1, no. 2 (2021): 47–55. http://dx.doi.org/10.26739/2181-1490-2021-2-5.

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This article is devoted to the study of the history of Navoiology, in particular the activities of representatives of the Tajik Navoi school, one of the most important issues of Eastern classical literature. It is known that the study of the scientific and literary environment of Alisher Navoi and Herat began during the period of the poet's life. The great thinker united the Turkic-speaking and Persian-speaking peoples with his rich educational heritage. The formation of the Navoi school of Navoi studies is studied on the basis of impeccable sources of oriental poetry and prose. The achievemen

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22

Axmadjonov, Parvizjon Maxamadzoda. "SADRIDDIN AYNI «SAMPLE OF TAJIK LITERATURE» AND SOME ISSUES OF ZULLISONAYN IN IT." Theoretical & Applied Science 104, no. 12 (2021): 406–9. http://dx.doi.org/10.15863/tas.2021.12.104.25.

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Bakhromova, Laylo Rayim kizi. "GHAFUR GHULAM- HIS CREATION IS AN EXCELLENT BONFIRE, HIS EVERY APPEARANCE IS A VARIETY OF BURNING: POET OF UZBEK, TAJIK AND OTHER FRATERNALS." DEVELOPMENT AND INNOVATIONS IN SCIENCE 2, no. 1 (2023): 50–53. https://doi.org/10.5281/zenodo.7542989.

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This article covers the life and work of one of the brightest manifestations of Uzbek literature, Gafur Ghulam, and now contains historical events dedicated to the memory of the writer. Also there are the opinions of Uzbek, Tajik, Russian and other related folk writers about the writer.

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Sheroz, Turayevich Temirov. "COMPARATIVE ANALYSIS OF MIRSIDDIQHAN HASHMAT BUKHORI TAZKIRAS WITH OTHER TAZIRS." Innovative Development in Educational Activities 2, no. 6 (2023): 536–44. https://doi.org/10.5281/zenodo.7789703.

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<em>Mirsiddikhan Hashmati Bukharoy is one of the famous poets and poets of Tajik literature and is famous for his literary and historical works. There are reports that Mirsiddiq Khan Hashmat knew Persian, Arabic and Turkish well and wrote his tazkira and works in these languages.</em>

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Makhmudov, G. B. "Libraries of Tajikistan: current state and development prospects." Proceedings of SPSTL SB RAS, no. 3 (September 21, 2021): 77–82. http://dx.doi.org/10.20913/2618-7575-2021-3-77-82.

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In the article, the author reveals the systems of libraries in the Republic: the number of libraries, the total amount of library collections in traditional and electronic media. Training and professional retraining of personnel, perfecting the librarians social image, scientific-research and scientific methodical work effectiveness’ growing are of great importance.The dominant role of the National Library of Tajikistan as a center for scientific research of the dynamics and prospects for the development of library and information technologies, advanced training and retraining of library worke

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Ochilova, M. I. "Masnavi Entitled as «Haft Akhtar» by Abdibek Sherozi in Response to «Seven Bodies» by Nizami Ganjevi." ТЕНДЕНЦИИ РАЗВИТИЯ НАУКИ И ОБРАЗОВАНИЯ 103, no. 2 (2023): 204–7. http://dx.doi.org/10.18411/trnio-11-2023-115.

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The article dwells on issues beset with the study of masnavi entitled as «Haft Akhtar» by Abdibek Sherozi in response to «Seven Bodies» by Nizami Ganjevi. It is noted that Nizami`s tenet of literature became more popular in the 15th–17th centuries. It is worth mentioning that Tajik-Persian literature is one of the richest one in the world, which has always attracted the attention of many poets.

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Mozur, Joseph, Shavkat Niyazi, Holly Smith, and Monica Whyte. "At the Foot of the Blue Mountains: Stories by Tajik Authors." World Literature Today 60, no. 4 (1986): 691. http://dx.doi.org/10.2307/40142979.

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Khasanzoda, Kuchkorov Khoshimjon. "Some features of the theory of translation of tajik literature of the twentieth century." ACADEMICIA: An International Multidisciplinary Research Journal 12, no. 5 (2022): 521–26. http://dx.doi.org/10.5958/2249-7137.2022.00463.3.

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Dall’ Agnola, Jasmin. "“Tell Me Sister” – Social Media, a Tool for Women Activists in Tajikistan." Central Asian Affairs 9, no. 1 (2022): 119–47. http://dx.doi.org/10.30965/22142290-12340018.

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Abstract Instagram is the world’s most popular social media tool among people under 29, including Central Asian youth. Despite the growing authoritarian grip on print and online media, more and more Tajik women are opening up on Instagram to counter the pernicious narrative that blames victims of sexual harassment and violence for speaking out against their harassers and abusers. So far, there is little research exploring the extent to which women Instagram bloggers are successful in influencing the wider female public’s perception of sexual harassment and violence. I seek to fill this gap by

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Grassi, Evelin. "From Bukhara to Dushanbe: Outlining the Evolution of Soviet Tajik Fiction." Iranian Studies 50, no. 5 (2017): 691–704. http://dx.doi.org/10.1080/00210862.2017.1322943.

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Umed, Karaev. "ABOUT SOME EXAMPLES OF ANCIENT LITERARY MONUMENTS." International journal of word art 5, no. 5 (2022): 5. https://doi.org/10.5281/zenodo.7038284.

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The article discusses some examples of literary monuments and the history of Persian-Tajik and Uzbek literary ties. A number of studies have been carried out on the history of political, trade, economic and cultural cooperation between the ancient Turks and Sogdians. In the textbooks and methodological manuals prepared by our literary critics, we can find a brief overview of Sogdian literature, namely, some information about the Rustam epic. But other examples of Sogdian literature found in the Dunhuang region of China in the last century have not been carefully studied in terms of literary co

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Qodirova, Firuza. "Priorities of the Tajik Edition of “Lughati Furs” by Asadi Tusi from Iranian Publications." Stephanos Peer reviewed multilanguage scientific journal 67, no. 5 (2024): 90–98. http://dx.doi.org/10.24249/2309-9917-2024-67-5-90-98.

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The article analyzes the significance and priority of “Lughati Furs” by Asadi Tusi published in Tajikistan, which was proofread by lexicographer Nurullo Ghiyasov. At the beginning, the content of the preface is considered, and then the corrected text of the dictionary, notes and comments of the proofreader are directly analyzed, and at the end, it is noted that all the achievements of this edition have scientific value in the field of textology, lexicography and historical literature.

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Hakim, Askar, Sunil Sharma, and John R. Perry. "The River Was Once a Drop of Water: Tajik Poetry in the Past Six Years." World Literature Today 70, no. 3 (1996): 577. http://dx.doi.org/10.2307/40042076.

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Battis, Matthias. "Soviet Orientalism and Nationalism in Central Asia: Aleksandr Semenov's Vision of Tajik National Identity." Iranian Studies 48, no. 5 (2015): 729–45. http://dx.doi.org/10.1080/00210862.2015.1058632.

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Shoalieva, Nargiza. "THE ESSENCE OF HUMAN IN BEDIL’S CREATION." CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 02, no. 09 (2021): 110–16. http://dx.doi.org/10.37547/philological-crjps-02-09-24.

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Mirza Abdulkadir Bedil is a Persian-speaking poet, prose writer, philosopher and Indian thinker, very popular among the peoples of Central Asia and Afghanistan. In his work, Bedil analyzes the main part of the works of art and literature of Persian and Tajik poets from Rudaki to Jami and the literary and philosophical ideas of Sanayi, Attar, Jalaliddin Rumi and Ibn al-Arabi. The ancient philosophy of ancient Iran, Greece, India and Arabia laid the foundation for the development of literary and philosophical ideas, and as a result of relying on the achievements of the past, Mirza Bedil strength

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Latypov, Alisher. "Healers and Psychiatrists: The Transformation of Mental Health Care in Tajikistan." Transcultural Psychiatry 47, no. 3 (2010): 419–51. http://dx.doi.org/10.1177/1363461510374558.

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This article examines the transformation of mental health care in Tajikistan from the time of Russian colonization of Central Asia until the most recent years of post-independence. It incorporates a review of published literature into the analysis of locally available reports, focus group discussions, interviews and oral histories collected between 2005 and 2008. Traditional healers play a significant role in contemporary Tajikistan, where mental health care provision is influenced by the legacy of Soviet psychiatry. Tajik mental health care may now be in a “dormant” phase, characterized by a

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Nodira, M. Radjabova. ""MAVRIGI" AS A RARE EXAMPLE OF BUKHARA SINGING ART." Look to the past 5, no. 12 (2022): 3. https://doi.org/10.5281/zenodo.7482949.

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The fact that Moorishness is its own category in the art of Bukhara music and singing is important. In this article, on the basis of various literature and personal communication materials, the problems of our folkloristics composed of "Bukhorcha" and "Mavrigi" songs are scientifically researched. The unexplored aspects of this series from the point of view of historical ethnographic and musicology are revealed as much as possible. Information is provided about the genres of Uzbek and Tajik folklore that have an ancient basis.The essence of the article is that the issues of

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Khadikova, Alina Kh. "Historical and Аnthropological Сontext and Рersonal Image in the Persian-Tajik Literature of the Heyday Period (X–XIII Centuries)". Vestnik of North Ossetian State University, № 4 (25 грудня 2022): 91–98. http://dx.doi.org/10.29025/1994-7720-2022-4-91-98.

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Тhe study presents an analysis of a unique civilizational phenomenon: the Iranian-Tajik literature of the heyday period (X-XIII centuries), its historical and social environment. The article is rather staged in nature and anticipates the author’s intention to conduct a broader historical and comparative comparison of the epic and artistic works of the peoples of the Indo–Iranian world, of which the Ossetian ethnos is also a part. This research is the initial stage of the planned research, its introductory part. The possibilities of one journal publication allow us to turn to the analysis of Pe

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To'xliyev, Boqijon. "Motives of Turkic Folklore in “Kutadgu Bilig”." Golden scripts 2, no. 3 (2020): 3–26. http://dx.doi.org/10.52773/tsuull.gold.2020.3/nwgb3719.

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“Kutadgu bilig” is one of the most ancient monuments of Turkic written literature. However, talking about its importance only for the interests of the Turkic peoples would be one-sided. Such works belong to all mankind. So such works’ importance is universal. In 11th century, Turkic literature, including “Kutadgu bilig”, emerged in extremely complex historical, economic, political and cultural conditions.During this period, the ancient beliefs of the Turkic peoples, as well as the traditions of the ancient Turkic script, as well as the Islamic culture, which came under the influence of Persian

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О.В., МАРЬИНА, та ХУДЕНКО Е.А. "ПРОБЛЕМНЫЕ ЗОНЫ В ОБУЧЕНИИ РУССКОМУ ЯЗЫКУ И ЛИТЕРАТУРЕ И ИХ РЕШЕНИЕ: СОВРЕМЕННОЕ СОСТОЯНИЕ И ПЕРСПЕКТИВЫ (НА ПРИМЕРЕ РОССИЙСКО-ТАДЖИКСКИХ ШКОЛ, ОТКРЫТЫХ В РЕСПУБЛИКЕ ТАДЖИКИСТАН В 2022/23 УЧ. Г.)". Russkii iazyk za rubezhom, № 5(306) (12 листопада 2024): 113–17. http://dx.doi.org/10.37632/pi.2024.306.5.014.

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Статья посвящена рассмотрению проблемных зон в обучении русскому языку и литературе на примере работы российско-таджик- ских школ, открытых в Республике Таджикистан в 2022/23 учебном году, а также потенциальным способам их решения и перспективам последующего образовательного взаимодействия. Проблемные зоны в обучении детей-билингвов русскому языку связаны с раз- ностью их стартовых возможностей, с устаревшими методиками и содержанием обучения в таджикских школах, с отсутствием со- временных интерактивных технологий. Теоретическая подготовка и постоянное методическое сопровождение учителей-слов

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Marina, Olga V., and Yelena A. Khudenko. "THE PROSPECTS OF METHODOLOGICAL SUPPORT FOR ADVANCED TRAINING COURSES TARGETED AT RUSSIAN LANGUAGE AND LITERATURE TEACHERS IN THE REPUBLIC OF TAJIKISTAN IN THE CONTEXT OF THIRD-GENERATION FSES." Vestnik Altaiskogo Gosudarstvennogo Pedagogiceskogo Universiteta, no. 54 (March 15, 2023): 41–46. http://dx.doi.org/10.37386/2413-4481-2023-1-41-46.

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The paper presents options for methodological support of advanced training courses for teachers of Russian language and literature working in Russian-Tajik schools of the Republic of Tajikistan. The tasks assigned by the leaders of the two countries to the large team participating in the humanitarian program provided meaningful content of advanced training courses, interaction with verbal teachers in the classroom and during their direct pedagogical activity. The requirements of the Federal State Educational Standard (FSES) of the third generation for the organization of the educational proces

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Якубова, Анисахон Анварходжаевна, and Зайнулараб Забуриддинович Саидов. "STIMULATING THE READING OF ARTISTIC WORKS IN RUSSIAN LANGUAGE IN SCHOOLS OF TAJIKISTAN." Pedagogical Review, no. 2(42) (April 8, 2022): 24–31. http://dx.doi.org/10.23951/2307-6127-2022-2-24-31.

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Анализируется ситуация стимулирующего чтения русской художественной литературы в школах Республики Таджикистан, а также ситуации с ее изучением учителями в школах страны, где она изучается как второй язык начиная со 2-го класса. Литературное чтение остается основным средством школьного предмета «Русский язык» и является неотъемлемой частью изучения русского языка в коммуникативно-языковом пространстве Таджикистана, несмотря на значительный отток русско-язычного населения. Подавляющее большинство таджикской интеллигенции, в том числе высокопоставленные государственные деятели, стремятся сохрани

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Song, Ho-Lim. "The Uzbek Language before the National Reform: A New Approach to Sart Ethnolinguistic Identity Based on the Late Chagatai Turkic Literature." Hankuk University of Foreign Studies Literature Studies 90 (May 31, 2023): 31–62. http://dx.doi.org/10.22344/fls.2023.90.31.

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Following the end of the Governorate of Russian Turkistan (1867-1917), the Sart, who represented the majority of the local population, were absorbed by the new Uzbek nation with the establishment of the Uzbek Soviet Socialist Republic in 1924. After only a year, Abdullah Qadiri published the first modern novel in the Uzbek language, “Bygone Days” (1925), and soon after released “Scorpion from the Altar” (1928), which decried the regime of Khudayar Khan and his Sart officialdom. However, it is difficult to fully assess the 19th century, which laid the foundations of the modern Uzbek language an

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Sirojiddinov, Shuhrat. "The praise (madh) of Alisher Navoi in the qasida by Ahli Shirazi." Golden scripts 3, no. 1 (2021): 53–68. http://dx.doi.org/10.52773/tsuull.gold.2021.1/heta1264.

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Among the other genres of classical literature of the East, the genre of the qasida (or qasidah, often translated as ode) is relatively old and played an important role in the development of poetic thinking. Furthermore, the praise (madh) is one of the most widely described issues in classical literature, as well as it developed simultaneously with the genre of qasida (or qasidah, often translated as ode). The issue about the genre of qasida (or qasidah, often translated as ode) and the praise (madh) in the history of our literature is so intertwined that is impossible to imagine them separate

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Kozhobekova, Gulbubu, and Abdyladzhan Akmataliev. "TUMENBAI BAYZAKOV’S PLACE IN THE ART OF TRANSLATION, CONNECTION WITH WORD LITERATURE THROUGH HIS TRANSLATIONS." Alatoo Academic Studies 24, no. 1 (2024): 215–27. http://dx.doi.org/10.17015/aas.2024.241.20.

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This work deals with the translations of Tumenbay Bayzakov as a subject of research. The purpose of the research is to prove that the poet translated the works of each language not through Russian, but through his mother tongue, as a result of his knowledge of Russian, Tatar, Ukrainian, Tajik, and Uzbek languages, to reveal his connection with world literature, to establish the position of the poet in the art of translation, and what translations he has. is a study. Empirical method is used as a research method. As a result of the scientific research, T. Bayzakov's translation of the works of

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Menga, Filippo. "Building a nation through a dam: the case of Rogun in Tajikistan." Nationalities Papers 43, no. 3 (2015): 479–94. http://dx.doi.org/10.1080/00905992.2014.924489.

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Ruling elites can use the symbolism of major dams to gain legitimacy and bolster a sense of national identity and patriotism. The Rogun Dam in Tajikistan is a gigantic hydraulic infrastructure that if and when finished will be the tallest in the world, allowing the country to gain energy self-sufficiency. Furthermore, by projecting an image of progress and success, such a structure can contribute to creating and strengthening a nationalistic discourse even before its completion. This paper begins by introducing the concept of nation-building in relation to the Central Asian setting and then co

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Abdurahmonov, G,N. "Social and Cultural Features of the Development Components of Creativity in Primary School Children (for example, Russian and Tajiks schoolchildren)." Psychological-Educational Studies 7, no. 2 (2015): 83–96. http://dx.doi.org/10.17759/psyedu.2015070208.

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The problem of the development of the components of creativity in primary school age in different cultures. According to the analysis of psychological and pedagogical literature concludes that the primary school age is asensitive period in the development of creativity. The hypothesis of the study is that the socio-cultural environment influences the development of the components of creativity in primary school children. The article presents the results of a study of the components of creativity in different cultures(for example, Russian and Tajik schoolchildren). Showing differences in the ma

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Abdurahmonova, Olmosxon. "History and Development of the Discussion Genre." Golden scripts 2, no. 4 (2020): 39–61. http://dx.doi.org/10.52773/tsuull.gold.2020.4/osie5262.

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The article is devoted to the level of development and perfection of the genre of debate in fiction. It also answers questions about the meaning of the word debate and what its function is, and its place in literature. Depending on the meanings of the term debate in annotated and encyclopedic dictionaries, they are divided into types. The opinions expressed by scholars in the genre of debate are summarized and come to a unified conclusion. The article covers the history of debate, the creation of the debate. The literature of the peoples of the West and the East has been studied comparatively,

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Grassi, Evelin. "Memorie Sadriddin Ajnī (Italian translation by Evelin Grassi)." Oriente Moderno 93, no. 1 (2013): 212–38. http://dx.doi.org/10.1163/22138617-12340010.

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Abstract This is the first Italian translation of some selections from the Ëddoštho* “Reminiscences” of Sadriddin Ajnī (Bukhara 1878—Dushanbe 1954), the author commonly regarded as the leading representative of modern Tajik literature. Ajnī’s Reminiscences, divided into four parts and published between 1948 and 1954, are a collection of lively short-stories where the author described his childhood spent in two villages near Bukhara, as well as his youth and schooldays at the madrasa in the last two decades of the 19th and the beginning of the 20th century. Parts I and II were more often transl

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Dodykhudoeva, Leyli Rakhimovna. "On the process of standardization in an unwritten language (based on the example of the Shughnani language)." Ethnic Culture 5, no. 4 (2023): 22–32. http://dx.doi.org/10.31483/r-107993.

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The article analyses graphic and orthographic variability, as well as issues concerning the standardization process, in an unwritten Pamir language – Shughnani. The source data include a corpus of published and archival Shughnani texts of the 19th–21st centuries and their translation into Russian, as well as dictionaries, and field materials resulting from the author’s field research. We systematise linguistic data by applying an in-depth comparative method, in particular, comparative analysis of culturally marked units, as well as component analysis. There exist no state-institutional structu

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