Relevant bibliographies by topics / Tajik poetry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Tajik poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Tajik poetry"

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Kalandarov, Tokhir S. "Tajik Migrant Religious Poetry." Вестник антропологии (Herald of Anthropology) 48, no. 4 (December 10, 2019): 169–77. http://dx.doi.org/10.33876/2311-0546/2019-48-4/169-177.

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Today there are hundreds of papers published on the problem of labor migration from Central Asian countries, its political, social and economic aspects, as well as on the problem of integration and adaptation of migrants in the Russian society. However, the topic of migrant poetry is still poorly studied in Russia. At least there is no such research on Tajik labor migrants. The genres of Tajik migrant poetry vary significantly and include such forms as love poems, political songs, songs about migration hardships, religious poems. This paper is based on the results of monitoring social networks «Odnoklassniki», «Facebook», as well as on the results of personal communication and interviews with poets. In the paper we use the poems of three authors written in Tajik, Russian and Shugnani languages. The semantic translation from Tajik and Shugnani was done by the author of this paper
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Nafisi, Gholam Abas, Mohammad Ali Davood Abadi Farahani, and Ali Sar Yaghoubi. "Tajikistan Contemporary Poetry Themes." Journal of Language and Literature 19, no. 2 (October 2, 2019): 55. http://dx.doi.org/10.24071/joll.v19i2.2130.

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<p>Tajik poetry deviated from its mainstream with the victory of the communist revolution. The imposition of Russian language and the new communist literature made Tajik poetry to take influence from the works of Russian romantic poets and to have new themes. Meanwhile, it benefited from the ancient Persian poets and one can see the rhetorical figures such as metaphor, simile, conflict, pun, Īhām, proverb, husn-i ta'lil (good reason), imagery and paradox in the works of Tajik poets. Additionally, Bīdel's poem has also had a clear influence on the poetry of some contemporary poets. Tajik poetry is very close to the informal language of the people, and in these poems, we encounter words that are specific to the Tajik dialect. The first Persian she'r-e now (new poetry) in Central Asia was written by Sadriddin Ayni.</p><p>In Tajik poetry, we occasionally encounter with recurrences, the nostalgia of the missed glory, the oppression of the nation, and the unwanted fate of their ancestors. In these poems, the rely on emotion and content, and the epic and passionate tone prevail other poetic performances. The present study gives a general overview of the poetry of some Tajik poets.</p><p><em><strong>Keywords:</strong> Poetry, Tajikistan, Tajik, Persian language</em></p><p>_________________________________________</p><p>DOI &gt; <a href="https://search.crossref.org/?q=10.24071%2Fjoll.2019.190206">https://doi.org/10.24071/joll.2019.190206</a></p><p><em><br /></em></p>
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VAN DEN BERG, Gabrielle. "Ismaili Poetry in Tajik Badakhshan." Persica 17 (January 1, 2001): 1–9. http://dx.doi.org/10.2143/pers.17.0.495.

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Jiří, Bečka. "Two Iranians in Modern Tajik Poetry." Oriente Moderno 83, no. 1 (August 12, 2003): 29–35. http://dx.doi.org/10.1163/22138617-08301005.

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Avulova Nargiza Toxirovna. "Colors and their artistic image creation features." International Journal on Integrated Education 3, no. 10 (October 20, 2020): 251–54. http://dx.doi.org/10.31149/ijie.v3i10.747.

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Colors have long been used by artists as a means of depicting unique and beautiful landscapes, to ensure the attractiveness of speech, to create an artistic image in poetry. The colors are used in works of art, mainly in lyrical genres, reveals the appearance of inner experiences, emotions, beauty and creative influence. In poetry, such forms of art as allegory, allegory and irony are expressed through colors.Classical and modern Persian-Tajik poets skillfully used the means of color in their work, creating beautiful and unique images through their artistic potential. Nowadays, in Tajik literature, the properties of colors to create an artistic image have not been fully studied. This article describes the features of colors in lyric art and their role in poetry on the basis of concrete evidence from the poems of new Tajik poets.
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Van Den Berg, Gabrielle. "Perceptions of Poetry. Some Examples of Late 20th Century Tajik Poetry." Oriente Moderno 83, no. 1 (August 12, 2003): 37–56. http://dx.doi.org/10.1163/22138617-08301006.

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7

Maksudov, Badriddin. "NAVOI INTRODUCTION IN TAJIKISTAN." INTERNATIONAL JOURNAL OF ALISHER NAVOI 1, no. 2 (April 30, 2021): 47–55. http://dx.doi.org/10.26739/2181-1490-2021-2-5.

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This article is devoted to the study of the history of Navoiology, in particular the activities of representatives of the Tajik Navoi school, one of the most important issues of Eastern classical literature. It is known that the study of the scientific and literary environment of Alisher Navoi and Herat began during the period of the poet's life. The great thinker united the Turkic-speaking and Persian-speaking peoples with his rich educational heritage. The formation of the Navoi school of Navoi studies is studied on the basis of impeccable sources of oriental poetry and prose. The achievements of the Tajik Navoi school are of great importance in world literature.Key words: navoi intraduction, literary environment, text, source, research
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To'xtamuratov, Furqat. "Muhsini's Poetry: a Comparison of Originality and Publication." Golden scripts 3, no. 3 (September 10, 2021): 80–94. http://dx.doi.org/10.52773/tsuull.gold.2021.3/jitp9769.

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In this article, the lyrical poems of the poet Huseinkuli Muhsiniy (1860-1917), a representative of the literary environment in Kokand are studied from the textual point of view. A comparative analysis of the poems of the poet’s collection “Gulshani jovid” in the collection of the Institute of Oriental Studies of the Academy of Sciences of the Republic of Uzbekistan 7392 digital manuscripts and published in collection “Barhayot gulshan”. As a result, the poet wrote 239 ghazals in Uzbek and Persian-Tajik languages, 211 of them in Uzbek, 28 in Persian-Tajik, and 136 Uzbek ghazals in “Barhayot gulshan”. The 7392 inventory is said to have been omitted from the 75 gazalle devon editionis identified in the digital manuscript. With the current spelling edition of the Muhsiniy devoni manuscript there differences indentified as a result of comparative study, the scientific classifications analyzed. As a result of comparative analysis, it was concluded that the preparation of the perfect editions of Muhsiniy devoni is one of the urgent tasks before textual studies.
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Abdurashidov, Abduvalī. "The Formation of Ruboī Meters in Terms of Musical Rhythmic Rotations. By Abduvalī Abdurashidov. Translated by Evan Rapport, edited by Richard K. Wolf." Ethnomusicology Translations, no. 6 (September 27, 2017): 1–50. http://dx.doi.org/10.14434/emt.v0i6.23933.

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In this article, the Tajik maqom master and pedagogue Abduvalī Abdurashidov approaches the problem of ruboī (a type of quatrain) versification from the standpoint of music. He takes us step-by-step through the process by which he arrives at the ruboī meters, with fascinating results that remind us of the interdependent nature of poetry and music. Originally published in Tajik as “Tashakkul-i avzoni ruboī dar matn-i advor-i zarbi-i musiqī.” In Falak va mas’alahoi ta’rixī-nazariyavi-i musiqi-i tojik. Third International Symposium of Falak. Ministry of Culture of the Republic of Tajikistan: Dushanbe, Tajikistan, 2009.
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Zaripova, Dilfuza Bakhtiyorovna. "The role of didactic works in world literature." International Journal on Integrated Education 3, no. 2 (February 6, 2020): 10–14. http://dx.doi.org/10.31149/ijie.v3i2.316.

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In the 10th - 11th centuries, Persian - Tajik fiction began to develop, with some governors, especially Samanis, paying much attention to the development of Persian poetry. Literary centers were established in Bukhara, Samarkand, Marv, Balkh and Nishapur. The great speakers like Rudaki, Daqiqiy, Firdavsi, Asadi Tusi, Nosir Khisraf, Omar Khayyam, Nizami Ganjavi from the Tajik, Iranian and Azerbaijani nations were educated. Each of these writers has their own way of life and creativity, artistic style and literary services. Accordingly, these writers, who have lived and worked in such places as Bukhara, Samarkand, Termez, Merv, Khorezm, Nishapur, Balkh, Tus, Ghazna, Ganja and Shirvan, have gained popularity throughout the Middle East.
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Dissertations / Theses on the topic "Tajik poetry"

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Berg, Gabrielle Rachelle van den. "Minstrel poetry from the Pamir mountains : a study on the songs and poems of the Ismâí̂lîs of Tajik Badakhshan /." [S.l.] : [s.n.], 1997. http://catalogue.bnf.fr/ark:/12148/cb37091706f.

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Books on the topic "Tajik poetry"

1

Sūfiev, Asadullo. Ḣazoru i︠a︡k ruboī. Dushanbe: Adib, 2013.

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2

Naqqosh, Domullo Ibroḣimi, and A. Musoev. Ḣazor ghazal az sad shoir. Dushanbe: Irfon, 2011.

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Naqqosh, Domullo Ibroḣimi. Gulchini ghazal. Dushanbe: Irfon, 2010.

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Faĭz. Kasbi padar. Dushanbe: "Adib", 1993.

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Iran. Vizārat-i Umūr-i Khārijah. Markaz-i Chāp va Intishārāt, Markaz-i Asnād va Tārīkh-i Dīplumāsī, and Iran. Vizārat-i Umūr-i Khārijah. Markaz-i Asnād va Khidmāt-i Pizhūhishī, eds. Taz̲kirah-ʼi shuʻarā-yi Khujand. 2nd ed. Tihrān: Markaz-i Chāp va Intishārāt-i Vizārat-i Umūr-i Khārijah, 2006.

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Akhsikatī, Asiriddini. Dīvān-i Asīr al-Dīn Akhsikatī. Tihrān: Intishārāt-i Sukhan, 2019.

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Firdawsi. Shoḣnoma. Dushanbe: Adib, 2007.

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Saloḣov, T. Gulchin az ruboiëti khalqī. Dushanbe: Irfon, 2010.

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Rasulov, Suḣaĭlī Mirqozievich. Ḣususii︠a︡tḣoi lughavī va uslubii nazmi Naqibkhoni Tughral. Dushanbe: Bukhoro, 2018.

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Naqqosh, Domullo Ibroḣimi. Baëzi Naqqosh. Dushanbe: Nur, 2007.

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