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Journal articles on the topic 'Tajik poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Kalandarov, Tokhir S. "Tajik Migrant Religious Poetry." Вестник антропологии (Herald of Anthropology) 48, no. 4 (2019): 169–77. http://dx.doi.org/10.33876/2311-0546/2019-48-4/169-177.

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Today there are hundreds of papers published on the problem of labor migration from Central Asian countries, its political, social and economic aspects, as well as on the problem of integration and adaptation of migrants in the Russian society. However, the topic of migrant poetry is still poorly studied in Russia. At least there is no such research on Tajik labor migrants. The genres of Tajik migrant poetry vary significantly and include such forms as love poems, political songs, songs about migration hardships, religious poems. This paper is based on the results of monitoring social networks

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2

Nafisi, Gholam Abas, Mohammad Ali Davood Abadi Farahani, and Ali Sar Yaghoubi. "Tajikistan Contemporary Poetry Themes." Journal of Language and Literature 19, no. 2 (2019): 55. http://dx.doi.org/10.24071/joll.v19i2.2130.

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<p>Tajik poetry deviated from its mainstream with the victory of the communist revolution. The imposition of Russian language and the new communist literature made Tajik poetry to take influence from the works of Russian romantic poets and to have new themes. Meanwhile, it benefited from the ancient Persian poets and one can see the rhetorical figures such as metaphor, simile, conflict, pun, Īhām, proverb, husn-i ta'lil (good reason), imagery and paradox in the works of Tajik poets. Additionally, Bīdel's poem has also had a clear influence on the poetry of some contemporary poets. Tajik

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3

VAN DEN BERG, Gabrielle. "Ismaili Poetry in Tajik Badakhshan." Persica 17 (January 1, 2001): 1–9. http://dx.doi.org/10.2143/pers.17.0.495.

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Jiří, Bečka. "Two Iranians in Modern Tajik Poetry." Oriente Moderno 83, no. 1 (2003): 29–35. http://dx.doi.org/10.1163/22138617-08301005.

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Avulova Nargiza Toxirovna. "Colors and their artistic image creation features." International Journal on Integrated Education 3, no. 10 (2020): 251–54. http://dx.doi.org/10.31149/ijie.v3i10.747.

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Colors have long been used by artists as a means of depicting unique and beautiful landscapes, to ensure the attractiveness of speech, to create an artistic image in poetry. The colors are used in works of art, mainly in lyrical genres, reveals the appearance of inner experiences, emotions, beauty and creative influence. In poetry, such forms of art as allegory, allegory and irony are expressed through colors.Classical and modern Persian-Tajik poets skillfully used the means of color in their work, creating beautiful and unique images through their artistic potential. Nowadays, in Tajik litera

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Van Den Berg, Gabrielle. "Perceptions of Poetry. Some Examples of Late 20th Century Tajik Poetry." Oriente Moderno 83, no. 1 (2003): 37–56. http://dx.doi.org/10.1163/22138617-08301006.

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Hazratkuliyon, Dilshodai Farxodzod. "A FEW WORDS ABOUT THE DEVELOPMENT OF POETRY OF PRAISE IN THE TAJIK LITERATURE OF UZBEKISTAN." International journal of word art 5, no. 6 (2022): 4. https://doi.org/10.5281/zenodo.7393765.

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This article talks about one of the aspects of Tajik literature that is developing in the literary environment of modern Uzbekistan - "madeha" poetry, its role in the poems of modern Tajik poets and its specific aspects. Madeha poetry has its traditions in the form of madeha. Today, this literary tradition continues in spirit, and sometimes becomes a reality. Praise by the poet of the Motherland, glorification of the great features of the figures of high significance of the poem of national selfknowledge, and this principle has appeared in Tajik literature since the 60s of the XX cen

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Maksudov, Badriddin. "NAVOI INTRODUCTION IN TAJIKISTAN." INTERNATIONAL JOURNAL OF ALISHER NAVOI 1, no. 2 (2021): 47–55. http://dx.doi.org/10.26739/2181-1490-2021-2-5.

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This article is devoted to the study of the history of Navoiology, in particular the activities of representatives of the Tajik Navoi school, one of the most important issues of Eastern classical literature. It is known that the study of the scientific and literary environment of Alisher Navoi and Herat began during the period of the poet's life. The great thinker united the Turkic-speaking and Persian-speaking peoples with his rich educational heritage. The formation of the Navoi school of Navoi studies is studied on the basis of impeccable sources of oriental poetry and prose. The achievemen

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Ashrapov, Bahodurjon. "Professor Nizomiddin Murodi’s Contribution to the Study and Exploration of Literary Ties between Tajik-Persian and Chinese Literatures (on the example of Uyghur literature)." Stephanos Peer reviewed multilanguage scientific journal 70, no. 2 (2025): 45–52. https://doi.org/10.24249/2309-9917-2025-70-2-45-52.

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The given article dwells on the significant contributions of Professor Nizomiddin Murodi to the study of literary ties between Tajik-Persian and Chinese literatures, focusing specifically on the influence of Persian-Tajik traditions on Uyghur literature. Professor Murodi’s extensive research, encompassing monographs, articles, and international lectures, explores themes such as Tajik folklore in classical Persian-Tajik poetry, and the transmission of these traditions into Uyghur literary works, the historical context, and impact of the destruction of the ancient Uyghur alphabet. The findings h

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10

Kalandarov, T. S., and M. M. Dzhumaeva. "Russian-Tajik Friendship in the Pages of Popular Science Publications of Tajikistan in the Soviet Period." Russia & World: Sc. Dialogue, no. 1 (March 5, 2025): 181–93. https://doi.org/10.53658/rw2025-4-1(15)-181-193.

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The article focuses on Russian-Tajik relations during the Soviet era. The authors have analyzed articles from two popular science magazines published by the Central Committee of the Communist Party of Tajikistan: “Agitator of Tajikistan” and “Communist of Tajikistan”, as well as materials from archives of the Institute of Ethnology and Anthropology of the Russian Academy of Sciences in Moscow, and other documents. The authors identified four categories of articles, depending on their content: anniversary articles, articles about Russian workers-craftsmen, articles about interethnic marriages,

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11

Hazratkuliyon, D. F. "Development of the tradition of “zullisoinayn” in Tajik poetry of modern Uzbekistan." Neophilology 10, no. 3 (2024): 634–43. http://dx.doi.org/10.20310/2587-6953-2024-10-3-634-643.

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INTRODUCTION. In Uzbek literary criticism, the term “zullisoinayn” is used for poetry created in two languages. At one time, Alisher Navoi was a bright example of such creativity. The relevance of the study is due to its connection with the development of this literary tradition in the work of modern Uzbek poets. At present, the poetic technique of “zullisoinayn” of bilingual poets' poems makes a significant contribution to strengthening literary ties and the development of Tajik literature in modern Uzbekistan. The purpose of the study is to identify the significance of the work of Tajik poet

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12

To'xtamuratov, Furqat. "Muhsini's Poetry: a Comparison of Originality and Publication." Golden scripts 3, no. 3 (2021): 80–94. http://dx.doi.org/10.52773/tsuull.gold.2021.3/jitp9769.

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In this article, the lyrical poems of the poet Huseinkuli Muhsiniy (1860-1917), a representative of the literary environment in Kokand are studied from the textual point of view. A comparative analysis of the poems of the poet’s collection “Gulshani jovid” in the collection of the Institute of Oriental Studies of the Academy of Sciences of the Republic of Uzbekistan 7392 digital manuscripts and published in collection “Barhayot gulshan”. As a result, the poet wrote 239 ghazals in Uzbek and Persian-Tajik languages, 211 of them in Uzbek, 28 in Persian-Tajik, and 136 Uzbek ghazals in “Barhayot gu

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13

Abdurashidov, Abduvalī. "The Formation of Ruboī Meters in Terms of Musical Rhythmic Rotations. By Abduvalī Abdurashidov. Translated by Evan Rapport, edited by Richard K. Wolf." Ethnomusicology Translations, no. 6 (September 27, 2017): 1–50. http://dx.doi.org/10.14434/emt.v0i6.23933.

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In this article, the Tajik maqom master and pedagogue Abduvalī Abdurashidov approaches the problem of ruboī (a type of quatrain) versification from the standpoint of music. He takes us step-by-step through the process by which he arrives at the ruboī meters, with fascinating results that remind us of the interdependent nature of poetry and music. Originally published in Tajik as “Tashakkul-i avzoni ruboī dar matn-i advor-i zarbi-i musiqī.” In Falak va mas’alahoi ta’rixī-nazariyavi-i musiqi-i tojik. Third International Symposium of Falak. Ministry of Culture of the Republic of Tajikistan: Dusha

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Zaripova, Dilfuza Bakhtiyorovna. "The role of didactic works in world literature." International Journal on Integrated Education 3, no. 2 (2020): 10–14. http://dx.doi.org/10.31149/ijie.v3i2.316.

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In the 10th - 11th centuries, Persian - Tajik fiction began to develop, with some governors, especially Samanis, paying much attention to the development of Persian poetry. Literary centers were established in Bukhara, Samarkand, Marv, Balkh and Nishapur. The great speakers like Rudaki, Daqiqiy, Firdavsi, Asadi Tusi, Nosir Khisraf, Omar Khayyam, Nizami Ganjavi from the Tajik, Iranian and Azerbaijani nations were educated. Each of these writers has their own way of life and creativity, artistic style and literary services. Accordingly, these writers, who have lived and worked in such places as

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15

Hisainovich Sultonov, Alisher, and Nataliya Evgenyevna Rebrova. "The Problem of Translation of Persian-Tajik Philosophical Lyric Poetry into Russian Language." Issledovatel'skiy zhurnal russkogo yazyka i literatury 13, no. 2 (2019): 207–24. http://dx.doi.org/10.29252/iarll.13.2.207.

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16

Mamanazarova, Sarviniso. "CLOSENESS TO THE ORIGINAL TRANSLATIONS OF IBN SINO'S RUBIES IN UZBEK." International journal of advanced research in education, technology and management 2, no. 3 (2023): 408–14. https://doi.org/10.5281/zenodo.7751861.

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Poetry translation has its own complex aspects, in which the translator not only translates word for word, but also reflects the tone, weight, rhyme, and especially the author's goal - the idea in another language. should get For this reason, not every translator is engaged in poetic translation. The translation of Ibs Sino Rubaiyats is also very difficult. The purpose of this article is to show the complexity of the translation of Ibn Sina's Rubaiyats from Persian-Tajik and Arabic into Uzbek and to show the analysis of the preservation of originality during the translation process. &n

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17

Narzikulov, Mehmon. "The genealogy of tajik poetry in uzbekistan (in the case of jafar muhammad ghazali)." ACADEMICIA: An International Multidisciplinary Research Journal 9, no. 1 (2019): 54. http://dx.doi.org/10.5958/2249-7137.2019.00007.7.

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18

კვაჭაძე, მანანა. "შოთა რუსთაველი ირანულენოვან სამყაროში". Contemporary Issues of Literary Studies - International Symposium Proceedings 17 (20 грудня 2024): 261–66. https://doi.org/10.62119/cils.17.2024.8745.

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Shota Rustaveli, the great Georgian poet of 12th century, author of immortal masterpiece “Vepkhistkaosani” (The Knight in the Panter’s Skin) was first mentioned in Europe at the beginning of the 19th century, in Asia – from the 30s of the 20th century. To date, the poem has been translated into numerous languages, including several Iranic (Persian, Tajik, Ossetic, and Kurdish) languages. Attempts have been made in order to narrate Rustaveli’s poem either completely or partially, in prose or in poetry. The interest of the readers and scholars towards “Vepkhistkaosani” is still increasing.

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19

Hakim, Askar, Sunil Sharma, and John R. Perry. "The River Was Once a Drop of Water: Tajik Poetry in the Past Six Years." World Literature Today 70, no. 3 (1996): 577. http://dx.doi.org/10.2307/40042076.

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20

Kosimov, Abdunabi A. "On the recognition of the author of a text fragment based on the frequency of alphabetic bigrams." Analysis and data processing systems, no. 1 (March 25, 2022): 73–82. http://dx.doi.org/10.17212/2782-2001-2022-1-73-82.

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On the example of a model collection of Tajik literary works, the problem of the possibility of determining the authorship of a fragment of the text of the minimum size extracted from the collection is studied. A model collection of texts in the Tajik language composed of works of classical poetry and modern prose in Cyrillic graphics is considered. Each piece is associated with a digital portrait - the distribution of the frequencies of symbolic bigrams. To solve the problem of identifying the authors of texts, bigrams are quite acceptable quantitative characteristics. A γ-classifier is used

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21

Dodykhudoeva, Leyli. "“The goat and her kids”: A Shughnani folk tale as narrated by Dawlatsulton Shukrulloeva." Rodnoy Yazyk. Linguistic journal, no. 1 (July 2025): 127–57. https://doi.org/10.37892/2313-5816-2025-1-127-157.

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The article presents the text of the folk tale «The goat and her kids» in the Shughnani language, which records the speech of a repre‑ sentative of the older generation of the region in the context of communication with a younger family member. This version of the tale was recorded in the Near-Pandzh zone of the Western Pamir region of Tajikistan in 2023 and has not been previously published. In the rhythmic elements similar to classical poetry competitions (munazira), we observe elements of code switching (Shughnani – Tajik lan‑ guages). In the epilogue, an ethical attitude towards an impor

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22

Eshonqulov, Husniddin, and Dilorom Sodiqova. "Muslihabegim Miskin is a talented bilingual poetees during the literary period of the XIXthcentury in Bukhara." Golden scripts 3, no. 3 (2021): 25–42. http://dx.doi.org/10.52773/tsuull.gold.2021.3/oudo2399.

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In this article, relying on our religious views formed over the centuries, the talented author wrote about her poetic and prose works on theological-mystical, social-political, spiritual-educational, moral-educational topics in Uzbek and Tajik languages. The article discusses the works of the poetess Muslihabegim Miskin. Having such a brilliant poet in the literary environment of Bukhara in the XIXth century is a unique and literary aesthetic phenomenon. The life and work of the poetess were hardly studied by literary critics of the last century, as she was brought up on the basis of Islamic f

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23

Daminova, Rahima Malikovna. "SOME DISCUSSIONS ABOUT THE TURKIC STYLE." Innovation: The Journal of Social Sciences and Researches 1, no. 4 (2023): 91–95. https://doi.org/10.5281/zenodo.7520345.

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24

Kholmahmatovich, Khujaqulov Sirojiddin. "Changes in the rhymed structure of tajik poetry at the beginning of the 20th century as an important factor in the formation of lyric genres." ACADEMICIA: An International Multidisciplinary Research Journal 10, no. 12 (2020): 96–101. http://dx.doi.org/10.5958/2249-7137.2020.01703.6.

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25

Dudoignon, Stéphane A. "Gnosis as Dissent?" Journal of Central Asian History 1, no. 2 (2022): 273–308. https://doi.org/10.1163/27728668-12340007.

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Abstract Islam in the USSR was long described as resistant to Sovietization, but also as reluctant to dissidence which is much better documented in the European regions of the Soviet Union. Since the turn of the 21st century, however, the publication in Central Asia of previously unknown manuscripts has brought to light the production, through the short 20th century, of a Muslim gnostic poetry of classical form and content, by authors from a small number of mutually linked sacred lineages, transmitters of the Sufi tradition (ritualised Islamic gnosticism). Among the issues that this production

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Kozhobekova, Gulbubu, and Abdyladzhan Akmataliev. "TUMENBAI BAYZAKOV’S PLACE IN THE ART OF TRANSLATION, CONNECTION WITH WORD LITERATURE THROUGH HIS TRANSLATIONS." Alatoo Academic Studies 24, no. 1 (2024): 215–27. http://dx.doi.org/10.17015/aas.2024.241.20.

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This work deals with the translations of Tumenbay Bayzakov as a subject of research. The purpose of the research is to prove that the poet translated the works of each language not through Russian, but through his mother tongue, as a result of his knowledge of Russian, Tatar, Ukrainian, Tajik, and Uzbek languages, to reveal his connection with world literature, to establish the position of the poet in the art of translation, and what translations he has. is a study. Empirical method is used as a research method. As a result of the scientific research, T. Bayzakov's translation of the works of

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Раджабов, Бохир Мукаммилович. "PECULIARITIES OF LOIK SHERALI’S LITERARY CRITIQUE." Bulletin of the Chuvash State Pedagogical University named after I Y Yakovlev, no. 4(109) (January 26, 2021): 114–18. http://dx.doi.org/10.37972/chgpu.2020.109.4.013.

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В статье предпринимается попытка определения направлений и особенностей литературной критики таджикского поэта Лоика Шерали, который начиная со второй половины 60-х годов ХХ века до конца своей творческой деятельности, кроме поэтических произведений, написал около 150 критических и публицистических работ - статей, рецензий, интервью, выступлений, вступительных слов, предисловий, писем, послесловий и т.п., подтверждающих его значительное место в литературно-критической публицистике и литературной критике. Благодаря своей деятельности в качестве публициста, критика, историка и социолога Л. Шерал

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Dilorom, Akhmedova. "Narrative Poetry And Poetry Only Couplets Of Persian-Tadjik Literature Of X-Xi Centuries." American Journal of Social Science and Education Innovations 02, no. 09 (2020): 290–96. http://dx.doi.org/10.37547/tajssei/volume02issue09-45.

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Jamahmatov, Karomiddin Aynillo oglu. "THE INFLUENCE OF ZULLISANAYN (BILINGUALISM IN WORKS) TRADITIONS IN THE WORK OF HAJI MUHAMMAD SHAHDI." INTERNATIONAL JOURNAL OF ALISHER NAVOI 1, no. 2 (2021): 155–65. http://dx.doi.org/10.26739/2181-1490-2021-2-18.

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One of the great bilingual poets, Haji Muhammad Shahdi, wrote in two languages in the literary environment of Kokand in the early 18th century. In addition to being the owner of the devon in the Persian-Tajik language, he wrote a number of ghazals rich in mystical meanings in the Uzbek language.The article describes the poet's attitude to the work of representatives of Uz-bek classical literature, his creative approach and the epistemological analysis of his poems. In addition, the specific style and meaning of the poet's poems were studied in comparison with the verses of the Qur'an. Samples

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30

Sharip, A. Zh. "Dombra: Types, Distribution Area, and Its Role in Epic Art." Bulletin of L.N. Gumilyov Eurasian National University. Political Science. Regional Studies. Oriental Studies. Turkology Series 149, no. 4 (2024): 341–60. https://doi.org/10.32523/2616-6887-2024-149-4-341-360.

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The dombra is a musical instrument that plays a significant role in the cultures of Turkic peoples (Kazakhs, Uzbeks, Bashkirs, Nogais, Tatars, Lakais) and several other ethnic groups (Tajiks, Kalmyks, Hazaras). This article examines not the use of the dombra in instrumental music, but its role in the art of epic singing. This topic has not been specifically studied from a scholarly perspective before. The author utilizes photo, audio, and written materials collected during foreign research trips to scientific centers, museums, and informants. Some information about the dombra was recorded on v

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Sharip, A. Zh. "Dombra: Types, Distribution Area, and Its Role in Epic Art." Bulletin of L.N. Gumilyov Eurasian National University. Political Science. Regional Studies. Oriental Studies. Turkology Series 149, no. 4 (2024): 279–98. https://doi.org/10.32523/2616-6887-2024-149-4-279-298.

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The dombra is a musical instrument that plays a significant role in the cultures of Turkic peoples (Kazakhs, Uzbeks, Bashkirs, Nogais, Tatars, Lakais) and several other ethnic groups (Tajiks, Kalmyks, Hazaras). This article examines not the use of the dombra in instrumental music, but its role in the art of epic singing. This topic has not been specifically studied from a scholarly perspective before. The author utilizes photo, audio, and written materials collected during foreign research trips to scientific centers, museums, and informants. Some information about the dombra was recorded on v

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Yarashov, Sharif Jumaevich. "SEMANTIC FEA TIC FEATURES OF THE WORD " TURES OF THE WORD "ABRO" (EYEBROW ABRO" (EYEBROW) IN THE ) IN THE POEMS OF AMIR KHUSRA POEMS OF AMIR KHUSRAV DEHLAVI "TOHFAT-US-SIG' -US-SIG'AR"." Scientific Reports of Bukhara State University 4, no. 5 (2020): 221–25. http://dx.doi.org/10.52297/2181-1466/2020/4/5/11.

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Background. This article discusses the level of use of the word "abro" (eyebrow) in the dictionary of ghazals of Amir Khusrav Dehlavi "Tohfat-us-sig'ar" and the range of lexical, semantic, figurative and mystical meanings. Methods. In Persian-Tajik dictionaries and ghazals of the first divan of the poet, the symbols of the term "abro" (eyebrow), a series of epistemological meanings, artistic and lexical interpretation, historical formation and lingopoetic interpretation of lexical interpretations are analyzed as a separate issue. And the new and unconventional meanings of this word in the poet

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Fikri, Ioqo Alhamra, and Ardipal Ardipal. "PERUBAHAN STRUKTUR DAN ARRANSEMEN MUSIK GAMAD DI KOTA PADANG." Gorga : Jurnal Seni Rupa 8, no. 2 (2019): 369. http://dx.doi.org/10.24114/gr.v8i2.15279.

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AbstrakMusik Gamad merupakan sebuah kesenian khas dari kota Padang yang mana pada dasarnya secara musikologi kesenian ini masih tergolong dalam klasifikasi musik melayu namun memiliki keunikan tersendiri dikarenakan pantun-pantun yang menjadi syair lagu dinyanyikan dalam bahasa Minangkabau dan juga bersifat spontan.kesenian ini juga merupakan sebuah bentuk akulturasi dari beberapa budaya masyarakat yang ada di kota padang pada era perkembanganya hingga pada saat ini.dilatar belakangi oleh kedatangan bangsa portugis dengan budaya musik barat dengan cepat menjadi daya tarik bagi bumi putra dalam

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Ahmedova, Dilorom Ismatovna. "THE VALUE AND ROLE OF MORALITY IN THE GENRE OF KITAH (SONNETS) OF IX-X CENTURIES." July 15, 2019. https://doi.org/10.5281/zenodo.3337364.

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The article analyzes the features of the genre kitah in Persian-Tajik literature for the IX-X centuries. Aside from specifying the genre features of the kitah, the author describes the peculiarities of precept theme development within this genre and its significant role. The article also notes  the similar peculiarities  between the kitahs and odes, the ecclesiastical heritage and the distinguishing feature of the kitah from the ode which is dedicated to the person praisal emphasizing the excellence of the person. Furthermore, in their works the poets not only glorify the statesmen,

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Bashiri, Iraj. "The Life and Poetry of Gulrukhsor Safieva: A Quest for Tajik Identity." Women Poets Iranica 1, no. 1 (2025). https://doi.org/10.70501/wpi7h85-e4zv.

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Jurayev, Shahriyor Ibodulloyevich. "BILINGUALISM IN BOBURNAMA." December 20, 2024. https://doi.org/10.5281/zenodo.14534994.

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<em>The article highlights how the Turkic-Uzbek and Persian-Tajik peoples have lived together in harmony and friendship since ancient times, particularly from the era of the Baburids to the present day. It examines the skillful use of Persian words in Baburnama and analyzes them by grouping them into categories. The work also presents examples of Persian-Tajik sentences and poems.</em>

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Ҳазраткулиён, D. "FOLLOWING THE TRADITIONS OF THE BEDILI STYLE IN THE MODERN TAJIK POETRY OF UZBEKISTAN." Scientific journal of the Fergana State University 29, no. 2 (2023). http://dx.doi.org/10.56292/sjfsu/vol29_iss2/a82.

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38

Наимов, Кудратулло. ""Вечные темы" в поэтическом творчестве Шавката Бухорои". Vestnik Bishkek Humanities University, 19 квітня 2019, 63–65. http://dx.doi.org/10.35254/bhu.2019.47.20.

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Аннотация: В данной статье, с опорой на сведения литературных и исторических источников эпохи, рассказывается о страницах жизни, эмиграции и вечных тем персидско-таджикской литературы в произведениях одного из талантливых, маститых и тонких поэтов XVII века Мухаммадисхака Шавката Бухорои. Ключевые слова: стихотворение, Бухара, антология, любовь, назель, Иран, Мавереуннахри, источники диван, поэзия. Annotation: In this article, based on the information of literary and historical sources of the era, it tells about the pages of life, emigration and eternal themes of Persian-Tajik literature in th

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Yussupov, R. К. "MEDIEVAL PERSIAN AND TURKIC LITERATURES IN THE CONTEXT OF ISLAMIC RENAISSANCE." Keruen 72, no. 3 (2021). http://dx.doi.org/10.53871/2078-8134.2021.3-04.

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Comparative study of traditions formed within the Turkic and the Persian literatures in the context of Islamic renaissance is of great importance due to the fact that the Turkic and Persian peoples for a long time have been living together in a single political and economic area. Because of that they have more in common, rather than differences in the literature. Traditions laid by brilliant representatives of the literatures of the Turkic and Persian peoples such as Firdowsi, Nizami, Yusuf Balasaghuni, Akhmad Yugnaki, who contributed to development of the world culture, were developed by thei

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Саидова, Райҳон Бекмуродовна. "ИБН СИНОНИНГ ШОИРЛИК ФАОЛИЯТИ". 7 жовтня 2024. https://doi.org/10.5281/zenodo.13897023.

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<em>This article discusses the poetic activity of Abu Ali ibn Sina, the founder of medical science. The literary environment of Bukhara during the Samanid period is also highlighted to some extent. In particular, the work of creators active during the reign of Nasr ibn Ahmad Samanid is reviewed. Thoughts are presented on literary works written in Arabic, Persian, and Dari, which were the scientific and conversational languages of that time. The article elaborates on the poetic passages in Ibn Sina's work "Urjuza fit-tib." Other works of the great scholar, including qasidas, qit'as, and couplet

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Allison, Christine. "Minstrel Poetry from the Pamir Mountains: A Study on the Songs and Poems of the Ismâ‘îlîs of Tajik Badakhshan. Wiesbaden, Reichert, 2004, 786 p., accompanying CD." Abstracta Iranica, Volume 27 (May 15, 2006). http://dx.doi.org/10.4000/abstractairanica.6732.

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Qurbonaliyeva, Maxrifat Sa'dullayevna. "MUTYRIBI SAMARKANDI AND HIS POEMS." March 27, 2024. https://doi.org/10.5281/zenodo.10884578.

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Khurasani, Shafiqullah, and Faheem Naeemi. "Poetic Meters of Afghan Persian Folk Couplets." Sprin Journal of Arts, Humanities and Social Sciences, December 15, 2022, 37–51. http://dx.doi.org/10.55559/sjahss.v1i11.67.

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Folk couplets are considered to be one of the most important parts of our oral literature, which were formed over many centuries among the people of Khorasan, and were passed down orally from generation to generation. For the reason that the composers of the couplets were common people; in terms of prosody, there are many differences in these couplets. Scrutinizing this point can help us in understanding these folkloric couplets and future research in this field. The purpose of research in the field of vernacular couplets is to clarify the quality and prosody of vernacular couplets in the Pers

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Khakimova, A.Kh. "ABOUT THE ORIGINS OF BUKHARA SHASHMAKOM, ABOUT ZARATHUSHTRA - THE AUTHOR OF GAT, ABOUT THE PEOPLE SINGING COLLECTIVE HYMNS ABOUT SIX DEITIES." JOURNAL OF CENTRAL ASIAN RENAISSANCE 2023, Volume - 4, Issue - 1 (2023). https://doi.org/10.5281/zenodo.8020439.

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The article traces the syncretism of the development of religion and culture, arts and genres of performance on the example of the formation of the beginning of the professional Uzbek-Tajik musical tradition of Bukhara Shashmaqom, starting from a pagan ritual basis. The uniqueness of its structure is in six parallel-identical constructions and the principle of unity of strict canons that have dominated for millennia. The autochthonous canon of the collective singing of the tarona, which is inherent only in the musical tradition of the Bukhara Shashmaqom, opens the unknown pages of early Zoroas

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KHUDAYBERDIEVA, Shakhnoza. "THE HISTORY OF THE STUDY OF STORIES IN THE WORKS OF ALISHER NAVOI." Foreign Languages in Uzbekistan, February 20, 2025, 189–201. https://doi.org/10.36078/1742366606.

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This article analyzes the main research studies conducted on the stories by Alisher Navoi from 1960 to the present. The moral, socio-political, love and mystical themes of Navoi's stories, as well as thematic and ideological issues, artistic means and views on their literary value are examined. In this regard, N. Ganihojaeva's research dedicated to the 525th anniversary of Navoi's birth, especially her consideration of the stories in the context of the development of Uzbek Soviet literature in the 60s-70s, is especially studied. The views on the role of folklore and Persian-Tajik literature in

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