Relevant bibliographies by topics / Takiji

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Takiji'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Takiji"

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Ari Sulatri, Ni Luh Putu, and Silvia Damayanti. "Wacana Anti Imperialisme dalam Cerpen Kyuuchou No Negai Karya Kobayashi Takiji." Pustaka : Jurnal Ilmu-Ilmu Budaya 19, no. 2 (August 31, 2019): 101. http://dx.doi.org/10.24843/pjiib.2019.v19.i02.p07.

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Wacana anti imperialisme menjadi salah satu tema yang diangkat dalam karya sastra oleh sastrawan yang berafiliasi dengan kesusastraan proletar di Jepang, termasuk Kobayashi Takiji. Di dalam cerpen Kyuuchou no Negai, disajikan narasi sebagai bentuk pandangan dunia pengarang dari Kobayashi Takiji terkait dengan wacana anti imperialisme. Guna mengkaji wacana anti imperialisme dalam cerpen Kyuuchou no Negai pada tahap pengumpulan data diterapkan metode kajian pustaka, pada tahap analisis data diterapkan metode analisis isi, dan pada tahap penyajian hasil analisis data diterapkan metode informal. Hasil analisis menunjukan bahwa ideologi anti imperialisme disajikan dalam wacana 1) biaya perang yang tinggi menciptakan kemelaratan bagi masyarakat Jepang; 2) masyarakat dituntut mendukung imperialisme sebagai bentuk pengabdian kepada masyarakat; 3) imperialisme bertentangan dengan nilai kemanusian; dan 4) imperialisme Jepang dapat memicu revolusi di dalam negeri.
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김대양. "Study of Kobayashi Takiji\'s 『The Crab Cannery Ship 』." Japanese Language and Literature Association of Daehan 76, no. ll (November 2017): 185–200. http://dx.doi.org/10.18631/jalali.2017.76..011.

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HWANG, Bong-mo. "The study on “a snow forest” by KOBAYASI-Takiji." HALLYM JOURNAL OF JAPANESE STUDIES 30 (May 25, 2017): 88–109. http://dx.doi.org/10.18238/hallym.30.4.

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Rustam, Muhammad Reza. "KANIKOSEN (KOBAYASHI TAKIJI) “BACAAN LIAR” TAHUN 1920-AN DALAM RENTANG SEJARAH JEPANG." IZUMI 5, no. 1 (August 25, 2016): 1. http://dx.doi.org/10.14710/izumi.5.1.1-10.

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This paper describes a dynamics proletarian literature and its relationship with Kanikosen novel by Kobayashi Takiji, including; the institution, ideology, production, and figures associated to narration used by Marxism theory posed by the author as one of the Japan "wild literatures" in the 1920s. This paper aims to usher the readers to the narrative of the Japanese proletarian literature and illustrates the Japanese proletarian literary map development. The form of “wildness” obtained by author is a social class conflict in literary texts such as in the Kanikosen story. Like an empirical reality, text construction, especially characterizations, background, and language style reflecting a dynamics of everyday social life. Intimidation, exploitation, deception, torture, suffering labor on one side and on the other side, the accumulation of profits, accumulating capital individually, and the arbitrariness of employers conducted by the owners of capital, reflected brightly by Kobayashi Takiji.
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HWANG, BONG-MO. "A study of "Going to East Gutchan" by Takiji Kobayashi." Journal of Human Studies 53 (October 31, 2020): 89–108. http://dx.doi.org/10.33638/jhs.53.5.

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Karlsson, Mats. "Kobayashi Takiji, The Crab Cannery Ship and Other Novels of Struggle." Japanese Studies 34, no. 1 (January 2, 2014): 110–11. http://dx.doi.org/10.1080/10371397.2014.908489.

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Hwang, Bong-Mo. "Study on Koreans of People in a Transition Period by Kobayashi Takiji." Study of Humanities 31 (June 30, 2019): 269–94. http://dx.doi.org/10.31323/sh.2019.06.31.10.

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Bowen-Struyk, Heather. "Streets of Promise, Streets of Sorrow: Kobayashi Takiji and the Proletarian Movement." Japanese Studies 31, no. 3 (December 2011): 305–18. http://dx.doi.org/10.1080/10371397.2011.619173.

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황, 봉모. "A comparative study of Takiji Kobayashi’s “absent landlord” and Lee Ki-young’s “hometown”." Center for Japanese Studies Chung-ang University 53 (August 31, 2020): 209–28. http://dx.doi.org/10.20404/jscau.2020.08.53.209.

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HWANG, Bongmo. "The Comparative Study on “People living in the sea” by Hayama Yosiki and “Crab factory ship” by Kobayasi Takiji." Journal of the Humanities 83 (June 30, 2018): 49–74. http://dx.doi.org/10.21211/jhum.83.2.

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Dissertations / Theses on the topic "Takiji"

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Almeida, André Felipe de Sousa. "O navio-fábrica caranguejeiro, de Kobayashi Takiji: tradução e considerações." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-10112016-142928/.

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A proposta do presente trabalho consiste na tradução para o português do romance Kaniksen (O Navio-Fábrica Caranguejeiro, 1929) de Kobayashi Takij. Para chegar ao objetivo proposto, procedemos uma historização da vida e obra de Kobayashi Takiji, no sentido de compreendermos a trajetória literária do autor, seu envolvimento no movimento proletário e o contexto sócio-político em que o romance foi escrito. Visando introduzir O Navio-Fábrica Caranguejeiro ao leitor deste trabalho, são feitos alguns apontamentos sobre o romance: uma apresentação de seu tema e narrativa, um breve levantamento histórico de seu surgimento, suas repercussões no Japão e no mundo, e um levantamento e comentário crítico da obra.
The purpose of this work is the translation of the novel Kaniksen (The Crab Cannery Ship, 1929) by Kobayashi Takij into Portuguese. To reach the proposed objective, we made a historical research about the life and work of Kobayashi Takiji, to understand the literary trajectory of the author, his involvement in the proletarian movement and the socio-political context in which the novel was written. In order to introduce The Crab Cannery Ship the reader of this work, we are made some observations about the novel: a presentation of its theme and narrative, a brief historical research of its appearance, its impact on Japan and around the world, and a survey and critical commentary about the work.
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Burton, Benjamin Robert. "The Revolution Will Not Be Politicized: Political Expression in the Manga Adaptations of Kanikōsen." PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/4157.

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Kobayashi Takiji's (1903-1933) Kanikōsen (The Crab Cannery Ship, 1929), the outstanding work from the proletarian literary movement, experienced an influx of new adaptations into various mediums during the years that preceded and followed the "Kanikōsen boom" of 2008. This thesis focuses on two manga adaptations that provide readers with starkly different takes on the original story. Using theories by Scott McCloud and Azuma Hiroki, I first attempt to draw parallels between the form of manga and that of the novel. Then, I examine the manner in which the most explicitly political content of the novel is adapted into the manga versions. Through this examination of form and content, it becomes apparent that, despite their differences, both adaptations reinforce a vague, individualist-humanist ideology that undermines the notions of class consciousness and class struggle that are central to the narrative of Kanikōsen. This diminishing of the explicitly "Red" aspects of the original reflects the Japanese public's general aversion to politics that has persisted since the early 1970's until this day.
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Holland, Matt. "Taking place." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ40164.pdf.

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Wilson, Michael Kevin. "Taking bases." [Gainesville, Fla.] : University of Florida, 2004. http://purl.fcla.edu/fcla/etd/UFE0004849.

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Dorgan, Kelly A. "Taking Care." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/1225.

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Excerpt: It’s July 26, 2010, late. I’ve sunk onto the edge of the bed in my childhood home. The bedroom reminds me of one of those cozy, pretty Valentine’s Day shoeboxes I made back in elementary school: small, pink, white, flowery.
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Karsan, Zain. "Taking stock." Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/115740.

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Thesis: M. Arch., Massachusetts Institute of Technology, Department of Architecture, 2018.
Cataloged from PDF version of thesis.
Includes bibliographical references (page 157).
This thesis is sited in a near and uncertain future in the Rust Belt of America. The title of this thesis refers to three interrelated conditions, industrial technology, material culture and architectural agency. 'Taking' refers to the act of taking control and reclaiming agency. 'Stock' under describes the vast potential of industrial sites as materially, technologically, and architecturally fertile ground. An expanded notion of stock prompts the emergence of new figures in the city of industrial abandonment and decline. This is the story of the material monks, who, garbed in the protective cloaks of their foundry, take back their material agency to mine cities of rust, combing through the dross around them. They come from a world of quotidian obsolescence, but they bring with them a new assessment of stock. Their resistance materializes in a set of machine hacks, and by taking stock of the tools of their foundry and the materials that surround them, the monks construct their monastery. With each hack they devise, the monks transform a kind of building waste into a kind of building material. But they are troubled, by the scale of the undertaking, and the impossibility of completely taking stock, for nothing can escape the scrutiny of their attention or the scope of their salvages. They must accept that their work will never finish, and like Sisyphus, must hack and re-hack, endlessly recycling material and technology. They can never escape the furnace that will melt down their machine parts, or the hopper that takes and redistributes their crushed and dismantled assemblies.
by Zain Karsan.
M. Arch.
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Carman-Goeke, Macy Anne. "Taking Root." Thesis, Virginia Tech, 2019. http://hdl.handle.net/10919/91405.

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This thesis seeks to investigate how architecture can utilize different techniques to introduce people to landscape, specifically those who have an uncomfortable relationship with nature due to inequities in access to quality green space, a cultural distancing from nature due to historical acts of violence, or an increasingly urban and work focused lifestyle. A proposed Visitor Center in Rock Creek Park, in Washington, DC, acts as a slow transition from park to city and back again, breaking the landscape into more digestible pieces before putting it back together as a whole. The building's strategy for introduction can be broken up into two categories, what the building reveals to visitors, and what it tells visitors. The building reveals the surrounding landscape in a rhythmic way of spaces of rest and spaces of activity, utilizing entrances on different levels, screened views, and glass corners to frame the landscape and topography. It is also designed to reveal the power of the environment, the sun, the rain, and the snow, in weathering the materials and creating a dynamic appearance and exposing the ways in which water runs through the site. In addition to showing the park, the building also is responsible for educating visitors about the important cultural and natural history of the park. The architecture supports the education of visitors in a flexible and non-technological way, using a variety of surfaces to display information to be seen and touched, to encourage the slowing down of minds and bodies to facilitate the transition from the bustling city to the restorative nature of the park. The proposed building utilizes design concepts present in nature and integrates them into the architecture of the building, to create an introductory experience into the landscape that touches the senses and the mind, preparing the visitors to enjoy the park.
Master of Architecture
This thesis, Taking Root, seeks to investigate how architecture can utilize different techniques to introduce people to a landscape, specifically those who have an uncomfortable relationship with nature due to inequities in access to quality green space, a cultural distancing from nature due to historical acts of violence, or an increasingly urban and work focused lifestyle. Research shows that time spent in nature improves mental and physical health outcomes, and the disparity of access or quality creates an issue of injustice. A proposed Visitor Center in Rock Creek Park, in Washington, DC, seeks to remedy that by acting as a slow transition from park to city and back again, and down into the canyon and back again. The building’s strategy for facilitating an introduction can be broken up into three categories: how the building relates to the environment, what the building reveals to visitors, and what it tells visitors. First, the building is designed to reveal the power of the environment, the sun, the rain, and the snow, on the façade through the careful selection of materials specifically for their weathering properties. In addition, the use of a native vine allows the building to change colors through the four seasons of the park, and mirror the forest that surrounds it. The combination of these techniques, plus minimizing the environmental impact of the building through stormwater management, a green roof for local pollinators, bird-safe glass, and reducing solar gain exposes the critical relationship between architecture and environment. Secondly, the visitor center reveals the landscape through the adoption of techniques found in nature that facilitate a powerful introduction to a place, and formalizes them into the architecture of the building and experience of the visitors. The techniques to promote familiarity with the park include controlling the pace with a series of long, curving paths and embracing the rhythm of the topography with ramps and the seasons with a pattern of spaces for activity and rest, teasing with glimpses through the tree-like screen and through the glass gills, framing the view into the park. In addition, the building strives to amplify liminal space, a threshold between the old and new, architecture and nature, which exists in the glass corner gills. These corners jutting into the park, lit by a skylight, and fed fresh air by automated ventilation louvers, allows for a person to have a more intimate experience, in a way that really exists outside of the building, but in a way that provides the comfort of familiarity and not being quite all the way in nature either. Finally, the building also is responsible for telling the visitors what they need to know by educating them on the important cultural and natural history of the park. The architecture supports the education of visitors in a flexible and non-technological way, using a variety of surfaces to display information to be seen and touched, to encourage the slowing down of minds and bodies to facilitate the transition from the bustling city to the restorative nature of the park. The proposed building utilizes its interaction with the physical environment, design concepts present in nature to reveal the landscape, and conveys information in a way and pace that is reflective of the way time moves in the park. All three strategies combine to create an introductory experience into the landscape that touches the senses and the mind, preparing the visitors to enjoy and appreciate Rock Creek Park.
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Love, Tony Paul. "Construction and validation of a behavioral measure of role-taking." [College Station, Tex. : Texas A&M University, 2008. http://hdl.handle.net/1969.1/ETD-TAMU-3249.

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Henderson, Stuart Robert. "Taking pictures of taking pictures : reading Weekend Magazine 1963-1973." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32915.

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In the period 1963--1973, Weekend Magazine was the most widely-circulated periodical in Canada, claiming more than two-million weekly readers. An English-language publication, Weekend Magazine largely overcame the difficulties which beset the Canadian magazine industry in the 1950s and 1960s by circulating as an insert in the Saturday edition of local newspapers across the country. As a national magazine aimed at a general audience of Canadians, Weekend was involved in the difficult pursuit of inventing a kind of national entertainment for its readers, while representing the diversity of local identity without betraying the integrity of the national context.
This thesis is the study of a certain representation of the 1960s in Canada---an interpretation of the way in which the most widely-circulated magazine reflected and represented the nation in a period of significant transition. In the first half of the Sixties, Weekend was about the articulation of the various local identities within Canada, but always with regard to a power structure that maintained certain racial, sexual and regional divisions. Yet, in the second half of the decade, we can witness a transformation of this power structure, and with it, a disintegration of the sense of unity that had been implied before. As Weekend begins to move from an either/or understanding of otherness in Canada towards a more complicated recognition of local identities, its vision of a united Canada begins to break down.
This thesis considers various representative articles from the period 1963 to 1973 in an effort to establish the shift in the representation of otherness in Weekend's Canada. The key theme is explored through representations of Gender, Youth Culture, Foreignness and Nationalism in the magazine. A summary and review of historiographical and theoretical literature constitutes the first chapter of the work.
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Chun, Joyce Michele. "Taking contempt seriously." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0002/MQ29005.pdf.

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Books on the topic "Takiji"

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Kuwahara, Shōji. Takiji nōto. Kyōto-shi: Rakusei Shoin, 1999.

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Kobayashi Takiji den. Tōkyō: Ronsōsha, 2003.

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Kobayashi Takiji no sekai. Tōkyō: Shin Nihon Shuppansha, 1985.

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Kobayashi Takiji no sekai. Tōkyō: Shin Nihon Shuppansha, 1985.

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Japan) Kobayashi Takiji Kokusai Shinpojūmu (2012 Otaru-shi. Takiji no bungaku sekai e: 2012 Otaru Kobayashi Takiji Kokusai Shinpojiumu hōkokushū. Otaru-shi: Otaru Shōka Daigaku Shuppankai, 2013.

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Ogasawara, Masaru. Kobayashi Takiji to sono shūken. Tōkyō: Kanrin Shobō, 1998.

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Kobayashi Takiji to sono meiyūtachi. 2nd ed. Tōkyō: Gakushū no Tomosha, 2008.

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Kobayashi Takiji seishun no kiroku: Takiji no bungaku wa jidai o koete chikarazuyoku yomitsugareta. Tōkyō: Hassakusha, 2011.

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"Bungaku" to shite no Kobayashi Takiji. Tōkyō: Shibundō, 2006.

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Kobayashi Takiji: Jidai e no chōsen. Tōkyō: Shin Nihon Shuppansha, 2008.

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Book chapters on the topic "Takiji"

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Königsberg, Matthew. "Kobayashi Takiji." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2235-1.

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Berndt, Jürgen, and Matthew Königsberg. "Kobayashi Takiji: Kanikōsen." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2236-1.

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Schally, Jennifer L. "Taking Stock, Taking Action." In Legitimizing Corporate Harm, 75–81. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-67879-5_7.

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"Taking." In Children's Friendship Training, 92–104. Routledge, 2013. http://dx.doi.org/10.4324/9780203009154-19.

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Weinstein, Neil D. "Introduction: studying self-protective behavior." In Taking Care, 1–10. Cambridge University Press, 1987. http://dx.doi.org/10.1017/cbo9780511527760.001.

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"Theoretical perspectives." In Taking Care, 11–13. Cambridge University Press, 1987. http://dx.doi.org/10.1017/cbo9780511527760.002.

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Slovic, Paul, Baruch Fischhoff, and Sarah Lichtenstein. "Behavioral decision theory perspectives on protective behavior." In Taking Care, 14–41. Cambridge University Press, 1987. http://dx.doi.org/10.1017/cbo9780511527760.003.

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McAlister, Alfred. "Social learning theory and preventive behavior." In Taking Care, 42–53. Cambridge University Press, 1987. http://dx.doi.org/10.1017/cbo9780511527760.004.

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Averill, James R. "The role of emotion and psychological defense in self-protective behavior." In Taking Care, 54–78. Cambridge University Press, 1987. http://dx.doi.org/10.1017/cbo9780511527760.005.

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Rogers, Everett M. "The diffusion of innovations perspective." In Taking Care, 79–94. Cambridge University Press, 1987. http://dx.doi.org/10.1017/cbo9780511527760.006.

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Conference papers on the topic "Takiji"

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NISHITANI, AKIRA. "PRESENTATION FOR PROFESSOR TAKUJI KOBORI." In Proceedings of the 3rd International Workshop on Structural Control. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812811707_0003.

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Wakama, Hironori, and Haruhiro Katayose. "Takumi." In the 8th International Conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2071423.2071500.

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Vega, Laurian C., Margaret Dickey-Kurdziolek, Lauren Shupp, Manuel A. Perez-Quinones, John Booker, and Ben Congleton. "Taking notes together: Augmenting note taking." In 2007 International Symposium on Collaborative Technologies and Systems (CTS). IEEE, 2007. http://dx.doi.org/10.1109/cts.2007.4621733.

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Boari, Douglas, and Mike Fraser. "Taking shortcuts." In the 3rd International Conference. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1517664.1517706.

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Vogel, Carl. "Taking Offence." In 2020 11th IEEE International Conference on Cognitive Infocommunications (CogInfoCom). IEEE, 2020. http://dx.doi.org/10.1109/coginfocom50765.2020.9237892.

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Lewis, Jason, and Yannick Assogba. "Taking sides." In the 14th annual ACM international conference. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1180639.1180799.

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Hebert, Sara. "Taking flight." In SIGGRAPH '16: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2897841.2936758.

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Matthews, Mark, Geri Gay, and Gavin Doherty. "Taking part." In CHI '14: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2556288.2557103.

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Epstein, Daniel A., Daniel Avrahami, and Jacob T. Biehl. "Taking 5." In CHI'16: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2858036.2858066.

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Cerf, Vint. "Taking internet's temperature." In the 2004 joint ACM/IEEE conference. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/996350.996351.

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Reports on the topic "Takiji"

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Burton, Benjamin. Fragments of Struggle: Five Short Stories by Kobayashi Takiji. Portland State University Library, January 2014. http://dx.doi.org/10.15760/honors.51.

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Schonfeld, Roger. Taking Stock. New York: Ithaka S+R, July 2015. http://dx.doi.org/10.18665/sr.241080.

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Hust, Gerald R. Taking Down Telecommunications. Fort Belvoir, VA: Defense Technical Information Center, September 1994. http://dx.doi.org/10.21236/ada285203.

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Marshak, David. Taking Portals Offline. Boston, MA: Patricia Seybold Group, March 2003. http://dx.doi.org/10.1571/pr3-27-03cc.

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Roan, Linda, Beret Strong, Paulette Foss, Mark Yager, Hunter Gehlbach, and Kimberly A. Metcalf. Social Perspective Taking. Fort Belvoir, VA: Defense Technical Information Center, September 2009. http://dx.doi.org/10.21236/ada509341.

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Boyarchenko, Nina, David Lucca, and Laura Veldkamp. Taking Orders and Taking Notes: Dealer Information Sharing in Treasury Markets. Cambridge, MA: National Bureau of Economic Research, July 2016. http://dx.doi.org/10.3386/w22461.

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Uphoff, Jane. Role-taking and behavior. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.3200.

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Gehrmann, Rolf. German census-taking before 1871. Rostock: Max Planck Institute for Demographic Research, August 2009. http://dx.doi.org/10.4054/mpidr-wp-2009-023.

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Rentsch, Joan R., Allison Gunderson, Gerald F. Goodwin, and Allison Abbe. Conceptualizing Multicultural Perspective Taking Skills. Fort Belvoir, VA: Defense Technical Information Center, November 2007. http://dx.doi.org/10.21236/ada475097.

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Bendfeldt, Eric, and Robert H. Spiers. Taking Care of the Soil. Blacksburg, VA: Virginia Cooperative Extension, January 2021. http://dx.doi.org/10.21061/spes-286np.

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You might also be interested in the extended bibliographies on the topic 'Takiji' for particular source types:
Journal articles Dissertations / Theses Books
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