Relevant bibliographies by topics / Tales of Blanchot

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Tales of Blanchot'

Author: Grafiati
Published: 28 September 2022
Last updated: 28 January 2023

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Journal articles on the topic "Tales of Blanchot"

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Cisternas Cruz, Cristian Enrique. "Refutar el tiempo." Cuadernos del CILHA, no. 34 (June 24, 2021): 1–18. http://dx.doi.org/10.48162/rev.34.002.

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En este artículo proponemos que en la obra literaria de Jorge Luis Borges existe una preocupación por los fines y los límites del tiempo, que ha sido abordada, desde diversos enfoques teórico-metodológicos, por sus comentadores. Este preocupación incide notablemente en el desarrollo estilístico y en el interés temático posibles de advertir en la escritura de Borges. El propósito de este artículo es iluminar las vías de orientación que genera su escritura literaria en pensadores tales como Maurice Blanchot, Michel Foucault, Gilles Deleuze y Félix Guattari. El diálogo entre literatura y filosofí
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Soncini, Gabriela Regina. "As fadas de lá: magias feéricas nos contos “A menina de lá” e “A caça à Lua”, de Guimarães Rosa / The Fairies There: Fairy Magic in Tales “The Girl There” and “The Hunting to the Moon” by Guimarães Rosa." O Eixo e a Roda: Revista de Literatura Brasileira 30, no. 1 (2021): 233. http://dx.doi.org/10.17851/2358-9787.30.1.233-251.

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Resumo: Este artigo pretende fazer uma leitura da personagem “Nhinhinha”, do conto “A Menina de lá”, de Guimarães Rosa (1972), sob o viés da figura da personagem fada. Tal narrativa faz parte do livro Primeiras Estórias do escritor mineiro. Para complementar o estudo em relação à imagem da fada, este trabalho pretende analisar outra narrativa de Rosa (1970), o conto “A Caça à Lua”, que faz parte do livro Ave, Palavra e que apresenta também, como personagem, uma menina que remete tanto à própria “Nhinhinha”, como à figura da fada, criatura maravilhosa do imaginário popular, presente em várias n
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Luks, Leo. "FILOSOFIJA IR LITERATŪRA: DVI SUSILIEJIMO KRYPTYS." Problemos 78 (January 1, 2010): 125–42. http://dx.doi.org/10.15388/problemos.2010.0.1346.

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Straipsnyje „Filosofijos ir literatūros susiliejimas nihilistiniame mąstyme“ (Problemos 2010, 77) rašiau, kad postmetafizinė filosofija turėtų suintensyvinti dialogą su literatūra ir galų gale su ja susilieti. Šiame straipsnyje siūlomos dvi galimos šio susiliejimo kryptys: 1) ribų tarp realybės ir išmonės išnykimas. Kartu su G. Vattimo atsisakę korespondentinės tiesos teorijos, prieisime prie išvados apie principinę galimybę bet kuriam naratyvui būti teisingam (angl. truthful). Nihilistiniam mąstymui būdingas silpnesnis realybės jausmas, skeptiškas požiūris į sveiko proto ar natūralistinę pozi
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Holland, Michael. "The Time of his Life." Paragraph 30, no. 3 (2007): 46–66. http://dx.doi.org/10.3366/para.2007.30.3.46.

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Throughout his life, contemporaries of Blanchot either sought to relegate his writing to the past, or else espoused it uncritically in a gesture akin to what Jean-Luc Nancy once called syncope. Blanchot thus divided his epoch in a way that was less a polarization than a struggle for the present in which thought takes place. Consequently, readers today in search of what makes Blanchot continue to be a contemporary find that the time of his writing is shrouded in a curiously unstable quantity of oblivion. This article argues that Blanchot's refusal of biography brings about an inaugural disrupti
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Grier, D. A. "Gertrude Blanch of the Mathematical Tables Project." IEEE Annals of the History of Computing 19, no. 4 (1997): 18–27. http://dx.doi.org/10.1109/85.627896.

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Alonso Crespo, Agustín. "No todos los cisnes son blancos." Diálogos Pedagógicos 16, no. 32 (2018): 62–71. http://dx.doi.org/10.22529/dp.2018.16(32)04.

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En el presente artículo se examinarán algunos postulados de Sánchez (2009) acerca de la lectura en las personas sordas, para, desde ese lugar, proponer otra forma de analizar esta problemática. Las consideraciones de dicho autor se pondrán en perspectiva en función de lo que, desde las neurociencias, la psicolingüística y las ciencias cognitivas se considera como proceso lector. Se revisarán conceptos tales como alfabetización, conciencia fonológica, comprensión lingüística de oraciones, comprensión lectora, y su consecuente relación con los procesos de comprensión y producción de textos por p
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Medina Calzada, Sara. "Blanco White’s Translations from El conde Lucanor: Two Medieval Spanish Tales in Romantic Britain." Atlantis. Journal of the Spanish Association for Anglo-American Studies 44, no. 2 (2022): 108–25. http://dx.doi.org/10.28914/atlantis-2022-44.2.06.

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This paper analyses Joseph Blanco White’s English translations of tales XI and XLIV of Don Juan Manuel’s El conde Lucanor (c. 1331-1335), which were published in the New Monthly Magazine in 1824. In these fairly free translations, Blanco rewrites and recontextualises the tales by updating and adapting them to the knowledge and expectations of the target readership. His translation decisions, paratexts and the articles on El conde Lucanor that he also published in Variedades; o Mensajero de Londres in 1824 shed light on his ideas on Spanish literature and national identity as well as on his rol
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Calderaro, Monica, and Marta Senesi. "Disney: crime in fairy tales*." Rivista di Psicopatologia Forense, Medicina Legale, Criminologia 22, no. 1-2-3 (2017): 27–30. http://dx.doi.org/10.4081/psyco.2017.10.

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The screen is colored by a celestial sky and begins to outline a castle under whose white gold stands the "Walt Disney Pictures", a semi-crown crown all and the doors of the fantasy are ready to open to the spectators. This is the classic presentation of a Disney Movie that at least once in a lifetime will happen to each of us to attend and accompany the childhood of millions of children. But what is waiting behind that castle? Charming spells and sparks of magic? Absolutely. Princesses to save and charming princes to dream? Absolutely yes. Speaking animals and an Never Land? All this and much
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Manuel Ríos, Juan. "El papel del color en la ingesta de fragmentos de microplástico por el pez cebra (Danio rerio)." Revista Internacional de Contaminación Ambiental 38 (November 9, 2022): 371–80. http://dx.doi.org/10.20937/rica.54523.

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Se ha reportado la presencia de microplásticos (MP) en el contenido estomacal de peces de agua dulce a nivel global. Sin embargo, los mecanismos subyacentes al consumo de MP por parte de los animales acuáticos aún no están claros. En este estudio se investigó la pregunta fundamental de por qué los peces silvestres de agua dulce ingieren plástico. La ingesta de MP debida a la confusión por parte de los peces con sus presas naturales, tales como el plancton, es una hipótesis que ha cobrado importancia últimamente. Por lo tanto, el color del MP podría influenciar su consumo, especialmente en depr
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Crivella, Giuseppe. "Je devenais une goutte d’eau, une tache d’encre. Sulla narrativa di Maurice Blanchot." e-Scripta Romanica 10 (October 13, 2022): 79–95. http://dx.doi.org/10.18778/2392-0718.10.07.

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Partendo da una serie di analisi contenute nell’opera di Philippe Hamon Rencontres sur tables et choses qui traînent. De la nature morte en littérature, questo saggio punta a sviluppare alcune considerazioni aventi per oggetto la produzione narrativa di Maurice Blanchot. In particolare le nostre osservazioni si concentreranno su alcuni passaggi desunti da tre romanzi del pensatore francese: Aminadab, La folie du jour e Le Très-Haut. In tal modo potremo mettere a punto una prospettiva interpretativa dei récits blanchotiani in cui la nozione di natura morta gioca un ruolo di assoluta centralità.
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Dissertations / Theses on the topic "Tales of Blanchot"

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Khakshour, Faroudji Morteza. "Poétique du silence dans l’œuvre de Maurice Blanchot." Thesis, Sorbonne université, 2022. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2022SORUL016.pdf.

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L’œuvre de Maurice Blanchot est mystérieuse et inquiétante. Son lecteur devrait être d’ores et déjà prêt à se perdre dans un labyrinthe et à accepter le risque d’être à jamais enfermé dans cet espace où chercher à trouver la sortie est comme une faute grave. L’essentiel de la critique blanchotienne s’attache à la quête désespérée de l’infini et de l’impossible dans la littérature ; dans ses récits, Maurice Blanchot tente de pratiquer les principes et les éléments de cette conception spécifique de la littérature à travers une poétique du silence. Cette thèse porte, dans un premier temps, sur la
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Sibuet, Vallette Viallard Sandrine. "Du conte à la scène, l'exemple de Blanche-Neige." Thèse, 2019. http://hdl.handle.net/1866/23745.

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Le présent mémoire de recherche-création a pour objet les réécritures théâtrales des contes. Si le conte merveilleux et le théâtre sont a priori deux genres littéraires distincts de par leur origine, leur nature et leur mode d’expression, ils présentent néanmoins des points communs qui facilitent la transgression des frontières génériques. Aussi les dramaturges se sont-ils parfois risqués à proposer des adaptations de contes merveilleux pour le théâtre. C’est par exemple le cas de Joël Pommerat, qui a récemment proposé des transpositions scéniques de trois contes traditionnels, revisitant et a
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"Tres espacios en blanco para una situación." Tesis, Universidad de las Américas Puebla, 2004. http://catarina.udlap.mx/u_dl_a/tales/documentos/lda/ornelas_m_c/.

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"Plan de Negocios para la empresa Nubia Blanco." Tesis, Universidad de las Américas Puebla, 2006. http://catarina.udlap.mx/u_dl_a/tales/documentos/lni/gonzalez_t_ps/.

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"“Un arroz negro entre los blancos”. Etnicidad, tierra y poder en Chipilo, Puebla." Tesis, Universidad de las Américas Puebla, 2005. http://catarina.udlap.mx/u_dl_a/tales/documentos/lac/reyes_k_ac/.

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Books on the topic "Tales of Blanchot"

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Grimm Brothers. Blanche-Neige. Magnard Jeunesse, 2005.

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Grimm Brothers. Blanche-Neige. Nathan, 1998.

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Cuentos negros para niños blancos. 3rd ed. Espasa-Calpe, 1988.

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Company, Walt Disney. Blanche Neige et les sept nains. Presses d'Or, 1993.

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1785-1863, Grimm Jacob, and Grimm Wilhelm 1786-1859, eds. Blanche-Neige et les sept nains. Peralt Montagut Éditions, 1998.

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Zapp and Vallière Nathalie, eds. Cendrillon & Blanche-Neige. Tormont, 2005.

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Quiroga, Horacio. El síncope blanco y otros cuentos de horror. Valdemar Ediciones, 1987.

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Quiroga, Horacio. El síncope blanco y otros cuentos de locura y terror. Valdemar, 1999.

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Królewna Śnieżka. Wydawnictwo Olesiejuk, 2013.

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Nan, Brooks, and Duchesne Lucie, eds. Blanche-Neiges [sic] et les sept nains. Éditions ABC, 2001.

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Book chapters on the topic "Tales of Blanchot"

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Bident, Christophe. "“Mahatma Gandhi”." In Maurice Blanchot. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823281763.003.0008.

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Looks in detail at one of Blanchot’s very first journalistic pieces, on Gandhi. Details its critical reading of this figure, which takes place in the light of Western intellectual and spiritual tradition.
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Bident, Christophe. "Even a Few Steps Take Time." In Maurice Blanchot. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823281763.003.0063.

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This final chapter by Christophe Bident takes in the final years of Blanchot’s life up until 1997; it touches on the deaths of friends and major intellectuals of the era, on his letter-writing (notably on the Holocaust), on the re-publications of his texts, and ends with a brief, fictionalized memoir of 1994, The Instant of My Death.
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Bryant, Jan. "Encounter Two: Lefebvre and Blanchot." In Artmaking in the Age of Global Capitalism. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474456944.003.0007.

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Henri Lefebvre spent many decades developing a theory of the everyday as a locus of revolutionary potential. Maurice Blanchot takes a sideways route from praising to pulling down Lefebvre’s ‘everyday’, arguing that revolutionary desire cannot dwell in this enigmatic sphere. Rather, the everyday is the unthought, private, absorbing, and self-contained. The failure of Lefebvre to move from abstraction to action, from metaphysics to an effective Marxist critical theory is revealed at a crucial moment in history, as the Left is appearing to fracture in response to the disappointments of 1968. The chapter includes a close analysis of Béla Tarr’s The Turin Horse (2011) in relation to the everyday and tedium. [110]
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Kamuf, Peggy. "Beginning with Literature." In Deconstructing the Death Penalty. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823280100.003.0002.

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This chapter takes up Derrida’s proposition in The Death Penalty, Volume I, that by definition the death penalty must be visible to an eye witness and the state “must see die the condemned one.” The essay further contends that when such witness is borne it is, paradoxically, struck by the seal of a secrecy that it shares with literature or the poetic. The consequences of this contradiction between visibility and secrecy are worked out through readings of Victor Hugo, Albert Camus, Jean Genet, and Maurice Blanchot, which serve as test sites for literature’s witness for—against?—the death penalty.
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"Barons hostile to Queen Blanche conspire to seize the throne." In Tales of a Minstrel of Reims in the Thirteenth Century. Catholic University of America Press, 2021. http://dx.doi.org/10.2307/j.ctv25m88hg.38.

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Novoa Castro, Carlos Fernando. "Arequipe o dulce de leche." In Leches concentradas azucaradas: de la tradición a la ciencia. Editorial Universidad Santiago de Cali, 2018. http://dx.doi.org/10.35985/9789585522466.2.

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En Colombia el dulce de leche se conoce con el nombre de are-quipe y se define como el producto higienizado obtenido por la concentración térmica de una mezcla de leche y azúcares. Debe estar exento de sustancias tales como grasa vegetal o animal diferente a la láctea. Debe tener un contenido mínimo de 7% de grasa y 17% de sólidos lácteos no grasos (SLNG) y un contenido máximo de 30% de humedad y 2% de cenizas. No debe contener almidones a diferencia del manjar blanco, al cual se le permite un contenido de hasta 4% de almidón en producto final
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Rasula, Jed. "Ruminant Curiosity." In Genre and Extravagance in the Novel. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192897763.003.0007.

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The two subjects of this chapter are writers of German who did not live in Germany: Franz Kafka and W. G. Sebald (a self-proclaimed devotee of Kafka). Kafka’s fiction has achieved the distinction of having generated a category that far exceeds its literary basis: the “Kafkaesque.” Maurice Blanchot’s theoretical investigations of literature in its ontological foundation is consistently worked out with reference to Kafka, under the telling phrase “literature and the right to death.” Perspectives by other theorists (Adorno, Benjamin, Deleuze and Guattari, Calasso) help refine Blanchot’s case, revealing that the “seasickness on dry land” of Kafka’s work takes on a life of its own apart from any particular work—precisely enabling the Kafkaesque to escape or exceed the thematic parameters articulated by the writer Kafka. Sebald then become the carrier of this viral affliction, portraying himself in peregrinations that hover indeterminately amidst various genres, from the premodern anatomy to the postmodern essayism evident in his Rings of Saturn. Sebald, like so many before him, finds that the engagement with history (World War Two and the Holocaust in his case) can only be truly undertaken by fictive means.
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May, Adrian. "Excluded from Thought?" In From Bataille to Badiou. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786940438.003.0008.

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This chapter takes a more critical stance towards the review to examine its cultural conservatism and reticence towards identity politics. The review’s literary tastes, largely shaped by the legacies of Georges Bataille and Maurice Blanchot, are shown to harbour a sense of artistic exceptionalism which often precludes representations of the everyday, and therefore also limits political solidarity with those usually defended by Lignes. Despite the racial or gendered exclusions it can produce, literary elitism or conservatism is in itself not necessarily criticised, but the hostility to mass culture inculcated by some aesthetic Marxist approaches is seen to be politically unhelpful in the present moment and other approaches to cultural politics in Lignes are sought. After Alain Badiou’s Circonstances 3 caused a row over anti-Semitism and the critique of Israel, it is suggested that the strategic essentialism of Judith Butler provides a more appropriate stance compared to Badiou’s strategic universalism. Lastly, Lignes’ virtual silence on gender and sexuality issues (a stance softening in recent issues) is contrasted to the Parti Socialiste’s progressive measures on parity, PACs and gay marriage.
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Suárez, Carlos Fonseca. "Laboratories of Universality." In Geopolitics, Culture, and the Scientific Imaginary in Latin America. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401483.003.0014.

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Carlos Fonseca Suárez read Jorge Luis Borges’s short story “El Aleph” as a reflection upon the limits of technological universalism as well as a reconfiguration of modern cosmopolitanism. Carlos Fonseca Suárez then explores the figure of José Arcadio Buendía—founder of Macondo in Cien años de soledad (1967)—who in his obsession with scientific innovation takes Borges’s exploration of technological modernity and the impasses of modern progressivism even further, proposing instead a new dialectical model of universalism. Finally, Carlos Fonseca Suárez concludes by adding a final star to this constellation by exploring how the character of Luca Belladona in Ricardo Piglia’s 2010 novel Blanco nocturno allows for a rereading of this Humboldt’s plainsman scene in the contemporary socioeconomic context, where the relation between the global and the local, center and periphery, becomes intertwined in the elusive informational networks of global capital.
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Lamb, Charles, and Mary Anne Lamb. "Sonnet to Miss Burney, on her Character of Blanch in "Country Neighbours", a Tale." In The Letters of Sarah Harriet Burney, edited by Lorna J. Clark. University of Georgia Press, 1997. http://dx.doi.org/10.1093/oseo/instance.00249913.

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