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Academic literature on the topic 'Tambura players'
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Journal articles on the topic "Tambura players"
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Dumnic, Marija. "The creation of folk music program on Radio Belgrade before World War Two: Editorial policies and performing ensembles." Muzikologija, no. 14 (2013): 9–29. http://dx.doi.org/10.2298/muz1314009d.
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This paper deals with the establishing of the organizing models, on one side, and with folk music and its aesthetic characteristics in the interwar period, on the other. This problem significantly contributed to the present meaning of the term ?folk music? (?narodna muzika?). The program of Radio Belgrade (founded in 1929) contained a number of folk music shows, often with live music. In order to develop folk music program, numerous vocal and instrumental soloists were hired, and different bands accompanied them. During that time, two official radio ensembles emerged - the Folk Radio Orchestra and the Tambura Radio Orchestra - displacing from the program the ensembles that were not concurrent to their technical and repertoire level. The decisive power in designing the program concept and content, but also in setting standards for the aesthetic values, was at the hands of music editorship of Radio Belgrade. The radio category of folk music was especially influenced by Petar Krstic (folk music editor in the period from 1930 to 1936) and his successor Mihajlo Vukdragovic (1937-1940), who formally defined all of the aforementioned characteristics, but in rather different ways. A general ambivalence in the treatment of the ensembles that performed at the radio reflects the implementation of their policies. In comparison to the official orchestras, the tavern singers and players received poor reviews in the editors? reports, despite their strong presence on the program. On the other side, the official orchestras were divided according to the regional folklore instrumentarium, but also according to the quality of playing. The Folk Radio Orchestra probably had double leadership, so it was possible to observe different approaches to the music folklore, which eventually resulted in a unique tendency towards cherishing folk music. This paper represents an attempt to show how the media term ?folk music? was constructed and where it currently stands in comparison to the usual study objects of ethnomusicology and popular music studies. My argument is that the discourse of authenticity was fundamental for the creation of official folk music.
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Ardedi, Dodo Pratama, and Wimbrayardi Wimbrayardi. "ANSAMBLE PERKUSI (KOMPOSISI MUSIK SMK NEGERI 3 PADANG)." Jurnal Sendratasik 8, no. 1 (2019): 25. http://dx.doi.org/10.24036/jsu.v8i1.106415.
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Abstract This work aims to display the creativity of female students in school, and it can be a reference for teachers in developing talents, interests and creativities of female students. The form of this artwork is percussion ensemble, the author will combine the rhythmic patterns of single stroke, double stokes, and triols in 4/4 hours with a simple form. It does not only focus on the instrument itself, the author will also combine with vowels to build atmosphere. Percussion ensemble is a musical composition that is adopted from the game of similar percussion instrument, such execution is very interesting because there is no melody instrument here. the incorporation of the rhythmic pattern of single stroke percussion instrument, dooble stokes, and triols can show a rhythm by exploring it into the percussion instruments used. Percussion ensemble is played by six players that consist of two tambua players, one snare drum player, one floor drum player, one cymbal and cowbell player, one bongo player and one of triangel player. Keywords: Ansamble Perkusi
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Kholid, Abdul, Ridwan Sinurat, and Muarif Arhas Putra. "PENGARUH LATIHAN INTERVAL TRAINING TERHADAP PENINGKATAN VO2 MAX PADA PEMAIN SEPAKBOLA U-16 TAMBUSAI." COMPETITOR: Jurnal Pendidikan Kepelatihan Olahraga 12, no. 2 (2020): 58. http://dx.doi.org/10.26858/cjpko.v12i2.13985.
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This study began with observations by researchers in the field who saw the ability of endurance or VO2 Max in the Tambusai U-16 Football Player was still low. Seen when players do training on the field and when participating in soccer tournament events. This study aims to determine the Effect of Interval Training (X) Training on Increasing VO2 Max on Tambusai U-16 Football Players (Y). This research was quasi-experimental methods with One-Group Pretest-Postest Design. The population in this study was the Tambusai U-16 Football Players, amounting to 20 players, while the sampling technique used saturated sampling where all populations were sampled. The study design uses the Pre-Test and Post-Test VO2 Max by using the Multistage Fitness Test (bleep test) instrument. Data analysis and testing of research hypotheses using independent t-test analysis techniques with a significant level α = 0.05. The results showed that the Interval Training Exercise affected the Increased VO2 Max, where the average score of 38,2 in the Pre-Test increased by 2,7 or 3% to 40,9 in the Post-Test. With statistical results show that (tcount 11.265> t table 1.729). It can be concluded that the Interval Training Exercise affects the Increased VO2 Max of U-16 Tambusai Football Players.
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Kurnia S F, Aka, and Muhammad Syukron Anshori. "TAMBORA SEBUAH PERJALANAN VISUAL." Jurnal TAMBORA 4, no. 1 (2020): 69–78. http://dx.doi.org/10.36761/jt.v4i1.578.
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The purpose of this research is to reflect back 200 years of the eruption of Tambora on the island of Sumbawa, West Nusa Tenggara through travel with a photographic study approach, specifically travel photography. Since its inception, photography has played a constitutive role in shaping a travel record, this is also comparable to the importance of that role as a depiction of social identity (Osborne, 2000). In addition, travel photography is also a way to see experiences through visual authentication (Hilman Wendy, 2007). Mount Tambora erupted in April 1815, impacting global climate change and natural disasters which claimed 84,000 lives on the island of Sumbawa, and buried the Tambora kingdom and Concentrated .. Based on the results of research, researchers see the occurrence of reconstruction in the history of the eruption of Tambora which is not only seen as a mountain, but also as an identity in the social structure of society in the form of photography. A photographer has the authority to create a reality from pre-travel to post-travel.
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Wahyuni, Irfi Sri, and Indra Indrayuda. "STRUKTUR GARAPAN GANDANG TAMBUA SEBAGAI PERWUJUDAN KEARIFAN LOKAL MASYARAKAT DESA CUBADAK AIA KECAMATAN PARIAMAN UTARA KOTA PARIAMAN." Humanus 13, no. 2 (2014): 135. http://dx.doi.org/10.24036/jh.v13i2.4723.
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This article aims to reveal the structure of arrangement of Gandang Tambua and the function of Gandang Tambua in the communities in terms of local wisdom. This study examines the values in local wisdom that are represented in the arrangement of Gandang Tambua in Cubadak Aia village, Pariaman Utara district, Pariaman City. This research is qualitative using descriptive method. Data is collected through interview, observation with direct participation, documentation, and literature review. Data is then analysed according to Miles and Huberman’s. The result shows that the arrangement structure of Gandang Tambua consists of parts related to each other. ‘Tasa’ plays as the main role in leading the performance of Gandang Tambua, while Gandang Tambua follows Tasa. It means, based on the local wisdom, the leaders are one step in front and one level higher. It also refers to the social structure of Minangkabau community where the children see their uncles as kings, the unces see ‘pangulu’ (tribal leaders) as kings, pangulu see the truth as king, and the truth stands on its own. Gandang Tambua also serves as the media for social integration, entertainment, and communication. Keywords: Gandang Tambua, local wisdom, function and structure of arrangement
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Zulfahmi, Ilham, Yusrizal Akmal, Muhammad Radhi, Muslich Hidayat, and Muliari Muliari. "Comparative osteology of Tor tambroides (Bleeker, 1854) and Tor tambra (Valenciennes 1842) vertebral column (ossa vertebrae)." Jurnal Iktiologi Indonesia 20, no. 3 (2020): 235. http://dx.doi.org/10.32491/jii.v20i3.530.
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Information related to osteology plays a vital role in support ecomorphology and phylogenetic relationship analysis in fish. This study aimed to describe the comparative morphology of the vertebral column between Tor tambroides (Bleeker, 1854) and Tor tambra (Valenciennes 1842). Samples of Tor tambroides and Tor tambra were obtained from fish traders in the Tangse River area of Pidie Regency and Sampoinet River area, Aceh Jaya Regency, Aceh Province. Vertebral column preparation consists of five steps: muscles and scales separation, immersion in a formaldehyde solution, drying, morphometric measurements, photographing and image editing, and identification of terminology. The results showed that there are morphological differences between Tor tambroides and Tor tambra vertebral column, particularly in the axial vertebrae, posterior vertebrae caudales, and urostylus regions. The pleural costae of Tor tambroides have a posterior curve with the left and right sides interlocking. The lateral Tor tambroides process tends to curve posteriorly, while the Tor tambra tends to round up parallel to the dorsal costae. Tor tambroides tend to have stronger ligaments marked by the absence of a foramen between the hypural. Morphometrically, Tor tambroides tend to have higher centrum ratios (length, width, and height), neural spine, haemalis spine, and costae compared to Tor tambra. The significant difference in morphometric results in observed the axial vertebrae and the posterior vertebrae caudales region. Further research related to the correlation of vertebral column morphology with the environmental condition of these fish is still necessary.
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Tasbun, Edrik, and Agustinus Sutanto. "URBAN TERABITHIA, RUANG RETREAT KAWASAN TAMBORA." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 2, no. 2 (2020): 2261. http://dx.doi.org/10.24912/stupa.v2i2.8618.
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Tambora District, which is the most densely populated region in Southeast Asia, is one of the informal sectors in the city of Jakarta. The development of an increasingly capitalist city, so that there are imbalances in the formal and informal sectors, causing social, mental, and other problems. Tambora Retreat Spaces with the Urban Accupunchture architecture approach becomes a forum by creating a new environmental reality for the informal sector to help them strengthen their role in the inner city. This project presents Urban zen garden and biophilic design as a passive media retreat and technology retreat for active media retreats. This place also plays a role in replacing the role of open space and third-places facilities for those who are lost are replaced by residential settlements that are increasingly congested every year. The project also focuses on creating a media for community growth space of all ages and social status in community life, based on the Ville Spatiale concept of Yona Friedman to become a forum for interaction, rehabilitation, and inspirationKeywords: Growth Spaces; Nature; Rehabilitation; Technology AbstrakKecamatan Tambora yang menjadi kawasan dengan tingkat penduduk paling padat se-Asia Tenggara ini, merupakan salah satu area yang didominasi permukiman informal di kota Jakarta. Perkembangan kota yang semakin kapitalis membuat adanya ketimpangan pada sektor formal dan informal, sehingga menimbulkan permasalahan sosial, mental, dan lainnya. Tambora Retreat Spaces dengan pendekatan arsitektur Urban Accupuncture menjadi wadah dengan menciptakan sebuah realita lingkungan baru bagi informalitas untuk membantu mereka memperkuat perannya pada bagian di dalam kota. Proyek ini menghadirkan Urban zen garden dan biophilic design sebagai media retreat pasif dan technology retreatment untuk media retreat aktif. Tempat ini juga berperan dalam menggantikan peran ruang terbuka serta fasilitas ruang ketiga bagi mereka yang hilang digantikan oleh permukiman warga yang semakin padat setiap tahunnya. Proyek ini juga berfokus untuk menciptakan sebuah media ruang tumbuh masyarakat dari segala umur dan status sosialnya dalam kehidupan masyarakat, dengan berlandaskan konsep Ville Spatiale dari Yona Friedman untuk menjadi wadah interaksi, rehabilitasi, dan terinspirasi.
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Malamusi, Moya A. "Nthano (chantefables) and songs performed by the Bangwe player Chitenje Tambala (Malaŵi)." South African Journal of African Languages 10, no. 4 (1990): 222–38. http://dx.doi.org/10.1080/02572117.1990.10586853.
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Pugh-Kitingan, Jacqueline. "Revisiting the Dusunic Boat Lutes of Sabah: Disappearing Musical Traditions." Malaysian Journal Of Music 9 (December 9, 2020): 115–37. http://dx.doi.org/10.37134/mjm.vol9.9.2020.
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The Kadazan Dusun sundatang from Tambunan, the Rungus sundatang, and the Lotud gagayan are three kinds of boat lutes from Sabah. Each is carved from a single log of jackfruit wood, but vary structurally. Resembling somewhat Philippine boat lutes, they differ from the sape-types of Sarawak and Kalimantan. They are played solo in non-ritual contexts. The gagayan, however, was played in pairs (batangkung) and the Tambunan sundatang was sometimes accompanied by a hand-held gong when accompanying the slow, sedate magarang sundatang dance. Today, there are very few musicians playing the unique Tambunan sundatang, while the Lotud gagayan has recently declined with the demise of older performers. The Rungus sundatang is still extant and continues to be performed in many longhouses. This paper discusses these three types of Dusunic boat lutes, their structures, performance practices and music, and suggests a possible origin for these kinds of instruments found in northern Borneo.
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Sobri and Randi. "ANALISIS KRIMINOLOGI TERHADAP TINDAK PENYIMPANGAN PERJUDIAN GAME LUDO KING MELALUI APLIKASI GAME PADA SMARTPHONE (STUDI KASUS WILAYAH POLSEK TAMBUSAI UTARA)." SISI LAIN REALITA 4, no. 2 (2020): 40–55. http://dx.doi.org/10.25299/sisilainrealita.2019.vol4(2).4826.
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Technological advancements have brought changes to the whole social order, including games that normally can only be played real-time but are now accessible on smartphones and played online like ludo king games. Increasingly ludo king game has now changed the function of the entertainment arena into a gambling arena. The formation of this gambling event has been influenced by several factors such as economic factors, environmental factors, weak supervision factors, technological development factors. The existence of the learning process is also one of the factors in gambling in ludo king games, so that every one who plays it feels addicted to get money the wrong way. The research method in this case is a qualitative method with the aim of obtaining information by conducting direct observation to the research location and conducting in-depth interviews with key informants and informants.
Dissertations / Theses on the topic "Tambura players"
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Peterman, Timothy J. (Timothy James). "An Examination of Two Sextets of Carlos Chávez, Toccata for Percussion Instruments and Tambuco for Six Percussion Players." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331616/.
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This lecture-recital deals with the two percussion sextets of Carlos Chavez. Each of the compositions is analyzed by examining compositional characteristics and performance problems. The selection, substitution, and construction of the necessary instruments for performance are explored. Suggestions for stage set-up are also included. The percussion ensemble has become an integral part of most high school and university percussion programs. Much of the literature composed for this medium has not become part of the standard literature. Chlvez's Toccata has obtained its place in the literature—it is one of the most often performed percussion works in the world. Although Tambuco has not yet attained the same status as Toccata, it is, nevertheless, an important contribution to the literature. An attempt is also made to identify the significance of these works by examining some of the early influences on Chavez's compositional style both from his native Mexico, and from other composers writing for percussion ensembles.