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Journal articles on the topic 'Tamil poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Murugesapandian, N. "The Creation of the Literary Personality of Bharathidasan." Shanlax International Journal of Tamil Research 8, no. 3 (2024): 1–13. http://dx.doi.org/10.34293/tamil.v8i3.7079.

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Poet Bharathidasan’s poems, who described himself as Tamil and Tamils, influenced deeply into Tamil society. Bharathidasan, who wrote poetry in favor of the Tamil national consciousness as Tamil, Tamils, Tamil race, was against Vedic Sanathana. He felt that all the religions of the world were against human development. He believed that economic emancipation was possible only through true social emancipation, freed from immediate problems and respecting man. Bharathidasan’s poetry, which records the vicissitudes and exaltations of daily life, has retained its place in Tamil history.

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2

V, Renuka. "Techniques in Tamil Haiku Poetry." Indian Journal of Tamil 4, no. 4 (2024): 14–20. http://dx.doi.org/10.54392/ijot2343.

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Tamil haiku poems are characterized by the unique characteristics of expressing the feelings, such as mild sadness, mild humor, it have only three lines, it is very simple, it has emphasis on all life, it resembles the nature of lightning in a vortex system and it also express innermost feelings. Symposium itself has given the boom to Tamil poetry which everyone desires. However, the metaphor technique, irony technique, symbolic technique, question answer technique, narrative technique, title technique, component technique, myth technique, criticism technique, pun technique, figurative variety

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3

M, Vadivel, and Amitha Darwin J. "The Expression of Music in the Theatre." International Research Journal of Tamil 4, S-19 (2022): 79–83. http://dx.doi.org/10.34256/irjt224s1913.

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Sangam Tamil consists of three major parts viz., Poetry, Music, and Drama. This is something that no other language in the world has. Hence, Tamil can also be called Muthamizh (The three kinds of literature in Tamil). Drama, along with music, has been developing gradually since time immemorial. Theatrical music is a mirror of worldly events. The literature also makes it clear that the Tamils excelled in art and culture. Therefore, on the basis of literary references, Poetic Tamil, Music Tamil, and Drama Tamil are the three Tamils that make history in many aspects. This approach seeks to explai

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4

Ramakrishnan, E. V., and M. S. Ramaswami. "Modern Tamil Poetry." World Literature Today 64, no. 3 (1990): 528. http://dx.doi.org/10.2307/40146832.

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5

Oakley, Robin. "Tamil Heroic Poetry." Asian Journal of Social Science 35, no. 3 (2007): 381–82. http://dx.doi.org/10.1163/156853107x224330.

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6

P, Vinthiya Gowri. "Realism in the Poems of A.S.M. Muniandi." International Research Journal of Tamil 4, S-7 (2022): 324–34. http://dx.doi.org/10.34256/irjt22s752.

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Literature is a life experience. Modern Tamil poetry inspires the thought of writing freely. Tamil poetry is broadly divided into two types: classical (i.e., Marabu Kavithai) and modern (i.e., Puthu Kavithai). Modern poetry has freed itself from the shackles of grammar. It has a wide range of songs. The definitions of poetry are new. He realised that poetry of experience, the poetry of longing, the poetry of longing, the poetry of anger, poetry of hope, the poetry of wisdom, and Tamil poetry will come, and he knows life and sings in Tamil. He has written a wonderful poem saying that God and po

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7

Sivanarayanan, Anushiya, and N. T. Rajkumar. "Translating Tamil Dalit Poetry." World Literature Today 78, no. 2 (2004): 56. http://dx.doi.org/10.2307/40158413.

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8

S. Sheela, Dr. A. Devaraj. "Kalaignar Contribution into Tamil." Tuijin Jishu/Journal of Propulsion Technology 44, no. 3 (2023): 4373–76. http://dx.doi.org/10.52783/tjjpt.v44.i3.2381.

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Karunanidhi’s explanation for his concerns regarding social justice and federalism came from literature, namely from his perusal of certain Tamil writings. Nearly all of the accolades made to M. Karunanidhi in the days that followed his passing included the words “social justice” and “Tamil literary enthusiast.” This is not unexpected. Up to almost the very end of his life, Karunanidhi took great pride in his work as a writer. He contributed nearly every day to Murasoli, the DMK newspaper. His letters to his legion of brothers-in-arms. Naturally, his greatest-known credit is that of a stage an

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9

M.E, Krishnakumar. "Social Change Reflected in the Dignity of Language." International Research Journal of Tamil 4, S-3 (2022): 223–28. http://dx.doi.org/10.34256/irjt22s334.

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The book 'Mozhi Maanam' is a book that explains the importance of protecting the dignity of the Tamil language. The author of this book, M.L. Thangappa, is referred to as Lenin Thangappa by the literary world. A mother tongue education will develop the mind. However, he has written and published this book, saying that it is very sad that the awareness of this language has decreased among Tamils. He regrets that the Tamils themselves are standing against the Tamil language. Is it good to live without dignity? He has made it clear that it is not virtuous to forget the mother and to live in ignor

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10

G, Nirmaladevi. "Transit in Kalki Historical Novels." International Research Journal of Tamil 3, S-1 (2021): 279–84. http://dx.doi.org/10.34256/irjt21s145.

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The novel is one of the brand new arts acquired by Tamils due to European contact and learning English. In storytelling for Tamils since ancient times; there is involvement. However, the literary form of the novel became known to the people only after learning English novels. As a result, AD.Novels may have appeared in Tamil in the late nineteenth century. By the time the first novel appeared in Tamil, Tamils were well versed in education. So the number of scholars was increasing. Tamils learned to speak English along with Tamil. It is easy for people to move from one place to another

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11

M, Christopher. "Life Problems of Tamils of Highlands in the Fictions of Maatthalai Somu." International Research Journal of Tamil 4, S-9 (2022): 27–41. http://dx.doi.org/10.34256/irjt22s95.

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Immigrant Tamil literature has an important place in Highland literature. Highland Tamil literature can be considered a part of immigrant literature. It is a rich literary field with many literary genres like folk literature, poetry, short stories, novels, dramas, and essays. Highland writers have contributed to and enriched the field of literature. Their field of literature is expanding beyond the Sri Lankan highlands to include Tamil Nadu, European countries, and other countries in the world. In this way, Maatthalai Somu is an international Tamil writer who records Sri Lanka (Highland), Indi

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12

Albedil, Margarita F. "Ancient Tamil Poetry: Archaic Substratum." Vestnik of Saint Petersburg University. Asian and African Studies 15, no. 4 (2023): 649–59. http://dx.doi.org/10.21638/spbu13.2023.402.

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Thе article is a tribute to the memory of the outstanding Russian dravidologist A. M. Dubyansky; it examines the archaic foundations of ancient Tamil poetry. This poetry is represented by two poetry collections: “Eight anthologies” and “Ten songs or poems”, which were created in the 1st–3rd centuries. A. M. Dubyansky explored the mythological and ritual origins of this poetry, it seems reasonable to reveal in it a deep archaic substratum; this is the purpose of the article. Thanks to phylogenetic memory, its actualization took place at different times in different areas of culture and literatu

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13

Uma, B. "The Structural Compression of Kāvyprakāsa and Taṇṭiyalaṅkāra". Shanlax International Journal of Arts, Science and Humanities 7, № 4 (2020): 84–90. http://dx.doi.org/10.34293/sijash.v7i4.2318.

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Tolkāppiyam, the first extant work of Tamil grammar covers the descriptions on the ‘Rhetoric Grammar’ (aṇiyilakkaṇam; figures of language) under the chapter simile. Later on, In ‘Vīracōḻiyam’ which is one of the five grammatical thoughts of Tamil, (Eḻuttu, Col, Poruḷ, Yāppu, Aṇi) the rhetoric aspects of the language was described as following Sanskrit work ‘kāviyātarca’. Subsequently, more works such as Taṇṭiyalaṅkāra, Māṟāṉalaṅkāram, Toṉṉūl Viḷakkam, Muttuvīriyam were written based on the Sanskrit rhetorical conventions. Though the rhetoric works in Tamil were written on the basis of Sanskrit

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14

Sugunan, Dhusyanthy. "Multifarious nature in Bharathy’s Lyrical Literature." International Research Journal of Tamil 4, SPL 2 (2022): 1–7. http://dx.doi.org/10.34256/irjt22s21.

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This article, entitled as 'Multifarious nature in Bharathy’s Lyrical Literature', serves as a research paper for the seminar organized with the aim of exploring the diversity of Tamil grammar and literature and exposing the multifarious nature of Tamil. There are a lot of rich literatures in Tamil that express diversity in the field of Grammar and Literature. However, in the field of Tamil grammatical literature, Bharathiyar's poetic literature excel in simplicity, sweetness, novelty and revolution which are conceptual and multifarious. In that respect, this article is designed to examine the

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15

S, Avvai. "A Theoretical Approach to the Poetry Songs of Kurinji Mullai and Palai's." International Research Journal of Tamil 4, S-18 (2022): 357–62. http://dx.doi.org/10.34256/irjt224s1848.

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There has been a tradition of poetic composition in Tamil literature. In Tholkaapiyam, archeology is a theoretical formulation of poetry. A deep foundation for such theoretical formulation was developed long before the Sangam literature. Palanthamil literature pre to Sangam literature, is written by Tamil authors. The tradition of poetry found till today is the only proof for Palanthamil literature. Such an extensive Palanthamil literature was theorized by later generations. The theory has been followed by the upcoming writers by making slight changes. Sangam literature is the proof for this.

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16

Tschacher, Torsten. "(De-)Limiting the Universal: Engaging with Arabic in Muslim Tamil Poetry." Philological Encounters 4, no. 1-2 (2019): 80–108. http://dx.doi.org/10.1163/24519197-12340060.

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AbstractThis article explores how the encounter of Arabic with Tamil discourses on language limited as well as enabled a particular instantiation of Islamic discourse. It argues that, rather than allowing a hyperglossic extension of Arabic grammatical and poetical discourses to Tamil, Muslim Tamil poets clearly demarcated the respective domains of Tamil and Arabic grammar, thereby making each relevant only to the language it originally defined. The prime space of interaction between the two languages was afforded by Arabic vocabulary, as Tamil grammar implicitly permitted the utilization of Ar

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17

Tieken, Herman. "Translating Tamil Caṅkam Poetry: Taking Stock". Orientalistische Literaturzeitung 115, № 4-5 (2020): 287–303. http://dx.doi.org/10.1515/olzg-2020-0096.

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18

K, Preetha. "Kaviko's 'Ghazal' Songs - A Glimpse." International Research Journal of Tamil 4, S-3 (2022): 144–52. http://dx.doi.org/10.34256/irjt22s322.

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Twentieth century Tamil literature is considered to have reached the peak of social change. Such literary forms have in themselves an expression of sentiment similar to that of Sangam literature. Tamil Modern Poetry is based on the intellectual genre of Tamil that subtly conveys the call for social change. Traveling with the ideas of various creators, Tamil poetry is a field of study that is still appreciated today. Kavico Abdul Rahman is one of the few poets who can ever be thought of in the history of Tamil poetry. He has achieved many achievements through his socially conscious writing jour

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19

V, Nathiya. "Modern Poetry and Malaysian Tamil Writer's Association." International Research Journal of Tamil 3, no. 1 (2020): 99–103. http://dx.doi.org/10.34256/irjt21111.

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The Tamil Diaspora those who are settled throughout the world dedicated them for the Development of muthTamil that is iyal isai and Natakam and preserve the tranquility and Heritage of Tamil language. Their activities having been properly streamlined with their respected Tamilsangams. The renowned Tamil sangam of Malaysia which is the best among of its kind rendering yeoman service with its multi thronged approaches and attitudes in particular the seminars on modern or revival poetry (puthu kavithai) has been Notable. Writer association of Malaysia conducted seminar on to the kavithai and asse

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20

G, Nirmaladevi. "Social Issues by Tamil Women Poets in their Poems." International Research Journal of Tamil 4, S-18 (2022): 112–20. http://dx.doi.org/10.34256/irjt224s1816.

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Poetry is aesthetic, both readers and listeners enjoy its style. Poetry always requires concept, emotion, imagination and form. Through poetry writer can touch people’s emotions. As the culture of the people changes from time to time, poetry also changes accordingly. These changes are always evaluated by the question whether the changes in poetry relates to the present changes that took place in society. Earlier writers had an opinion that poetic richness do not have anything to do with social sentiments and political leanings. First the Vanampaadi poets added about society and miseries happen

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21

T, Parimala. "Paiya, Paipaya Word Research in Ettuthogai." International Research Journal of Tamil 4, SPL 2 (2022): 182–86. http://dx.doi.org/10.34256/irjt22s229.

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Tamil language flourished with Grammatical Literature. It originated along with the origination of the human race. It flourishes and cherishes through all the ages of the Tamil speaking communities with a pack of generational histories. The present paper is to highlight the words from the Tamil Classical Literature and the establishment of its functional usages of today. Also it is to underscore the alien words that hack the beauty of the ideal Tamil language. In Tamil language poetry, prose, essay, novel and short stories taking its reformed spirit according to the newness of the current scen

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22

S, Martin Raja, and Rajasekaran M. "Postmodern Politics Found in Tamil Modern Poetry." International Research Journal of Tamil 4, no. 4 (2022): 18–27. http://dx.doi.org/10.34256/irjt2242.

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One of the two notable elements of modernist politics that emerged in the West was fundamentalism, and the other was identity politics. Postmodern politics encompasses the inadequacies of modernist politics and alternative political ideas. The three elements of unleashing politics, the politics of remnants, and the politics of difference give rise to a fundamental understanding of postmodern politics. It is also necessary to divide it according to the Tamil context into differential feminist politics, Dalit feminist politics, Dalit politics, rainbow coalition or fusion politics, marginal polit

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23

Moiseev, Sergey R. "Vaishnavism in Nammalvar’s Poem “Tiruviruttam”." RUDN Journal of Philosophy 27, no. 4 (2023): 996–1008. http://dx.doi.org/10.22363/2313-2302-2023-27-4-996-1008.

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Nammalvar, a Tamil poet who lived in IX-X centuries, is revered as one of the great mystics of India. His four poetic works are equated with the sacred hymns and are part of the ritual worship in the temples of South India. Artistic images of Nammalvar formed the basis of the philosophy of Vishishta-Advaita several centuries later. The poem “Thiruviruttam” is considered as his early work, where he combines the canons of ancient Tamil poetry and his devoted love for Vishnu-Tirumal. The study presents a religious and philosophical interpretation of the poem. The secret of the poem is its dualism

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24

E, Pavalan. "Poet V.V. Murugesa Bhagavatar's Abstinence Anthem: A Sociological View." International Research Journal of Tamil 4, S-7 (2022): 114–18. http://dx.doi.org/10.34256/irjt22s717.

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Born in 1887, poet Murugesa Bhagavathar has been fascinated by his mother tongue Tamil since his earliest days and admired for his erudition. He is 14 years older than Bharatiyar. He is also a pioneer in the world of poetry. He is strong in writing conventional poetry. Even the illiterate laymen were accepted by his poetry. So he taught the old people of those days to write poetry when there was time left after family time. So countless people from areas including Willivakkam have come to him and learned poetry properly. Also, Murugesa Bhagavatar's poetry had a fan base in Dharavi, Mumbai. He

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25

Ganeson, Navin G. "Malaysian Poet Sima. Ilango’s Traditional Poems: A Study." Shanlax International Journal of Tamil Research 7, no. 4 (2023): 75–82. http://dx.doi.org/10.34293/tamil.v7i4.6250.

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Traditional poetry literature emerged in Malaysia and continues to this day with many developments and glories. The development of Malaysia Tamil poetry, traditional poetry, began in 1863 to the present day and has gone through many periods. Poet Sima. Ilangois a senior poet in Malaysian poetry. Poet Ilango has been selected for this study.The purpose of this article is to explore the poetic elements in his works of traditional poetry. In Ilango’s traditional poems, theme, concepts, poetic element, impact, and lesson of the poem have been found and explained.

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26

Garret Raja Immanuel, S. "Integrative, Hierarchic, and Anarchic Oikos in Ancient Tamil Poetry: An Analysis of Ainkurunuru’s Translation by Martha Ann Selby." Shanlax International Journal of English 12, no. 3 (2024): 54–63. http://dx.doi.org/10.34293/english.v12i3.7485.

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This paper explores the intricate depiction of oikos in the Sangam literary corpus, specifically through an analysis of the Ainkurunuru’s translation by Martha Ann Selby, namely, Tamil Love Poetry: One of the most influential collections of the Tamil literature is known as the Five Hundred Short Poems of the Ainkurunuru. Using tiNai poetics’ model by Nirmal Selvamony, the study digs into how the environment and society are depicted in the ancient Tamil poetry and it is manifested on integrative oikos which has “all-inclusive harmony”. This approach of harmony and unity of the universal Tamil c

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27

R, Devendhiran. "Structural approach of Sangam Poetry." International Research Journal of Tamil 3, S-1 (2021): 144–49. http://dx.doi.org/10.34256/irjt21s123.

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If a linguistic information is considered a literary work it means that it has a structure of its own. It is not possible to consume literature without a copy of this descriptive system. It was on this basis that the poet's approach to perceiving the internal form of life with its external forms in the language system also appeared. Every art has form and meaning. Form reflects the excellence of literature from the external system and the material internal system. Exploring such a literary structure in a structural approach becomes a necessary one. Anatomy is found only in Tamil as a new diale

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28

S, Vignesh. "Panjali Sabatham: Prosodic Features and Poetic Style." International Research Journal of Tamil 4, S-11 (2022): 69–75. http://dx.doi.org/10.34256/irjt224s119.

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Bharathiyar was the one who created Tamil so that the honey-like Tamil music could spread all over the world. He made many innovations with his songs to remove the distance between people and Tamil poetry. He composed poems following tradition in traditional forms like song and poetry. He introduced innovation into traditional forms of poetry and gave rise to modern poetry. Panjali Sabadham is a unique record among Bharathiyar's songs. This book is full of simple Tamil, subtlety and emotions. The Panjali Sabatham consists of two parts. This book contains four hundred and twelve songs in five c

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29

Mythreanbu. "Working-Class People's Expressions in Modern Tamil Poetry." International Research Journal of Tamil 4, S-10 (2022): 35–39. http://dx.doi.org/10.34256/irjt22s106.

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Although literary works are the products of the imagination of individual writers, they are considered to be the voices of the times. It is appropriate to consider literature as the essence of a long history and as a necessary document for social change, rather than as a dry reflection of social currents. In this way, in the contemporary literary environment, more attention is paid to poetry, lyrical content, expressive ability, social vision, and new ideas than to other types of literature. Free verse, which in recent times has been identified as modern poetry, has developed in the form of si

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30

M, Gopi. "Biographical Thoughts in Contemporary Tamil Poetry (2005-2007)." International Research Journal of Tamil 4, S-3 (2022): 208–15. http://dx.doi.org/10.34256/irjt22s332.

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Literature narrates the experiences of human life. In the nineteenth and twentieth centuries, despite the emergence of various literatures, the field of poetry began to take shape with a renaissance. Poetry is the way to find the norms of human life and in the theme 'Biographical Thoughts in Contemporary Tamil Poetry (2005-2007)', the idea of life is that human beings should live in unity without selfishness. There is no destruction to the wealth of education. Therefore, it is necessary to get a compulsory education. Exercise and meditation on a daily basis suggest that there should be perseve

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31

Dr. Budhanath Pratihast. "A.K. Ramanujan’s Select Poems: A Humanistic Approach." Creative Launcher 5, no. 2 (2020): 48–53. http://dx.doi.org/10.53032/tcl.2020.5.2.05.

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Attipat Krishnaswamy Ramanujan (1929-1993), needs no introduction in the word of Indian English Poetry. His poems are liked by every person because his poems are either replete with the humanistic approach or his poem have autobiographical elements. He was a poet, translator, playwright and folklorist. He belonged to a Hindu family. He was a trilingual writer who wrote in English, Tamil and Kannada. He has interpreted some works written in Sanskrit and Tamil bases on some classical and modern variants. He had four poetry collections to his credit: The Striders (1966), Relations (1971), Second

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32

Harris, Gardner. "The Phenomenology of Time in Classical Tamil Poetry." Asian Literature and Translation 5, no. 1 (2018): 104. http://dx.doi.org/10.18573/alt.32.

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Ferro-Luzzi, G. Eichinger, and Herman Tieken. "Kavya in South India: Old Tamil Cankam Poetry." Asian Folklore Studies 60, no. 2 (2001): 373. http://dx.doi.org/10.2307/1179075.

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34

Hart, George, та Herman Tieken. "Kāvya in South India: Old Tamil Caṅkam Poetry". Journal of the American Oriental Society 124, № 1 (2004): 180. http://dx.doi.org/10.2307/4132191.

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35

Subramanian, Kumaran. "Plant Creepers in the Ancient Tamil Love Poetry." Journal of Indian Studies 6, no. 1 (1996): 35–46. http://dx.doi.org/10.22452/jis.vol6no1.3.

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K, Sivamani. "Rural Cultural Elements Presented in the Poems of the Poet Sirpi." International Research Journal of Tamil 4, SPL 1 (2022): 259–65. http://dx.doi.org/10.34256/irjt22s136.

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The earthy antiquity and culture of the writer can be speaking the strength of his writings. The culture can serve as a bridge between the people who followed the ethics to live the better life and their living environment. One of the most noteworthy poets and sculptors in the history of contemporary Tamil poetry. One of the most noteworthy poets and sculptors in the history of contemporary Tamil poetry. A village river on the banks of the poet-sculptor's poem is a unique rural story based on the lives of human beings who are realistically moving. As a Kongu vernacular poem, it is full of pro-

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M, Selvakumar. "Cultural Genetics in Ettutthokai (Eight Anthologies)." International Research Journal of Tamil 4, S-6 (2022): 222–34. http://dx.doi.org/10.34256/irjt22s632.

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The term "Culture" was coined at a later stage. This terminology is found in the Sangam literature in terms such as attributive, worthy men, ill-mannered, etc. It was in Tamil Nadu that the Tamil people, the primitive people, originated. It is the unanimous decision of historians that the human race originated. It was the Tamils who emerged in the early times and attained the maturity of civilization and the knowledge of life that led them to become the greatest in culture. Therefore, it can be realised that the Tamil race was the race that brought civilization and culture to the world and tra

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38

R, Rajeshwari. "The linguistic personality of the poet Vali through Krishna Vijayam." International Research Journal of Tamil 3, S-2 (2021): 46–49. http://dx.doi.org/10.34256/irjt21s29.

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Epics and Puranas are the most prominent elements of the language that show case the importance and importance of a language. These are the mirrors of time, and there are numerous epic stories. The legends of these legends, which have been written and written from time to time, are known to the stories and philosophies of literary taste. The purpose of this article is to explain the linguistic character of the poet Theerata viḷaiyattup pillai in the first part of the book Krishna Vijayam, written by the poet Vaali, with Krishna, the head of Villiparatham, the epic hero. Vaali, who has written

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D’Avella, Victor B. "Recreating Daṇḍin’s Styles in Tamil". Cracow Indological Studies 22, № 2 (2020): 17–41. http://dx.doi.org/10.12797/cis.22.2020.02.02.

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In Sanskrit poetics, the defining characteristics of poetry, its very life breath, are the guṇas, ‘qualities’. They make up the phonetic and syntactic fabric of poetic language without which there would be nothing to further to ornament. Many of these intimate features are by necessity specific to the Sanskrit language and defined in terms of its peculiar grammar including phonology and morphology. In the present article, I will describe what happens to four of these guṇas when they are transferred to the Tamil language in the Taṇṭiyalaṅkāram, a close adaptation of Daṇḍin’s Kāvyādarśa. I wish

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L, Arun Prakash, and Beschi G. "The Contribution of the Christian Ammanais (a type of Tamil poetry in the form of questions and answers) to the History of Minor Literature." International Research Journal of Tamil 4, no. 4 (2022): 275–81. http://dx.doi.org/10.34256/irjt22436.

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In the area of the Tamil language, which has a rich literary heritage of over 2,000 years that extends from Sangam literature to today's modern literature, the minor literature is known to be the product of the Naayakar period. Against the backdrop of various religions, which have contributed from time to time to the great work of enriching Mother Tamil, many minor literature books have emerged in Tamil. Christian Ammanais is the most famous of this type of minor literature, which originated in Tamil in the context of Christianity. This article explores the place of Christian Ammanai in Tamil

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K, Kananathan. "Traces of Time in Contemporary Literature." International Research Journal of Tamil 4, S-9 (2022): 42–50. http://dx.doi.org/10.34256/irjt22s96.

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If we look at the term "Contemporary" in the history of the Tamil language, the periods starting from the end of the nineteenth century to the twentieth century to the present day are variously defined as the period of the arrival of Melai Natar, the development of prose, drama, the rise of film Tamil, science, Tamil, computer Tamil, the developmental period of web Tamil, and Media Tamil, and refer to the literary creations of the respective periods as twentieth century Tamil literature as well as divided, compiled, and analysed into short stories, novels, short novels, prose poems, new poems,

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M, Elangovan. "Tolkappiya Meyppatukalin ullitukalum Natrinai Mantarin ulaviyalum." International Research Journal of Tamil 4, SPL 2 (2022): 187–93. http://dx.doi.org/10.34256/irjt22s230.

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Tholkappiyam is the most ancient extent Tamil grammer text and the oldest extant long work of Tamil Literature. The surviving manuscripts of the Tholka ppiyam consists of three books each with nine chapters namely Eluthu, Chol and porul. Among the nine chapters in porul, Maippattiyal is one of the above nine. It is named thus in view of the fact that it expounds the feelings and emotions. The scholars will say the eight states of being beginning with Nagai, Azukai, ilivaral, Marutkkai, Acham, Perumitham, Vekuli, uvakai are the basic eight categories of Meyppadu. This Article Compares the above

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N, Krishnaraj. "A Study of the Visionary Thoughts Expressed in Bharathi's Poems." International Research Journal of Tamil 4, S-11 (2022): 98–103. http://dx.doi.org/10.34256/irjt224s1113.

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Bharathi was a poet who brought about a renaissance in Tamil literature in the twentieth century. Mahakavi Bharathi was a pioneer not only in literature but also for the betterment of society and the emergence of equality. At a time when traditional poetry was gaining influence, he began to see a change in Tamil literature with a new technique called modern poetry. Poets are naturally proud to be intellectual. In Bharathi, it was abundant. All creators are prophets. He is a divine seer. Not stuck in one field called creativity. Armed with the weapons of creation, he sowed freedom; raised aware

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Dhivya, Chrispin Antonieta. "The Impact of Marxism and Communism: A Critical Study of Meena Kandaswamy’s ‘The Gypsy Goddess’." SMART MOVES JOURNAL IJELLH 7, no. 11 (2019): 9. http://dx.doi.org/10.24113/ijellh.v7i11.10097.

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Meena Kandasamy is a versatile writer from India who writes poetry, essays and fiction. She was born to Tamil parents in 1984. Meena Kandasamy completed a doctorate of philosophy in socio-linguistics from Anna university, Chennai. She was very interested in writing from her childhood and even wrote her first poetry at the age of 17 before translating books by Dalit writers. Kilvenmani, an obscure village in the Nagapattinam taluk of erstwhile Thanjavur, Tamil Nadu, shot to significance in 1968, forty-four Dalit were, locked in a hut and burnt alive because they demanded for hike in wages. This

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V, Vijayalakshmi. "Bharthi's Language Personality." International Research Journal of Tamil 4, S-11 (2022): 195–99. http://dx.doi.org/10.34256/irjt224s1128.

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Bharathi was the one who came to refine this world with his singing talent. He showed a new way to high Tamil who showed good manners. He stepped into the world of journalism at a time when nationalism was floating in Tamil Nadu. He was a multilingual scholar. Apart from his mother tongue, Tamil, he was proficient in English, French, Telugu, and Sanskrit. However, he compares Tamil with these languages and praises it as a superior classical language. Bharathi, who was born in the southern part of Tamil Nadu as a moon, came to protect the pride and heritage of our culture and to remove the dark

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M. S, Jesintha Grace. "Political Satire in the Collection of Kaiyoppam." International Research Journal of Tamil 4, S-8 (2022): 93–99. http://dx.doi.org/10.34256/irjt22s813.

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Poetry penetrates human minds and deepens the light of life. In poetry of this nature, poets use a variety of techniques to convey their thoughts to others. Since the satire in them first refers to a literary genre, then the strategy has become systematic. Poet Puviarasu often used this element in his poems and was one of the leading poets of the Vanambadi movement who inspired the development of modern poetry. Diverse, he expresses the misfortunes of today's society in a simple way through his poetry. In his poems, we can see his loud thinking, anger and determination to oppose the ruling cla

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Balganesh, Meenakshi. "Facets of life and society as depicted in Pillaitamizh literature." International Research Journal of Tamil 3, S-1 (2021): 9–18. http://dx.doi.org/10.34256/irjt21s12.

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Pillaitamizh is a unique, short literary work in Tamil which stands out amidst the multiple short literary formats in Tamil language. Gods, Goddesses, Kings, Queens, nobles or learned teachers are personified as small children and the poetical work is structured as ten stages of growth starting from the first month after birth to about ten to twelve years of age. This format of poetry not only depicts the various beauties and nuances of Tamil language but also reflects upon the way of family life, different aspects of scientific thoughts, religious and philosophical norms, formats of worship,

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K, Boomari, and Ilakkuvan R. "Ideas of Religious Harmony in Bharathiyar Poetry." International Research Journal of Tamil 4, S-11 (2022): 26–33. http://dx.doi.org/10.34256/irjt224s114.

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Bharathiyar's poems can be credited with leading the trend of Tamil literature to a new dimension in the twentieth century. It was Bharathiyar's works that made the Tamil language, which was immersed in the luxuriant flavours of the small literary genres in the palaces of the small land kings, rise up with a new force towards a new direction. Bharathiyar's poems, which arose for the liberation of the land, shed light on various fields, like women's liberation, spiritual liberation, caste liberation, and social liberation. Mahakavi Bharathiyar's poems became a rallying cry against slavery. Bhar

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Shri Lakshmi, Dr M. S. "Tamil poetry in Singapore from 1990 to 2015 – A study." Journal of Tamil Peraivu 4, no. 1 (2016): 74–91. http://dx.doi.org/10.22452/jtp.vol4no1.7.

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Schmid, Charlotte. "The Archaeology of Kṛṣṇa at Tiruveḷḷaṟai, a Site for Tamil Poetry in the 7th–9th Centuries". Cracow Indological Studies 24, № 2 (2022): 149–84. http://dx.doi.org/10.12797/cis.24.2022.02.06.

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In many of the oldest known sites of the Pāṇḍya country located not far from the Kāverī River in Tamil Nadu, a dual Hindu obedience, Vaiṣṇava and Śaiva, was developed concomitantly. Alongside these Bhakti deities, others are present in these places of communication with the sacred. As stone figures attached to the site and texts evoking the place are the two means used to give form to their deities, one would expect these two mediums to interact, but it is often difficult to correlate them in the Tamil country of the first millennium. This paper aims at exploring such possible relationships at

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