Academic literature on the topic 'Tamil Poets'

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Journal articles on the topic "Tamil Poets"

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M, Munees Moorthy. "'Ur (Town)' in the classical theory of Thinai: Based on Aingurunooru." International Research Journal of Tamil 4, S-13 (2022): 137–43. http://dx.doi.org/10.34256/irjt224s1319.

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The land is the basis for the survival of life. Therefore, the ancient Tamil poets and the ancient Tamil grammarians gave more importance to the land in the functions of creation and grammar. It is worth noting here that in the three-subjects distinction between the ecological and moral symbolism of human life (the triad of the first, thematic, and the object), the land and time are the primary objects. The strategies adopted by classical Tamil poets to place internal and external emotions as poems are essentially very important and should be identified separately. In particular, the poets who
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R, Subbulakshmi. "The Tamil Poets Unknown to the Tamil World." International Research Journal of Tamil 4, no. 2 (2022): 146–58. http://dx.doi.org/10.34256/irjt22219.

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The foreword to the article titled 'Tamil Poets Unknown to the Tamil World' features a song composed to illustrate the development of the Tamil language. Based on that song, there is a news item in the article which will be set up an introduction to list of poets who were missed their honour by Tamil world. There are four Tamil poets of the same name by the name of Narayanaswamy Naidu, who lived in different cities and wrote different texts. There is a reference to Damodaram Pillai under the title 'Sirukulam Damodaram Pillai' and songs attested by their books Sathurch Siladai Venpa and Sirukul
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G Ganeson, Navin. "Highlights of Poet Kannadasan's Poems." Indian Journal of Tamil 4, no. 2 (2023): 9–14. http://dx.doi.org/10.54392/ijot2322.

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Kannadasan, the king of all poets. He is living as a poet who has taken a noble place for himself in the ranks of poets who have left an indelible mark in literature. It is as if the Tamil mother had given all the knowledge of Tamil available to only one poet named Kannadasan, and his poems leave us in awe. The purpose of this article is to explore the highlights found in poet Kannadasan's poems. This study was carried out with a qualitative approach. This research has been carried out in a descriptive approach using books, and research articles suitable for library research. All information h
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S, Mallika, and Vibasri R. "Aesthetic Thoughts found in Natrinai." International Research Journal of Tamil 4, S-13 (2022): 213–18. http://dx.doi.org/10.34256/irjt224s1330.

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Tamil is one of the classical languages with an ancient literary and grammatical tradition. Sangam literature is proof of the classical nature of the Tamil language. The Ettutthokai and Patthuppattu, which appeared during the Sangam age, are called the Pathinenmelkanakku. These depict the domestic and public lives of Sangam Tamils. Through Sangam literature, it is possible to know the lifestyle, culture, customs, etc. of the ancient Tamils. In Sangam literature, the sense of aesthetics is as mixed as flowers and fragrances. It is possible to know through the Sangam poems that the poets of the
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M. S, Jesintha Grace. "Political Satire in the Collection of Kaiyoppam." International Research Journal of Tamil 4, S-8 (2022): 93–99. http://dx.doi.org/10.34256/irjt22s813.

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Poetry penetrates human minds and deepens the light of life. In poetry of this nature, poets use a variety of techniques to convey their thoughts to others. Since the satire in them first refers to a literary genre, then the strategy has become systematic. Poet Puviarasu often used this element in his poems and was one of the leading poets of the Vanambadi movement who inspired the development of modern poetry. Diverse, he expresses the misfortunes of today's society in a simple way through his poetry. In his poems, we can see his loud thinking, anger and determination to oppose the ruling cla
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J, Shyamala. "Contemporary Tamil Poems: Gyno Critic Approach." International Research Journal of Tamil 4, S-14 (2022): 1–14. http://dx.doi.org/10.34256/irjt224s141.

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This article analyses the evidence on Gender – based issues in contemporary Tamil poems written by female authors. The aim of this paper is to find out female centric experience through poems by applying Gyno – Criticism. Gyno – Criticism is the branch of Feminist Literary Theory and studies. This critical term was coined by the famous critic Elaine Showalter. She analyses four theoretical models that explore these differences: Biological, Linguistical, Psychological and Cultural. This study shows that many Tamil poets (Women) represent their experiences and women issues in their work. This st
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G, Nirmaladevi. "Social Issues by Tamil Women Poets in their Poems." International Research Journal of Tamil 4, S-18 (2022): 112–20. http://dx.doi.org/10.34256/irjt224s1816.

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Poetry is aesthetic, both readers and listeners enjoy its style. Poetry always requires concept, emotion, imagination and form. Through poetry writer can touch people’s emotions. As the culture of the people changes from time to time, poetry also changes accordingly. These changes are always evaluated by the question whether the changes in poetry relates to the present changes that took place in society. Earlier writers had an opinion that poetic richness do not have anything to do with social sentiments and political leanings. First the Vanampaadi poets added about society and miseries happen
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M, Kowsalya. "Sociological Thoughts in Pathupaatu." International Research Journal of Tamil 4, S-23 (2022): 57–66. http://dx.doi.org/10.34256/irjt224s22239.

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Even after two thousand years, the lifestyle of the ancient Tamil people and social organization are being talked worldwide and it is because of the ancient Tamil literary texts. Literature is all about creating best ideas of society through words. So Tamil literature is an ark that records culture, tradition, about the social organization of Tamil people, the living conditions, nature, gift, virtue, valor, war, and the tradition of learning. Among them, the Sangam literary book Pathupaatu occupies a prominent place. The purpose of this study is to describe the social thoughts of the ancient T
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R, Jaisankar. "The Family Structure in Puranaanooru." International Research Journal of Tamil 4, S-17 (2022): 143–49. http://dx.doi.org/10.34256/irjt224s1724.

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A closer examination of the ancient Tamil literature reveals that the ancient Tamils lived as an ethnic society and later became small kingdoms and empires and became sovereign societies. In this article, the family in the Sangam literature purananooru and their respective structural structures have been described by the poets Ponmudiyar, Oreruzhavar, Perungundroorkizhar, Pandian Arivudaiyanambi, Pandiya Nedunchezhiyan, Perunchithiranar, Kapilar, Paranar, and Arisilkizhar. Moreover, the above poets have pointed out the sense of duty of the family members in the progress of human life.
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N, Krishnaraj. "A Study of the Visionary Thoughts Expressed in Bharathi's Poems." International Research Journal of Tamil 4, S-11 (2022): 98–103. http://dx.doi.org/10.34256/irjt224s1113.

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Bharathi was a poet who brought about a renaissance in Tamil literature in the twentieth century. Mahakavi Bharathi was a pioneer not only in literature but also for the betterment of society and the emergence of equality. At a time when traditional poetry was gaining influence, he began to see a change in Tamil literature with a new technique called modern poetry. Poets are naturally proud to be intellectual. In Bharathi, it was abundant. All creators are prophets. He is a divine seer. Not stuck in one field called creativity. Armed with the weapons of creation, he sowed freedom; raised aware
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Books on the topic "Tamil Poets"

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Institute of Asian Studies (Madras, India), ed. On Tamil poems and poets: Essays and speeches. Institute of Asian Studies, 2006.

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Cāminātaiyar, U. Vē. Pir̲kālap pulavarkaḷ. Makāmakōpāttiyāya Ṭākṭar U. Vē. Cāminātaiyar Nūlnilaiyam, 1986.

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Caṇmukan̲ār, Cuntara. Pārati Tācaroṭu pala āṇṭukaḷ. Putuvaip Paintamil̲p Patippakam, 1987.

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Reṭṭiyār, Na Cuppu. Nāvukkaracar. Venkatam Publication, 1986.

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Vicuvanātan̲, Cīn̲i. Makākavi Pārati varalār̲u. Cīn̲i. Vicuvanātan̲, 1996.

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Piḷḷai, A. Catācivam. Pāvalar carittira tīpakam. Asian Educational Services, 1997.

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Mutaliyār, Tā Vētācala. Auvaiyār carittiram. Ṭ̄̄ākṭar U. Vē. Cā. Nūl Nilaiyam, 2006.

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Cuppiramaṇiyan̲, Ci. Veḷḷakāl Pa. Cuppiramaṇiya Mutaliyār. Cākittiya Akātemi, 2005.

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Reṭṭiyār, Vē Veṅkaṭarājūlu. Paraṇar. Ulakat Tamil̲ārāycci Nir̲uvan̲am, 1998.

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Cuppiramaṇiyan̲, Ci. Veḷḷakāl Pa. Cuppiramaṇiya Mutaliyār. Cākittiya Akātemi, 2005.

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Book chapters on the topic "Tamil Poets"

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Prentiss, Karen Pechilis. "Defining a Community." In The Embodiment of Bhakti. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195128130.003.0005.

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Abstract Many of the bhakti hymns suggest that there are three major components of good Tamil society: the presence of Siva, Tamils who meditate upon him, and the prosperity of the Tamil lands. The three are intimately related. Sometimes a hymn is thematically split: Half extols the beauty of Śiva, and half emphasizes the beauty of the Tamil lands. In these cases, the poets are suggesting that the power of Śiva and the productivity of the land are mutually related, as center to periphery. Śiva’s presence makes the land potent, and fertile land is an attractive home for Śiva. Between these two are the Tamil people, who meditate on Śiva and who live in and from the land. It was perhaps to facilitate people’s remembrance of Śiva that the mūvar sang in their mother tongue of Tamil.
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Clare, Jennifer, and David Shulman. "Folding Figures." In A Lasting Vision. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197642924.003.0005.

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Abstract This chapter explores the complex, evolving role of Dandin’s Mirror in the story of Tamil literature. The chapter focuses on three key moments, beginning with a profound shift in thinking about literary language that occurred between the sixth and ninth centuries in Tamil. This transformation had no single point of origin, yet clearly resonated with the discussion of figuration found in the Mirror, itself a product of this South Indian literary milieu. By the twelfth century, the Mirror had emerged as the dominant model for Tamil scholarship on figuration, while Tamil poets continued to explore new figures that played with increasingly complex linguistic relationships. The chapter concludes with a set of sixteenth-century texts that integrated Dandin’s poetics with other Tamil poetic systems, reflecting a move toward synthesis characteristic of this later period. By revisiting the Mirror’s key role in Tamil literary culture, the chapter complicates the standard narrative of the relationship between Tamil and Sanskrit, as well as the relationship between the translocal and vernacular more generally.
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Prentiss, Karen Pechilis. "Images of Tamil Bhaktas." In The Embodiment of Bhakti. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195128130.003.0007.

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Abstract The hymns’ insistence that Siva lives in Tamil towns, their praise of the rivers and fertility of Tamil country, and their context of pilgrimage all point to the significance of land in the poets’ vision. In a beautiful hymn, Appar transforms an agricultural scene into a message of bhakti. Was Tamil Śiva-bhakti a religious path primarily directed toward, or embraced by, peasant peoples? One influential scholar suggests that it was. Many scholars of south Indian history have undertaken important research on the allocation and production of land, particularly that of the fertile Kāvēri delta region, to obtain information on economic, social, and political developments in early medieval times. Among them, Burton Stein envisioned a specific role for bhakti in these developments, primarily by linking bhakti to the peasant population. In his widely influential book, Peasant State and Society in Medieval South India, Stein locates bhakti within the context of what he calls the “segmentary state,” a dynamic image of state formation in the context of competing groups. Although scholars have criticized his idea of the segmentary state on many issues, especially his depiction of the village, my interest here is specifically the way he locates bhakti in his model of the developing social and political order in early medieval south India.
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"The Trajectory of Tamil in Cinema." In The Oxford Handbook of Dravidian Languages. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780197610411.013.25.

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Abstract This chapter focuses on the centrality of the Tamil language for populist mobilization through cinema by a political party, the Dravida Munnetra Kazhagam (DMK), in the 1950s. It traces the journey of Tamil in cinema from its initial entry as song in the multilingual ‘Tamil talkies’ of the 1930s, through a transition to spoken language and realistic dialogue in the 1940s, to the post-Independence era starting in 1949, and concludes with a discussion of post-millennial Dalit cinema. In the 1950s, the golden era of Tamil cinema, film was the vehicle for Dravidian ideology, challenging irrational and exploitative structures in society, politics, and religion. The protagonist often addressed the audience to disseminate the ideology of the writers and directors in provocatively relevant narrative sequences, using ornate and florid language that privileged alliteration. The Tamil language in cinema was enriched by eminent poets and writers who drew on both its long and rich classical tradition and contemporaneous public political discourse.
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Mani, Preetha. "The Literary Management of Multilingualism in Postcolonial India." In The Oxford Handbook of Modern Indian Literatures. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197647912.013.22.

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Abstract This chapter explores a tension in postcolonial Indian literature between the monolingual form of the nation and the multilingual tendencies of the linguistic regions through a comparison between the Sahitya Akademi’s (India’s national academy of letters) activities and Tamil putukkavitai (new poetry) writing. By promoting translation and constructing a Sanskritic literary past, the Akademi used literature to manage multilingualism and make it compatible with the monolingualism intrinsic to the nation. Putukkavitai writing, by contrast, epitomizes the challenge of linguistic regionalism to national integration, offering a view of Indian multilingualism in less hierarchical terms than those expressed in Akademi discourses. To understand Tamil literature as Indian literature, the chapter proposes, requires taking the monolingual dimensions of the region into greater account. Tracing Tamil new poets’ engagement with new poetry in other Indian languages in the magazine Eḻuttu, the chapter argues that Indian multilingualism is built on shared experiences of linguistic alienation.
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"Preface." In Poets of the Tamil Anthologies: Ancient Poems of Love and War. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400869404-001.

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"Introduction." In Poets of the Tamil Anthologies: Ancient Poems of Love and War. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400869404-002.

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"Aiñkuṟunūṟu." In Poets of the Tamil Anthologies: Ancient Poems of Love and War. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400869404-003.

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"Kuṟuntokai." In Poets of the Tamil Anthologies: Ancient Poems of Love and War. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400869404-004.

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"Naṟṟinai." In Poets of the Tamil Anthologies: Ancient Poems of Love and War. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400869404-005.

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Conference papers on the topic "Tamil Poets"

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Gordeev, E. I. "Detecting near-tail current sheet formation using isotropic boundaries: lessons from global MHD." In Physics of Auroral Phenomena. FRC KSC RAS, 2020. http://dx.doi.org/10.37614/2588-0039.2020.43.002.

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A number of recent studies suggests an existence of magnetotail current sheet configurations with tailward Bz gradient during the growth phase of the substorm. Such configurations are especially interesting since they are potentially unstable for different types of instabilities and can lead to explosive reconfiguration of the magnetosphere. However, the observations are rare and ability to observe tailward gradients is very limited. Here we use the global MHD configuration with near-tail Bz minimum to investigate the regions with adiabatic and non-adiabatic behavior of energetic particles. Th
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Donald A., Anschutz, Wildt Patrick J., Stribling K. Michelle, et al. "An Advanced Proppant Depositional Study with Post-Production Flow Evaluation in a 10' X 20', Transverse Fracture, Slot Flow Configuration." In SPE Annual Technical Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/206212-ms.

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Abstract While the shale revolution flourished prior to the pandemic, the increased supply bubble had already taken a toll on the profitability of horizontal wells with multiple transverse fractures. A significant shift previously occurred to reduce proppant costs by utilizing cheaper, smaller grained, lower strength, and broadly diverse grain sized sands. Due to the extremely low matrix permeability in active unconventional plays, the use of regional 40/70 and 100 mesh sands (50/140, 70/140, etc.) has become commonplace with adequate results. What remains is the need for enhanced conductivity
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G. Faal, Siamak, Fuchen Chen, Weijia Tao, et al. "Design, Fabrication, Experimental Analysis, and Test Flight of an Origami-Based Fixed-Wing Aerial Vehicle: µPlane." In ASME 2016 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/detc2016-60477.

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This article covers details the design, fabrication, experimental analysis, and first flight tests of μPlane, an origami-inspired aerial vehicle. μPlane is a monoplane with a straight wing planform that has a wingspan of 580 millimeters and can reach a maximum linear velocity of 6.12 meters-per-second. The body of the μPlane is fabricated by folding a single, unified crease pattern which includes all the sections required to construct the wing, tail, fuselage, and connection ports for external components, such as actuators and batteries. The wing of the plane utilizes a cambered profile to gen
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Schondel, J. Patrick, and Michael R. Robinson. "VECTOR Program Background and Plan." In ASME 1998 International Gas Turbine and Aeroengine Congress and Exhibition. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/98-gt-145.

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The U.S. Navy in cooperation with the Ministries of Defense of Germany and Sweden are initiating a 3-year demonstration program in 1998 to evaluate and define the benefits of thrust vectoring beyond those already understood for Close-in-Combat (CiC). The VECTOR (Vectoring ESTOL Control and Tailless Operational Research) program will capitalize on the X-31 airframe and a contractor team that includes Boeing, G.E., DASA, Volvo, and SAAB to demonstrate the following technologies: • AVEN® Nozzle - a G.E. designed vectoring nozzle applicable to the F404 family of engines • Extremely Short Takeoff a
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Adewuya, Opeyemi, Mahmoud Alqurashi, Rommel Urbina-Arias, and Faisal Alodah. "Multidiscipline Well Construction Process Integrates Advanced Engineering Design and MSF Technologies to Deliver Arabian Gulf Trilateral Well." In Middle East Oil, Gas and Geosciences Show. SPE, 2023. http://dx.doi.org/10.2118/213406-ms.

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Abstract The use of multilateral well designs and architectures have progressed significantly since the introduction nearly three decades ago. It has become the de-facto approach for unlocking incremental production performance and increasing drainage density in sands and limestone reservoirs. The tri-lateral well featured in this paper is a TAML Level-2 design with each 6000 ft lateral geosteered and completed by running open-hole packers equipped with ball-activated frac-ports and sleeves on a non-cemented liner hanger system in the motherbore and drop-off systems in laterals-1 and 2. The pr
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