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Journal articles on the topic 'Taming of the Shrew'

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1

Baysal, Kübra. "Un-taming the Shrew." Acta Neophilologica 54, no. 1-2 (December 7, 2021): 115–21. http://dx.doi.org/10.4312/an.54.1-2.115-121.

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This article discusses the adaptation film, Shakespeare Retold: The Taming of the Shrew, as compared to original play, The Taming of the Shrew, by Shakespeare by highlighting the different modern perspective of the film. Likely to be interpreted as a valuable addition to the play with the ending it proposes and the way it handles the issue of taming, the film brings the play to the attention of the modern audience by clarifying the vague details and contextualising it in the modern English. In this respect, the article aims to bring the film and the play into focus by introducing a fresh and lively re-interpretation of The Taming of the Shrew to the Shakespearean drama studies.
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2

Rosenfeld, Richard M. "Taming the Statistical Shrew." Otolaryngology–Head and Neck Surgery 112, no. 5 (May 1995): P81. http://dx.doi.org/10.1016/s0194-5998(05)80183-4.

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3

Pilz, Bernhard, Ulrich Windstetter, Friedrich C. Luft, and Rainer Dietz. "Taming of the shrew." American Journal of Cardiology 91, no. 10 (May 2003): 1289–90. http://dx.doi.org/10.1016/s0002-9149(03)00175-9.

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4

Evans, G. Blakemore, William Shakespeare, and Brian Morris. "The Taming of the Shrew." Modern Language Review 81, no. 1 (January 1986): 167. http://dx.doi.org/10.2307/3728783.

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5

Honigmann, E. A. J., Ann Thompson, Norman Sanders, G. Blakemore Evans, Andrew Gurr, and R. A. Foakes. "The Taming of the Shrew." Modern Language Review 81, no. 3 (July 1986): 707. http://dx.doi.org/10.2307/3729204.

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6

Scott, Amy. "The Taming of the Shrew." Shakespeare Bulletin 39, no. 3 (2021): 515–19. http://dx.doi.org/10.1353/shb.2021.0052.

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7

Borochowitz, Dalit Yassour. "The Taming of the Shrew." Violence Against Women 14, no. 10 (August 6, 2008): 1166–80. http://dx.doi.org/10.1177/1077801208323761.

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8

Sutton, R. B. "A Taming of the Shrew." Studies in Theatre Production 8, no. 1 (January 1993): 63–75. http://dx.doi.org/10.1080/13575341.1993.10806873.

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9

Zoberman, Pierre. "Scarron’s Taming of the Shrew." Seventeenth-Century French Studies 36, no. 2 (November 7, 2014): 156–71. http://dx.doi.org/10.1179/0265106814z.00000000047.

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10

Pandey, Akhilesh. "Taming of the shrew genome." Trends in Genetics 17, no. 6 (June 2001): 317. http://dx.doi.org/10.1016/s0168-9525(01)02361-7.

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11

Vogt, Alexander, and Kazufumi Mochizuki. "The taming of the shrew." Mobile Genetic Elements 4, no. 3 (May 2014): e29383. http://dx.doi.org/10.4161/mge.29383.

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12

Stevens, Andrea. "The Taming of the Shrew." Shakespeare Bulletin 28, no. 4 (2010): 491–95. http://dx.doi.org/10.1353/shb.2010.0019.

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13

Joubin, Alexa Alice. "The Taming of the Shrew." Shakespeare Bulletin 35, no. 4 (2017): 700–703. http://dx.doi.org/10.1353/shb.2017.0052.

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14

Tassi, Marguerite. "The Taming of the Shrew." Shakespeare Bulletin 36, no. 1 (2018): 173–76. http://dx.doi.org/10.1353/shb.2018.0015.

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15

García-Periago, Rosa M. "More than an Indian teen shrew: Postcolonialism and feminism in Isi Life Mein." Sederi, no. 26 (2016): 109–27. http://dx.doi.org/10.34136/sederi.2016.5.

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This essay explores a Bollywood movie entitled Isi Life Mein (dir. Vidhi Kasliwal, 2010), which exploits The Taming of the Shrew as a play-within-the-film for the first time in Bollywood, and even as an intertext on some occasions. Although apparently a mere teen movie, this article sheds light on the importance of the Indian location, which invites postcolonial readings of the text. From a postcolonial perspective, it is the aim of this essay to rethink how The Taming of the Shrew is caught up and shaped in another culture. The film experiments with, and offers a parody of Shakespeare and his text, to the extent that they are both “reborn.” The movie also reflects on Indian modernity characterized by endless migration and diaspora. This essay equally explores the significance of using The Taming of the Shrew, since cultural debates concerning gender relations are involved. The movie adds to the multiple cultural products that rewrite the play’s ending. One of Isi Life Mein’s main attractions lies in its ability to challenge patriarchy explicitly. Interestingly, postcolonialism and feminism are intertwined in Isi Life Mein, providing new understandings of the Shrew and, ultimately, the Bard.
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16

Cooke, Virginia. "Bard in the Valley's Taming of the Shrew." Scene: Reviews of Early Modern Drama, no. 1 (October 13, 2018): 30. http://dx.doi.org/10.18357/scene01201718438.

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17

Tavares, Elizabeth. "OPS Fest The Taming of the Shrew." Scene: Reviews of Early Modern Drama, no. 2 (October 20, 2018): 66. http://dx.doi.org/10.18357/scene02201718373.

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18

Berger, Thomas L., and Stephen Roy Miller. "The Taming of a Shrew 1594." Shakespeare Quarterly 51, no. 2 (2000): 235. http://dx.doi.org/10.2307/2902138.

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19

Lange, Marjory E., and Stephen Miller. "The Taming of a Shrew (1594)." Sixteenth Century Journal 31, no. 4 (2000): 1196. http://dx.doi.org/10.2307/2671254.

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20

Cole, David W. "Shakespeare's THE TAMING OF THE SHREW." Explicator 58, no. 4 (January 2000): 184–85. http://dx.doi.org/10.1080/00144940009597037.

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21

Sánchez-García, Manuel. "Shakespeare's the Taming of the Shrew." Explicator 60, no. 3 (January 2002): 126–27. http://dx.doi.org/10.1080/00144940209597680.

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22

Breuer, Horst. "Shakespeare's the Taming of the Shrew." Explicator 56, no. 4 (1998): 173–75. http://dx.doi.org/10.1080/00144949809595304.

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23

Cole, David W. "Shakespeare's the Taming of the Shrew." Explicator 53, no. 2 (January 1995): 66–68. http://dx.doi.org/10.1080/00144940.1995.9937227.

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24

Mento, Joan. "The Taming of the Shrew (review)." Shakespeare Bulletin 24, no. 1 (2006): 128–29. http://dx.doi.org/10.1353/shb.2006.0014.

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25

Kamaralli, Anna. "The Taming of the Shrew (review)." Shakespeare Bulletin 24, no. 3 (2006): 110–13. http://dx.doi.org/10.1353/shb.2006.0052.

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26

Larque, Thomas. "The Taming of the Shrew (review)." Shakespeare Bulletin 24, no. 4 (2006): 89–91. http://dx.doi.org/10.1353/shb.2006.0073.

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27

Mentz, Steve. "The Taming of the Shrew (review)." Shakespeare Bulletin 25, no. 2 (2007): 49–51. http://dx.doi.org/10.1353/shb.2007.0034.

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28

Fisler, Ben. "The Taming of the Shrew (review)." Shakespeare Bulletin 25, no. 4 (2007): 101–6. http://dx.doi.org/10.1353/shb.2008.0003.

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29

Hunt, Maurice. "The Taming of the Shrew and Anger." Ben Jonson Journal 27, no. 1 (May 2020): 105–25. http://dx.doi.org/10.3366/bjj.2020.0273.

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Frances Dolan has demonstrated that few Shakespeare comedies stage both the occurrence and intensity of physical violence to the degree that The Taming of the Shrew does. Analysis of this violence has usually focused on its effects rather than its source. Almost exclusively, anger is the cause. Admittedly it is sometimes feigned, as in Petruccio's case. But often it is not pretended but radical, as in the cases of not just Petruccio but Katherina and Grumio as well. The extremity and violence of their anger is remarkable, begging explanation. Anger is a complex phenomenon in The Shrew. In fact, Shakespeare, drawing upon Aristotle, Galen, Seneca, Bacon, and others, offers in this early comedy a veritable taxonomy of the affect. In particular, the English translation of Aristotle's Greek word for anger's mean adopted by several editors of the Nicomachean Ethics is also Shakespeare's word for anger's tempering in The Shrew. Nevertheless, the playwright ultimately begs the question of whether Katherina's and Petruccio's irascible behavior is finally or only temporarily resolved. Providing an answer proves important for whether the theater audience this couple can attain relative peace in their marriage.
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30

Cousin, Geraldine. "The Touring of the Shrew." New Theatre Quarterly 2, no. 7 (August 1986): 275–82. http://dx.doi.org/10.1017/s0266464x00002232.

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Of all Shakespeare's plays which touch on raw contemporary nerves, The Taming of the Shrew is probably the most contentious – and arguably the least acceptable, in a period of crystallizing feminist consciousness. Yet the play stubbornly remains in the repertoire, almost demanding to be reinterpreted – either against the perceived grain of the text, or by clarifying subtextual sympathy for a less chauvinist point of view than Petruchio's. Here, Geraldine Cousin, who teaches theatre studies in the University of Warwick, and contributed a study of the Footsbarn company's Hamlet and Lear to NTQ1, discusses the problems involved in staging The Taming of the Shrew at the present time, taking a closer look at two recent itinerant productions – by the Medieval Players, and by the touring group of the Royal Shakespeare Company.
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31

HALLING, ANNA-LISA. "THE SHREW AND THE SHREWD: MACHADO DE ASSIS'S LIÇÃO DE BOTÂNICA." Machado de Assis em Linha 12, no. 26 (April 2019): 77–89. http://dx.doi.org/10.1590/1983-6821201912265.

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Abstract Machado de Assis's play Lição de botânica (1906) transforms William Shakespeare's chauvinistic play Taming of the Shrew (1590-1592) into an entertaining exercise in feminist thought through the inversion of gender roles. As in Machado's novels, the female characters in Lição become agents, acting rather than being acted upon by others. By creating strong, smart, independent female characters and contrasting them with an awkward and accidentally humorous male character, Machado undermines misogyny and endorses feminist ideals.
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32

Buckley, Thea, and Saffron Walkling. "Theatre Reviews." Multicultural Shakespeare: Translation, Appropriation and Performance 11, no. 26 (December 30, 2014): 81–110. http://dx.doi.org/10.2478/mopa-2014-0007.

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33

gündüz, ela. "Gendered Identities: Shakespeare’s Taming of the Shrew." Gaziantep University Journal of Social Sciences 17, no. 3 (July 11, 2018): 833–43. http://dx.doi.org/10.21547/jss.358023.

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34

Maguin, Jean-Marie. "Review: Play: The Taming of the Shrew." Cahiers Élisabéthains: A Journal of English Renaissance Studies 30, no. 1 (October 1986): 91–93. http://dx.doi.org/10.1177/018476788603000122.

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35

Smith, Peter J., and Greg Walker. "Review: Play: The Taming of the Shrew." Cahiers Élisabéthains: A Journal of English Renaissance Studies 48, no. 1 (October 1995): 94–96. http://dx.doi.org/10.1177/018476789504800116.

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36

Jrvinen, Elina, Kaisa Vlimki, Marja Pummila, Irma Thesleff, and Jukka Jernvall. "The taming of the shrew milk teeth." Evolution & Development 10, no. 4 (July 2008): 477–86. http://dx.doi.org/10.1111/j.1525-142x.2008.00258.x.

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37

Mercier, Stéphanie. "Play review: The Taming of the Shrew." Cahiers Élisabéthains: A Journal of English Renaissance Studies 89, no. 1 (April 2016): 114–16. http://dx.doi.org/10.1177/0184767816631277i.

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38

Obi, Festus C., and Alaba M. Oludare. "Taming the Shrew of Rising Cyber-Warfare." OALib 09, no. 12 (2022): 1–12. http://dx.doi.org/10.4236/oalib.1109003.

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39

Răzniceanu, Vlad. "Feminist Orthodoxy and Shakespeare’s Shrew." Gender Studies 19, no. 1 (December 1, 2020): 16–28. http://dx.doi.org/10.2478/genst-2021-0002.

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Abstract Since The Taming of the Shrew is a particularly ambiguous play, its interpretation is predictably vulnerable to ideological excesses. The author argues that feminist criticism often exploits rather than explains the text, illustrates the techniques that are typically employed in slanting its meaning, and compares various interpretations in order to highlight a pervasive set of premises defined as ‘orthodoxy’.
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40

Kyung Ju Lo. "Was the Shrew Tamed or Charmed in The Taming of the Shrew?" Shakespeare Review 52, no. 4 (December 2016): 787–808. http://dx.doi.org/10.17009/shakes.2016.52.4.011.

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41

Sealy, Roger C. "The psychology of the shrew and shrew taming: An object relations perspective." American Journal of Psychoanalysis 54, no. 4 (December 1994): 323–38. http://dx.doi.org/10.1007/bf02741940.

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42

Han,Do-in. "“Taming” or the enforced communicative action in The Taming of the Shrew." Shakespeare Review 54, no. 2 (June 2018): 305–23. http://dx.doi.org/10.17009/shakes.2018.54.2.003.

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43

Paris, Bernard J. "Petruchio’s taming of Kate—a Horneyan perspective: Commentary on roger sealy’s “The psychology of the shrew and shrew taming”." American Journal of Psychoanalysis 54, no. 4 (December 1994): 339–44. http://dx.doi.org/10.1007/bf02741941.

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44

Howard, Pamela. "Designing the Shrew." New Theatre Quarterly 3, no. 10 (May 1987): 184–87. http://dx.doi.org/10.1017/s0266464x00008678.

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In NTQ7 we included an assessment by Geraldine Cousin of two recent productions of Shakespeare's The Taming of the Shrew – one of them by Di Trevis for the touring group of the Royal Shakespeare Company. The designer for that production was Pamela Howard, who created for it a central traverse playing area adaptable to the many different kinds of venues to be visited. Here, she adds an illustrated postscript on the conception, creation, and utility of the design element, which we hope will initiate the regular documentation of this often-neglected area of theatre practice. In addition to designing for the RSC and numerous other theatres and companies, Pamela Howard has since 1972 taught theatre design at the Central School of Art in London.
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45

Korda, Natasha, and Frances E. Dolan. "The Taming of the Shrew: Texts and Contexts." Shakespeare Quarterly 49, no. 3 (1998): 322. http://dx.doi.org/10.2307/2902263.

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46

Priest, Dale G. "Katherina's Conversion in The Taming of the Shrew." Renascence 47, no. 1 (1994): 31–40. http://dx.doi.org/10.5840/renascence19944713.

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47

Beck, Ervin. "Shakespeare's the Taming of the Shrew 5.2.125–26." Explicator 57, no. 1 (January 1998): 8–11. http://dx.doi.org/10.1080/00144949809596795.

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48

García, Manuel Sánchez. "Shakespeare's THE TAMING OF THE SHREW 2.1.182–90." Explicator 58, no. 1 (January 1999): 6–8. http://dx.doi.org/10.1080/00144949909596987.

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49

Sokol, B. J. "A Spenserian idea inthe taming of the shrew." English Studies 66, no. 4 (August 1985): 310–15. http://dx.doi.org/10.1080/00138388508598395.

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50

Krims, Marvin B. "Uncovering hate in The Taming of the Shrew." Sexuality and Culture 6, no. 2 (June 2002): 49–64. http://dx.doi.org/10.1007/s12119-002-1003-1.

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