Relevant bibliographies by topics / "Tanavor"

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Academic literature on the topic '"Tanavor"'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic ""Tanavor""

1

Ganieva, Irada. "Tanavors." Eurasian music science journal, no. 1 (June 9, 2021): 53–62. http://dx.doi.org/10.52847/eamsj/vol_2021_issue_1/52.

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Tanavor is a unique phenomenon in the cuiture of Uzbek people. Tanavor in the minds of the people is a philosophical category that incorporates history, originality, social, emotional, national-specific features. This creation is an example of the oral and professional creativity of Uzbek people, it can be attributed to high samples of musical folklore, which declared currently at the end of nineteenth century, and which continues to evolve to this day in music, in danse.
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Barakayeva, Gavkhar. "Healing processes in Uzbek national traditions." Общество и инновации 3, no. 9/S (2022): 189–92. http://dx.doi.org/10.47689/2181-1415-vol3-iss9/s-pp189-192.

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Uzbekistan is a country with an ancient and distinctive culture. It absorbed all peculiarities of cultures of different regions along the Great Silk Road here. These echoes can be seen in painting, dance, literature and music of this land. The peoples inhabiting Uzbekistan have always cherished the great heritage of their ancestors, trying to pass it on to their descendants, in its turn enriching it. The music of Uzbek people is original and diverse. «Tanavor» is the unique aspect of the Uzbek culture. In the national perception, «Tanavor» has more or less philosophical effect to regional hist
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3

Jamilya, Allaeva. ""TANAVOR" AS SPIRITUAL HERITAGE OF UZBEK TRADITIONAL MUSICAL ART." Crossroads of culture 4, no. 1 (2022): 21–24. https://doi.org/10.5281/zenodo.6629339.

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In the 21st century, the approach to our musical spiritual heritage is being revived more and more actively in accordance with the requirements of modernity, the illumination of its lifetime traditions. Therefore, the collection, recording of samples of musical heritage, their scientific study, practical development and placement at the service of time, its use in substantiating this or that phenomenon, the development of genres were relevant at all times. This article discusses the content and essence of the music “Tanavor”, its history, performance styles, options, based on the r
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4

Savage-Smith, Emilie. "Persian Steel: The Tanavoli Collection (review)." Technology and Culture 44, no. 3 (2003): 601–3. http://dx.doi.org/10.1353/tech.2003.0132.

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5

moeni, batul, and arezoo paydarfard. "Analysis of Palm Icon of Abbas (AS) in the Works of Iranian Artists of Saqqakhana Movement Case Study: Parviz Tanavoli, Hossein Zenderoudi, Faramarz Pilaram." Historical Studies of Islam 15, no. 59 (2024): 117–48. http://dx.doi.org/10.61186/pte.15.59.6.

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6

Schwerda, Mira Xenia, and Parviz Tanavoli. "Interview with Parviz Tanavoli on Printmaking and Intermediality, January 2025." Art in Translation, May 2, 2025, 1–6. https://doi.org/10.1080/17561310.2024.2474829.

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7

Maleki, Zahra. "Եվրոպական մոդեռնիզմի արձագանքները XX դարի Իրանի նկարչության մեջ (1920-1980 թվականներ)". Scientific Artsakh, квітень 2020, 250–57. http://dx.doi.org/10.52063/25792652-2021.1-250.

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The paper studies the impact of various stylistic trends of the European innovative art of the XX century, 1920s-1980s in particular, on visual arts of Iran. The objective of the study is a) to examine the activity of masters Hossein Behzad, Andre Sevryugin and Hasanali Vaziri, who taught at the School of Painting and Sculpture, founded on the initiative of Kyamal al Molq in Tehran; b) to assess the contribution to Iranian visual arts of the pioneers of innovative movement in Iran Kalal Ziapuri, Ahmad Esfandiari, Markos Grigoryan and Sohrab Sepehri, as well as the pioneers of the Saggahane mov
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Books on the topic ""Tanavor""

1

J, Gilmour Brian J., British Institute of Persian Studies., and University of Oxford. Faculty of Oriental Studies. Board., eds. Persian steel: The Tanavoli collection. Oxford University Press for the Board of the Faculty of Oriental Studies, University of Oxford and the British Institute of Persian Studies, 2000.

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2

Parviz, Tanavoli, ed. Die iranische Moderne in der bildenden Kunst: Der Bildhauer und Maler Parviz Tanavoli : Werk und Bedeutung. Verlag der Österreichischen Akademie der Wissenschaften, 2011.

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3

Kāvandī, Fāṭimah, 1968 or 1969- editor, Ibrāhīm Mahdī editor та Muʼassasah-i Farhangī-i Pizhūhishī-i Chāp va Nashr-i Naẓar, ред. Tārīkh-i mujassamahʹsāzī dar Īrān: Az Farhād-i Kūhkan tā ʻAlī Akbar Ḥajjār = Parviz Tanavoli : a history sculpture in Iran. Muʼassasah-i Farhangī-i Pizhūhishī-i Chāp va Nashr-i Naẓar, 2013.

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4

Parviz Tanavoli. Davis, 2015.

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5

Parviz Tanavoli : v. 009: Monograph. Meem / Art Advisory Associations Ltd, 2010.

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6

Haghighi, Pantea. Parviz Tanavoli: Poets, Locks, Cages. Hirmer Verlag GmbH, 2023.

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7

Allan, James, and Brian Gilmour. Persian Steel: The Tanavoli Collection (Oxford Studies in Islamic Art). Oxford University Press, USA, 2001.

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8

Fock, Gisela. Die Iranische Moderne in der Bildenden Kunst: Der Bildhauer und Maler Parviz Tanavoli. Verlag der Österreichischen Akademie der Wissenschaften, 2011. http://dx.doi.org/10.1553/0x00237bd6.

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