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Journal articles on the topic 'Tang Dynasty'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Quan, Hongyu. "Study on the Historical Influence of Foreign Exchanges in the Tang Dynasty." Highlights in Business, Economics and Management 43 (December 5, 2024): 540–45. https://doi.org/10.54097/mt2q8z24.

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As one of the dynasties with the most powerful national strength and wealthy social development in Chinese history, the Tang Dynasty's great and advanced culture drew numerous countries and nations to exchange and exchange. This essay will investigate the goal of international exchanges and their historical impact on the Tang Dynasty. This essay analyses the impact of the tributary system, political reconciliation, and sea trade on foreign exchange in the Tang Dynasty by consulting literature. The development of diplomats from other countries and the Confucian cultural circle in East Asia demo

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2

Qi, Shen, and Fan Pik Wah. "An Exploration of Sports Culture and Sports Poetry Creation in the Tang Dynasty." ERUDITE: Journal Of Chinese Studies And Education 5, sp (2024): 51–65. http://dx.doi.org/10.37134/erudite.vol5.sp.4.2024.

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Tang Dynasty sports culture, with its diverse artistic forms and profound and rich aesthetic connotations, gave Tang Dynasty poems a unique artistic style and greatly expanded the subject areas of poetic creation. By comprehensively applying the theories and research methods of sports, literature, history, and other disciplines, we analyze and study Tang Dynasty poems with sports themes, aiming to comprehensively reveal the colorful and rich connotations of sports life in the context of Tang Dynasty's social background of national strength and cultural prosperity. The various forms of sports h

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3

Wang, Li-juan. "On the Tang Dynasty's Rule over the Nomadic People in Ancient Inner Mongolia: With Jimi Prefecture as the Core." Korean Association for Mongolian Studies 74 (August 31, 2023): 189–201. http://dx.doi.org/10.17292/kams.2023.74.189.

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During the Tang Dynasty, northern nomadic nationalities such as Turkic, Huihe, Khitan, Xi, and Shiwei were active in the Inner Mongolia region, and the Tang Dynasty established different degrees of contact with these ethnic groups.The Tang Dynasty set up Yunzhong, Chanyu, Yanran, Hanhai, Anbei Duhufu and Songmo, Raole, Shiwei and other Dudufu to achieve the fettered rule of these ethnic groups.The establishment of the prefecture was the embodiment of the border governance and ethnic policy of the Tang Dynasty, which contributed to the stability of the Tang Dynasty's frontier,promoted the devel

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4

Jie, Zhou. "Research on the Relationship between Jiannan West Jiedushi and Buddhism in the Mid to Late Tang Dynasty." Journal of Advanced Research in Social Sciences 7, no. 1 (2024): 52–64. http://dx.doi.org/10.33422/jarss.v7i1.1197.

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This article comprehensively explores the relationship between Xichuan Jiedushi and Buddhism during the mid to late Tang Dynasty through a comprehensive investigation of internal and external classics, Buddhist relics, and field survey data, following the traditional cataloging method of seeking books based on categories and studying studies based on books. Jiedushi was not only the provincial governor during the middle and late Tang Dynasty, but also a synonym of a local administrative district. The predecessor of the Jiannan West Jiedushi, Jiannan Jiedushi, was one of the earliest Jiedushi e

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5

Wang, Xiaojing. "Research on the Style of Duan Inkstone Inscription in Tang Dynasty." International Journal of Education and Humanities 5, no. 1 (2022): 142–45. http://dx.doi.org/10.54097/ijeh.v5i1.1958.

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Under the background of the Tang Dynasty, regular script has developed into the most coordinated and stable calligraphy style through three periods of transition. This most stable regular script style is suitable for the inscriptions of stone tablets and Duan inkstone in the Tang Dynasty. During this transition, the inheritance and breakthrough in the early Tang Dynasty gave rise to the standardized embryonic form of regular script in the Tang Dynasty. Entering the middle of the Tang Dynasty, regular script was further innovated and developed, strengthening stability. It was not until the late

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6

Liu, Yuxi. "Exploring the Cultural Logic, Social Structures, and Spiritual Essence of the Tang Dynasty Through Garments as a Medium." Communications in Humanities Research 57, no. 1 (2025): 87–94. https://doi.org/10.54254/2753-7064/2025.22832.

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Given the extensive 5,000-year history of Chinese culture, it is impossible to comprehensively examine it within the scope of a few thousand words. This study focuses on the Tang Dynasty due to its distinct clothing characteristics. Firstly, the Tang Dynasty is mainly divided into four periods: the Early Tang, Wu Zhou, High Tang, Middle Tang, and Late Tang. These four periods will serve as the starting points for the study of clothing characteristics, aiming to understand the trends and fashion of the Tang Dynasty in China during these eras. Secondly, the study will delve into the social class

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7

Zhang, Jingxinyi. "Research on the Social and Economic Activities of Women in the Tang Dynasty." Lecture Notes in Education Psychology and Public Media 84, no. 1 (2025): 111–16. https://doi.org/10.54254/2753-7048/2025.20784.

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For a long time, women had always been a slightly overlooked part in history. However, their impact goes beyond our imagination. In order to explore the role of women in the Tang Dynasty, different methods were implied. This paper mainly studies the changes in marriage views and property rights, the social and economic activities of women in the Tang Dynasty. It finds that the social and economic status of Tang Dynasty women has improved compared to previous dynasties. Tang Dynasty women were able to freely choose marriage and have legally effective property rights. Additionally, women in the

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8

Zhao, Qi, and Faridah Sahari. "Generating the Tang Dynasty’s Floral Medallion Motifs Using Shape Grammar for Innovative Applications." Journal of Lifestyle and SDGs Review 5, no. 3 (2025): e05122. https://doi.org/10.47172/2965-730x.sdgsreview.v5.n03.pe05122.

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Purpose: This paper is an attempt to promote the SDGs of the Tang Dynasty Floral Medallion motifs in modern design, to improve the promotional value and economic value of traditional Chinese motifs, and to propose a design scheme for motif derivation based on shape grammar. Theoretical Framework: This study synthesizes the literature on Tang Dynasty Floral Medallion motifs, shape grammars and the application of Cultural products to support the exploration of an innovative motif design for Floral Medallion motifs based on shape grammars to promote sustainable industrialization within Sustainabl

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9

Zhang, Jannie Qimo. "A Comparison Between Buddhist Temple Architecture in The Tang Dynasty and In Japan." Journal of Education, Humanities and Social Sciences 42 (December 10, 2024): 479–85. https://doi.org/10.54097/jx6efg35.

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This paper discusses the similarities and differences between Tang Dynasty and Japanese Buddhist architecture by comparing the architectural features of the East Hall of Foguang Temple, a Buddhist temple in the Tang Dynasty in China, and the Golden Hall of Toshodaiji Temple, a Buddhist temple in the Nara period in Japan. First, the two buildings are very similar in structure. Both adopt the mortise and tenon structure and the beam, column, and bracket transmission system of Tang Dynasty architecture, reflecting the simple and majestic style of Tang Dynasty architecture. However, the two buildi

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10

Qian, Xiangyi. "On the Intellectual Origins of Tang Dynasty Taoism Philosophy." Journal of Education, Humanities and Social Sciences 24 (December 31, 2023): 811–19. http://dx.doi.org/10.54097/52j7pm86.

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The Tang Dynasty was a period of cultural flourishing in ancient China and an important stage in developing Taoism philosophy. This paper aims to explore the intellectual origins of Tang Dynasty Taoism philosophy, analyse its formation and development background, and examine its influence on contemporary thought. Tang Dynasty Taoism philosophy drew from the essence of various schools of thought in pre-Qin China, integrating Laozi's Taoism ideas, Zhuangzi's concept of nature, and the Taoism notions of self-cultivation. Influenced by the social context of the Tang Dynasty, Taoism philosophy flou

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11

DeBlasi, Anthony. "Court and Region in Medieval China: The Case of Tang Bianzhou." T’oung Pao 102, no. 1-3 (2016): 74–120. http://dx.doi.org/10.1163/15685322-10213p04.

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Although Bianzhou (modern Kaifeng) is well known as the imperial capital of the Northern Song dynasty, its history prior to the tenth century reveals much about the political fortunes of the Tang dynasty, especially after the An Lushan rebellion. A careful analysis of the backgrounds of the Military Commissioners appointed to govern the region indicates that following an initial period of instability, the Tang court was able to maintain control over this strategically vital transportation hub late into the ninth century and to repeatedly appoint commissioners who had passed the civil-service e

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12

Liu, Wenlin, and Antonio D Mangaliag. "Influence of Early Tang Dynasty Calligraphy Education to Current Pedagogy." International Journal of Education and Humanities 12, no. 3 (2024): 72–77. http://dx.doi.org/10.54097/q1fatf68.

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Calligraphy has been listed as a first-level discipline by the Ministry of Education, but calligraphy education is particularly important. The calligraphy education in the early Tang Dynasty was very comprehensive and had a significant impact on current education. This study aims to summarize the calligraphy education model in the early Tang Dynasty, sort out the theory and practice of calligraphy education in the early Tang Dynasty, analyze the teaching strategies of teachers in calligraphy education in the early Tang Dynasty, as well as the learning ability of students, summarize the best pr

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13

Xue, Zhengtao, and Zhou Liu. "A study of the development and characteristics of Chinese painting art in the Tang Dynasty." OOO "Zhurnal "Voprosy Istorii" 2023, no. 1-1 (2023): 198–209. http://dx.doi.org/10.31166/voprosyistorii202301statyi03.

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This article explores the influential factors and characteristics of the Tang Dynasty painting art by sorting out the representative figures and their works, and summarizes four characteristics of Tang Dynasty painting. Painting in the Tang Dynasty was the pinnacle of Chinese feudal painting, with unprecedented artistic achievements.

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14

Li, Pianhong. "Creation and Causes of Chivalrous Servants’ Image in Tang Legends." BCP Social Sciences & Humanities 19 (August 30, 2022): 313–22. http://dx.doi.org/10.54691/bcpssh.v19i.1623.

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Chivalry and its social and cultural behaviors in the society of the Tang Dynasty have stage characteristics, which was positive in the early and prosperous Tang Dynasty but gradually deteriorated since the middle and late Tang Dynasty. Faced with this situation, the literati in the middle and late Tang Dynasty began to explore the noumenon attribute of chivalry and started a discussion about chivalry, among which Chivalry Theory written by Li Deyu has the most typically theoretical significance. This ideological movement about chivalry also affected the overall image creation of chivalrous se

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15

Chen, Meng, and Jifeng Han. "On the Similarities and Differences between Tang Law and Roman Law in the Judicial System." Studies in Social Science Research 5, no. 1 (2024): p126. http://dx.doi.org/10.22158/sssr.v5n1p126.

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The legal system of the Tang Dynasty is the most Chinese legal system, and the judicial system of the Tang Dynasty is an important part of the legal system of the Tang Dynasty. In the background of the Chinese law system, comparing the judicial system of the tang dynasty in the eastern Roman empire, and using the research method of comparative law from the legislative background, legislative technology, the guiding technique of the two countries and the analysis of the characteristics of the judicial system in the history of the rule of law in the world.

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16

Yin, Tianjie. "The Development of the Thunder God’s Image from the Tang to the Song Dynasty: The Case of Deng Bowen." Religions 15, no. 6 (2024): 676. http://dx.doi.org/10.3390/rel15060676.

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Belief in the Thunder God has been important in China since ancient times. During the Tang Dynasty (618–906), the Thunder God was personified and incorporated into official rituals. Due to the increasing presence of Tantric Buddhism in China during the Tang Dynasty, in Daoism (particularly the Divine Empyrean lineage 神霄派), several Thunder Gods formed a military organization, among which Deng Bowen (鄧伯溫) was considered as a marshal who largely preserved the characteristics of the Thunder God from the Tang Dynasty, featuring traits of a half-human and half-bird. This study focuses on interreligi

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17

Li, Jiayin. "Buddhism and Taoism in the Tang Dynasty of Ancient China: From Gender Perspective." Communications in Humanities Research 18, no. 1 (2023): 158–63. http://dx.doi.org/10.54254/2753-7064/18/20231152.

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Gender studies has become a popular field in sociological research. With the deepening of research, womens empowerment is still a considerable challenge facing various industries. As a prosperous dynasty in ancient Chinese history, the Tang Dynasty, because of its inclusive social environment, women had more independent rights compared with other dynasties. This study uses the method of textual research to analyze the historical materials and archaeological evidence of the Tang Dynasty. It was found that women in the Tang Dynasty expected to participate in social affairs, and religious beliefs

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18

Wang, Xiaojing. "Study on the Style of Duan Inkstone Inscriptions in the Tang Dynasty "Wu Yong Pan Guan"." Frontiers in Humanities and Social Sciences 2, no. 10 (2022): 70–75. http://dx.doi.org/10.54691/fhss.v2i10.2379.

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The establishment of the imperial examination system in the Sui and Tang Dynasties of China led to the development of stationery accessories. Among them, the inkstone, as one of the important stationery accessories, has a rich cultural and historical background. The archaeological excavation of the Duan inkstone inscribed in the Tang Dynasty "Wu Yong Pan Guan" enhances the textual research on the appearance period of the Tang Dynasty Duan inkstone, as well as the tracing of the aesthetic style of the regular scripts of the Tang Dynasty.

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19

Ma, Qian. "Skeuomorphism, Miniaturization, and Architecture in the Tang Dynasty Tombs: An Examination of Their Manifestations." Studies in Social Science & Humanities 3, no. 8 (2024): 21–27. http://dx.doi.org/10.56397/sssh.2024.08.03.

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This study examines mimetic, miniature and architectural art in Tang dynasty tombs, focusing on the specific manifestations of these elements in tombs and their cultural significance. Analyses of excavated artefacts and murals from Tang dynasty tombs reveal the role of mimetic objects (e.g., pottery, gold and silverware, terracotta figurines and stone carvings) in reflecting the social status and cultural beliefs of the tomb owners. The article also explores the application of the concept of mimesis in tomb murals, which embodied the ancient Chinese concept of “life as death” by vividly depict

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20

Zhao, Wenting. "The Literary Criticism Value of the Tang Dynasty Poem Preface." BCP Social Sciences & Humanities 17 (April 24, 2022): 21–25. http://dx.doi.org/10.54691/bcpssh.v17i.607.

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In addition to explaining the origin and introducing the creation techniques, commenting on the author, content and style are also the common contents of the Tang Dynasty poem preface, which has important literary criticism value. The careful interpretation of the Tang Dynasty poem preface and the full excavation of the poetic theory contained in it are helpful to enrich the academic understanding of the poetic thought of Tang Dynasty.

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Zhao, Wenting. "The Literary Criticism Value of the Tang Dynasty Poem Preface." BCP Social Sciences & Humanities 17 (April 24, 2022): 21–25. http://dx.doi.org/10.54691/bcpssh.v17i.607.

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In addition to explaining the origin and introducing the creation techniques, commenting on the author, content and style are also the common contents of the Tang Dynasty poem preface, which has important literary criticism value. The careful interpretation of the Tang Dynasty poem preface and the full excavation of the poetic theory contained in it are helpful to enrich the academic understanding of the poetic thought of Tang Dynasty.

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22

LI, Wei. "Cognitive Analysis of “Fog” Metaphor in Poetry of the Tang Dynasty." Education and Linguistics Research 10, no. 1 (2024): 1. http://dx.doi.org/10.5296/elr.v10i1.21716.

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In the cognitive linguistic view, metaphor is not only a linguistic device but also a mode of thinking that people use to conceptualize and comprehend the world. Cconceptual metaphors are a set of mappings from a concrete source domain from an abstract target domain. The cognitive foundation of conceptual metaphor is a variety of human experience. Poetry of the Tang Dynasty abounds with metaphorical images. Fog is a regularly used image in poetry of the Tang Dynasty. Yet the research on fog from the perspective of conceptual metaphor remains as an under-explored area. Based on conceptual metap

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23

Linh, Nguyen Hong. "NATURE IN THE POETRY OF DU FU (CHINA) AND NGUYEN KHUYEN (VIETNAM)." International Journal of Education Humanities and Social Science 07, no. 05 (2024): 67–73. http://dx.doi.org/10.54922/ijehss.2024.0783.

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Tang poetry is a special poetic phenomenon of Chinese literature, including works that lasted throughout the Tang Dynasty, from the time Emperor Gaozu of Tang Li Yuan established the dynasty, until the collapse of the Tang Dynasty, a period of nearly 300 years (618-907). This is considered the golden age of Chinese poetry. In the Complete Tang Poetry published in 1707, there were 900 books, 30 volumes, and 48,900 poems by more than 2,200 poets of the Tang Dynasty. Tang poetry has a profound influence on Vietnamese literature, especially the absorption of the influence of authors such as Du Fu,

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24

Xia, Chenxi, and Yingwei Yu. "A Study of Tang Sancai Art under the Influence of Hu-Han Cultural Interaction." Highlights in Art and Design 2, no. 2 (2023): 29–34. http://dx.doi.org/10.54097/hiaad.v2i2.6155.

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In the 5,000 years of Chinese history, the Tang Dynasty, with its self-confidence, openness and tolerance, widely absorbed the essence of various ethnic groups and foreign cultures, realized a high degree of intermingling of Hu and Han peoples and cultures, and forged the Tang culture with a strong vitality based on the local Han culture and the intersection and fusion of various cultures. Tang Sancai, as a unique art emerging from the Tang Dynasty, is a unique flower in the history of Chinese ceramics, with a vivid cultural gene, and is known as an "encyclopedia" of the Tang Dynasty society,

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25

Zhao, Yixuan. "A Comparative Analysis of Foreign Perspectives on Tang Dynasty Narratives: Examining History of Imperial China and A History of China." Communications in Humanities Research 35, no. 1 (2024): 12–17. http://dx.doi.org/10.54254/2753-7064/35/20240008.

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History of Imperial China, published by Harvard University Press in the United States, and A History of China, published by Kodansha in Japan, are significant works on Chinese general history abroad. Due to differing perspectives and temporal and spatial contexts, these works exhibit distinct narrative styles and characteristics for the same historical period. This article compares the narrative variances between the Tang History Volume of History of Imperial China and A History of China, aiming to elucidate the underlying reasons for such disparities. Analysis reveals that the primary distinc

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26

Guo, Siru. "An analysis of the creation of the theme of the ladies in Tang Dynasty." Frontiers in Humanities and Social Sciences 4, no. 4 (2024): 104–10. http://dx.doi.org/10.54691/x0xxqv89.

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The Tang Dynasty ladies are of great significance in the history of Chinese painting, and the development of figure painting in this era reached its peak, blending the roughness of the north and the delicacy of the south. Since the Tang Dynasty, it has been found that both men and women are fat as beauty, women are full of breasts and fat buttocks, and their outfits are even more daring. The aesthetics of the Tang Dynasty were different from those of previous dynasties, and it was no longer weak for beauty, but mainly for health. Throughout the Tang Dynasty. Regardless of the differences in ag

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27

Mai, Biqi. "A Study on the Phenomenon of Foreign Slaves in the Tang Dynasty." Lecture Notes in Education Psychology and Public Media 59, no. 1 (2024): None. http://dx.doi.org/10.54254/2753-7048/59/20241779.

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As one of the most prosperous periods in ancient China's economic, political, and cultural history, the Tang Dynasty's literature features many depictions of foreign slaves. These individuals became captives due to wars or arrived in China through trade exchanges along the Silk Road and other means. They played various roles in Tang society. This study is divided into five parts: the introduction, a detailed exploration of the types, sources, and primary occupations of foreign slaves in the Tang Dynasty, an analysis of the fundamental reasons for the influx of a large number of foreign slaves

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28

이해원. "Tang Poetry and Wines of Tang Dynasty." Journal of Chinese Cultural Studies ll, no. 15 (2009): 507–36. http://dx.doi.org/10.18212/cccs.2009..15.028.

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29

Ma, Junfang. "Folk Beliefs and the Composition of Notebook Novels in the Tang Dynasty." Contemporary Education Frontiers 3, no. 2 (2025): 60–68. https://doi.org/10.18063/cef.v3i2.724.

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Folk beliefs in the Tang Dynasty had a profound influence on the creation of novels in the Tang Dynasty, while novels as a special literary genre profoundly and systematically show the specific content of folk beliefs, and the two contribute to each other, becoming important documents for the study of each other. The specific tiger stories in the notebook novels reflect the characteristics of folk beliefs in the Tang Dynasty, such as divine characteristics and the idea of destiny, and the prosperity of folk beliefs in the Tang Dynasty provides rich choices for the subjects, themes, and styles

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30

Xue, Yawen. "Cultural Interaction between Flying Buddhas of Northern Wei and Tang Dynasties’ Mogao Grottoes and Heian Period Japan." Journal of Education, Humanities and Social Sciences 42 (December 9, 2024): 252–56. https://doi.org/10.54097/5bgy4z16.

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Japanese Buddhism originates from Chinese Buddhism, on what basis? Books, music, dance, architecture and other arts and cultures are the carriers of Buddhism. Murals and sculptures are no exception and are visual media that can strongly embody cultural interaction. Through the existing academic research, the author understands the artistic style of flying Buddha statues in the Northern Wei and Tang Dynasties. On this basis, this paper takes several flying Buddha figures recorded in Mogao Grottoes of Dunhuang as the typical flying Buddha figures and discusses the mural art of Northern Wei Dynas

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31

Bai, Xiaoyi, and Zhaoyu Wang. "The Influence of Tang Dynasty Costume Color and Style on Modern Graphic Design." Economic Society and Humanities 1, no. 7 (2024): 35–39. https://doi.org/10.62381/e244706.

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The purpose of the study is to explore the profound influence of dress color and style on the modern graphic design in the Tang Dynasty, especially in the field of visual communication design. During the Tang Dynasty, with the prosperity of economy and culture, a unique color system and artistic style were formed. This system was not only a direct embodiment of the social fashion at that time, but also became a valuable heritage of the design of later generations. The pattern design of the Tang Dynasty, such as moire and phoenix pattern, reflects the rich natural elements and symbolic signific

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32

Liu, Yuhan. "A study of stone carving workers in Tang Dynasty -- taking Shao Jianhe and Shao Jianchu as examples." Pacific International Journal 7, no. 1 (2024): 18–22. http://dx.doi.org/10.55014/pij.v7i1.494.

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The Tang Dynasty was a period of extreme prosperity of stone carving culture in Chinese history. In this period, stone carving was rich in content and huge in volume, and a large number of classic stone inscription calligraphy works emerged. This paper first studies the background of the development of stone carving in the Tang Dynasty and the general situation of the carving groups in the Tang Dynasty, then further explores the carving business of Shao's family, and finally analyzes the relationship between calligraphers and carving workers by taking the Shao Brothers and Liu Gongquan as exam

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Li, Sitong, and Lirong Zeng. "Research Progress on Pottery Figurines of Tang Dynasty." Philosophy and Social Science 1, no. 9 (2024): 28–33. https://doi.org/10.62381/p243905.

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In the Tang Dynasty, a pinnacle of ancient Chinese civilization, was marked by its cultural inclusivity and openness, which propelled the development of arts and crafts to remarkable heights. Among these, pottery figurines of Tang Dynasty stands out for its profound historical, artistic, and aesthetic significance. In recent years, pottery figurines of Tang Dynasty has become a prominent focus in academic research, yielding significant advancements in understanding its cultural connotations, artistic forms, preservation techniques, and the development of related cultural and creative industrie

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Park, Yu Jeong. "Balhae-Tang Dynasty Relations in the 8th Century through the Change in the Name of Appointment title and Apbeonsa." Institute for Historical Studies at Chung-Ang University 60 (December 31, 2023): 5–48. http://dx.doi.org/10.46823/cahs.2023.60.5.

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This paper examines the change in the relationship between Balhae and the Tang Dynasty in the 8th century through the change in the name of appointment title and Apbeonsa. Balhae established diplomatic relations with the Tang in 713, when the King Go was first appointed as Balhae-Gunwang. The appointment title of Balhae received from Tang served as the basis for the beginning of diplomatic relations in the early days of Balhae. This is evidenced by Balhae's record of dispatching diplomatic envoys to Japan in the 720s. It seems that the relationship between the Tang dynasty and Balhae was refle

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Xie, Yingying. "Comparison of Yuchi Jingde's Inscription, Epitaph and Biographies in the Tang Dynasty History Books." International Journal of Education and Humanities 10, no. 3 (2023): 145–47. http://dx.doi.org/10.54097/ijeh.v10i3.12244.

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Yuchi Jingde is an important founding general of the Tang Dynasty, and one of the twenty-four ministers of the Ling Yan Pavilion, whose biographies can be found in the two tang Dynasty History Books, and whose inscriptions have been included in the "All Tang Dynasty Texts", together with the epitaphs found in the tomb of Yuchi Jingde, which can be mutually corroborated by the documents on the ground, and the combination of four kinds of historical materials can provide a clearer knowledge of Yuchi Jingde's marriage, his family, and his curriculum vitae.

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Mao, Yutao. "The Influence of Tang Dynastys Policies on Sogdian Commercial Networks." Communications in Humanities Research 4, no. 1 (2023): 615–21. http://dx.doi.org/10.54254/2753-7064/4/20220927.

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Sogdian merchants played an essential role in the commercial and cultural activities between the Tang dynasty and other states in the west of Tang, along the Silk Road. Based on the conditions for the Tarim region to be able to perform a role in the commercial transfer station and the well-established advanced monetary and postal system, the article discusses how the Tang court's policies influenced the Sogdian commercial system that the influence was mainly in three aspects: i) Tang court intentionally introduced Sogdian merchants and helped Sogdian merchants to spread; ii) The household regi

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Han, Jifeng, and Meng Chen. "The Contrast between the Same System of Marriage in the Tang Dynasty and Japan." Studies in Social Science Research 5, no. 1 (2024): p118. http://dx.doi.org/10.22158/sssr.v5n1p118.

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Tang dynasty unprecedented development of China's legal system, especially the tang law of discussion on adjacent to all countries have a profound influence, the marriage system of the tang dynasty scattered in the tang law of discussion, the provisions of the marriage system is distinctive, the tang law of discussion on the construction of the relevant legal system has a profound influence, many laws can see the law of tang. The rules of the Japanese marriage system have both references and their own unique features. The marriage system can reflect the social reality at that time, and can mor

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38

Wang, Qi Ming. "Evolution of Arm Accessories in the Tang Dynasty." Advanced Materials Research 175-176 (January 2011): 972–75. http://dx.doi.org/10.4028/www.scientific.net/amr.175-176.972.

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There are many different forms of arm accessories in the Tang Dynasty. Their development is due to different times, cultures, religions, and nearby ethnic minorities. Accessories and clothing are closely related, thus clothes in the Tang Dynasty also influence the changes of arm accessories. There are three continuous periods of development: early, middle, and late, each with its own distinctive characteristics. The different forms of the arm accessories will be analyzed on the basis of the social and cultural background during the Tang Dynasty. The analysis will help to gain a better understa

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Xueting, Wang. "The Influence of Chan on the Artistic Conception of Poetry in Tang Dynasty." International Journal of Social Science and Human Research 04, no. 08 (2021): 2267–71. https://doi.org/10.47191/ijsshr/v4-i8-45.

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An important achievement of Tang Dynasty poetry was the birth of the theory of "Yijing". The theory of "Yijing" was an important category in Chinese classical aesthetics. During the Wei and Jin Dynasties, the theory of "imagery" had been put forward. However, aestheticians in the Tang Dynasty did not stop at "imagery". In terms of one category, it is possible to elevate "imagery" to a new category of "yijing" through the enlightenment of Chan thought, which further promoted the development of poetry after the Tang Dynasty.

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Chunjiao, Wang. "The research of the artistic and aesthetic characteristics of folk dance in the Tang Dynasty." OOO "Zhurnal "Voprosy Istorii" 2023, no. 1-2 (2023): 264–71. http://dx.doi.org/10.31166/voprosyistorii202301statyi39.

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The Tang Dynasty achieved the prosperity of feudal society and national power and formed a unique style that contributed to the development of dance. The purpose of this article is to study the artistic and aesthetic features of folk dance of the Tang Dynasty.

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Choi, Ju-yeon. "The Development of Decorative Techniques in Chinese Tang Dynasty Mirrors and Influence on Unified Silla Crafts." Society for the Study of Early Korean History 49 (April 30, 2025): 129–64. https://doi.org/10.35160/sjekh.2025.4.49.129.

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The Tang Dynasty was a major turning point in the history of Chinese bronze mirrors after the Han Dynasty. While previous trends were primarily based on Han Dynasty styles with only decorative variations, the development of mirror-making in the Tang period was accelerated by the combination of foreign influences and advancements in craftsmanship. This evolution is evident in bronze mirrors adorned with various materials. The emergence of mirrors decorated with luxurious materials in the Tang Dynasty was significantly influenced by the advancements in decorative techniques and the aristocracy's

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Wang, Jiahui. "The Research on the Power of Women in Tang Dynasty." Advances in Economics, Management and Political Sciences 176, no. 1 (2025): 85–89. https://doi.org/10.54254/2754-1169/2025.22096.

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This paper explores the unique power and status of women during the Tang Dynasty, a period in Chinese history characterized by political, social, economic, and cultural transformation. Tang women held a unique position, enjoying a level of influence distinct from other eras. By examining political, social, economic, and cultural aspects, this paper reveals the significant contributions of women to the political, social, economic, and cultural life of the Tang Dynasty. Through analyzing historical records, imperial edicts, and cultural relics, we discover that Tang women had more opportunities

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Wu, Jiaqi. "A Preliminary Exploration of Buddhist Culture in Tang Legends." Communications in Humanities Research 47, no. 1 (2024): 30–35. http://dx.doi.org/10.54254/2753-7064/47/20242406.

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Abstract: The chuanqi (legendary stories) of Tang Dynasty are widely recognized as a milestone that marks a new stage in the history of Chinese fiction. During this period, the Tang Dynasty adopted a religious policy that allowed Buddhism and Daoism to coexist, leading both religions to reach their historical peaks of prosperity. In the texts of Tang chuanqi, Buddhist thought is also endowed with profound meaning. This paper aims to conduct a detailed analysis of the stylistic features, literary themes, and character outcomes in five classic Tang Legends from the Anthology of Tang and Song Tal

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Ye Zhi Ping, Ye Zhi Ping, Azlizan Mat Enh, and Suffian Mansor. "The Internationalisation of Muslim Chinese Ummah During the Tang Dynasty." Journal of Strategic Studies & International Affairs 4, no. 2 (2024): 106–16. https://doi.org/10.17576/sinergi.0402.2024.08.

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The historical ties between Muslim and Chinese cultures hold a significant position in Asian geopolitics and have left an indelible mark on world history. During the Tang Dynasty, the spread of Islam, the flourishing Silk Road, and enhanced communication between China and foreign nations facilitated the migration of numerous Muslim merchants, envoys, and missionaries from Arabia and Persia to China. These Muslim communities became central to foreign trade, connecting China with the Western world through Southeast Asia and the Indian Ocean. This period represents one of the most remarkable chap

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Liu, Chang. "Contemporary Inheritance and Interpretation of Silk Road Music and Dance Culture in the Tang Dynasty." Scientific Journal Of Humanities and Social Sciences 6, no. 11 (2024): 73–80. http://dx.doi.org/10.54691/15z5g409.

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The Tang Dynasty was a glorious period in the development of ancient Chinese music and dance, and also the most developed stage of the Silk Road. The strength of the country and the stability of the political situation provided a relatively peaceful space for the development of music and dance art in the Tang Dynasty, and also created conditions for the exchange of music and dance between the Central Plains and the Western Regions. Tang Dynasty Silk Road music and dance exchanges have great significance and value in history, and have profound reference significance in today's context of freque

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Liu, Kaixuan, Hanhan Wu, Yanbo Ji, and Chun Zhu. "Archaeology and Restoration of Costumes in Tang Tomb Murals Based on Reverse Engineering and Human-Computer Interaction Technology." Sustainability 14, no. 10 (2022): 6232. http://dx.doi.org/10.3390/su14106232.

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This paper takes the tomb murals as the research object, and realizes the development of the costume patterns of the Tang tomb murals and the 3D simulation restoration of the costumes through 3D interactive clothing pattern-making technology and virtual simulation technology. Firstly, the 3D garment model is constructed in the virtual environment according to the costume outline of the Tang Dynasty tomb mural costume. Then, the structural curves of the garment are drawn on the 3D garment according to the characteristics of the Tang Dynasty tomb mural garment style, the 3D surface is expanded a

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Jang, Kyoung-A. "An Analysis of ‘Hangje’ Cases Through the Perspectives of Epitaphs and Genealogy －Focusing on the Anyang Han Clan of the Song China－." Korean Society of Human and Nature 5, no. 1 (2024): 261–74. http://dx.doi.org/10.54913/hn.2024.5.1.261.

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This paper analyzes the “Hangje” of the Anyang Han clan during the Song Dynasty based on an initial case study of the Tang Dynasty’s Nak-An Sohn clan. By analyzing Han Qi’s The Literary Collection of Anyang, the recently excavated epitaphs of the Anyang Han clan, and The Genealogy of Xiaoshan Yidu Han Family Clan, it was possible to reconstruct the specific appearance of the “Hangje.” As a result, it was revealed that the generational ranks were assigned based on birth order of each male member, including cousins of the same generation among the extended family members within the Song Dynasty’

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Xiaodun, Wang, and Sun Xiaohui. "Yuebu of the Tang Dynasty: Musical Transmission from the Han to the Early Tang Dynasty." Yearbook for Traditional Music 36 (2004): 50–64. http://dx.doi.org/10.1017/s0740155800020452.

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This paper studies the system and development of the yuebu, an official court music system during the Tang dynasty. Research on the music of the Tang dynasty has been quite abundant, mostly on the yanyue (court banquet music that was administered by the yuebu), with notable studies by scholars such as Ren Bantang (1982), Kishibe Shigeo (1973), Wang Xiaodun (1995), and Shen Dong (2000). However, previous research on music of the Tang dynasty emphasised acculturation and assimilation between China and cultures from bordering western countries; they did not look at music of the Tang court from th

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Fan, Qiangqiang, Cong Wei, Shangyang Wu, and Jinhan Xie. "Face Image Inpainting of Tang Dynasty Female Terracotta Figurines Based on an Improved Global and Local Consistency Image Completion Algorithm." Applied Sciences 14, no. 24 (2024): 11621. https://doi.org/10.3390/app142411621.

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Tang Dynasty female terracotta figurines, as important relics of ceramics art, have commonly suffered from natural and man-made damages, among which facial damage is severe. Image inpainting is widely used in cultural heritage fields such as murals and paintings, where rich datasets are available. However, its application in the restoration of Tang Dynasty terracotta figurines remains limited. This study first evaluates the extent of facial damage in Tang Dynasty female terracotta figurines, and then uses the Global and Local Consistency Image Completion (GLCIC) algorithm to restore the origin

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Tang, Peng. "A Comparative Study of the Divorce Systems of the Tang Dynasty and Japan at the same Era." Journal of Education and Educational Research 9, no. 3 (2024): 56–60. http://dx.doi.org/10.54097/jjvdda90.

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The system of divorce, which is a very important part of the marriage system, also formed a complete system and developed to its peak in the feudal era of the Tang Dynasty. In the process of economic, cultural and political exchanges between the Tang Dynasty and other countries, the divorce system of the late Asuka Period, the Nara Period and the early Heian Period in Japan, which corresponded to the Tang Dynasty, had a certain influence. This paper mainly combines the historical material "Tang Laws and Regulations" and Japanese "Pension Laws", "Household Marriage Laws" and other laws to carry

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