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Dissertations / Theses on the topic 'Tang-Five dynasties'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Lee, Kean Yau, and 李乾耀. "A formal analysis of the regular scripts by the calligrapher Ouyang Xun (557-641)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43930104.

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2

Wang, Hongjie. "Sharing the Mandate : the Former Shu regime of Wang Jian in the late Tang and early Five Dynasties, 891--925." View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3318368.

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3

Kwok, Wing-hay Alexander, and 郭永禧. "A study of Lu Dalin's (1046-1092) Kao gu tu." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31228240.

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4

Barenghi, Maddalena. "Historiography and narratives of the Later Tang (923-926) and Later Jin (936-947) dynasties in tenth- to eleventh-century sources." Doctoral thesis, LMU München: Faculty of Cultural Studies, 2014. http://hdl.handle.net/10278/3720507.

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This thesis deals with historical narratives of two of the Northern regimes of the tenth-century Five Dynasties period. By focusing on the history writing project commissioned by the Later Tang (923-936) court, it first aims at questioning how early-tenth-century contemporaries narrated some of the major events as they unfolded after the fall of the Tang (618-907). Second, it shows how both late-tenth-century historiographical agencies and eleventh-century historians perceived and enhanced these historical narratives. Through an analysis of selected cases the thesis attempts to show how, using

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5

Suchan, Thomas. "The eternally flourishing stronghold: an iconographic study of the Buddhist sculpture of the Fowan and related sites at Beishan, Dazu Ca. 892-1155." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1054225952.

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6

Zheng, Qiao-Yun, and 鄭喬云. "Study of Buddhism in Tang Dynasty through Note Novels in Tang Dynasty and Five Dynasties." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/88654015236647187422.

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碩士<br>國立臺南大學<br>國語文學系國語文教學碩士班<br>102<br>Through evolution, Buddhism and note novels were exploded in Tang Dynasty at the same time. However, from the results of previous researches, there were few articles designed note novels as the main text and explored the impact of Buddhism on society. There are six chapters in this thesis. Chapter One is “Introduction”, which illustrated the author’s motivation and purpose of this research. The purpose was to excavate aspects of Buddhism that historiography could not catalog through value from “history heritage” of note novels. It also understood how the

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7

Yu-zhen, Liu, and 劉豫貞. "Literature Study of Woodblock Printing in the Tang Dynasty and Five Dynasties." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/94079519194562633264.

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碩士<br>淡江大學<br>中國文學系碩士在職專班<br>100<br>In the 21st Century, our people can enjoy ‘reading a book indoors and finding the great light of the ancient times shining on my face’, break the constraints of time and space and contact various foreign and domestic great writers of all times by reading books and learn with great scholar Confucius’ expectations of ‘keeping Tao (road or way) in mind, acting in accordance with De (virtue or morals), behaving on the basis of Ren (benevolence or humanity) and acquiring many Yi (arts or techniques). By drinking water and thinking the water source, we will realis

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8

CHUNG, Heon-Chul, and 鄭憲哲. "A Study On The Lyric Poetry (Ci) Of Tang And Five Dynasties." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/62326874604150280835.

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9

Chen, Chun-Chi, and 陳俊吉. "The research of figures of Sudhana of the Tang and Five Dynasties." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/62135093162370198475.

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博士<br>國立臺灣藝術大學<br>書畫藝術學系<br>101<br>The Sudhana is a type of concept that many Southeast Asian Buddhist countries, such as China, India, Indonesia, Japan, Korea, and Nepal, all have in common. The style of this concept in Japan and Korea, all originates from the style used in China. The Sudhana concept dates back to the Tang and Five dynasty in ancient China, even though archaeologists to date have yet to find books and other written works in this type of style. The exploration of this concept has only been of it in the Song to Qing dynasties so far, and not in depth, but investigation of each

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10

Hong, Pei-shan, and 洪培珊. "Story Study about “Animal Karma” in Literary Sketches in Tang and Five Dynasties." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/74122737170517938353.

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碩士<br>國立臺南大學<br>國語文學系碩士班<br>101<br>Literary Sketch, in the form of sketchbooks, is character-centered and describes the plot structure in the story. Literary Sketch utilizes materials from everyday life, uses classical Chinese to describe characters, inclusive of fantastic ghosts, gods, spirits, personifying animals, plants or utensils. It’s not only the earliest literary form of fiction in Chinese fictional history, but also the sources of literary creation. As a result, it plays an important role in the history of Chinese literature. “報” (pronounced as /bao/), the Chinese character, can be

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11

CHENG, YU HSIEN, and 鄭侑仙. "“Imperial Palace 's Poems”Studies ---Exemplified The Works of Tang And The Five-Dynasties." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/03417852061347450904.

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12

Huang, Yu-Tang, and 黃鈺棠. "The Political Activities of Women from Late Tang to the Five Dynasties (875-960)." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/58q62y.

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碩士<br>國立臺灣大學<br>歷史學研究所<br>107<br>During the period of the late Tang and the Five Dynasties (875-960), the women of political and military dignitaries’ family were often able to engage in government affairs. Even though modern historians have discussed this issue, we need further study in the background for understanding this phenomenon. This article attempts to analyze that the activeness of the women in the political and military dignitaries’ family since the late Tang. The female political participations usually originated from the fierce competition of the military officials for political p

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13

Chiang, Yi Hwa, and 江宜華. "The Interaction between Fujian Region and Government during the Tang Dynasty and the Five-Dynasties." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/59393748332111524456.

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14

Wu-LinThou та 鄒武霖. "The Transformation of the “Shih 士” during the End of Tang to the Five Dynasties". Thesis, 2018. http://ndltd.ncl.edu.tw/handle/7tudy4.

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碩士<br>國立成功大學<br>歷史學系<br>106<br>SUMMARY “Tang-Song Transformations” were dramatic changes in Chinese politics, society, economics, culture and thought during the end of Tang to the Five Dynasties. That also fundamentally changed the composition of “Shih”(士), which is the traditional ruling class as well as the inheritor of knowledges and cultures. The definition of Shin is too complexed to be defined. This study trying to rethink about“why Shih can be Shih” by investigating“Cuoda”(措大), which is an oral vocabulary, and by analyzing the story of Jing Xiang (敬翔), who was a prime minister in Later

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15

Lin, Pei-chun, and 林佩均. "A Study of the Culture of Bronze Mirrors in the Novel of Tang and Five Dynasties." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/02398761186916190896.

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碩士<br>東吳大學<br>中國文學系<br>103<br>This research emphasis on collecting bronze mirrors the theme of the novel as well as relevant information, and investigates the significance of information between. When the bronze mirrors came to have a long, deep penetration in the Tang and Five Dynasties people's lives, it is alluding to the world of appearance, it was the development of society, and even years of record. Looking in the mirror is a universal human behavior, It is also a typical literary context, "Mirror" is a novel of purpose, let the story be smooth elaborate, and cause differences in discour

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16

"從唐代墓葬壁畫看唐代繪畫風格". 1987. http://library.cuhk.edu.hk/record=b5887659.

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余雪霞.<br>Thesis (M.A.)--香港中文大學, 1987.<br>Reprint of manuscript.<br>Includes bibliographical references (leaves 248-284).<br>Yu Xuexia.<br>Thesis (M.A.)--Xianggang Zhong wen da xue, 1987.<br>撮要 --- p.I<br>序言 --- p.IIII<br>目錄<br>Chapter 第一章 --- 總論唐代壁畫的重要性及唐墓壁畫概況<br>Chapter 第一節 --- 唐代背景概述 --- p.1<br>Chapter 第二節 --- 唐代壁畫之功用 --- p.4<br>Chapter 第三節 --- 唐代墓葬之分佈及墓葬形制與壁畫內容、佈局之關係 --- p.13<br>注釋 --- p.26<br>Chapter 第二章 --- 從唐代墓葬壁畫看唐代繪畫之特色──人物畫和山水畫<br>Chapter 第一節 --- 前言──唐代繪畫之分科 --- p.30<br>Chapter 第二節 --- 人物畫──兼論《樹下人物圖》 --- p.37<br>Chapter 一 --- 綺羅人物 --- p.39<br>Chapter 二 --- 步卒屬吏與男僕 --- p.53<

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17

Chu, Tsu Te, and 朱祖德. "The Research of Che-hsi and Che-tung Region’s Economic Development in Tang Dynasty and Five dynasties." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/00406804302639970804.

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18

Chan, Hei-Tong, and 陳羲彤. "The Study of the Northwestern Dialect during the Tang and Five Dynasties-Based on Dunhuang Vulgar Word." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/hr82eg.

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19

Yangte, Chiang, and 姜楊德. "「Vaisravana」in the Periods of Late Tang and Five-Dynasties—Based on Dung-Hung and Si-Chuan Areas." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/02237333784403645538.

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20

Liao, Pei-Ching, and 廖浿晴. "The Survey of the Representation of Joss Sticks in the Tang Dynasty and the Five Dynasties and Ten Kingdoms." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/77045609832697105663.

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博士<br>國立中正大學<br>中國文學系暨研究所<br>102<br>The scholars in the Tang Dynasty and the Five Dynasties and Ten Kingdoms used to describe the aroma of joss sticks, for example, the specilities, kinds, and atmosphere which put an important impact on human livings. We are able to figure out the culture of joss sticks in these dynasties, based on the scholars’ feelings and experiences. Those scholars concentrated on the culture of joss sticks which clearly reflected multiple activities and the living style of high-class society, so called representation of joss sticks, in court, living style and religious si

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21

Chiu, Wei-Kai, and 邱維楷. "The Prevailing Custom and Meanings of Imperial Examination Culture in the Tang Dynasty—Base on Ding-Bao Wang’s Observation of Tang Zhi Yan in the Five Dynasties." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/4nfh77.

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22

"唐代繪畫藝術的色彩研究". Thesis, 2011. http://library.cuhk.edu.hk/record=b6075180.

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An investigation into the relation between objects and colors is essential in understanding how color perception is evolved in ancient China. First, the separation of objects and colors is a major step to establish a color system. Second, the advanced understanding of a unifying framework between colors and objects has been passed down through generations, which not only made its impact on traditional Chinese paintings' theory with regards to color such as "using color to portray color", "coloring by physical appearance", but also in a way restrained ancient people's thoughts on color's intrin

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23

Huang, Chao-Ho, and 黃朝和. "The Study of Zen Buddhist Enlightenment Gāthās in the Tang and Five Dynasties: Approach to Zu-shih Zen and Feng-deng Zen from the Perspectives of Contextual Dialectics and Hermeneutics of Zen Classics." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/7fw86n.

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博士<br>國立中興大學<br>中國文學系所<br>106<br>Indian Zen was introduced to the central mainland China and had been guided by An Shigao’s Theravada-Buddhism；it had also been under the influence of the age of turbulence, passing through Han, Wei and the Western Jin Dynasties. It adopted the methods of breath-counting and mindfulness to attain meditative concentration and observance. With time passing by, while Master Dao An in Eastern Jin Dynasty proposed Doctrine of Prajna and Kumarajiva translated Mahayana sutras, Hui Yuan of Lu Mount just pushed the state in practicing Buddhism to Zen wisdom. In the promo

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24

"Changsha ware in the Art Museum, the Chinese University of Hong Kong: reflections of daily life in the Tang Dynasty." 2005. http://library.cuhk.edu.hk/record=b5892615.

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Leung Yuen-fun Rachel.<br>Thesis submitted in: May 2004.<br>One leaflet mounted.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2005.<br>Includes bibliographical references.<br>Abstracts in English and Chinese.<br>Chapter Chapter One: --- Historical Background<br>The discovery of the kiln sites --- p.1<br>The naming of Changsha ware --- p.3<br>The beginning of production --- p.5<br>Chapter Chapter Two: --- Development of Changsha ware<br>Duration of operation --- p.10<br>Stages of development --- p.11<br>Reasons for decline --- p.15<br>Chapter Chapter Three: --- Glaze and Kiln Cha

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25

Chang, Shu-Hui, та 張淑惠. "Comparison of economics activities of Tang and Five Dynastys between xuan-she（宣歙） and e-yue（鄂岳）". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/68335289032452198058.

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