Academic literature on the topic 'Tangible cultural heritage'
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Journal articles on the topic "Tangible cultural heritage"
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Slunjski, Robert. "Tourism valorisation of immovable tangible cultural heritage in Međimurje." Hrvatski geografski glasnik/Croatian Geographical Bulletin 80, no. 2 (December 21, 2018): 111–37. http://dx.doi.org/10.21861/hgg.2018.80.02.05.
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Caron, Guillaume, Olga Regina Pereira Bellon, and Ilan Shimshoni. "Computer Vision and Robotics for Cultural Heritage: Theory and Applications." Journal of Imaging 9, no. 1 (December 30, 2022): 9. http://dx.doi.org/10.3390/jimaging9010009.
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Computer vision and robotics are more and more involved in cultural heritage. From the data acquisition to heritage interpretation, the various tasks of the latter wide spectrum must face specificities of tangible and intangible heritages. [...]
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Howard, Keith. "Musical instruments as tangible cultural heritage and as/for intangible cultural heritage." International Journal of Cultural Property 29, no. 1 (February 2022): 23–44. http://dx.doi.org/10.1017/s0940739121000436.
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AbstractMusical instruments are central components of both the tangible and intangible heritage. However, discourse about music as intangible cultural heritage frequently overlooks the importance of instruments in conserving traditions inherited from the past and making live performance possible in the present, while curating instruments as tangible heritage often neglects their function for making music. This article explores two interrelated research questions about musical instruments as heritage. First, should instrument-crafting skills inherited from the past be sustained today, and, where industrial or mechanized manufacturing processes and the development of instruments is encouraged, what are the implications for sustaining music traditions? Second, given that instruments as crafted objects deteriorate over time, should instruments inherited from the past be displayed as objects, be restored to playing condition, or be updated and developed for contemporary use? To explore these questions, I take three case studies that juxtapose musical instruments from opposite sides of the world and from societies with very different philosophical and ideological approaches. The three case studies are Britain’s piano heritage, traditional Korean instruments (kugakki) in the Republic of Korea/South Korea, and “national” instruments (minjok akki) in the Democratic People’s Republic of Korea/North Korea. Based on fieldwork, ethnography, and collecting and curating work, my choice of case studies allows me to look at both the country I call home (Britain) and the region where I have researched matters musical for 40 years (the Korean peninsula). But the case studies also demonstrate that there is no single answer to questions about the role of musical instruments when (and if) instruments are recognized as both tangible and intangible heritage.
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Mastandrea Bonaviri, Gianluigi. "Cinema as (Tangible and Intangible) Cultural Heritage." McGill GLSA Research Series 2, no. 1 (October 25, 2022): 19. http://dx.doi.org/10.26443/glsars.v2i1.200.
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This research paper will put forward innovative solutions to strengthen the protection of cinema during armed conflicts, in particular by contending that cinema could be qualified as cultural heritage, thereby falling under the protection of the relevant international Conventions. A special testimony made by artist Sergio Iovino will be first proposed, with a view to highlighting the importance to safeguard cinema and – broadly speaking – every kind of art in wartime. Moving from the current armed conflict in Ukraine, the paper will underline the need for a reassessment of the relevant international regulations. In particular, after having secured a comprehensive definition of cinema, still lacking in international law, it will propose an evolutionary interpretation of the UNESCO Convention for the Protection of the World Cultural and Natural Heritage (1972), the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage (2003) and the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions (2005). The paper will then analyze the legal relations between International Humanitarian Law (IHL) and filmmaking, which remain nebulous. The 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict never refers to cinema, but simply mentions “objects of artistic interest” (art. 1), and already such a definition fails to accommodate cinema’s mongrel nature and complex production process. An adaption of IHL, starting from the 1949 Geneva Conventions and their Additional Protocols, will be therefore put forward in order to ensure that the art of filmmaking can enjoy legal protection in all phases of an armed conflict.
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Zhai, L. "Cultural Consumption of the Overseas Chinese Garden in the Process of Cross-cultural Communication." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W7 (August 13, 2015): 483–89. http://dx.doi.org/10.5194/isprsarchives-xl-5-w7-483-2015.
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When referring to the tangible cultural heritage, people tend to concern more about the conservation and research of the entity of the tangible heritage than the cross-cultural communication of the cultural heritage which is also one of the most important components of the preservation of the cultural heritage. As an exotic new born of the cultural heritage, the entity born from the cross-cultural communication inherits the properties of the cultural heritage on the one hand, and on the other hand generates diversities as a result of the differences based on social, cultural and environment. And the business model is one of the most important reasons for the production of diversities. There’s no doubt that a good form of business model makes great significance to the cross-cultural communication. Therefore, the study of the business model of cultural heritage in the process of cross-cultural communication will not only contributes to the deeper understanding towards the phenomenon of the cultural heritage’s cross-cultural communication, but also leads to the introspection to the tangible cultural heritage itself. In this way, a new kind of conservative notion could take form, and the goal of protecting cultural heritage could be achieved. Thus the Chinese Garden is a typical representation of the cultural heritage which makes great sense in the cross-cultural communication. <br><br> As a kind of tangible cultural heritage, the Chinese gardens are well preserved in different regions in China. While the spirits of the Chinese garden carry forward through the construction of the Chinese gardens abroad during the cross-cultural communication. As a new kind of form of the cross-cultural communication of the cultural heritage, on the one hand, the Chinese gardens overseas built ever since China's Reform and Opening express creatively of the materialist and the spirituality of the traditional Chinese Garden, and on the other hand, those Chinese gardens overseas face all kinds of tough issued such as investment, business model and management. The exploration of the reasons for these tough issues makes a great sense of the study towards the cross-cultural communication and preservation of the cultural heritage. <br><br> In this paper, the development of the whole overseas gardens and the cultural consumption of the Chinese gardens in Europe is generalized, then two typical cases are selected from those two categories mentioned above. By way of field study and interviews, it shows different strategies towards cultural consumption and provides constructive advice for the survival and development of overseas Chinese gardens.
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Ningrayati Amali, Lanto, Muhammad Rifai Katili, and Wandi Ismail. "Preservation of intangible and tangible cultural heritage using digital technology." Indonesian Journal of Electrical Engineering and Computer Science 28, no. 2 (November 1, 2022): 980. http://dx.doi.org/10.11591/ijeecs.v28.i2.pp980-986.
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There is presently a shortage of preservation of intangible cultural heritage and places for distributing tangible cultural heritage artifacts, regardless of their high value and usability for a nation. Despite efforts to protect cultural heritage, such as mapping and designing information systems to ensure the authenticity of information circulating in the community about intangible traditions and tangible sites obtained from different sources, many historical information places have been converted into new beliefs and buildings. Therefore, this research aims to provide information to promote public awareness about the distribution of tangible sites and intangible information about cultural heritage. A system development method with a prototype model comprising the stages of design and evaluation, system coding, and program testing, alongside system evaluation and usage, was employed. Subsequently, the results showed that the mapping information system increases the effectiveness and efficiency of delivering intangible and tangible cultural heritage information to the public and tourists.
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Ikeke, Mark Omorovie. "Terrorist Cultural Heritage Destruction and Ecotourism in Nigeria: Philosophical Perspectives." East African Journal of Environment and Natural Resources 5, no. 1 (July 4, 2022): 196–203. http://dx.doi.org/10.37284/eajenr.5.1.738.
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Cultural heritage is an important aspect of a people’s life. Without cultural heritage, a people lose their sense of identity, cohesiveness, values; and their entire wellbeing is gravely impacted. Cultural heritage includes a people’s customs, places, practices, values, artistic expression, and landscapes. It is made up of tangible and intangible resources. Especially for tangible or material resources they are vital for eco-tourism. There will be no base for eco-tourism without the land, places, cultural artifacts, and monuments. Though cultural heritage is very important to cultural wellbeing and tourism in Nigeria, it is endangered by the activities of terrorists. This paper critically analyses the cultural destruction and threat posed by Boko Haram and other terrorist activities and how these have impeded eco-tourism in Nigeria. It will use viewpoints from both the western and indigenous philosophical tradition to highlight the significance of cultural heritage, the immorality of cultural destruction and the ethical imperative to promote eco-tourism. The paper finds that cultural heritages are being destroyed in Nigeria by terrorists and thus impeding ecotourism. It concludes that there is need to end terrorist cultural heritage destruction in Nigeria to promote ecotourism.
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Sinibaldi, Elena, and Antonio Parente. "UNESCO’s tangible and intangible cultural heritage: Sustainable development perspectives." Pravovedenie 64, no. 1 (2020): 47–56. http://dx.doi.org/10.21638/spbu25.2020.104.
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The United Nations Educational, Scientific and Cultural Organization (UNESCO) 2003 Convention for the Safeguarding of the Intangible Cultural Heritage has not only introduced a conceptual and applicative expansion of the interdisciplinary subjects applied to cultural heritage, but it has also increasingly encouraged an integrated planning of sustainable development policies for territories and communities that convey and shape their relative cultural and anthropomorphic identity, along with the re-thinking of the collective dimension of heritage in terms of rights to creation and fruition as well as the related cultural management. This article presents a reflection on the opportunity to identify and develop the relationship between tangible and intangible heritage as resources that are essential to one another. To this purpose, two illustrative UNESCO application paths are examined. The first relates to the recognition of The Vineyard Landscape of Piedmont: Langhe-Roero and Monferrato as a Cultural Landscape of World Heritage, pursuant to the 1972 UNESCO Convention Concerning the Protection of the World Cultural and Natural Heritage, while the second concerns the inscription of the intangible element The Celebration of Celestinian Forgiveness in the Representative List of the Intangible Cultural Heritage of Humanity of the UNESCO 2003 Convention. Due to differences in paradigms and application criteria under the two UNESCO Conventions, which are also detectable in the Italian regulatory context, these case studies offer the opportunity to advance an interdisciplinary reflection aimed at rethinking safeguarding contexts, as well as enhancement and increasing accessibility of cultural heritage. As a result of the reflection, an analysis of the concept of living in relation to the anthropological definition of organic landscape, representation of collective identities (community-based heritage), inclusive places and sociability (public policy), communicative restitution (universal ethical values), participatory management (participative brand making), and integrated sustainability is derived.
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Eppich, Rand, and José Luis García Grinda. "Sustainable financial management of tangible cultural heritage sites." Journal of Cultural Heritage Management and Sustainable Development 9, no. 3 (August 5, 2019): 282–99. http://dx.doi.org/10.1108/jchmsd-11-2018-0081.
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PurposeThere are many threats to cultural heritage including armed conflict and natural disasters such as earthquakes, fire and flooding. It is understandable that these dramatic events frequently capture the world’s attention. However, a far more considerable danger is inadequate management a lack of financial resources to conduct continuous conservation and maintenance. The purpose of this paper is to gain an understanding of the current state of financial sustainability at a limited selection set of tangible immovable cultural heritage sites and investigate why this critical aspect is deficient. Case studies have been identified where management improved, and a level of financial sustainability is achieved.Design/methodology/approachTo improve the conservation of tangible immovable cultural heritage sites, a specific definition of financial sustainability is required, which significantly differs from the management of for-profit activities and even other non-profit cultural institutions such as museums, and takes into account the special requirements for conservation and education, additional values, site access and the wide variety of places that range from archaeological sites to single structures. The methodology began with researching the definition of financial sustainability from non-profit institutions then refining through the application it to a defined and limited selection set of World Heritage properties. World Heritage properties were selected, given the wealth of data readily available. Following this larger selection, several evaluation case studies were selected for further investigation including an analysis of the management circumstances and how greater financial sustainability was achieved. The investigation initially relied on secondary sources including academic articles, thesis, management plans, nomination dossiers, reactive monitoring mission reports, newspaper articles, periodic reporting and required State of Conservation Reports. The case study investigation relied on primary sources including observational site visits and interviews using an informal questionnaire. Findings were later verified by follow up interviews.FindingsThe research led to a definition of financial sustainability specifically for tangible cultural heritage sites that included five components, namely, management planning, revenue identification, expenditure analysis, administration and strategic planning, and, most importantly, alignment and support of cultural, educational and conservation mission. A majority of World Heritage properties in this study fall short of this definition of financial sustainability and do not sufficiently address this issue. Research revealed that there is a need for more dialogue with informed data on the financial aspects of managing tangible cultural heritage sites as most locations studied are not able to efficiently manage funds or take full advantage of possible opportunities. However, a few sites have achieved greater financial sustainability. The research describes the identified five critical circumstances in further defining financial sustainability: a conducive and open planning environment, knowledge and education, positive perceptions concerning the importance of finance, managerial autonomy and public interest. These circumstances permitted better management of existing funding and an environment for innovation.Research limitations/implicationsResearch limitations during the initial study included a hesitation or unwillingness to discuss financial details, a general lack of statistics, a lack of knowledge related to finance, a prejudice against the topic and a concern over the commodification of cultural heritage. However, as the case studies identified achieved greater financial sustainability, this was less of a limitation. Additional limitations included the necessity to conduct interviews via telephone and in European languages, English, Spanish and Italian. The final limitation was that this study only focused on single tangible cultural heritage sites and excluded larger sites such as entire cities and intangible or movable cultural heritage.Practical implicationsThe circumstances, which comprise the definition, identified during the research lead to a number of possibilities for improving the financial sustainability. The first is not to place emphasis on a management plan but in fostering an environment that encourages financial planning. The second circumstance is to improve the knowledge and education of finance for site managers. Third, a positive perception of finance, standard business practice and surplus generating activities must occur. Fourth, financial management must be devolved to individual sites. Finally, the public must be involved to ensure financial sustainability. There must be initiatives to frequently include the local community and encourage participation.Social implicationsMost cultural heritage sites are financially dependent upon the state, and this will likely continue, but it is improbable to expect full financial support ad infinitum. Overdependence on highly variable top-down funding leaves cultural heritage vulnerable and open to uncertainty. While it is unrealistic to expect most sites to become financially self-sufficient or that managers will suddenly become entrepreneurs, it is reasonable to expect some improvement. The goal should not be to create a business from cultural heritage but to improve financial management for greater sustainability. Financially sustainability ensures that sites are conserved and maintained for future generations.Originality/valueThe need to preserve cultural heritage is widely recognized by many different segments of society. However, the availability of financial resources to sustain conservation is often deficient or overlooked. Without taking measures for continued financial support, tangible cultural heritage is at risk as preventive maintenance is ignored and essential personnel and their skills are lost. Commodification of cultural heritage is of great concern and, when used as a means of generating income, it can compromise other values. Thus, a critical balancing act must be achieved by those who care about the historic, aesthetic and scientific values.
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Vakhitova, Tatiana Vadimovna. "Rethinking conservation: managing cultural heritage as an inhabited cultural landscape." Built Environment Project and Asset Management 5, no. 2 (May 5, 2015): 217–28. http://dx.doi.org/10.1108/bepam-12-2013-0069.
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Purpose – The purpose of this paper is to suggest an approach to cultural heritage management as an inhabited cultural landscape in a context of urban planning. Design/methodology/approach – The paper provides a review of academic literature on the topic of cultural heritage conservation. Findings – This paper supports an approach to management of cultural heritage as a cultural landscape, defining it as a multivalent social phenomenon with tangible and intangible dimensions, spatial, and temporal scales. The cultural landscape approach continues the discourse on heritage values and emphasises the importance of recognition of social value and hence a wider stakeholder participation in the process of heritage management. This approach allows enhancing both intangible and tangible dimensions of cultural heritage and, therefore, encourages a more inclusive consideration of diverse cultural heritage values (encompassing social and environmental categories, e.g. well-being, health). Originality/value – The proposed cultural landscape approach to heritage management, as a culturally significant, inhabited, and changing landscape, enables a more comprehensive view on the interrelations of cultural heritage with other social and environmental categories and enhances the understanding of different values of cultural heritage. This approach could be particularly useful for strategic development at city planning level and in large construction or infrastructural projects.
Dissertations / Theses on the topic "Tangible cultural heritage"
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Kok, Chui-wah Ranee, and 郭翠華. "Qipao: living and evolving tangible and intangible cultural heritage." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48345052.
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“Clothing always shows people’s personality.” said William Shakespeare. “Even we bow our heads with silence, our clothing and bearing will still reveal our past experiences.” As for a Chinese woman, Qipao reminds and even reveals her own background and roots. Qiapo is so widely recognized that people from different countries relate it to China once they see it. Such a Chinese female identity has been built for decades.
Qipao has been seen as the National Costume throughout the 20th Century until nowadays. It expressed the patriotic purposes in the sense of Chinese and the rest of the world implicitly and explicitly. More importantly, it is an international symbol of Chinese femininity.
The reason why Qipao can be preserved through history and time is that through the vicissitudes of the process of social and historical development, it has steadily given expression to the distinct character and individual style of the nation, making it distinctively different to the rest of the world. Qipao with its bewitching eastern charm, peerless style with its universal appeal established its unique place in the history of clothing in the world. It is an international symbol of Chinese femininity.
In short, Qipao is a living heritage that has been evolving to adapt to the socio-historical circumstances of different times. This dissertation seeks to discover the process of this evolution through the tangibility and intangibility of Qipao.published_or_final_version
Conservation
Master
Master of Science in Conservation
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Pereda, Javier. "Online Cultural Heritage : facilitating complex query making through Tangible User Interfaces." Thesis, University of Southampton, 2016. https://eprints.soton.ac.uk/420887/.
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This thesis presents a novel approach to reduce the complexity and overload of information in Cultural Heritage (CH) on the Web through the use of a Tangible User Interface (TUI). It discusses how the Web and its technologies such as the Semantic Web have changed the interoperability and reach that knowledge, data and information can have. These technologies have allowed to link knowledge across CH organisations and helped to reduce uncertainty about the information used to create it. Nevertheless, it is cumbersome for a vast majority of online users to find relevant content, due to the overload of information available and the complexity of its nature. This research argues that this is because two main factors. The first factor is the dependency of Graphical User Interfaces on the Web that hinder complex exploration and technologic engagement for general users. The second factor identifies a requirement for CH organisations to become part of an Online Cultural Heritage ecosystem engaged through an interactive system on the Web. As a result, CH organisations do not have a meaningful system for their users to explore their content. This research addresses these problems by [1] developing an understanding on how CH knowledge is integrated across different organisations and different ways in which users engage and manipulate it and, [2] exploring how a TUI can facilitate the production of complex queries that enables the user to engage with the conceptual and technical information used to describe the knowledge about OCH collections. Chapter One presents an outline of the research problem, aims and objectives. It discusses the new challenges that CH organisation face when engaging with their users on the Web. Chapter Two presents a literature review of the current state of CH organisations, their information and knowledge and how they relate on the Web. Chapter Three argues that on the Web, CH organisations are conceptually and contextually integrated into a single entity that can be called Online Cultural Heritage (OCH). CH studies do not to consider that on the Web, visitors are no longer limited to a particular type of CH organisation (e.g. library, museum), nor to a particular collection held by that organisation. In addition, this chapter gives a brief introduction to Europeana as example of how information is shared across organisations on the Web, as it will be used as main case study later on. After describing the roles that data and information have on the production of knowledge, Chapter Three continues by presenting a literature review that highlights how users transform data into knowledge and their different needs of information when approaching information sources. It further identifies how users engage with Europeana’s information and the interfaces used to do it. Therefore, Chapter Four addresses the relevance that user interfaces have on accessing information, data or knowledge on the Web and particularly OCH. It explains how TUIs can boost performance by providing the required thought structure through physical activities and the use of constructivism as theoretical approach. It introduces interaction design principles (such as Token and Constraint (TAC) and OnObject) where physical affordances are used to convey information to users, thus reducing the complexity of an interactive system. Chapter Five presents the research framework general plan. It introduces the a-priori and aposteriori phases of the research, where the first one focuses on understanding users’ behaviours when querying Europeana and OCH, and Chapter Six will fully discuss Europeana as a case study. The research framework is fully described in Chapter 7 for the a priori section present the a-priori phase as a user centred design experiment where participants express their query behaviours. The test users included people with particular knowledge about cultural heritage objects (e.g. historians, archaeologists) analysing how they convert data into knowledge according to their different levels of need of information. The evaluated results are further used to contextualise the role of the interactive prototype to be designed. Such design process is presented in the following Chapter Eight. This chapter presents the integrated interaction design methodology adapted for the development of the TUI prototype. It presents the evaluation results for both experiments. It concentrates in Usability and UX evaluations to understand the engagement that users have with OCH information through the TUI. Such methods identify emotions and sense of helplessness related to the interactive process. It integrates a usability test to reveal users’ procedural task results that highlight the strengths and weaknesses of the system, which alter users’ engagement with the information. Chapter Nine concludes by reviewing the results obtained and highlighting the challenges posed, benefits that the Web and its particular technologies offer to CH organisations, and the need for the adoption of interactive systems such as these, that eases question making processes and allow users to explore complex datasets in a meaningful way, while it also describes future work that can be carried out.
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McSharry, Carolyn Heather. "Conserving tangible and intangible cultural heritage : cleaning degraded East Asian lacquer." Thesis, Imperial College London, 2009. http://hdl.handle.net/10044/1/5528.
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East Asian lacquer (urushi) is a natural, thermosetting polymer, characterised by its durability and gloss. Prolonged exposure to light, however, causes photodegradation, which initiates microcracking in the surface layers. Accumulation of dirt, grease, or non-original materials, such as varnishes applied during attempted restoration, contributes to deterioration of the lacquer’s appearance through discolouration. This build up must be removed in order to conserve affected pieces, and the potential use of solvents to achieve this aim is investigated here. This work presents a review of the chemistry of this unique material, and the distinction between different East Asian lacquers is investigated. Valuable, rare lacquer samples could not be taken from naturally aged museum pieces in order to investigate the applicability of solvents in cleaning conservation processes, and so the damage featured on the models used was recreated artificially. The advantages and limitations of such an approach are assessed in terms of the practical value of the resulting samples as credible models compared to the naturally aged material. In free film studies, solubility parameters were determined for a range of lacquers, and the morphological changes that result from solvent exposure are also investigated to determine potential ‘safe’ solvents for conservation cleaning. These studies show that most solvents are damaging to photodegraded lacquers to some extent, and the possible risks must be assessed against the need for removal of a damaging layer. The findings reported here have implications for the choice of solvents used in conservation cleaning, but other solvent properties and behaviours must be considered along with these data when identifying the least damaging, yet effective solvents.
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Hoeane, Mabafokeng. "The Spiritual Significance and Conservation of Dinkho tsa Badimo at the Ditsong National Museum of Cultural History." Diss., University of Pretoria, 2020. http://hdl.handle.net/2263/78164.
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There is a lot of published literature in the disciplines of Archaeology and Anthropology on ceramics that amongst others focus on their typologies, dating sequences, manufacture and trade with reference to groups of people that inhabit the Southern African region. Additionally, several studies have focussed on the use of ceramic objects including figurines in ritual practices of these societies. However, the emphasis has been differential and skewed as it has largely been focussed on certain cultures such as that of the Zulu group or linked to archaeological sites, to the exclusion of other groups. For example, there is scant literature that focuses on the description or discussion of ceramic vessels by the Basotho-Batswana people of Southern Africa, who, like the Zulu have an active ceramic tradition including the manufacture and reverence of spiritual ceramic vessels. The thrust of this dissertation is therefore to widen our understanding and knowledge of the spiritual significance of African ceramic vessels by focusing particular attention on how these Sotho-Tswana groups practice this tradition with the ultimate objective of encouraging the appropriate recognition and preservation of traditional African ceramic vessels.Mini Dissertation (MSocSci)--University of Pretoria, 2020.
Mellon Foundation
Tangible Heritage Conservation
MSocSci (Tangible Heritage Conservation)
Unrestricted
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Gagliani, Gabriele. "International Investment Law and the Tangible and Intangible Aspects of Cultural Heritage : Substantive Discipline and Dispute Settlement Interactions." Thesis, Université Paris-Saclay (ComUE), 2017. http://www.theses.fr/2017SACLN012.
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La relation entre droit international des investissements et patrimoine culturel a fait l’objet de rares études et réflexions, et ce uniquement de manière récente. D’une part, le droit international des investissements a connu une croissance et un développement considérables uniquement dans les dernières trois décennies. D’autre part, comme certains auteurs l’ont souligné, le patrimoine culturel a un statut quelque peu ‘incertain’ en droit international. À la lumière des rares études sur ce sujet, qui généralement mettent en évidence les rapports conflictuels et ambigus entre droit international des investissements et patrimoine culturel, la thèse s’est proposée d’analyser la relation existant entre la réglementation internationale des investissements étrangers et le patrimoine culturel dans se multiples expressions, et cela aussi bien sur le plan des règles substantielles que du contentieux et de la résolution des différends d’investissements concernant la culture. L’idée que la relation entre les investissements étrangers et le patrimoine, réglés par le droit international de manière et amplitude différentes, puisse apporter des avantages mutuels a servi de prémisse générale pour toutes les études menées dans le cadre de la thèse. Parmi les investissements, les investissements étrangers revêtent une grande importance dans les périodes de crise économique et de difficulté à rassembler les ressources nécessaires à préserver le patrimoine. Les investissements sont donc vitaux pour la culture. Cela ne contredit pas l’idée qu’il existe des situations de ‘conflit’, quand les activités économiques peuvent potentiellement causer des dommages et/ou représenter un danger pour le patrimoine. Les recherches et les analyses effectuées ont montré que les traités en matière d’investissements contiennent souvent plusieurs dispositions concernant la culture et le patrimoine culturel. En matière de litiges, les différends d’investissement ont impliqué ou touché aux formes et expressions les plus variées de la culture : des sites UNESCO patrimoine de l’humanité aux industries culturelles, aux lieux de mémoire et au patrimoine des communautés indigènes. En outre, d’une façon quelque peu surprenante et inattendue mais significative, les règles qui protègent les investisseurs internationaux ont été invoquées par des investisseurs qui avaient réalisé des investissements dans les biens et ‘ressources’ culturelles ainsi que pour défendre les activités économiques relatives au « capital culturel » des communautés indigènes. Les diverses études conduites dans le cadre de la présente thèse ont permis de montrer plusieurs aspects et facettes de la relation entre investissements étrangers et patrimoine et de tirer diverses conclusions. Les recherches effectuées ont montré la nécessité d’investissements étrangers pour la protection, sauvegarde, conservation et valorisation de chaque expression culturelle, et les avantages d’une interaction entre régulation internationale des investissements et patrimoine culturel : la relation symbiotique entre droit international des investissements et patrimoine culturel a été démontrée. Cette première réflexion conclusive « soulève » un deuxième élément : il existe, dans le droit international de la culture et du patrimoine, un espace légitime et ample réservé au droit international des investissements. Symétriquement, l’arbitrage d’investissements peut représenter un instrument valide de résolution des différends en matière de patrimoine. Enfin, on peut soutenir que l’intersection des règles internationales en matière d’investissements étrangers avec les règles internationales en matière culturelle peut être déterminante dans la création, ou soutenir la présence, d’un système qui tienne compte – à travers des standards précis de transparence, légalité et légitimité – de l’ensemble des intérêts impliquésThe relationship between international investment law and cultural heritage has commanded little attention and only recently. Certainly, international investment law has become one of the most prominent branches of international law. Its development has been strictly connected to the soaring growth of bilateral treaties on the promotion and protection of foreign investment and free trade agreements with foreign investment chapters. n turn, the status and place of cultural heritage under international law has grown, significantly progressing from some provisions included in international humanitarian conventions on the protection of heritage during armed conflicts. In light of the few studies existing on the subject of this thesis, which have in general concluded that conflictual and ambiguous relations exist between international investment law and cultural heritage, this thesis proposes to analyze this relation from both the substantive and dispute settlement standpoints. The idea that the relation between foreign investment and cultural heritage, regulated in different ways and ‘intensities’ by international law, could be positive was a general premise for all the research. Indeed, among investments, foreign investments have a great importance in a moment of economic crisis and difficulty in finding appropriate resources to safeguard heritage. Investments are hence vital for culture. The researches and analyses carried out for the thesis have shown that investment treaties often contain a number of provisions concerning culture and cultural heritage. With regard to international disputes, investment disputes have involved or touched upon different cultural forms and expressions: from UNESCO sites to cultural industries, to lieux de mémoire and indigenous communities’ heritage. Further, quite surprisingly, the international rules protecting foreign investors have sometimes been invoked, or resorted to, by subjects that had invested specifically in cultural ‘resources’ or to protect economic activities based on indigenous communities’ culture. The studies and researches carried out for this thesis have made it possible to reach and demonstrate a number of conclusions. First, the researches carried out have demonstrated that foreign investments are necessary to protect, safeguard, preserve and promote any form of cultural expression, and a strong interaction exists between the international regulation of foreign investments and cultural heritage. It has thus been shown that there exists a symbiotic relationship between international investment law and cultural heritage. Second, it has been possible to prove that, within international culture and cultural heritage law, there exists a ‘legitimate space’ for international investment law. Symmetrically, international investment arbitration can represent a valid cultural dispute settlement mechanism. Lastly, it is possible to assert that merging international rules on foreign investments and international rules on culture or cultural heritage can lead to create, or support the existence of, a more transparent, legitimate and rule-of-law-based system. In the light of all these considerations, the research, analysis and reflection carried out for the thesis has demonstrated how positive the relation between international investment law and cultural heritage can be fro states and the society. This, without denying any potentially negative effect. One might hope that the results obtained allow to adapt any practice in the field of culture. The protection of cultural heritage can indeed be strongly enhanced through the regulation of foreign investment
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郭淑儀 and Suk-yee Eva Kwok. "The last village: cultural memories of the tangible and intangible heritage of Pokfulam Village on Hong KongIsland." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B4218907X.
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TOMASETTA, CAMILLA. "THE LIFE CYCLE SUSTAINABILITY ASSESSMENT APPROACH APPLIED TO TANGIBLE CULTURAL HERITAGE CONSERVATION - Developing a support instrument for Cultural Heritage Management within a Circular Economy and Life Cycle Thinking perspective." Doctoral thesis, Università degli studi di Pavia, 2017. http://hdl.handle.net/11571/1223921.
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Life Cycle Thinking (LCT) and the Circular Economy (CE) concept might delineate a convergence point between growth and sustainability, in a general context as well as in an urban environment. The CE paradigm, indeed, introduces a new perspective to look at the industrial ecosystem, where the economic growth is decoupled from resource consumption and pollutant emissions as end-of-life materials and products are conceived as resources rather than waste (Sauvé et al., 2015). LCT introduces a holistic viewpoint, which considers all the lifecycle aspects of a product system or a service, from the extraction of the raw materials to the end-of-life of the latter. Both LCT and CE are implementable using a Life Cycle Sustainability Assessment (LCSA) approach where all the three pillars of sustainability (environmental, social and economic) are taken into account in order to set the right targets and improve the efficacy and efficiency of production systems or services. However, the latter are still far from being reached at a global level, due to a lack of practical examples of LCT implementation, to an uneducated mind-set and to missing regulations. In particular, the tangible Cultural Heritage (CH) field is lacking a clear and applicable instrument to support conservation management decisions and the emission of related regulations and directives. The Cultural Heritage field recalls what can be considered another hotspot in the scientific and political agendas, in a sustainable development perspective: urban environment and cities growth management. Recovering, conservation and valorisation of Cultural Heritage - in particular built CH - are part of a transition management process for the urban environment towards more sustainable cities. Being a shared, non-replaceable, unique resource and a common good confronted with important environmental challenges and possible under-funding, looking after CH to avoid neglect and possible decay is a common responsibility. The management of cultural heritage requires continuous conservation and restoration work, involving diverse professionals mainly in technical and scientific activities. A sustainable approach to the processes of Cultural Heritage restoration and conservation involves the selection of safe materials and methods both in terms of human and environmental health but also a quantification of the benefits deriving from the conservation process. It is therefore necessary to create comprehensive models for Cultural Heritage management in order to fulfil environmental, economic and social sustainability criteria.
This study aims to apply the concept of Life Cycle Sustainability Assessment and Management to Cultural Heritage restoration and conservation. Pereira Roders and van Oers (2011) pointed out that Cultural Heritage Management is a relatively young field of research can be considered as being at an earlier stage of development than other related studies, such as the architectural conservation field (Van Oers and Pereira Roders, 2012). If LCA has been extensively applied in the building sector for assessing the environmental performance and impact of construction materials and products throughout the entire life cycle of a construction (Ortiz-Rodrıguez et al., 2010; Sharma et al., 2011), the use of LCA is practically unknown in the field of cultural heritage (Settembre Blundo et al., 2014). Applying the LCSA approach to tangible Cultural Heritage Management allows creating a decision-making instrument tailor made for built CH, in order to implement the recent design process for restoration, providing quantitative outputs as well. On the one side, the LCSA approach ensures to maintain interdisciplinarity, a mandatory requirement for CH related investigations. On the other side, it fulfils the need for one single deliverable unit decipherable by all the parties involved and by non-expert decision makers.Life Cycle Thinking (LCT) and the Circular Economy (CE) concept might delineate a convergence point between growth and sustainability, in a general context as well as in an urban environment. The CE paradigm, indeed, introduces a new perspective to look at the industrial ecosystem, where the economic growth is decoupled from resource consumption and pollutant emissions as end-of-life materials and products are conceived as resources rather than waste (Sauvé et al., 2015). LCT introduces a holistic viewpoint, which considers all the lifecycle aspects of a product system or a service, from the extraction of the raw materials to the end-of-life of the latter. Both LCT and CE are implementable using a Life Cycle Sustainability Assessment (LCSA) approach where all the three pillars of sustainability (environmental, social and economic) are taken into account in order to set the right targets and improve the efficacy and efficiency of production systems or services. However, the latter are still far from being reached at a global level, due to a lack of practical examples of LCT implementation, to an uneducated mind-set and to missing regulations. In particular, the tangible Cultural Heritage (CH) field is lacking a clear and applicable instrument to support conservation management decisions and the emission of related regulations and directives. The Cultural Heritage field recalls what can be considered another hotspot in the scientific and political agendas, in a sustainable development perspective: urban environment and cities growth management. Recovering, conservation and valorisation of Cultural Heritage - in particular built CH - are part of a transition management process for the urban environment towards more sustainable cities. Being a shared, non-replaceable, unique resource and a common good confronted with important environmental challenges and possible under-funding, looking after CH to avoid neglect and possible decay is a common responsibility. The management of cultural heritage requires continuous conservation and restoration work, involving diverse professionals mainly in technical and scientific activities. A sustainable approach to the processes of Cultural Heritage restoration and conservation involves the selection of safe materials and methods both in terms of human and environmental health but also a quantification of the benefits deriving from the conservation process. It is therefore necessary to create comprehensive models for Cultural Heritage management in order to fulfil environmental, economic and social sustainability criteria. This study aims to apply the concept of Life Cycle Sustainability Assessment and Management to Cultural Heritage restoration and conservation. Pereira Roders and van Oers (2011) pointed out that Cultural Heritage Management is a relatively young field of research can be considered as being at an earlier stage of development than other related studies, such as the architectural conservation field (Van Oers and Pereira Roders, 2012). If LCA has been extensively applied in the building sector for assessing the environmental performance and impact of construction materials and products throughout the entire life cycle of a construction (Ortiz-Rodrıguez et al., 2010; Sharma et al., 2011), the use of LCA is practically unknown in the field of cultural heritage (Settembre Blundo et al., 2014). Applying the LCSA approach to tangible Cultural Heritage Management allows creating a decision-making instrument tailor made for built CH, in order to implement the recent design process for restoration, providing quantitative outputs as well. On the one side, the LCSA approach ensures to maintain interdisciplinarity, a mandatory requirement for CH related investigations. On the other side, it fulfils the need for one single deliverable unit decipherable by all the parties involved and by non-expert decision makers.
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Kwok, Suk-yee Eva. "The last village cultural memories of the tangible and intangible heritage of Pokfulam Village on Hong Kong Island /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B4218907X.
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CONTE, ALESSANDRA. "Valuing the Mediterranean Diet from Intangible Cultural Heritage of Humanity to tangible resource of the te territory: a Contingent Valuation study." Doctoral thesis, Università di Foggia, 2017. http://hdl.handle.net/11369/361809.
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This thesis engages with the problem of valuing the Intangible Cultural Heritage (ICH) of the Mediterranean Diet (MD), into the overall context of its progressive erosion due to general decline in adherence to the Mediterranean dietary pattern by Mediterranean people, especially young generations. This work is also engaged with the problem of what it may be done to preserve, safeguard and revitalize the ICH of the MD. In this context, with the double specific objective to calculate economic value of the Mediterranean Diet - Intangible Cultural Heritage and to define the specific determinants of respondents WTP for MD heritage and, consequently, for preserving it, a contingent valuation (CV) survey was conducted between July and October 2016, using nationwide internet-based interviews on a sample of 897 Italian respondents. To this scope, ICH of MD was declined in a prototypical project, which factoring the most affective elements of the intangible cultural heritage of the Mediterranean diet into a tangible product related with cultural as well as tourism sector: the “Mediterranean Diet District”. It was designed to let people, physically and actively, “experience” the ICH of the MD, making explicit and tangible its use value.
The results of this study provide quantitative information and important insights for both policymaking and research.
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Kwan, Wing-yin Natalie, and 關穎妍. "Little Thailand in Hong Kong: understanding the Thai community of Kowloon City and its tangible and intangiblecultural heritage." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50716037.
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Ethnic minorities in Hong Kong are usually ignored. However, their participation and contribution in the Hong Kong history are not negligible. There are a group of Thai settled in Kowloon City for decades. And because of their existence, Kowloon City is known as the “Little Thailand” in Hong Kong. By understanding this group of people through their history and development, one can recognize that they are very special to Hong Kong. With the removal of the Kai Tak International Airport, Kowloon City is now under re-development pressure. The Thai, which has been settling in the area since 1970s, may face the risk of losing their living places. It can be seen that some Thai stores and restaurants have already been closed or moved to other areas due to the increasing shop rents over these few years. It is crucial to record their significances in Kowloon City before this unique culture vanishes.
Kowloon City is an area with a very characteristic historical background and setting. The area is famous of its dense streets forming a fish-bone shape, with Nga Tsin Wai Road as the main street which connects all other streets together. Kowloon City is a place for different styles of food. There are oven 200 restaurants which many of them are in Thai style. As a result, Kowloon City is also called “Little Thailand”. Thai is one of the ethnic minority groups in Hong Kong. The 2011 Hong Kong by-census report showed that about 14,000 Thais living in Hong Kong, making up around 2.9% of the total non-Chinese population, and about 0.2% of the total Hong Kong population. Most of them live on the Kowloon side, with the majority in Kowloon City and Kwun Tong1.Many Thais live and own restaurants and stores in Kowloon City.
Due to the Kai Tak Airport nearby, the height of buildings in Kowloon City is limited. With the demolishment of Kai Tak Airport, the area is under re-development pressure. Developers start to purchase old buildings for high rise modern buildings and the rents of shops significantly increase over these years. The Thais who used to base around the area are under threat of moving to other areas, and the characteristic of “Little Thailand” may start to vanish. The objective of this dissertation is to understand the Thai community in Kowloon City, document their activities, identify their character-defining elements and values and study their potential challenges. The study area is focused on South Wall Road, which has a high density for Thai-related businesses and activities.
This dissertation aims to study the tangible and intangible character-defining cultural heritage elements of the Thai community at Kowloon City. To achieve this research goal, it is essential to understand the place and the community’s origins, history and culture.
However, given the limited time, it is not possible to carry out a comprehensive research of the Thai community in the entire Kowloon City. Instead, the research must limit its scope by focusing on a small but representative study area within Kowloon City. The purpose of this is more about demonstrating the research process through a smaller study area so as to set a “template” for future research that extends to other study areas at Kowloon City.
This dissertation adopts the research methodology of cultural mapping for documenting the tangible and intangible assets of the area in order to better understand the place and its culture, and focuses on the area with more Thai-related activities in Kowloon City. South Wall Road, which is chosen as the study area, is one of the major streets for Thai activities including shops and restaurants, and festivals. By conducting field studies and interviews, the lives of the Thai and their unique cultures can be recorded and understood.
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Conservation
Master
Master of Science in Conservation
Books on the topic "Tangible cultural heritage"
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Jornadas Nacionales Año de las Naciones Unidas del Patrimonio Cultural (2002 Buenos Aires, Argentina). Patrimonio cultural tangible e intangible. [Argentina]: Patrimonio Mundial, 2002.
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Dragana, Radojičić, ed. Making the intangible tangible: The new interface of cultural heritage. Beograd: Institute of Etnography SASA, 2009.
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Górny, Witold, Adam Kozień, and Mazur Anna. Protection of tangible and intangible cultural heritage: Contemporary development directions. Kraków: AT Wydawnictwo, 2020.
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India) "Adivasi Culture in Central India: Continuity and Change" (Seminar) (2017 Amarkantak. Tangible and intangible traditional heritage of tribal culture. Edited by Kumar Narsingh editor and Indira Gandhi National Tribal University. Faculty of Tribal Studies. New Delhi: SSDN Publishers & Distributors, 2018.
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Hermon, Sorin. Digital applications for tangible cultural heritage : a proposal : report on the academic curriculum for digital approaches to cultural heritage: [EPOCH survey]. Budapest: Archaeolingua, 2007.
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Fu hao Zhongguo: Wen hua yi chan juan : (wu zhi) = Symbols of China : tangible cultural heritage. Nanjing: Yi lin chu ban she, 2008.
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Niccolucci, Franco, Guntram Geser, and Teresa Varricchio. Digital application for tangible cultural heritage: Report on the State of the Union policies, practices and developments in Europe. Budapest: Archeolingua, 2006.
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Portugal) International Conference on the values of tangible heritage (2017 Lisbon. Intangibility matters: International Conference on the values of tangible heritage : IMaTTe 2017 : proceedings : Lisbon, LNEC : May 29-30, 2017. Edited by Menezes Marluci 1964 editor, Rodrigues Costa Dória editor, and Rodrigues, J. Delgado (José Delgado), editor. Lisboa: LNEC, 2017.
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Farina, Annick, and Fernando Funari, eds. Il passato nel presente: la lingua dei beni culturali. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-250-8.
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As a sign, tangible heritage is the most visible trace of the past in our daily life. In constant dialectic with the intangible heritage, it constitutes a physical presence that forces us to take concrete awareness. Knowledge of texts and stories, which for Vitruvius is the high road for the design and construction of a building, is also fundamental in the processes of deconstruction, according to the various stages and different perceptions, through ages and customs, up to retrace the process that transformed it into 'heritage'. The lexicon and the terminology of cultural heritage are in this sense the most important vector of knowledge, enhancement and dissemination. The volume seeks to bring together those who study the language of heritage, from different countries and through different methodologies, and those involved in its management, in order to offer points of view and ideas on the narration and perception of tangible and intangible heritage, in mediation across eras, cultures and identities.
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Paloscia, Raffaele, Simone Spellucci, and Luca Spitoni. La Habana del Este. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-503-5.
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The Atlas of Territorial Heritage in the Municipality of East Havana is a useful tool in order to reach a complete knowledge of an extended Cuban municipality belonging to Havana, Cuba. At the same time the atlas is useful to generate analytical bases for future urban planning interventions and transformations, which can be focused on the idea of territorial heritage as an essential resource for a self-sustaining development. The main objective is to explain the tangible and intangible components of the heritage and try to stimulate and strengthen the community’s awareness on the richness of territory and its potential. Thus communities can express themselves in the adaptation to environmental, climatic, demographic and economic changes. The Atlas was developed by an Italian/Cuban team of experts in different phases and has been updated recently. It contains the results of a deep and accurate analysis and cataloging, made up of a large number of data concerning the various areas of research. The data were organized in typologies and punctually located in maps. The multifaceted and dense richness of Cuban culture finds in this volume a confirmation, and makes possible to put into practice cognitive tools for safeguarding and valorization, a strong point for new challenges of contemporaneity.
Book chapters on the topic "Tangible cultural heritage"
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du Cros, Hilary, and Bob McKercher. "Tangible cultural heritage." In Cultural Tourism, 87–102. Third edition. | Abingdon, Oxon ; New York, NY : Routledge, 2020. |: Routledge, 2020. http://dx.doi.org/10.4324/9780429277498-7.
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Pavlidis, George, and Anestis Koutsoudis. "3D Digitization of Tangible Heritage." In Handbook of Cultural Heritage Analysis, 1363–404. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-60016-7_47.
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Matečić, Ingeborg, and Oliver Kesar. "Conceptualising the Relationship Between Tangible Cultural Heritage and the Tourism Market." In Cultural Urban Heritage, 45–56. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10612-6_4.
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Dimitropoulos, Anastasios, Konstantinos Dimitropoulos, Angeliki Kyriakou, Maximos Malevitis, Stelios Syrris, Stella Vaka, Panayiotis Koutsabasis, Spyros Vosinakis, and Modestos Stavrakis. "The Loom: Interactive Weaving Through a Tangible Installation with Digital Feedback." In Digital Cultural Heritage, 199–210. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75826-8_17.
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Cesaria, Ferdinando, Anna Marina Cucinelli, Giuseppe De Prezzo, and Italo Spada. "Gamification in Cultural Heritage: A Tangible User Interface Game for Learning About Local Heritage." In Digital Cultural Heritage, 411–22. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15200-0_28.
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Kuo, Chiao-Ling, Ying-Mei Cheng, Yi-Chou Lu, Yu-Chieh Lin, Wun-Bin Yang, and Ya-Ning Yen. "A Framework for Semantic Interoperability in 3D Tangible Cultural Heritage in Taiwan." In Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection, 21–29. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01765-1_3.
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Schou, Mette Muxoll, and Anders Sundnes Løvlie. "The Diary of Niels: Affective Engagement Through Tangible Interaction with Museum Artifacts." In Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection, 289–99. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73043-7_24.
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Chandru, Uma V., Namitha A. Kumar, C. S. Vijayashree, and Vijay Chandru. "Digitizing Hampi and Lepakshi Temple Ceiling Murals: Towards Universal Access and Tangible Virtuality." In Digital Hampi: Preserving Indian Cultural Heritage, 189–203. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5738-0_12.
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Khong, Chee Weng, and Muhammad Asyraf Mhd Pauzi. "The User Experience of 3D Scanning Tangible Cultural Heritage Artifacts." In Human Systems Engineering and Design, 141–47. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-02053-8_23.
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Doulamis, Nikolaos, Anastasios Doulamis, Charalabos Ioannidis, Michael Klein, and Marinos Ioannides. "Modelling of Static and Moving Objects: Digitizing Tangible and Intangible Cultural Heritage." In Mixed Reality and Gamification for Cultural Heritage, 567–89. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-49607-8_23.
Full textConference papers on the topic "Tangible cultural heritage"
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Pritchard, Douglas, Thomas Rigauts, Francesco Ripanti, Marinos Ioannides, Raffaella Brumana, Robert Davies, Eleanna Avouri, et al. "STUDY ON QUALITY IN 3D DIGITISATION OF TANGIBLE CULTURAL HERITAGE." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia: Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12113.
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Following the action plan implementation of the Virtual Multimodal Museum (ViMM) project, which finished in March 2019, the European Commission issued a Declaration on Cooperation on Advancing Digitisation of Cultural Heritage during the Digital Day in April 2019. One year later, in April 2020, the European Commission (EC) launched a call for tenders to develop a Study on quality in 3D digitisation of tangible cultural heritage (the Study), thus responding to the increasing demand for internationally recognised standards for the holistic 3D documentation of Europe’s rich cultural heritage (CH). To address this lack of standards, the Study aims to map parameters, formats, standards, benchmarks, methodologies and guidelines, relating to 3D digitisation of tangible cultural heritage, to the different potential purposes or uses, by type of tangible cultural heritage, and by degree of complexity of tangible cultural heritage. A team of researchers at the Cyprus University of Technology (CUT) is leading a consortium of partners from industry and academia across Europe to conduct this unique Study. This work in progress paper introduces the objectives and methodology of the Study, as well as presenting some of its first results.
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Nalad, Chaowalit, Thatsanee Charoenporn, and Nattapong Tongtep. "The monitoring management system for tangible cultural heritage surveillance." In 2015 2nd International Conference on Advanced Informatics: Concepts, Theory and Applications (ICAICTA). IEEE, 2015. http://dx.doi.org/10.1109/icaicta.2015.7335380.
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Wu, Qunyong, Jianqiang Li, and Mei Sun. "Multi-site Hakka tangible cultural heritage data collaborative service system." In 2016 5th International Conference on Agro-geoinformatics (Agro-geoinformatics). IEEE, 2016. http://dx.doi.org/10.1109/agro-geoinformatics.2016.7577605.
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Chrysanthi, Angeliki, Constantinos H. Papadopoulos, and Tom Frankland. "Evaluating ‘Tangible Pasts’: A Mixed Reality Application for Cultural Heritage." In Electronic Visualisation and the Arts (EVA 2011). BCS Learning & Development, 2011. http://dx.doi.org/10.14236/ewic/eva2011.60.
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Muntean, Reese, Kate Hennessy, Alissa N. Antle, Susan Rowley, Jordan L. Wilson, Brendan Matkin, Rachael Eckersley, Perry P. Tan, and Ron Wakkary. "ʔeləw’k’ w – Belongings: A Tangible Interface for Intangible Cultural Heritage." In Electronic Visualisation and the Arts (EVA 2015). BCS Learning & Development, 2015. http://dx.doi.org/10.14236/ewic/eva2015.41.
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Chu, Jean Ho. "Design Space for Tangible and Embodied Interaction with Cultural Heritage." In DIS '16: Designing Interactive Systems Conference 2016. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2908805.2909420.
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Nathan, Anitha. "Designing a tangible augmented reality experience for cultural heritage research." In DRS2022: Bilbao. Design Research Society, 2022. http://dx.doi.org/10.21606/drs.2022.699.
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Banaru, Svetlana, Aurelia Litvin, and Alexandru Nistiriuc. "Revitalization of tangible and intangible cultural heritage elements – bridge between generations." In 4th Economic International Conference "Competitiveness and Sustainable Development". Technical University of Moldova, 2022. http://dx.doi.org/10.52326/csd2022.11.
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The revitalization of heritage elements is possible thanks to the focus of communication efforts with visitors of the third age, with folk craftsmen and authors of many works of folk art that already have a history. The choice of means of communication is mostly made by choosing from the categories of the target audience, organizing different creative workshops; sessions in which to research theoretically but also practically some techniques for making valuable works; traditional native song and dance activities; traditional holidays in which to promote the folk wear, the clothing of the inhabitants both related to hand weaving, factory, as well as sewing, embroidery, braiding, etc.; worship customs and related to calendar holidays that have many scenarios that include elements of both material and immaterial goods.
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Cardoso, Jorge C. S. "Accessible Tangible User Interfaces in eXtended Reality Experiences for Cultural Heritage." In 2021 IEEE International Symposium on Mixed and Augmented Reality Adjunct (ISMAR-Adjunct). IEEE, 2021. http://dx.doi.org/10.1109/ismar-adjunct54149.2021.00015.
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Pereda, Javier. "A TUI to Explore Cultural Heritage Repositories on the Web." In TEI '19: Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3294109.3301000.
Full textReports on the topic "Tangible cultural heritage"
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Kelly, Luke. Lessons Learned on Cultural Heritage Protection in Conflict and Protracted Crisis. Institute of Development Studies (IDS), April 2021. http://dx.doi.org/10.19088/k4d.2021.068.
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This rapid review examines evidence on the lessons learned from initiatives aimed at embedding better understanding of cultural heritage protection within international monitoring, reporting and response efforts in conflict and protracted crisis. The report uses the terms cultural property and cultural heritage interchangeably. Since the signing of the Hague Treaty in 1954, there has bee a shift from 'cultural property' to 'cultural heritage'. Culture is seen less as 'property' and more in terms of 'ways of life'. However, in much of the literature and for the purposes of this review, cultural property and cultural heritage are used interchangeably. Tangible and intangible cultural heritage incorporates many things, from buildings of globally recognised aesthetic and historic value to places or practices important to a particular community or group. Heritage protection can be supported through a number of frameworks international humanitarian law, human rights law, and peacebuilding, in addition to being supported through networks of the cultural and heritage professions. The report briefly outlines some of the main international legal instruments and approaches involved in cultural heritage protection in section 2. Cultural heritage protection is carried out by national cultural heritage professionals, international bodies and non-governmental organisations (NGOs) as well as citizens. States and intergovernmental organisations may support cultural heritage protection, either bilaterally or by supporting international organisations. The armed forces may also include the protection of cultural heritage in some operations in line with their obligations under international law. In the third section, this report outlines broad lessons on the institutional capacity and politics underpinning cultural protection work (e.g. the strength of legal protections; institutional mandates; production and deployment of knowledge; networks of interested parties); the different approaches were taken; the efficacy of different approaches; and the interface between international and local approaches to heritage protection.
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Torres-Mancera, Rocio, Carlos de las Heras-Pedrosa, Carmen Jambrino-Maldonado, and Patricia P. Iglesias-Sanchez. Public Relations and the Fundraising professional in the Cultural Heritage Industry: a study of Spain and Mexico / Las relaciones públicas y el profesional de la captación de fondos en la industria del patrimonio cultural: un estudio de España y México. Revista Internacional de Relaciones Públicas, June 2021. http://dx.doi.org/10.5783/rirp-21-2021-03-27-48.
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The present research aims to understand the current situation of strategic communication and public relations applied in the professional field of fundraising in the cultural heritage environment. It observes the current patterns used in the sector to obtain and generate long-term sustainable funding, through the stimulation of investors and International Cooperation projects from the European Union in line with UNESCO. Two international case studies are compared: Spain and Mexico, through the selection of territorial samples in Malaga and San Luis Potosi. The methodology used is based on a combination of in-depth interviews with key informants and content analysis. In the first instance, the degree of application of communication and public relations tools for strategic purposes to directly attract economic resources to the management of cultural heritage (tangible and intangible) in the region is studied. In line with the results obtained, the current parameters and key indicators of the profile of the fundraising professional in public and private cultural management are presented.