Academic literature on the topic 'Tangible cultural heritage'

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Journal articles on the topic "Tangible cultural heritage"

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Noviandri, Patricia Pahlevi, Michael I. Djimantoro, Eggi Septianto, and Widjaja Martokusumo. "Cultural soundscape as intangible or tangible cultural heritage." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 268, no. 5 (2023): 3232–43. http://dx.doi.org/10.3397/in_2023_0464.

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Soundscape is a collection of sounds that individuals feel and understand in the context of a built environment. The soundscape is often associated with audial comfort in urban spaces. Nevertheless, soundscape investigation in historical areas requires different parameters. Sound is comprehended not only from the sound object and the sound wave per se but also from its meaning and identity representation of the cultural heritage area. Therefore, this paper examines soundscape studies in historic areas to explain cultural soundscapes as tangible or intangible cultural heritage. The author inter
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Slunjski, Robert. "Tourism valorisation of immovable tangible cultural heritage in Međimurje." Hrvatski geografski glasnik/Croatian Geographical Bulletin 80, no. 2 (2018): 111–37. http://dx.doi.org/10.21861/hgg.2018.80.02.05.

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Howard, Keith. "Musical instruments as tangible cultural heritage and as/for intangible cultural heritage." International Journal of Cultural Property 29, no. 1 (2022): 23–44. http://dx.doi.org/10.1017/s0940739121000436.

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AbstractMusical instruments are central components of both the tangible and intangible heritage. However, discourse about music as intangible cultural heritage frequently overlooks the importance of instruments in conserving traditions inherited from the past and making live performance possible in the present, while curating instruments as tangible heritage often neglects their function for making music. This article explores two interrelated research questions about musical instruments as heritage. First, should instrument-crafting skills inherited from the past be sustained today, and, wher
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Mastandrea Bonaviri, Gianluigi. "Cinema as (Tangible and Intangible) Cultural Heritage." McGill GLSA Research Series 2, no. 1 (2022): 19. http://dx.doi.org/10.26443/glsars.v2i1.200.

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This research paper will put forward innovative solutions to strengthen the protection of cinema during armed conflicts, in particular by contending that cinema could be qualified as cultural heritage, thereby falling under the protection of the relevant international Conventions. A special testimony made by artist Sergio Iovino will be first proposed, with a view to highlighting the importance to safeguard cinema and – broadly speaking – every kind of art in wartime. Moving from the current armed conflict in Ukraine, the paper will underline the need for a reassessment of the relevant interna
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Amali, Lanto Ningrayati, Muhammad Rifai Katili, and Wandi Ismail. "Preservation of intangible and tangible cultural heritage using digital technology." Indonesian Journal of Electrical Engineering and Computer Science 28, no. 2 (2022): 980–86. https://doi.org/10.11591/ijeecs.v28.i2.pp980-986.

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There is presently a shortage of preservation of intangible cultural heritage and places for distributing tangible cultural heritage artifacts, regardless of their high value and usability for a nation. Despite efforts to protect cultural heritage, such as mapping and designing information systems to ensure the authenticity of information circulating in the community about intangible traditions and tangible sites obtained from different sources, many historical information places have been converted into new beliefs and buildings. Therefore, this research aims to provide information to promote
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Caron, Guillaume, Olga Regina Pereira Bellon, and Ilan Shimshoni. "Computer Vision and Robotics for Cultural Heritage: Theory and Applications." Journal of Imaging 9, no. 1 (2022): 9. http://dx.doi.org/10.3390/jimaging9010009.

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Computer vision and robotics are more and more involved in cultural heritage. From the data acquisition to heritage interpretation, the various tasks of the latter wide spectrum must face specificities of tangible and intangible heritages. [...]
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Kobzieva, Olena. "Preserving cultural identities." Critical Survey 36, no. 4 (2024): 1–5. https://doi.org/10.3167/cs.2024.360401.

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Cultural identities shape our collective memories, values and ways of life. In a globalised world, the preservation of these identities has become more crucial than ever before. Tangible heritage includes physical artefacts (buildings, monuments, artworks); intangible heritage covers traditions, performing arts, social practices, rituals. Both forms of heritage serve as bridges between past and present and shape the future of communities and nations. In recent decades, the importance of preserving cultural identities has gained increasing recognition on the global stage. UNESCO's Convention fo
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Eppich, Rand, and José Luis García Grinda. "Sustainable financial management of tangible cultural heritage sites." Journal of Cultural Heritage Management and Sustainable Development 9, no. 3 (2019): 282–99. http://dx.doi.org/10.1108/jchmsd-11-2018-0081.

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PurposeThere are many threats to cultural heritage including armed conflict and natural disasters such as earthquakes, fire and flooding. It is understandable that these dramatic events frequently capture the world’s attention. However, a far more considerable danger is inadequate management a lack of financial resources to conduct continuous conservation and maintenance. The purpose of this paper is to gain an understanding of the current state of financial sustainability at a limited selection set of tangible immovable cultural heritage sites and investigate why this critical aspect is defic
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Ningrayati Amali, Lanto, Muhammad Rifai Katili, and Wandi Ismail. "Preservation of intangible and tangible cultural heritage using digital technology." Indonesian Journal of Electrical Engineering and Computer Science 28, no. 2 (2022): 980. http://dx.doi.org/10.11591/ijeecs.v28.i2.pp980-986.

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There is presently a shortage of preservation of intangible cultural heritage and places for distributing tangible cultural heritage artifacts, regardless of their high value and usability for a nation. Despite efforts to protect cultural heritage, such as mapping and designing information systems to ensure the authenticity of information circulating in the community about intangible traditions and tangible sites obtained from different sources, many historical information places have been converted into new beliefs and buildings. Therefore, this research aims to provide information to promote
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Pikov, N. O. "REPRESENTATION OF CULTURAL HERITAGE: MODERN APPROACHES." Northern Archives and Expeditions 6, no. 1 (2022): 174–86. http://dx.doi.org/10.31806/2542-1158-2022-6-1-174-186.

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Based on extensive research material, the article reveals topical issues, modern approaches to the concept of cultural heritage representation. The ways of managing cultural heritage are considered, since the representation of cultural heritage, the choice of ways of this representation are part of the management of cultural heritage. In the modern era, one of the first places is the use of digital technologies for the representation of cultural heritage. And here a number of problems arise, including those of a legal and even political nature. For example, post-colonial discourse addresses th
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Dissertations / Theses on the topic "Tangible cultural heritage"

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Kok, Chui-wah Ranee, and 郭翠華. "Qipao: living and evolving tangible and intangible cultural heritage." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48345052.

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“Clothing always shows people’s personality.” said William Shakespeare. “Even we bow our heads with silence, our clothing and bearing will still reveal our past experiences.” As for a Chinese woman, Qipao reminds and even reveals her own background and roots. Qiapo is so widely recognized that people from different countries relate it to China once they see it. Such a Chinese female identity has been built for decades. Qipao has been seen as the National Costume throughout the 20th Century until nowadays. It expressed the patriotic purposes in the sense of Chinese and the rest of the worl
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Pereda, Javier. "Online Cultural Heritage : facilitating complex query making through Tangible User Interfaces." Thesis, University of Southampton, 2016. https://eprints.soton.ac.uk/420887/.

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This thesis presents a novel approach to reduce the complexity and overload of information in Cultural Heritage (CH) on the Web through the use of a Tangible User Interface (TUI). It discusses how the Web and its technologies such as the Semantic Web have changed the interoperability and reach that knowledge, data and information can have. These technologies have allowed to link knowledge across CH organisations and helped to reduce uncertainty about the information used to create it. Nevertheless, it is cumbersome for a vast majority of online users to find relevant content, due to the overlo
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McSharry, Carolyn Heather. "Conserving tangible and intangible cultural heritage : cleaning degraded East Asian lacquer." Thesis, Imperial College London, 2009. http://hdl.handle.net/10044/1/5528.

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East Asian lacquer (urushi) is a natural, thermosetting polymer, characterised by its durability and gloss. Prolonged exposure to light, however, causes photodegradation, which initiates microcracking in the surface layers. Accumulation of dirt, grease, or non-original materials, such as varnishes applied during attempted restoration, contributes to deterioration of the lacquer’s appearance through discolouration. This build up must be removed in order to conserve affected pieces, and the potential use of solvents to achieve this aim is investigated here. This work presents a review of the che
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Hoeane, Mabafokeng. "The Spiritual Significance and Conservation of Dinkho tsa Badimo at the Ditsong National Museum of Cultural History." Diss., University of Pretoria, 2020. http://hdl.handle.net/2263/78164.

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There is a lot of published literature in the disciplines of Archaeology and Anthropology on ceramics that amongst others focus on their typologies, dating sequences, manufacture and trade with reference to groups of people that inhabit the Southern African region. Additionally, several studies have focussed on the use of ceramic objects including figurines in ritual practices of these societies. However, the emphasis has been differential and skewed as it has largely been focussed on certain cultures such as that of the Zulu group or linked to archaeological sites, to the exclusion of other g
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Duranti, Daniele. "Tangible Interaction in Museums and Cultural Heritage Sites: Towards a Conceptual and Design Framework." Thesis, IMT Alti Studi Lucca, 2017. http://e-theses.imtlucca.it/232/1/Duranti_phdthesis.pdf.

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Drawing on a design perspective, the research explores the application of tangible interaction in museums and cultural heritage sites. Tangible interaction is today a quite consolidated research area inside HCI (Human-Computer Interaction) and Interaction Design. It refers to a new way of interacting with computer systems that is more similar to the way one commonly interacts with the real world: instead of using generic devices like the mouse or the keyboard, one interacts using specific objects or the body. In this way, tangible interaction is able to bridge the gap between the world
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Gagliani, Gabriele. "International Investment Law and the Tangible and Intangible Aspects of Cultural Heritage : Substantive Discipline and Dispute Settlement Interactions." Thesis, Université Paris-Saclay (ComUE), 2017. http://www.theses.fr/2017SACLN012.

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La relation entre droit international des investissements et patrimoine culturel a fait l’objet de rares études et réflexions, et ce uniquement de manière récente. D’une part, le droit international des investissements a connu une croissance et un développement considérables uniquement dans les dernières trois décennies. D’autre part, comme certains auteurs l’ont souligné, le patrimoine culturel a un statut quelque peu ‘incertain’ en droit international. À la lumière des rares études sur ce sujet, qui généralement mettent en évidence les rapports conflictuels et ambigus entre droit internation
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郭淑儀 and Suk-yee Eva Kwok. "The last village: cultural memories of the tangible and intangible heritage of Pokfulam Village on Hong KongIsland." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B4218907X.

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TOMASETTA, CAMILLA. "THE LIFE CYCLE SUSTAINABILITY ASSESSMENT APPROACH APPLIED TO TANGIBLE CULTURAL HERITAGE CONSERVATION - Developing a support instrument for Cultural Heritage Management within a Circular Economy and Life Cycle Thinking perspective." Doctoral thesis, Università degli studi di Pavia, 2017. http://hdl.handle.net/11571/1223921.

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Life Cycle Thinking (LCT) and the Circular Economy (CE) concept might delineate a convergence point between growth and sustainability, in a general context as well as in an urban environment. The CE paradigm, indeed, introduces a new perspective to look at the industrial ecosystem, where the economic growth is decoupled from resource consumption and pollutant emissions as end-of-life materials and products are conceived as resources rather than waste (Sauvé et al., 2015). LCT introduces a holistic viewpoint, which considers all the lifecycle aspects of a product system or a service, from the e
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Kwok, Suk-yee Eva. "The last village cultural memories of the tangible and intangible heritage of Pokfulam Village on Hong Kong Island /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B4218907X.

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CONTE, ALESSANDRA. "Valuing the Mediterranean Diet from Intangible Cultural Heritage of Humanity to tangible resource of the te territory: a Contingent Valuation study." Doctoral thesis, Università di Foggia, 2017. http://hdl.handle.net/11369/361809.

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This thesis engages with the problem of valuing the Intangible Cultural Heritage (ICH) of the Mediterranean Diet (MD), into the overall context of its progressive erosion due to general decline in adherence to the Mediterranean dietary pattern by Mediterranean people, especially young generations. This work is also engaged with the problem of what it may be done to preserve, safeguard and revitalize the ICH of the MD. In this context, with the double specific objective to calculate economic value of the Mediterranean Diet - Intangible Cultural Heritage and to define the specific determinants o
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Books on the topic "Tangible cultural heritage"

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Jornadas Nacionales Año de las Naciones Unidas del Patrimonio Cultural (2002 Buenos Aires, Argentina). Patrimonio cultural tangible e intangible. Patrimonio Mundial, 2002.

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Makhloufi, Lilia. Tangible and intangible heritage in the age of globalisation. Open Book Publishers, 2024.

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India) "Adivasi Culture in Central India: Continuity and Change" (Seminar) (2017 Amarkantak. Tangible and intangible traditional heritage of tribal culture. Edited by Kumar Narsingh editor and Indira Gandhi National Tribal University. Faculty of Tribal Studies. SSDN Publishers & Distributors, 2018.

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Górny, Witold, Adam Kozień, and Mazur Anna. Protection of tangible and intangible cultural heritage: Contemporary development directions. AT Wydawnictwo, 2020.

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Dragana, Radojičić, ed. Making the intangible tangible: The new interface of cultural heritage. Institute of Etnography SASA, 2009.

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Rudolff, Britta. Intangible and tangible heritage: A topology of culture in contexts of faith. Scientia Bonnensis, 2010.

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Hermon, Sorin. Digital applications for tangible cultural heritage : a proposal : report on the academic curriculum for digital approaches to cultural heritage: [EPOCH survey]. Archaeolingua, 2007.

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Niccolucci, Franco, Guntram Geser, and Teresa Varricchio. Digital application for tangible cultural heritage: Report on the State of the Union policies, practices and developments in Europe. Archeolingua, 2006.

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Portugal) International Conference on the values of tangible heritage (2017 Lisbon. Intangibility matters: International Conference on the values of tangible heritage : IMaTTe 2017 : proceedings : Lisbon, LNEC : May 29-30, 2017. Edited by Menezes Marluci 1964 editor, Rodrigues Costa Dória editor, and Rodrigues, J. Delgado (José Delgado), editor. LNEC, 2017.

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Farina, Annick, and Fernando Funari, eds. Il passato nel presente: la lingua dei beni culturali. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-250-8.

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As a sign, tangible heritage is the most visible trace of the past in our daily life. In constant dialectic with the intangible heritage, it constitutes a physical presence that forces us to take concrete awareness. Knowledge of texts and stories, which for Vitruvius is the high road for the design and construction of a building, is also fundamental in the processes of deconstruction, according to the various stages and different perceptions, through ages and customs, up to retrace the process that transformed it into 'heritage'. The lexicon and the terminology of cultural heritage are in this
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Book chapters on the topic "Tangible cultural heritage"

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du Cros, Hilary, and Bob McKercher. "Tangible cultural heritage." In Cultural Tourism. Routledge, 2020. http://dx.doi.org/10.4324/9780429277498-7.

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Pavlidis, George, and Anestis Koutsoudis. "3D Digitization of Tangible Heritage." In Handbook of Cultural Heritage Analysis. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-60016-7_47.

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Jimura, Takamitsu. "Sustainability of Japan’s Tangible Cultural Heritage." In Sustainability Management in Heritage and Tourism. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-40269-2_2.

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Matečić, Ingeborg, and Oliver Kesar. "Conceptualising the Relationship Between Tangible Cultural Heritage and the Tourism Market." In Cultural Urban Heritage. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10612-6_4.

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Dimitropoulos, Anastasios, Konstantinos Dimitropoulos, Angeliki Kyriakou, et al. "The Loom: Interactive Weaving Through a Tangible Installation with Digital Feedback." In Digital Cultural Heritage. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75826-8_17.

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Muhesen, Nibal. "5. Syrian Intangible Cultural Heritage." In Tangible and Intangible Heritage in the Age of Globalisation. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0388.05.

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Nibal Muhesen focuses on the case of intangible cultural heritage in Syria, which has suffered considerable destruction due to the conflicts of recent years. He underlines the importance of reviving all forms of local crafts, oral traditions, arts performance and old Souqs, with the objective of protecting the collective memory of communities and their cultural identities. He also suggests strategies for the protection of intangible cultural heritage, identifies challenges to its survival and emphasises the need for effective reconstruction efforts for all components of Syrian heritage.
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Cesaria, Ferdinando, Anna Marina Cucinelli, Giuseppe De Prezzo, and Italo Spada. "Gamification in Cultural Heritage: A Tangible User Interface Game for Learning About Local Heritage." In Digital Cultural Heritage. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15200-0_28.

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Omolewa, Michael, Emmanuel Orihentare Eregare, and Rose Eyefujinrin Ebohon. "Africa’s Response to Intangible Cultural Heritage Convention." In Heritage Studies. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-72123-6_7.

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AbstractIntangible culture is at the very heart of development in Africa. Greetings and salutations are therapeutic, as considerable energy is invested into greetings and questions about an individual’s welfare. Dress carries a message from the person wearing it, as it demonstrates the state of the mind of the person. Music features prominently at every stage of the life of the individual: there is music when a woman conceives, music at the birth of a child, music at wedding and music at death and funeral celebrations. The Convention for the Safeguarding of the Intangible Cultural Heritage was
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Su, Yi, Ziqi Zhou, Liang Zhao, and Yujue Wang. "China's exploration and experience in digital twinning of tangible cultural heritage." In Intelligent Computing for Cultural Heritage. Routledge, 2024. http://dx.doi.org/10.4324/9781032707211-11.

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Lüdtke, Hartwig. "Museums as Facilitators in the Safeguarding of Intangible Cultural Heritage." In Heritage Studies. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-72123-6_24.

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AbstractThe museum is the ideal partner institution for safeguarding intangible cultural heritage (ICH). It preserves, presents, and explains the relevant tools and equipment, as well as the respective items produced. At the same time, the museum can also make past epochs tangible through demonstrations and participative events which “re-enact” intangible cultural heritage. The idea of re-enactment was already part of the philosophy behind the first open-air museums that opened around the turn of the twentieth century. The museum is thus primarily a place for analogue experiences, just as the
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Conference papers on the topic "Tangible cultural heritage"

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Widodo, Fasholi Abram, Addin Aditya, and Rahmat Kurniawan. "Enhancing Tangible Cultural Heritage Preservation through Virtual Reality: A Case Study of Watu Gong Sites in Indonesia." In 2024 11th International Conference on Electrical Engineering, Computer Science and Informatics (EECSI). IEEE, 2024. https://doi.org/10.1109/eecsi63442.2024.10776179.

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Bucciero, Alberto, Alessandra Chirivì, Chiara Florise Amadei, et al. "HerMeS: A New Approach to Enjoy Tangible and Intangible Point of Interests of Culture Heritage." In 2024 9th International Conference on Smart and Sustainable Technologies (SpliTech). IEEE, 2024. http://dx.doi.org/10.23919/splitech61897.2024.10612579.

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Vukovic, Dijana, Anica Hunjet, and Neven Mardetko. "DIGITIZATION OF THE SPATIAL UNIQUENESS OF CULTURAL RESOURCES IS A SOURCE OF COMPETITIVENESS IN THE GLOBAL TOURISM MARKET." In 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s13.107.

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One of the challenges of spatial approach to cultural dynamics is the understanding of spatial uniqueness among different elements, and finally the synergy between tangible and intangible cultural resources that makes tourist space unique. The association of cultural tangible and intangible heritage features includes associations to the physical elements of cultural heritage and their connection with the intangible through the experience, perception and interpretation of the cultural heritage of the visited destination. The experience of the destination, ie the cultural heritage of the visited
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Pritchard, Douglas, Thomas Rigauts, Francesco Ripanti, et al. "STUDY ON QUALITY IN 3D DIGITISATION OF TANGIBLE CULTURAL HERITAGE." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12113.

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Following the action plan implementation of the Virtual Multimodal Museum (ViMM) project, which finished in March 2019, the European Commission issued a Declaration on Cooperation on Advancing Digitisation of Cultural Heritage during the Digital Day in April 2019. One year later, in April 2020, the European Commission (EC) launched a call for tenders to develop a Study on quality in 3D digitisation of tangible cultural heritage (the Study), thus responding to the increasing demand for internationally recognised standards for the holistic 3D documentation of Europe’s rich cultural heritage (CH)
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Nalad, Chaowalit, Thatsanee Charoenporn, and Nattapong Tongtep. "The monitoring management system for tangible cultural heritage surveillance." In 2015 2nd International Conference on Advanced Informatics: Concepts, Theory and Applications (ICAICTA). IEEE, 2015. http://dx.doi.org/10.1109/icaicta.2015.7335380.

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Kavouras, Ioannis, Rallis Ioannis, Nikolaos Doulamis, and Anastasios Doulamis. "Dynamically tangible cultural heritage monitoring from web video sources." In PETRA '23: Proceedings of the 16th International Conference on PErvasive Technologies Related to Assistive Environments. ACM, 2023. http://dx.doi.org/10.1145/3594806.3596552.

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Wu, Qunyong, Jianqiang Li, and Mei Sun. "Multi-site Hakka tangible cultural heritage data collaborative service system." In 2016 5th International Conference on Agro-geoinformatics (Agro-geoinformatics). IEEE, 2016. http://dx.doi.org/10.1109/agro-geoinformatics.2016.7577605.

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Chrysanthi, Angeliki, Constantinos H. Papadopoulos, and Tom Frankland. "Evaluating ‘Tangible Pasts’: A Mixed Reality Application for Cultural Heritage." In Electronic Visualisation and the Arts (EVA 2011). BCS Learning & Development, 2011. http://dx.doi.org/10.14236/ewic/eva2011.60.

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Muntean, Reese, Kate Hennessy, Alissa N. Antle та ін. "ʔeləw’k’ w – Belongings: A Tangible Interface for Intangible Cultural Heritage". У Electronic Visualisation and the Arts (EVA 2015). BCS Learning & Development, 2015. http://dx.doi.org/10.14236/ewic/eva2015.41.

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Chu, Jean Ho. "Design Space for Tangible and Embodied Interaction with Cultural Heritage." In DIS '16: Designing Interactive Systems Conference 2016. ACM, 2016. http://dx.doi.org/10.1145/2908805.2909420.

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Reports on the topic "Tangible cultural heritage"

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Holly, Georgia, Jon Henderson, Arturo Rey da Silva, Annie Edwards, Hannah Cocks, and Athena Trakadas. Heritage in the UN Decade of Ocean Science for Sustainable Development (2021–2030) and Beyond. University of Edinburgh, 2025. https://doi.org/10.2218/ed.9781836451358.

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This Blue Paper makes the case for putting Ocean Heritage at the heart of ocean science and sustainable development. Often overlooked in ocean governance, Ocean Heritage—both tangible (like shipwrecks) and intangible (like traditional knowledge)—holds vital insights for shaping effective, inclusive, and climate-resilient marine policy. Produced by the Cultural Heritage Framework Programme (CHFP), the only Ocean Decade programme focused on heritage, the paper shows how cultural perspectives strengthen all 10 Ocean Decade Challenges. Drawing on over 20 global initiatives, it offers practical rec
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Kelly, Luke. Lessons Learned on Cultural Heritage Protection in Conflict and Protracted Crisis. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/k4d.2021.068.

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This rapid review examines evidence on the lessons learned from initiatives aimed at embedding better understanding of cultural heritage protection within international monitoring, reporting and response efforts in conflict and protracted crisis. The report uses the terms cultural property and cultural heritage interchangeably. Since the signing of the Hague Treaty in 1954, there has bee a shift from 'cultural property' to 'cultural heritage'. Culture is seen less as 'property' and more in terms of 'ways of life'. However, in much of the literature and for the purposes of this review, cultural
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Torres-Mancera, Rocio, Carlos de las Heras-Pedrosa, Carmen Jambrino-Maldonado, and Patricia P. Iglesias-Sanchez. Public Relations and the Fundraising professional in the Cultural Heritage Industry: a study of Spain and Mexico / Las relaciones públicas y el profesional de la captación de fondos en la industria del patrimonio cultural: un estudio de España y México. Revista Internacional de Relaciones Públicas, 2021. http://dx.doi.org/10.5783/rirp-21-2021-03-27-48.

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Abstract:
The present research aims to understand the current situation of strategic communication and public relations applied in the professional field of fundraising in the cultural heritage environment. It observes the current patterns used in the sector to obtain and generate long-term sustainable funding, through the stimulation of investors and International Cooperation projects from the European Union in line with UNESCO. Two international case studies are compared: Spain and Mexico, through the selection of territorial samples in Malaga and San Luis Potosi. The methodology used is based on a co
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