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Journal articles on the topic 'Tangible cultural heritage'

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1

Noviandri, Patricia Pahlevi, Michael I. Djimantoro, Eggi Septianto, and Widjaja Martokusumo. "Cultural soundscape as intangible or tangible cultural heritage." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 268, no. 5 (2023): 3232–43. http://dx.doi.org/10.3397/in_2023_0464.

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Soundscape is a collection of sounds that individuals feel and understand in the context of a built environment. The soundscape is often associated with audial comfort in urban spaces. Nevertheless, soundscape investigation in historical areas requires different parameters. Sound is comprehended not only from the sound object and the sound wave per se but also from its meaning and identity representation of the cultural heritage area. Therefore, this paper examines soundscape studies in historic areas to explain cultural soundscapes as tangible or intangible cultural heritage. The author inter
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Slunjski, Robert. "Tourism valorisation of immovable tangible cultural heritage in Međimurje." Hrvatski geografski glasnik/Croatian Geographical Bulletin 80, no. 2 (2018): 111–37. http://dx.doi.org/10.21861/hgg.2018.80.02.05.

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Howard, Keith. "Musical instruments as tangible cultural heritage and as/for intangible cultural heritage." International Journal of Cultural Property 29, no. 1 (2022): 23–44. http://dx.doi.org/10.1017/s0940739121000436.

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AbstractMusical instruments are central components of both the tangible and intangible heritage. However, discourse about music as intangible cultural heritage frequently overlooks the importance of instruments in conserving traditions inherited from the past and making live performance possible in the present, while curating instruments as tangible heritage often neglects their function for making music. This article explores two interrelated research questions about musical instruments as heritage. First, should instrument-crafting skills inherited from the past be sustained today, and, wher
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Mastandrea Bonaviri, Gianluigi. "Cinema as (Tangible and Intangible) Cultural Heritage." McGill GLSA Research Series 2, no. 1 (2022): 19. http://dx.doi.org/10.26443/glsars.v2i1.200.

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This research paper will put forward innovative solutions to strengthen the protection of cinema during armed conflicts, in particular by contending that cinema could be qualified as cultural heritage, thereby falling under the protection of the relevant international Conventions. A special testimony made by artist Sergio Iovino will be first proposed, with a view to highlighting the importance to safeguard cinema and – broadly speaking – every kind of art in wartime. Moving from the current armed conflict in Ukraine, the paper will underline the need for a reassessment of the relevant interna
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Amali, Lanto Ningrayati, Muhammad Rifai Katili, and Wandi Ismail. "Preservation of intangible and tangible cultural heritage using digital technology." Indonesian Journal of Electrical Engineering and Computer Science 28, no. 2 (2022): 980–86. https://doi.org/10.11591/ijeecs.v28.i2.pp980-986.

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There is presently a shortage of preservation of intangible cultural heritage and places for distributing tangible cultural heritage artifacts, regardless of their high value and usability for a nation. Despite efforts to protect cultural heritage, such as mapping and designing information systems to ensure the authenticity of information circulating in the community about intangible traditions and tangible sites obtained from different sources, many historical information places have been converted into new beliefs and buildings. Therefore, this research aims to provide information to promote
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Caron, Guillaume, Olga Regina Pereira Bellon, and Ilan Shimshoni. "Computer Vision and Robotics for Cultural Heritage: Theory and Applications." Journal of Imaging 9, no. 1 (2022): 9. http://dx.doi.org/10.3390/jimaging9010009.

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Computer vision and robotics are more and more involved in cultural heritage. From the data acquisition to heritage interpretation, the various tasks of the latter wide spectrum must face specificities of tangible and intangible heritages. [...]
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Kobzieva, Olena. "Preserving cultural identities." Critical Survey 36, no. 4 (2024): 1–5. https://doi.org/10.3167/cs.2024.360401.

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Cultural identities shape our collective memories, values and ways of life. In a globalised world, the preservation of these identities has become more crucial than ever before. Tangible heritage includes physical artefacts (buildings, monuments, artworks); intangible heritage covers traditions, performing arts, social practices, rituals. Both forms of heritage serve as bridges between past and present and shape the future of communities and nations. In recent decades, the importance of preserving cultural identities has gained increasing recognition on the global stage. UNESCO's Convention fo
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Eppich, Rand, and José Luis García Grinda. "Sustainable financial management of tangible cultural heritage sites." Journal of Cultural Heritage Management and Sustainable Development 9, no. 3 (2019): 282–99. http://dx.doi.org/10.1108/jchmsd-11-2018-0081.

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PurposeThere are many threats to cultural heritage including armed conflict and natural disasters such as earthquakes, fire and flooding. It is understandable that these dramatic events frequently capture the world’s attention. However, a far more considerable danger is inadequate management a lack of financial resources to conduct continuous conservation and maintenance. The purpose of this paper is to gain an understanding of the current state of financial sustainability at a limited selection set of tangible immovable cultural heritage sites and investigate why this critical aspect is defic
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Ningrayati Amali, Lanto, Muhammad Rifai Katili, and Wandi Ismail. "Preservation of intangible and tangible cultural heritage using digital technology." Indonesian Journal of Electrical Engineering and Computer Science 28, no. 2 (2022): 980. http://dx.doi.org/10.11591/ijeecs.v28.i2.pp980-986.

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There is presently a shortage of preservation of intangible cultural heritage and places for distributing tangible cultural heritage artifacts, regardless of their high value and usability for a nation. Despite efforts to protect cultural heritage, such as mapping and designing information systems to ensure the authenticity of information circulating in the community about intangible traditions and tangible sites obtained from different sources, many historical information places have been converted into new beliefs and buildings. Therefore, this research aims to provide information to promote
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Pikov, N. O. "REPRESENTATION OF CULTURAL HERITAGE: MODERN APPROACHES." Northern Archives and Expeditions 6, no. 1 (2022): 174–86. http://dx.doi.org/10.31806/2542-1158-2022-6-1-174-186.

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Based on extensive research material, the article reveals topical issues, modern approaches to the concept of cultural heritage representation. The ways of managing cultural heritage are considered, since the representation of cultural heritage, the choice of ways of this representation are part of the management of cultural heritage. In the modern era, one of the first places is the use of digital technologies for the representation of cultural heritage. And here a number of problems arise, including those of a legal and even political nature. For example, post-colonial discourse addresses th
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Zhai, L. "Cultural Consumption of the Overseas Chinese Garden in the Process of Cross-cultural Communication." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W7 (August 13, 2015): 483–89. http://dx.doi.org/10.5194/isprsarchives-xl-5-w7-483-2015.

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When referring to the tangible cultural heritage, people tend to concern more about the conservation and research of the entity of the tangible heritage than the cross-cultural communication of the cultural heritage which is also one of the most important components of the preservation of the cultural heritage. As an exotic new born of the cultural heritage, the entity born from the cross-cultural communication inherits the properties of the cultural heritage on the one hand, and on the other hand generates diversities as a result of the differences based on social, cultural and environment. A
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Sinibaldi, Elena, and Antonio Parente. "UNESCO’s tangible and intangible cultural heritage: Sustainable development perspectives." Pravovedenie 64, no. 1 (2020): 47–56. http://dx.doi.org/10.21638/spbu25.2020.104.

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The United Nations Educational, Scientific and Cultural Organization (UNESCO) 2003 Convention for the Safeguarding of the Intangible Cultural Heritage has not only introduced a conceptual and applicative expansion of the interdisciplinary subjects applied to cultural heritage, but it has also increasingly encouraged an integrated planning of sustainable development policies for territories and communities that convey and shape their relative cultural and anthropomorphic identity, along with the re-thinking of the collective dimension of heritage in terms of rights to creation and fruition as w
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Mastenitsa, Elena. "Museum and Cultural Heritage: "Tangible Signs of Intangible Relations"." Proceedings of Altai State Academy of Culture and Arts, no. 3 (2022): 28–35. http://dx.doi.org/10.32340/2414-9101-2022-3-28-35.

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The article deals with the phenomenon of intangible cultural heritage, the issues of its preservation and presentation in museums. The debatable nature of both normative documents and scientific approaches in the field of study and museum development of intangible cultural heritage is revealed, which allows stating the incompleteness of the process of its conceptualization. There is a significant impact of intangible cultural heritage on the dynamics and content of the main social functions of the museum in accordance with modern requirements for the implementation of an inclusive policy of co
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Dave, Viranch, and Mudit Mankad. "Spatial patterns and road network accessibility of cultural heritage for tourism potentials in Banswara district, Rajasthan (India)." Turizam 28, no. 4 (2024): 231–52. https://doi.org/10.5937/turizam28-53728.

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Integrating cultural heritage with tourism helps reveal the tangible and intangible characteristics of a place that are the outcome of long-term interactions between the local population and their natural environment. The goal of this study is to investigate cultural heritage in relation to the tourism development in Banswara district, Rajasthan, India. The study first identified and classified the cultural heritage sites of Banswara district; thereafter, it used spatial statistical tools from ArcGIS 10.7 to find out distribution patterns as well as clusters and hotspots of cultural heritage.
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Vakhitova, Tatiana Vadimovna. "Rethinking conservation: managing cultural heritage as an inhabited cultural landscape." Built Environment Project and Asset Management 5, no. 2 (2015): 217–28. http://dx.doi.org/10.1108/bepam-12-2013-0069.

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Purpose – The purpose of this paper is to suggest an approach to cultural heritage management as an inhabited cultural landscape in a context of urban planning. Design/methodology/approach – The paper provides a review of academic literature on the topic of cultural heritage conservation. Findings – This paper supports an approach to management of cultural heritage as a cultural landscape, defining it as a multivalent social phenomenon with tangible and intangible dimensions, spatial, and temporal scales. The cultural landscape approach continues the discourse on heritage values and emphasises
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Ikeke, Mark Omorovie. "Terrorist Cultural Heritage Destruction and Ecotourism in Nigeria: Philosophical Perspectives." East African Journal of Environment and Natural Resources 5, no. 1 (2022): 196–203. http://dx.doi.org/10.37284/eajenr.5.1.738.

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Cultural heritage is an important aspect of a people’s life. Without cultural heritage, a people lose their sense of identity, cohesiveness, values; and their entire wellbeing is gravely impacted. Cultural heritage includes a people’s customs, places, practices, values, artistic expression, and landscapes. It is made up of tangible and intangible resources. Especially for tangible or material resources they are vital for eco-tourism. There will be no base for eco-tourism without the land, places, cultural artifacts, and monuments. Though cultural heritage is very important to cultural wellbein
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La Frenierre, Jeff. "Mapping Heritage: A Participatory Technique for Identifying Tangible and Intangible Cultural Heritage." International Journal of the Inclusive Museum 1, no. 1 (2008): 97–104. http://dx.doi.org/10.18848/1835-2014/cgp/v01i01/44319.

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Burckhart, Thiago Rafael. "(In)tangible Cultural Heritage and Religious Minorities: Legal Strategies for the Preservation of Religious Sites." Religions 16, no. 5 (2025): 538. https://doi.org/10.3390/rel16050538.

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In recent decades, religious spaces have increasingly become subject to heritage processes, encompassing both their tangible dimension and the emerging concept of intangible cultural heritage. This article examines the legal strategies available for protecting the (in)tangible cultural heritage that minority religious communities can employ to safeguard their religious sites. Focusing on the case of African-derived religions in Brazil, this study argues that the recognition of their (in)tangible heritage serves as a strategic legal instrument for protecting their religious spaces, despite the
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De Laiglesia González, Juan Fernando. "Twelve Symbolic Objects of Tangible/Intangible Culture." Res Mobilis 9, no. 11 (2020): 46–64. http://dx.doi.org/10.17811/rm.9.11.2020.46-64.

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Design as Cultural Heritage is a 2018 European proposal; this draws on Tangible and Intangible Cultural Heritage regarded as ‘our heritage: where the past meets the future’. This paper aims to answer the research question about the nature of the space between the human been and the world. Therefore, it will analyse certain processes that occur in their thickness, focussing on ‘authenticity criteria’ employed by UNESCO to define tangible culture in order to identify different language use of ‘culture’. From these, both criteria and usage, this paper evaluate the four main reasons multidisciplin
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Pătru-Stupariu, Ileana, Marioara Pascu, and Matthias Bürgi. "Exploring Tangible and Intangible Heritage and its Resilience as a Basis to Understand the Cultural Landscapes of Saxon Communities in Southern Transylvania (Romania)." Sustainability 11, no. 11 (2019): 3102. http://dx.doi.org/10.3390/su11113102.

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Landscape researchers tend to reduce the diversity of tangible heritage to physical aspects of cultural landscapes, from the wealth of intangible heritage they focus on land-use practices which have a direct and visible impact on the landscape. We suggest a comprehensive assessment of both tangible and intangible heritage, in order to more accurately assess the interconnection of local identity and the shaping of cultural landscapes. As an example, we looked at Saxon culture and cultural landscapes in southern Transylvania (Romania), where we assessed features of tangible and intangible cultur
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YANAR, Ayşem, Feryal SÖYLEMEZOĞLU, Zeynep ERDOĞAN, and Özlen ÖZGEN. "PRESERVATION OF TANGIBLE AND INTANGIBLE CULTURAL HERITAGE: SAMPLE OF TURKISH BATH." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 1 (2021): 1–19. http://dx.doi.org/10.7456/11101100/001.

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Since the "Turkish bath" is an important symbol of a living and cultural wealth that has been passed down through generations, it is an important example in terms of preserving and maintaining both tangible and intangible cultural heritage together. The aim of the study is to reveal the spatial, functional, and traditional features of the Turkish bath in the concrete and intangible cultural context and to examine the objects of Turkish bath in detail. In the study, it was also aimed to evaluate the baths with historical value and converted into museums in the context of tangible cultural herit
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YANAR, Ayşem, Feryal SÖYLEMEZOĞLU, Zeynep ERDOĞAN, and Özlen ÖZGEN. "PRESERVATION OF TANGIBLE AND INTANGIBLE CULTURAL HERITAGE: SAMPLE OF TURKISH BATH." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 1 (2021): 1–19. http://dx.doi.org/10.7456/11001100/001.

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Since the "Turkish bath" is an important symbol of a living and cultural wealth that has been passed down through generations, it is an important example in terms of preserving and maintaining both tangible and intangible cultural heritage together. The aim of the study is to reveal the spatial, functional, and traditional features of the Turkish bath in the concrete and intangible cultural context and to examine the objects of Turkish bath in detail. In the study, it was also aimed to evaluate the baths with historical value and converted into museums in the context of tangible cultural herit
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YANAR, Ayşem, Feryal SÖYLEMEZOĞLU, Zeynep ERDOĞAN, and Özlen ÖZGEN. "PRESERVATION OF TANGIBLE AND INTANGIBLE CULTURAL HERITAGE: SAMPLE OF TURKISH BATH." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 1 (2021): 1–19. http://dx.doi.org/10.7456/11101100/001.

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Since the "Turkish bath" is an important symbol of a living and cultural wealth that has been passed down through generations, it is an important example in terms of preserving and maintaining both tangible and intangible cultural heritage together. The aim of the study is to reveal the spatial, functional, and traditional features of the Turkish bath in the concrete and intangible cultural context and to examine the objects of Turkish bath in detail. In the study, it was also aimed to evaluate the baths with historical value and converted into museums in the context of tangible cultural herit
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Nicolas, Théophane, Ronan Gaugne, Cédric Tavernier, Quentin Petit, Valérie Gouranton, and Bruno Arnaldi. "Touching and Interacting with Inaccessible Cultural Heritage." Presence: Teleoperators and Virtual Environments 24, no. 3 (2015): 265–77. http://dx.doi.org/10.1162/pres_a_00233.

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The sense of touch provides a particular access to our environment, enabling a tangible relation with it. In the particular case of cultural heritage, touching the past, apart from being a universal dream, can provide essential information to analyze, understand, or restore artifacts. However, archaeological objects cannot always offer tangible access, either because they have been destroyed or are too damaged, or because they are part of a larger assembly. In other cases, it is the context of use that has become inaccessible, as it is related to an outdated activity. We propose a workflow bas
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Fırat, Hasan Baran. "Acoustics as Tangible Heritage: Re-embodying the Sensory Heritage in the Boundless Reign of Sight." Preservation, Digital Technology & Culture 50, no. 1 (2021): 3–14. http://dx.doi.org/10.1515/pdtc-2020-0028.

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Abstract This conceptual study discusses cultural and historic sounds as tangible heritage by focusing on preservation practices for both soundscape and individual sound sources besides the acoustical fingerprints of the spaces. Although the intangible cultural heritage concept has opened a new room into the sensory objects, the formal approaches to sensory heritage are still missing and ambiguous. This study dwells on why we should classify culturally significant sensory objects as tangible heritage assets in terms of heritage, sensory semiotics, and acoustics. The digitalization methods to p
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Rodríguez Echavarria, Karina, and Jaime Kaminski. "Deploying 3D technologies for the documentation of tangible cultural heritage." Virtual Archaeology Review 3, no. 5 (2012): 116. http://dx.doi.org/10.4995/var.2012.4539.

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<p>Increasingly, visitors and cultural heritage professionals expect more from 3D technologies. The 3D-COFORM project aims to make 3D technology a practical proposition for use in the cultural heritage sector. While developing state of the art tools targeted to a diverse group of users, the project is also researching on the practical issues for the technologies’ implementation on heritage organisations. This paper describes the methodology to achieve this; as well as different types of testing conducted by the project. Moreover, it proposes three deployment models and describes one of t
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Mamaeva, Elena I. "Historical and cultural pharmaceutical heritage: conceptualization, differentiation and content." Vestnik of Saint Petersburg State University of Culture, no. 1 (46) (March 2021): 87–92. http://dx.doi.org/10.30725/2619-0303-2021-1-87-92.

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Pharmaceutical heritage is a set of scientific and practical achievements of pharmaceutical activity of mankind. Historical and cultural pharmaceutical heritage is a collection of tangible and intangible evidence of the historical development of pharmaceutical science and practice, embodying a significant socio-cultural experience of humanity and preserved for transmission to future generations. Pharmaceutical and medical heritage is difficult to differentiate due to the long joint history of development and intertwining modern practices, but the separation of the professions of a doctor and a
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Johannot-Gradis, Christiane. "Protecting the past for the future: How does law protect tangible and intangible cultural heritage in armed conflict?" International Review of the Red Cross 97, no. 900 (2015): 1253–75. http://dx.doi.org/10.1017/s1816383115000879.

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AbstractIn war, individuals are vulnerable not only physically but also in terms of their cultural identity, and the obliteration of cultural heritage often becomes a central issue. This is particularly the case in armed conflicts with an ethnic, cultural or religious character. In some regions, cultural heritage consists more of monuments and objects; it is a “tangible” heritage, mostly protected by the law of armed conflict. Elsewhere, where structures are impermanent, cultural heritage is mainly expressed through orality, gestures, rituals, music and other forms of expression that individua
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Karagöz, Mehmet Ali, and Mine Topçubaşı. "Holistic Conservation Approach to Intangible Cultural Heritage and Places of Eyüp." Mimarlık Bilimleri ve Uygulamaları Dergisi (MBUD) 9, no. 1 (2024): 678–703. http://dx.doi.org/10.30785/mbud.1458699.

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Dating back to the Byzantine period, the province of Eyüp in Istanbul is home to a multi-layered structure that was sacred to Muslims during the Ottoman period and today, is an important settlement with both tangible and intangible cultural heritage. In this study, Eyüp’s tangible and intangible cultural heritage and places are discussed regarding the idea of their joint protection in UNESCO's Convention for the Safeguarding of the Intangible Cultural Heritage. With this in mind, Eyüp’s intangible cultural heritage was identified from the literature and area works; classified according to the
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Martini, Martini, Efridani Lubis, Dian Alfia Purwandari, and Yolla Castro Gucci. "Legal Aspects of Integrated Conservation and Utilization of Cultural Heritage in Bogor City Based on Eco-Tourism." Journal of Media,Culture and Communication, no. 46 (October 9, 2024): 42–51. http://dx.doi.org/10.55529/jmcc.46.42.51.

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The cultural heritage sites in Bogor hold significant historical value and present challenges for their preservation and sustainable utilization to enhance community welfare. Bogor is a popular tourist destination for people in the surrounding areas, which necessitates careful anticipation and regulation to ensure the sustainable preservation and utilization of these cultural heritage sites. Besides their tangible aspects, the role of traditional knowledge as intangible culture is crucial in the sustainable preservation and utilization of these sites. Therefore, a legal model that can accommod
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Shrestha, Ram, Zhongwei Shen, and Kishan Datta Bhatta. "Cultural Heritage Deterioration in the Historical Town ‘Thimi’." Buildings 14, no. 1 (2024): 244. http://dx.doi.org/10.3390/buildings14010244.

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The gradual or rapid deterioration of cultural heritage buildings can be a source of the loss of heritage assets over time. Cultural heritage encompasses tangible and intangible aspects of a society’s heritage, including historical buildings, archaeological sites, artworks, artifacts, traditions, customs, and ethnic customs. This research paper investigated the causes and effects of the deterioration of the heritage system from the Madhyapur Thimi in Nepal. A case study of tangible heritage (Thimi settlement) and intangible heritage (Bisket Jatra—community celebrations—and Ritual Guthi—a local
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NALDAN, Funda. "Kemaliye Water Mill as an Example of Tangible Cultural Heritage." Art and Interpretation 1, no. 42 (2023): 58–65. http://dx.doi.org/10.5152/ai.2023.23102.

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Simeonova-Korudzhieva, Daniela. "Institutional and Normative Aspects in the Preservation of Cultural Heritage." Cultural and Historical Heritage: Preservation, Presentation, Digitalization 9, no. 1 (2023): 177–90. http://dx.doi.org/10.55630/kinj.2023.090114.

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Normative aspects in the preservation of cultural heritage imply a complex understanding and approach, insofar as this is a systemic process in which different cultural institutions acting with relevant competence and the normative framework have a role. It consists of international legal acts, such as the UNESCO Conventions, EU law - the regulations and directives and the internal law that is in accordance with them. The report covers a review of case studies related to the preservation of tangible cultural heritage: cases of dissonant cultural heritage; the case with the restitution of cultu
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Demshina, Anna Yu. "Cultural heritage in design." Vestnik of Saint Petersburg State University of Culture, no. 4 (61) (2024): 31–36. https://doi.org/10.30725/2619-0303-2024-4-31-36.

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Modern design often refers to the interpretation of objects of tangible and intangible cultural heritage. A successful design product can become not only a way to demonstrate the connection between eras, but also a way to form a communicative field for rethinking and representing the contexts of understanding cultural heritage. Such projects should consider not only copyright, the opinions of representatives of diverse cultures, but also be based on respect for cultural monuments. This is not about limiting interpretation, but about the need for careful work with the rethought original source.
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Issarathumnoon, Wimonrart. "Enhancing Legal Frameworks for the Conservation of Tangible Cultural Heritage in Thailand: Problems and Solutions." SPAFA Journal 9 (May 31, 2025): 125–46. https://doi.org/10.26721/spafajournal.iur79pp372.

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Government agencies in various countries use legal tools to conserve and manage tangible cultural heritage effectively. Laws, measures, and standards ensure operations adhere to conservation principles and maintain consistency. In Thailand, legal tools for protecting tangible cultural heritage have evolved over six decades, particularly under the Ancient Monuments Act. However, these tools are inefficient due to two critical issues. Firstly, there is a lack of comprehensive protection, inconsistent laws, and inadequate enforcement, especially for heritage of low or moderate value, privately ow
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Karamihova, Margarita. "Таngible Cultural Heritage: A Cinderella in the Home of Ethnology (Educational Essay)". Epohi 30, № 2 (2022): 333–39. http://dx.doi.org/10.54664/yaqk9451.

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The article aims to provoke a discussion about studying and teaching tangible cultural heritage in Bulgaria. It compares the curricula in Ethnology at different universities. It is obvious that very little attention is drawn to the tangible cultural heritage. This leads to very poor preparation of students who are about to become teachers or to work in museums. A new trend for change is observed at St. Cyril and St. Methodius University of Veliko Tarnovo. It is taught by the expert in tangible cultural heritage Pavlin Chaushev, PhD. In recent years, the number of lecture courses in which he pr
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Aleksandrova, Maria A. "Age as a criterion of value for tangible cultural heritage objects under Russian law." Pravovedenie 64, no. 1 (2020): 176–83. http://dx.doi.org/10.21638/spbu25.2020.114.

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UNESCO’s activities are dedicated to the conservation of both intangible and tangible cultural heritage. One of the most difficult issues in constructing a system for the protection of tangible cultural heritage objects is the criteria for identifying objects as cultural heritage. Obviously, it takes time to assess the cultural or historical value and significance of a tangible object. In most cases, granting the status of a cultural heritage object is assigned much later than its creation. However, international acts also do not contain specific requirements for how old a particular object sh
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Martokusumo, Widjaja, Erika Yuni Astuti, Febriyanti Suryaningsih, Nadia Purwestri, and Agni Malagina. "Rethinking Lasem: Some Notes and Challenges on Heritage Conservation." Review of Urbanism and Architectural Studies 22, no. 2 (2024): 105–15. https://doi.org/10.21776/ub.ruas.2024.022.02.11.

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The discussion on cultural heritage has evolved to integrate both tangible and intangible aspects in urban heritage management. Heritage conservation now faces challenges related to resources and the condition of urban elements. When assessing cultural significance, it's important to look beyond physical objects and consider social and cultural factors. The Lasem revitalization project has focused on improving public spaces and street corridors, but the protection of historical urban features is often overlooked, causing new problems. This research used surveys, interviews, and participation m
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CURCĂ, Roxana-Gabriela, and Ion SANDU. "WOMEN’S CULTURAL HERITAGE IN INSCRIPTIONS OF MOESIA INFERIOR: A CROSS-CULTURAL PERSPECTIVE." International Journal of Conservation Science 15, no. 3 (2024): 1593–602. http://dx.doi.org/10.36868/ijcs.2024.03.27.

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This research looks at the issue of the relationship between the tangible and intangible heritage in epigraphy of women in Moesia Inferior, shedding light on their social, professional, juridic, religious status, onomastics etc. and the importance of materials used for the inscriptions (almost exclusively limestone and marble).
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Prieto, Andrés José, Juan Manuel Macías-Bernal, Ana Silva, and Pilar Ortiz. "Fuzzy Decision-Support System for Safeguarding Tangible and Intangible Cultural Heritage." Sustainability 11, no. 14 (2019): 3953. http://dx.doi.org/10.3390/su11143953.

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In the current world economic situation, the maintenance of built heritage has been limited due to a lack of funds and accurate tools for proper management and implementation of these actions. However, in specific local areas, the maintenance and conservation of historical and cultural heritage have become an investment opportunity. In this sense, in this study, a new tool is proposed, for the estimation of the functional service life of heritage buildings in a local region (city of Seville, South Spain). This tool is developed in Art-Risk research project and consists of a free software to ev
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Long I Tang, Long I. Tang, and Hyung-Deok Shin. "Cultural Integration through Colonial Relations: Focusing on Macau, Goa, Taiwan and Korea." Asia Europe Perspective Association 17, no. 2 (2020): 223–42. https://doi.org/10.31203/aepa.2020.17.2.223.

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Cultural integration can be viewed as a process of new cultural creation and development. Since this process occurs for very long time and through complex interactions of various elements, it is not easy to investigate the phenomenon of cultural integration. This study focuses on special situations, which are colonial periods, to see this phenomenon. Especially, we focus on political and cultural acceptance as motivating elements for visible and invisible cultural heritage. While comparing the cases that dominant and colonial countries are friendly and hostile each other, we try to find any re
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Long I Tang, Long I. Tang, and Hyung-Deok Shin. "Cultural Integration through Colonial Relations: Focusing on Macau, Goa, Taiwan and Korea." Asia Europe Perspective Association 17, no. 2 (2020): 223–42. https://doi.org/10.31203/aepa.2020.17.2.010.

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Cultural integration can be viewed as a process of new cultural creation and development. Since this process occurs for very long time and through complex interactions of various elements, it is not easy to investigate the phenomenon of cultural integration. This study focuses on special situations, which are colonial periods, to see this phenomenon. Especially, we focus on political and cultural acceptance as motivating elements for visible and invisible cultural heritage. While comparing the cases that dominant and colonial countries are friendly and hostile each other, we try to find any re
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Hochberg, Gil. "From Heritage to Refugee Heritage." Comparative Studies of South Asia, Africa and the Middle East 40, no. 1 (2020): 43–50. http://dx.doi.org/10.1215/1089201x-8186027.

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Abstract As a contemporary concept, heritage bridges legal discourse and ethical discourse, national affiliations and a global imaginary, colonial pasts and neocolonial presents. The term often circulates beliefs in cultural authenticity, collective memory, and historical merit under the logic of neoliberal markets and legitimate capital gain, hence the tight connections between cultural heritage, industry, and tourism. While the concept developed as early as the nineteenth century in postrevolutionary France, its expansive political, juridical, and symbolic use has matured only after the Seco
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Visutsak, Porawat, Xiabi Liu, Chalothon Choothong, and Fuangfar Pensiri. "SIFT-Based Depth Estimation for Accurate 3D Reconstruction in Cultural Heritage Preservation." Applied System Innovation 8, no. 2 (2025): 43. https://doi.org/10.3390/asi8020043.

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This paper describes a proposed method for preserving tangible cultural heritage by reconstructing a 3D model of cultural heritage using 2D captured images. The input data represent a set of multiple 2D images captured using different views around the object. An image registration technique is applied to configure the overlapping images with the depth of images computed to construct the 3D model. The automatic 3D reconstruction system consists of three steps: (1) Image registration for managing the overlapping of 2D input images; (2) Depth computation for managing image orientation and calibra
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Mortara, M., and C.E. Catalano. "3D Virtual environments as effective learning contexts for cultural heritage." Italian Journal of Educational Technology 26, no. 2 (2018): 5–21. https://doi.org/10.17471/2499-4324/1026.

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3D technology can be a valid support to cultural heritage not only for visual presentation and documentation, but also for communication and educational purposes. In this paper, we will discuss the potential of 3D virtual environments as effective learning contexts for Cultural Heritage. This encompasses various disciplines such as history, art, and languages, and includes both tangible and intangible content like myths, beliefs and social values. We will analyse virtual and augmented reality and innovative interfaces, highlighting their affordances for successfully triggering learning experie
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Alvarez-Morales, Lidia, and Margarita Díaz-Andreu. "Acoustics, Soundscapes and Sounds as Intangible Heritage." Acoustics 6, no. 2 (2024): 408–12. http://dx.doi.org/10.3390/acoustics6020022.

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Perera, K. "HERITAGE AT RISK: DIGITAL PRESERVATION OF TRADITIONAL CULTURAL HERITAGE (TCH) IN SRI LANKA." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-M-2-2023 (June 26, 2023): 1197–207. http://dx.doi.org/10.5194/isprs-archives-xlviii-m-2-2023-1197-2023.

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Abstract. Traditional cultural heritage (TCH) can be defined as diverse type of intangible and tangible heritage related to our ancestors in the ancient time such as cultures, beliefs, practices, ceremonies, indigenous knowledge etc. etc. Novel methods are being used to preserve the dying traditional knowledge in the field of medicine, agriculture, arts and sciences. Moreover, this can be treated as a part of the community and it belongs to the community. Furthermore, it is used in an informal way and practiced as a living heritage. Most of the time TCH has been transmitted orally from one per
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Rybenská, Klára, and Barbora Borůvková. "Review of Modern Approaches to 3D Digitization of Tangible Cultural Heritage." Journal of Digital Art & Humanities 5, no. 1 (2024): 20–30. http://dx.doi.org/10.33847/2712-8149.5.1_2.

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This review highlights modern technologies‘ pose in cultural heritage, digitization and accessibility. It provides a comprehensive view of the issue from the perspective of the digitisation centre, at the Czech University and cooperates with organizations of different sizes. Technology and Innovation offer countless possibilities, but not all are suitable for working with cultural heritage. Several rules must be followed to avoid damaging it while respecting the ethics related to the heritage in question. In addition, it is important to consider copyright law and other regulations that vary fr
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Permatasari, Puspita Ayu, Akhmad Abdul Qohar, and Arief Faizal Rachman. "From web 1.0 to web 4.0: the digital heritage platforms for UNESCO’s heritage properties in Indonesia." Virtual Archaeology Review 11, no. 23 (2020): 75. http://dx.doi.org/10.4995/var.2020.13121.

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<p>The advent of information and communication technologies (ICTs) has had and is having a major impact on Indonesian cultural resource management, and on the safeguarding methods of its tangible and intangible cultural heritages. Despite varied levels and visible gaps between rural and urban regions in terms of technology usage, innovative initiatives have been created, which correspond to the needs and expectations of a technology-savvy public. As a starting point, a number of public institutions dealing with tangible cultural heritage (e.g. museums, palaces, temples, World Heritage Si
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Bai, Qingtao, Mingcan Gao, Hongyi Lyu, Lujia Zhang, and Jiamin Zhang. "Spatial Distribution Characteristics and Influencing Factors of Tangible Cultural Heritage in Henan Province, China: A Watershed Perspective." Sustainability 16, no. 20 (2024): 8979. http://dx.doi.org/10.3390/su16208979.

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Henan Province, a significant cultural heritage province in China, has abundant tangible cultural heritage resources distributed across the region. Watersheds are the fundamental geographical units that have consistently supported human production and subsistence activities from ancient times to the present. Analyzing the spatial distribution characteristics and influencing factors of tangible cultural heritage resources of the watersheds in Henan Province is of great importance for its macro-level preservation, value promotion, and sustainable development. This research focuses on the 421 maj
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