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Journal articles on the topic 'Tangible Heritage'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Sonkoly, Gábor. "From tangible to intangible heritage." Ethnologies 41, no. 2 (2019): 3. http://dx.doi.org/10.7202/1070471ar.

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Walter, Nigel. "Lost in Translation: Tangible and Non-Tangible in Conservation." Architecture 3, no. 3 (2023): 578–92. http://dx.doi.org/10.3390/architecture3030031.

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This paper addresses the special issue theme of the response of conservation practice to shifts in heritage theory towards the intangible, through exploring some specific aspects of practice and statutory process in the UK. The paper starts with an overview of conservation in the UK, and the extent to which it does or does not interface with developments in heritage theory. It explores the conventional understanding of significance—here termed ‘subtractive’—which reflects the antiquarian concerns from which conservation developed. It then considers the Ecclesiastical Exemption, a parallel cons

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Fernández Repetto, Francisco Javier. "Nostalgia and Tourism: Narratives of Yucatán’s Tangible Heritage." Culture & History Digital Journal 4, no. 2 (2015): e015. http://dx.doi.org/10.3989/chdj.2015.015.

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4

Harris, Jack. "Tangible reminder of a material heritage." Physics World 12, no. 4 (1999): 40–41. http://dx.doi.org/10.1088/2058-7058/12/4/25.

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Slunjski, Robert. "Tourism valorisation of immovable tangible cultural heritage in Međimurje." Hrvatski geografski glasnik/Croatian Geographical Bulletin 80, no. 2 (2018): 111–37. http://dx.doi.org/10.21861/hgg.2018.80.02.05.

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Muntean, Reese, Kate Hennessy, Alissa Antle, Susan Rowley, Jordan Wilson та Brendan Matkin. "ʔeləw̓k̓ʷ – Belongings: Tangible Interactions with Intangible Heritage". Journal of Science and Technology of the Arts 7, № 2 (2015): 59. http://dx.doi.org/10.7559/citarj.v7i2.159.

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Sidi, Ali Ould. "Maintaining Timbuktu’s unique tangible and intangible heritage." International Journal of Heritage Studies 18, no. 3 (2012): 324–31. http://dx.doi.org/10.1080/13527258.2012.651744.

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Mastandrea Bonaviri, Gianluigi. "Cinema as (Tangible and Intangible) Cultural Heritage." McGill GLSA Research Series 2, no. 1 (2022): 19. http://dx.doi.org/10.26443/glsars.v2i1.200.

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This research paper will put forward innovative solutions to strengthen the protection of cinema during armed conflicts, in particular by contending that cinema could be qualified as cultural heritage, thereby falling under the protection of the relevant international Conventions. A special testimony made by artist Sergio Iovino will be first proposed, with a view to highlighting the importance to safeguard cinema and – broadly speaking – every kind of art in wartime. Moving from the current armed conflict in Ukraine, the paper will underline the need for a reassessment of the relevant interna

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Amali, Lanto Ningrayati, Muhammad Rifai Katili, and Wandi Ismail. "Preservation of intangible and tangible cultural heritage using digital technology." Indonesian Journal of Electrical Engineering and Computer Science 28, no. 2 (2022): 980–86. https://doi.org/10.11591/ijeecs.v28.i2.pp980-986.

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There is presently a shortage of preservation of intangible cultural heritage and places for distributing tangible cultural heritage artifacts, regardless of their high value and usability for a nation. Despite efforts to protect cultural heritage, such as mapping and designing information systems to ensure the authenticity of information circulating in the community about intangible traditions and tangible sites obtained from different sources, many historical information places have been converted into new beliefs and buildings. Therefore, this research aims to provide information to promote

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Caron, Guillaume, Olga Regina Pereira Bellon, and Ilan Shimshoni. "Computer Vision and Robotics for Cultural Heritage: Theory and Applications." Journal of Imaging 9, no. 1 (2022): 9. http://dx.doi.org/10.3390/jimaging9010009.

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Computer vision and robotics are more and more involved in cultural heritage. From the data acquisition to heritage interpretation, the various tasks of the latter wide spectrum must face specificities of tangible and intangible heritages. [...]

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De Laiglesia González, Juan Fernando. "Twelve Symbolic Objects of Tangible/Intangible Culture." Res Mobilis 9, no. 11 (2020): 46–64. http://dx.doi.org/10.17811/rm.9.11.2020.46-64.

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Design as Cultural Heritage is a 2018 European proposal; this draws on Tangible and Intangible Cultural Heritage regarded as ‘our heritage: where the past meets the future’. This paper aims to answer the research question about the nature of the space between the human been and the world. Therefore, it will analyse certain processes that occur in their thickness, focussing on ‘authenticity criteria’ employed by UNESCO to define tangible culture in order to identify different language use of ‘culture’. From these, both criteria and usage, this paper evaluate the four main reasons multidisciplin

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Howard, Keith. "Musical instruments as tangible cultural heritage and as/for intangible cultural heritage." International Journal of Cultural Property 29, no. 1 (2022): 23–44. http://dx.doi.org/10.1017/s0940739121000436.

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AbstractMusical instruments are central components of both the tangible and intangible heritage. However, discourse about music as intangible cultural heritage frequently overlooks the importance of instruments in conserving traditions inherited from the past and making live performance possible in the present, while curating instruments as tangible heritage often neglects their function for making music. This article explores two interrelated research questions about musical instruments as heritage. First, should instrument-crafting skills inherited from the past be sustained today, and, wher

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Ningrayati Amali, Lanto, Muhammad Rifai Katili, and Wandi Ismail. "Preservation of intangible and tangible cultural heritage using digital technology." Indonesian Journal of Electrical Engineering and Computer Science 28, no. 2 (2022): 980. http://dx.doi.org/10.11591/ijeecs.v28.i2.pp980-986.

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There is presently a shortage of preservation of intangible cultural heritage and places for distributing tangible cultural heritage artifacts, regardless of their high value and usability for a nation. Despite efforts to protect cultural heritage, such as mapping and designing information systems to ensure the authenticity of information circulating in the community about intangible traditions and tangible sites obtained from different sources, many historical information places have been converted into new beliefs and buildings. Therefore, this research aims to provide information to promote

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14

Eppich, Rand, and José Luis García Grinda. "Sustainable financial management of tangible cultural heritage sites." Journal of Cultural Heritage Management and Sustainable Development 9, no. 3 (2019): 282–99. http://dx.doi.org/10.1108/jchmsd-11-2018-0081.

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PurposeThere are many threats to cultural heritage including armed conflict and natural disasters such as earthquakes, fire and flooding. It is understandable that these dramatic events frequently capture the world’s attention. However, a far more considerable danger is inadequate management a lack of financial resources to conduct continuous conservation and maintenance. The purpose of this paper is to gain an understanding of the current state of financial sustainability at a limited selection set of tangible immovable cultural heritage sites and investigate why this critical aspect is defic

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Munjeri, Dawson. "Tangible and Intangible Heritage: from difference to convergence." Museum International 56, no. 1-2 (2004): 12–20. http://dx.doi.org/10.1111/j.1350-0775.2004.00453.x.

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Wells, Jeremy C. "Is There Such a Thing as Tangible Heritage?" Forum Journal 32, no. 4 (2018): 15–24. http://dx.doi.org/10.1353/fmj.2018.0025.

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Noviandri, Patricia Pahlevi, Michael I. Djimantoro, Eggi Septianto, and Widjaja Martokusumo. "Cultural soundscape as intangible or tangible cultural heritage." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 268, no. 5 (2023): 3232–43. http://dx.doi.org/10.3397/in_2023_0464.

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Soundscape is a collection of sounds that individuals feel and understand in the context of a built environment. The soundscape is often associated with audial comfort in urban spaces. Nevertheless, soundscape investigation in historical areas requires different parameters. Sound is comprehended not only from the sound object and the sound wave per se but also from its meaning and identity representation of the cultural heritage area. Therefore, this paper examines soundscape studies in historic areas to explain cultural soundscapes as tangible or intangible cultural heritage. The author inter

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La Frenierre, Jeff. "Mapping Heritage: A Participatory Technique for Identifying Tangible and Intangible Cultural Heritage." International Journal of the Inclusive Museum 1, no. 1 (2008): 97–104. http://dx.doi.org/10.18848/1835-2014/cgp/v01i01/44319.

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Fırat, Hasan Baran. "Acoustics as Tangible Heritage: Re-embodying the Sensory Heritage in the Boundless Reign of Sight." Preservation, Digital Technology & Culture 50, no. 1 (2021): 3–14. http://dx.doi.org/10.1515/pdtc-2020-0028.

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Abstract This conceptual study discusses cultural and historic sounds as tangible heritage by focusing on preservation practices for both soundscape and individual sound sources besides the acoustical fingerprints of the spaces. Although the intangible cultural heritage concept has opened a new room into the sensory objects, the formal approaches to sensory heritage are still missing and ambiguous. This study dwells on why we should classify culturally significant sensory objects as tangible heritage assets in terms of heritage, sensory semiotics, and acoustics. The digitalization methods to p

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Sinibaldi, Elena, and Antonio Parente. "UNESCO’s tangible and intangible cultural heritage: Sustainable development perspectives." Pravovedenie 64, no. 1 (2020): 47–56. http://dx.doi.org/10.21638/spbu25.2020.104.

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The United Nations Educational, Scientific and Cultural Organization (UNESCO) 2003 Convention for the Safeguarding of the Intangible Cultural Heritage has not only introduced a conceptual and applicative expansion of the interdisciplinary subjects applied to cultural heritage, but it has also increasingly encouraged an integrated planning of sustainable development policies for territories and communities that convey and shape their relative cultural and anthropomorphic identity, along with the re-thinking of the collective dimension of heritage in terms of rights to creation and fruition as w

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Mastenitsa, Elena. "Museum and Cultural Heritage: "Tangible Signs of Intangible Relations"." Proceedings of Altai State Academy of Culture and Arts, no. 3 (2022): 28–35. http://dx.doi.org/10.32340/2414-9101-2022-3-28-35.

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The article deals with the phenomenon of intangible cultural heritage, the issues of its preservation and presentation in museums. The debatable nature of both normative documents and scientific approaches in the field of study and museum development of intangible cultural heritage is revealed, which allows stating the incompleteness of the process of its conceptualization. There is a significant impact of intangible cultural heritage on the dynamics and content of the main social functions of the museum in accordance with modern requirements for the implementation of an inclusive policy of co

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Pătru-Stupariu, Ileana, Marioara Pascu, and Matthias Bürgi. "Exploring Tangible and Intangible Heritage and its Resilience as a Basis to Understand the Cultural Landscapes of Saxon Communities in Southern Transylvania (Romania)." Sustainability 11, no. 11 (2019): 3102. http://dx.doi.org/10.3390/su11113102.

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Landscape researchers tend to reduce the diversity of tangible heritage to physical aspects of cultural landscapes, from the wealth of intangible heritage they focus on land-use practices which have a direct and visible impact on the landscape. We suggest a comprehensive assessment of both tangible and intangible heritage, in order to more accurately assess the interconnection of local identity and the shaping of cultural landscapes. As an example, we looked at Saxon culture and cultural landscapes in southern Transylvania (Romania), where we assessed features of tangible and intangible cultur

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Burckhart, Thiago Rafael. "(In)tangible Cultural Heritage and Religious Minorities: Legal Strategies for the Preservation of Religious Sites." Religions 16, no. 5 (2025): 538. https://doi.org/10.3390/rel16050538.

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In recent decades, religious spaces have increasingly become subject to heritage processes, encompassing both their tangible dimension and the emerging concept of intangible cultural heritage. This article examines the legal strategies available for protecting the (in)tangible cultural heritage that minority religious communities can employ to safeguard their religious sites. Focusing on the case of African-derived religions in Brazil, this study argues that the recognition of their (in)tangible heritage serves as a strategic legal instrument for protecting their religious spaces, despite the

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Dave, Viranch, and Mudit Mankad. "Spatial patterns and road network accessibility of cultural heritage for tourism potentials in Banswara district, Rajasthan (India)." Turizam 28, no. 4 (2024): 231–52. https://doi.org/10.5937/turizam28-53728.

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Integrating cultural heritage with tourism helps reveal the tangible and intangible characteristics of a place that are the outcome of long-term interactions between the local population and their natural environment. The goal of this study is to investigate cultural heritage in relation to the tourism development in Banswara district, Rajasthan, India. The study first identified and classified the cultural heritage sites of Banswara district; thereafter, it used spatial statistical tools from ArcGIS 10.7 to find out distribution patterns as well as clusters and hotspots of cultural heritage.

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Maharjan, Monalisa, and Filipe Th Barata. "Living with Heritage: Including tangible and intangible heritage in the changing time and space." Journal of the Institute of Engineering 13, no. 1 (2018): 178–89. http://dx.doi.org/10.3126/jie.v13i1.20365.

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Kathmandu Valley, which now the compose of many cities and towns, is the result of centuries of evolution from small villages, hamlets and small towns. These cities evolved with the need and the lifestyle of people, a result of which gave birth to the magnificent art and architecture. The centuries old temples, squares, monuments, rest houses and water fountains are still present despite the frequent natural calamites like earthquake. The city which was once seemed to be designed for people and God now has to incorporate many things like population growth due to migration, urbanization, global

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Creek, Emily. "European Dancehouses: Models of Managing Tangible & Intangible Heritage." Student Anthropologist 6, no. 1 (2019): 73–79. http://dx.doi.org/10.1002/j.sda2.20190601.0010.

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Zotti, G. "Tangible Heritage: Production of Astrolabes on a Laser Engraver." Computer Graphics Forum 27, no. 8 (2008): 2169–77. http://dx.doi.org/10.1111/j.1467-8659.2008.01193.x.

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Bonet, Lidia E., Margarita Greene, and Juan de Dios Ortúzar. "Subjective valuation of tangible and intangible heritage neighbourhood attributes." Habitat International 105 (November 2020): 102249. http://dx.doi.org/10.1016/j.habitatint.2020.102249.

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Alicia, Santamaría Jiménez. "El patrimonio tangible de la danza." ASRI. Arte y Sociedad. Revista de Investigación en Arte y Humanidades Digitales, no. 19 (March 30, 2021): 120–39. https://doi.org/10.5281/zenodo.7651321.

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La danza, como disciplina efímera y parte integrante del patrimonio cultural inmaterial, ha buscado desde tiempos remotos la manera de trascender en el tiempo más allá de su transmisión generacional basado en lo corpóreo y lo oral. A los textos y notaciones coreográficas utilizados hace siglos como registro documental de danzas y coreografías, se suma el importante registro audiovisual surgido durante el pasado siglo XX y el eco de la digitalización asumiendo cada día más protagonismo. En este artículo abordaremos una

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Ikeke, Mark Omorovie. "Terrorist Cultural Heritage Destruction and Ecotourism in Nigeria: Philosophical Perspectives." East African Journal of Environment and Natural Resources 5, no. 1 (2022): 196–203. http://dx.doi.org/10.37284/eajenr.5.1.738.

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Cultural heritage is an important aspect of a people’s life. Without cultural heritage, a people lose their sense of identity, cohesiveness, values; and their entire wellbeing is gravely impacted. Cultural heritage includes a people’s customs, places, practices, values, artistic expression, and landscapes. It is made up of tangible and intangible resources. Especially for tangible or material resources they are vital for eco-tourism. There will be no base for eco-tourism without the land, places, cultural artifacts, and monuments. Though cultural heritage is very important to cultural wellbein

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Nomeikaite, Laima. "Street art and heritage conservation: From values to performativity." Street Art & Urban Creativity 5, no. 1 (2020): 6–19. https://doi.org/10.25765/sauc.v5i1.181.

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The present study re-evaluates the relationship between street art and the value-based approach to heritage conservation. The research presents the limitations of the value-based approach, which relate to its conceptualisation of stakeholders, experts and tangible preservation, as well as its distinction between present and past, and tangible and intangible heritage. In response, the paper suggests a performative approach to street art heritage conservation theory and practice. First, the paper introduces the notion of performativity within non-representational theory and its temporary, affect

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Bojanić Obad Šćitaroci, Bojana, Nerma Omićević, and Tamara Zaninović. "Approaches to Urban Landscape Transformation vs. Heritage." Land 13, no. 12 (2024): 2049. http://dx.doi.org/10.3390/land13122049.

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Alvarez-Morales, Lidia, and Margarita Díaz-Andreu. "Acoustics, Soundscapes and Sounds as Intangible Heritage." Acoustics 6, no. 2 (2024): 408–12. http://dx.doi.org/10.3390/acoustics6020022.

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YANAR, Ayşem, Feryal SÖYLEMEZOĞLU, Zeynep ERDOĞAN, and Özlen ÖZGEN. "PRESERVATION OF TANGIBLE AND INTANGIBLE CULTURAL HERITAGE: SAMPLE OF TURKISH BATH." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 1 (2021): 1–19. http://dx.doi.org/10.7456/11101100/001.

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Since the "Turkish bath" is an important symbol of a living and cultural wealth that has been passed down through generations, it is an important example in terms of preserving and maintaining both tangible and intangible cultural heritage together. The aim of the study is to reveal the spatial, functional, and traditional features of the Turkish bath in the concrete and intangible cultural context and to examine the objects of Turkish bath in detail. In the study, it was also aimed to evaluate the baths with historical value and converted into museums in the context of tangible cultural herit

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YANAR, Ayşem, Feryal SÖYLEMEZOĞLU, Zeynep ERDOĞAN, and Özlen ÖZGEN. "PRESERVATION OF TANGIBLE AND INTANGIBLE CULTURAL HERITAGE: SAMPLE OF TURKISH BATH." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 1 (2021): 1–19. http://dx.doi.org/10.7456/11001100/001.

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Since the "Turkish bath" is an important symbol of a living and cultural wealth that has been passed down through generations, it is an important example in terms of preserving and maintaining both tangible and intangible cultural heritage together. The aim of the study is to reveal the spatial, functional, and traditional features of the Turkish bath in the concrete and intangible cultural context and to examine the objects of Turkish bath in detail. In the study, it was also aimed to evaluate the baths with historical value and converted into museums in the context of tangible cultural herit

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YANAR, Ayşem, Feryal SÖYLEMEZOĞLU, Zeynep ERDOĞAN, and Özlen ÖZGEN. "PRESERVATION OF TANGIBLE AND INTANGIBLE CULTURAL HERITAGE: SAMPLE OF TURKISH BATH." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 1 (2021): 1–19. http://dx.doi.org/10.7456/11101100/001.

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Since the "Turkish bath" is an important symbol of a living and cultural wealth that has been passed down through generations, it is an important example in terms of preserving and maintaining both tangible and intangible cultural heritage together. The aim of the study is to reveal the spatial, functional, and traditional features of the Turkish bath in the concrete and intangible cultural context and to examine the objects of Turkish bath in detail. In the study, it was also aimed to evaluate the baths with historical value and converted into museums in the context of tangible cultural herit

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PITTALUGA, Daniela. "THE CONSERVATION OF MATERIAL HERITAGE THROUGH THE TRANSMISSION OF INTANGIBLE HERITAGE." URBAN ART BIO 1, no. 2 (2022): 15–27. http://dx.doi.org/10.35788/uab.v1i2.45.

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Intervention in a historical context poses the problem of recognising and preserving its tangible and intangible heritage. The discipline of restoration has long been debating how to intervene and the need for timely action toward Cultural Heritage (both tangible and intangible). One of the main questions is: there is no doubt that the conservation of material heritage is fundamental, but how can this be achieved? Can the related intangible heritage help? How? The literature in this field shows that in most cases, action is taken to conserve the material heritage and then, at a later stage, to

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Hochberg, Gil. "From Heritage to Refugee Heritage." Comparative Studies of South Asia, Africa and the Middle East 40, no. 1 (2020): 43–50. http://dx.doi.org/10.1215/1089201x-8186027.

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Abstract As a contemporary concept, heritage bridges legal discourse and ethical discourse, national affiliations and a global imaginary, colonial pasts and neocolonial presents. The term often circulates beliefs in cultural authenticity, collective memory, and historical merit under the logic of neoliberal markets and legitimate capital gain, hence the tight connections between cultural heritage, industry, and tourism. While the concept developed as early as the nineteenth century in postrevolutionary France, its expansive political, juridical, and symbolic use has matured only after the Seco

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Pikov, N. O. "REPRESENTATION OF CULTURAL HERITAGE: MODERN APPROACHES." Northern Archives and Expeditions 6, no. 1 (2022): 174–86. http://dx.doi.org/10.31806/2542-1158-2022-6-1-174-186.

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Based on extensive research material, the article reveals topical issues, modern approaches to the concept of cultural heritage representation. The ways of managing cultural heritage are considered, since the representation of cultural heritage, the choice of ways of this representation are part of the management of cultural heritage. In the modern era, one of the first places is the use of digital technologies for the representation of cultural heritage. And here a number of problems arise, including those of a legal and even political nature. For example, post-colonial discourse addresses th

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Issarathumnoon, Wimonrart. "Enhancing Legal Frameworks for the Conservation of Tangible Cultural Heritage in Thailand: Problems and Solutions." SPAFA Journal 9 (May 31, 2025): 125–46. https://doi.org/10.26721/spafajournal.iur79pp372.

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Government agencies in various countries use legal tools to conserve and manage tangible cultural heritage effectively. Laws, measures, and standards ensure operations adhere to conservation principles and maintain consistency. In Thailand, legal tools for protecting tangible cultural heritage have evolved over six decades, particularly under the Ancient Monuments Act. However, these tools are inefficient due to two critical issues. Firstly, there is a lack of comprehensive protection, inconsistent laws, and inadequate enforcement, especially for heritage of low or moderate value, privately ow

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Bello, Rotimi-Williams, and Firstman Noah Otobo. "E-Museum of Heritage Resources-The Challenges." International Research Journal of Advanced Engineering and Science 3, no. 3 (2018): 109–14. https://doi.org/10.5281/zenodo.4452240.

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Abstract—Some heritage resources remained unexplored and for some there are no tangible conservative practices put in place; therefore, digital technologies and digital applications are profoundly influencing, shaping and re-shaping the environment of change in contemporary society. They also open the way to new, distributed, ways of working, communicating and investigating new products and services in the heritage sector, as in other sectors. These digital technologies and their applications in social computing come with some challenges. This paper studied the challenges and intensifies

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Saxe, David W. "Living Heritage: An Experimental Model Mixing Heritage and Entertainment." Journal of Interpretation Research 14, no. 1 (2009): 33–46. http://dx.doi.org/10.1177/109258720901400103.

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The living heritage model is portable and may be replicated by venues of all sizes and budgets. The model may also be scaled to match venue space requirements as well as be adjusted to available human, tangible, and financial resources. Led by Colonial Williamsburg, Mount Vernon, Old Sturbridge Village, and other history-heritage sites, the museum, history-heritage industry is poised to fully embrace the opportunities and potentials that scripted entertainment projects hold for their institutions. The living heritage model is one example of what might be done to instill and invigorate historic

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Rodríguez Echavarria, Karina, and Jaime Kaminski. "Deploying 3D technologies for the documentation of tangible cultural heritage." Virtual Archaeology Review 3, no. 5 (2012): 116. http://dx.doi.org/10.4995/var.2012.4539.

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<p>Increasingly, visitors and cultural heritage professionals expect more from 3D technologies. The 3D-COFORM project aims to make 3D technology a practical proposition for use in the cultural heritage sector. While developing state of the art tools targeted to a diverse group of users, the project is also researching on the practical issues for the technologies’ implementation on heritage organisations. This paper describes the methodology to achieve this; as well as different types of testing conducted by the project. Moreover, it proposes three deployment models and describes one of t

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Vaughan, Laura, and Sam Griffiths. "The Spatial Morphology of Community in Chipping Barnet c.1800–2015: An Historical Dialogue of Tangible and Intangible Heritages." Heritage 4, no. 3 (2021): 1119–40. http://dx.doi.org/10.3390/heritage4030062.

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This article presents a case study of the London suburb of Chipping Barnet to show how a spatial-morphological approach to tangible heritage challenges its archetypal image as an affluent commuter suburb by highlighting its resilience as a generative patterning of social space that has weathered successive phases of social change. We argue that the enduring spatial-morphological definition of Barnet as a local centre explains how it has been possible to preserve something less tangible—namely its identity as a suburban community. We show how Barnet’s street network constitutes community herita

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Bakri, Aidatul Fazlin, Nurulhusna Qamaruz Zaman, and Hikmah Kamarudin. "Understanding local community and the cultural heritage values at a World Heritage City: a grounded theory approach." IOP Conference Series: Earth and Environmental Science 1067, no. 1 (2022): 012006. http://dx.doi.org/10.1088/1755-1315/1067/1/012006.

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Abstract The nomination of a World Heritage site generally focuses on the tangible heritage assets, and intangible heritage is given less attention in the site management. There is also a lack of awareness of the complicated relationship between tangible and intangible heritage assets, the meanings and values of the site to its local community, and the complexity of space in the World Heritage Site in the management of cultural heritage sites. This paper discusses grounded theory to investigate the relationship between local communities and their cultural heritage in George Town World Heritage

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Martini, Martini, Efridani Lubis, Dian Alfia Purwandari, and Yolla Castro Gucci. "Legal Aspects of Integrated Conservation and Utilization of Cultural Heritage in Bogor City Based on Eco-Tourism." Journal of Media,Culture and Communication, no. 46 (October 9, 2024): 42–51. http://dx.doi.org/10.55529/jmcc.46.42.51.

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The cultural heritage sites in Bogor hold significant historical value and present challenges for their preservation and sustainable utilization to enhance community welfare. Bogor is a popular tourist destination for people in the surrounding areas, which necessitates careful anticipation and regulation to ensure the sustainable preservation and utilization of these cultural heritage sites. Besides their tangible aspects, the role of traditional knowledge as intangible culture is crucial in the sustainable preservation and utilization of these sites. Therefore, a legal model that can accommod

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Karamihova, Margarita. "Таngible Cultural Heritage: A Cinderella in the Home of Ethnology (Educational Essay)". Epohi 30, № 2 (2022): 333–39. http://dx.doi.org/10.54664/yaqk9451.

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The article aims to provoke a discussion about studying and teaching tangible cultural heritage in Bulgaria. It compares the curricula in Ethnology at different universities. It is obvious that very little attention is drawn to the tangible cultural heritage. This leads to very poor preparation of students who are about to become teachers or to work in museums. A new trend for change is observed at St. Cyril and St. Methodius University of Veliko Tarnovo. It is taught by the expert in tangible cultural heritage Pavlin Chaushev, PhD. In recent years, the number of lecture courses in which he pr

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Karagöz, Mehmet Ali, and Mine Topçubaşı. "Holistic Conservation Approach to Intangible Cultural Heritage and Places of Eyüp." Mimarlık Bilimleri ve Uygulamaları Dergisi (MBUD) 9, no. 1 (2024): 678–703. http://dx.doi.org/10.30785/mbud.1458699.

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Dating back to the Byzantine period, the province of Eyüp in Istanbul is home to a multi-layered structure that was sacred to Muslims during the Ottoman period and today, is an important settlement with both tangible and intangible cultural heritage. In this study, Eyüp’s tangible and intangible cultural heritage and places are discussed regarding the idea of their joint protection in UNESCO's Convention for the Safeguarding of the Intangible Cultural Heritage. With this in mind, Eyüp’s intangible cultural heritage was identified from the literature and area works; classified according to the

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Rana, Poonam R. L. "Research Note: the Tangible and Intangible Art Heritage of Chitrapur (Chitlang)." SIRJANĀ – A Journal Of Arts and Art Education 9, no. 1 (2023): 90–99. http://dx.doi.org/10.3126/sirjana.v9i1.56273.

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This paper explores the tangible and intangible art heritages of Chitlang, also known as Chitrapur is an ancient historical route. Before the 18th and early 19th centuries, this was the only route thriving with life. In those days, it used to be a roadway that would never sleep. Today it remains isolated and discarded despite being rich in both tangible and intangible historicity that goes back to the Dwāpara-yuga (Mahabharata period). There are innumerable relics and the inhabitants who claims to be the descendants of the Gopala dynasty of Nepal. There are few books available on Chitlang writ

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Perera, K. "HERITAGE AT RISK: DIGITAL PRESERVATION OF TRADITIONAL CULTURAL HERITAGE (TCH) IN SRI LANKA." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-M-2-2023 (June 26, 2023): 1197–207. http://dx.doi.org/10.5194/isprs-archives-xlviii-m-2-2023-1197-2023.

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Abstract. Traditional cultural heritage (TCH) can be defined as diverse type of intangible and tangible heritage related to our ancestors in the ancient time such as cultures, beliefs, practices, ceremonies, indigenous knowledge etc. etc. Novel methods are being used to preserve the dying traditional knowledge in the field of medicine, agriculture, arts and sciences. Moreover, this can be treated as a part of the community and it belongs to the community. Furthermore, it is used in an informal way and practiced as a living heritage. Most of the time TCH has been transmitted orally from one per

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