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Dissertations / Theses on the topic 'Tango song'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Bradley, Damien. "Ends And Beginnings: A Cycle of Symphonic Tango Songs." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23189.

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This piece is an exploration of tango music. Having played, arranged, composed, and performed this music since 2011, I consider myself steeped and well-versed in the culture and musical language of tango, and this piece is an attempt to synthesize this rich body of music with my own personal style. This work is firmly grounded in the aesthetic of tango dance music from the “Golden Age” of tango in Argentina (1935-1955) and post-Golden Age music. The intent is to create music that is immediately accessible to a layperson, recognizable as tango to someone conversant in the genre, yet distinctive

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Tse, Wai-lok. "Female singers and the ci poems of the Tang and Song periods Ge ji yu Tang Song ci /." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38322110.

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So, Wai-man. "A study of eunuchs in Tang and Northern Song China = Tang yu bei song huan guan yan jiu /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B24702444.

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Liu, Yang. "Imagery of female Daoists in Tang and Song poetry." Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/34383.

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This dissertation involves a literary study that aims to understand the lives of female Daoists who lived from the eighth to the twelfth centuries in China. Together with an examination of the various individual qualities manifested in their poetry, this study includes related historical background, biographical information and a discussion of the aspirations and cultural life of the female clergy. Unlike some of the previous scholarship that has examined Daoist deities and mythical figures described in hagiographical texts and literary creations, or on topics such as the Divine Mother of the

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So, Wai-man, and 蘇偉文. "A study of eunuchs in Tang and Northern Song China =." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B44569956.

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Tse, Wai-lok, and 謝煒珞. "Female singers and the ci poems of the Tang and Song periods=." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38322110.

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Leung, Chun-hoi, and 梁震海. "The change in mode of economy of Fujian region during Tang-Song period =." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44373739.

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Fujian was a backward and barren region before Tang dynasty. However, it experienced rapid economic growth during Tang-Song period (A.D. 607-1279) which led it to be one of the most prosperous regions in China. A large number of empirical research accounted for the growth and high prosperity of Fujian in this period, most of which were conducted in a qualitative approach while in-depth quantitative analysis still remains inadequate. Moreover, the investigation is mostly confined in certain high-growing areas and failed to provide a complete picture of regional interactions within Fujian. As t

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8

何梓慶. "明代唐宋派文學思想研究= A research on literary theory of Tang-Song school in Ming dynasty". HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/566.

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現時對於「唐宋派」的研究，學者往往以流派論爭的角度，把唐宋派置於復古派的對立面，認為四人的文論主要都是針對「前、後七前子」而發。此說固有道理，問題是，王、唐、茅、歸都是獨當一面的作家，但在流派的框架下，則只著重他們的一致性，以及與「復古派」針鋒相對的情況，而四人的差異，及其現實關懷，都在此大敘述中隱而不見了。故本文將把四人的文學主張，結合社會、政治制度及生平經歷加以考察，希望呈現出他們文學思想的差異性。並以此為基礎，說明王、唐、茅、歸四人當時是不同角度出發，希望在「文必秦漢」的風氣下，建立一道從「唐宋」上達「秦漢」的學文路徑。全文分成六章。第一章是緒論，說明研究動機及價值。第二章則先說明歸有光不與王、唐、茅三人結交的原因，並藉以呈現歸有光與王、唐、茅三人在文壇的不同佔位，以此為基礎，重新探討「唐宋派」作為一個流派的特質，提出以「陣營」取代「流派」來描述四人的關係，從而說明「唐宋派」文論主張的產生，除了為回應擬古風氣，其實還針對著當時八股文衰落的問題。第三章則討論唐宋派四人的主張，如何建構從「唐宋」到「秦漢」的復古路徑。第四章則討論唐宋派「以古文為時文」的理論內涵，探討四人從不同的角度理解時文的衰落，何以最後都得出「以古文為時文」的結論。第五章則討論唐宋派如何面對當時古文創作的困境，到了明中葉，明代立國已近百年，但古文創作一直較為沉寂，台閣文人及「復古派」先後領導文壇，但是問題始終未

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Leung, Sze-lok, and 梁思樂. "A study on the locations of capitals and the planning of administrative districts in the Tang, Song and Yuan dynasties = Tang, Song, Yuan san zhao guo du xuan zhi yu zheng qu gui hua yan jiu." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196084.

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In the discipline of Historical Geography, capital location and planning of administrative districts are crucial issues. Since they have often been considered as two separate topics, attention, if any, has scarcely been paid to the relationship between them. The capital of China was transferred eastwards from Chang’an in the Tang dynasty to Kaifeng in the Song dynasty and then to Dadou in the Yuan dynasty, a critical transitional period in Chinese history which spanned three dynasties and seven hundred plus years. The way how administrative districts were planned changed with these transfers.

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Shen, Hsueh-man. "Buddhist relic deposits from Tang (618-907) to Northern Song (960-1127) and Liao (907-1125)." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365614.

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Ren, Feng. "Nan Song ru jia jing zhi zhi xue de xing qi : lun Xue Jixuan he Tang Zhongyou de jing shi si xiang /." View abstract or full-text, 2005. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202005%20REN.

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Louis, François. "Die Goldschmiede der Tang- und Song-Zeit : archäologische, sozial- und wirtschafsgeschichtliche Materialen zur Goldschmiedekunst Chinas vor 1279." Bern : P. Lang, 1999. http://catalogue.bnf.fr/ark:/12148/cb40112689k.

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13

Cañardo, Marina Berta. "Fabricas de Tango : industria discografica temprana y musica popular argentina (1919-1930)." Paris, EHESS, 2011. http://www.theses.fr/2011EHES0062.

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Cette thèse analyse plusieurs aspects de la relation entre l'industrie discographique et le tango dans les années 1920. Si la question de l'identité est étudiée à partir des discours de l'époque tels que publicités, catalogues et articles de presse, la dimension interprétative du tango est également analysée et placée par rapport à cette nouvelle forme de production, circulation et consommation de la musique qu'est le disque. On considère d'une part que l'industrie discographique contribua à la construction conflictuelle de l'identité nationale de l'Argentine ce qui rend évidente la dimension

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Schulten, Caroline. "Ancient Chinese mirrors and their legacies in the Tang (AD 618-906), Liao (AD 907-1125) and Song (AD 960-1279) periods." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367427.

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Suchan, Thomas. "The eternally flourishing stronghold: an iconographic study of the Buddhist sculpture of the Fowan and related sites at Beishan, Dazu Ca. 892-1155." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1054225952.

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Marlowe, Britt. "Empress Wu Zhao, son of Heaven: Uses of religious patronage and propaganda to secure support and quell dissension during the Tang dynasty." Connect to online resource, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1460865.

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Rong, Hengying. "Étude sur l'écriture comme acte politique chez Ouyang Xiu (1007-1072) : pouvoir lettré sous les Song du Nord (960-1127)." Thesis, Paris, EHESS, 2020. http://www.theses.fr/2020EHES0062.

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Ce travail apporte un éclairage ciblé sur le rapport entre l’action et les écrits de Ouyang Xiu (1007-1072), lettré majeur des Song du Nord (960-1127) et fonctionnaire de première importance par le rôle qu’il occupa dans la consolidation des institutions de cette dynastie. Figure incontournable de l’histoire intellectuelle chinoise, Ouyang Xiu est abordé ici à travers une étude cas de la session 1057 du concours de « doctorat », dont il fut superviseur en chef au niveau métropolitain. À travers la contextualisation minutieuse de cette session, et plus largement la mise en perspective de ce que

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Fan, Zhongpu. "Arquiteturas cristã e budista no período Gótico: estudo comparativo." Master's thesis, Universidade de Aveiro, 2016. http://hdl.handle.net/10773/22162.

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Mestrado em Línguas, Literaturas e Culturas<br>O texto foca-se nas espiritualidades cristã e budista, estudadas mediante a análise da arquitetura cristã do estilo gótico e da arquitetura budista das dinastias Tang e Song. O estudo coloca em paralelo o desenvolvimento da religião e da arquitetura, destacando o contexto histórico, as dimensões material e imaterial da arquitectura e as concepções e regras de vida dos praticantes. As práticas monacais cristã e budista dão uma ideia mais profunda das diferenças entre as duas religiões e entre as culturas ocidental e oriental.<br>The text focu

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唐梓彬. "王安石詩歌及其詩學研究: 唐宋詩歌演變抉微= A new discussion on the poetic evolution in Tang and Song dynasties: the study of Wang Anshi's poetry and poetics". HKBU Institutional Repository, 2016. https://repository.hkbu.edu.hk/etd_oa/258.

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王安石（1021-1086）是北宋重要的詩人。前人對於王安石詩歌的研究很多，但對王安石詩歌的體式特點、唐詩觀及其在唐宋詩轉型過程中的作用則關注不足。因此，本文以王安石的詩歌及其詩學為主要的研究對象和切入點，嘗試從文體學及詩學的微觀角度對唐宋詩轉型的問題作進一步的研究。本文在以下五個方面有所創獲。首先從王安石的五言古詩入手，結合宋初的詠懷詩、山水詩等題材的創作背景，探討其與古風的關係。本文指出王安石的五古在內容上以漢魏晉宋的比興寄託作為根本，對五古和樂府詩多有繼承和創新，而在表現手法上又吸取了各家各路的特點，這是王安石對宋詩發展的主要貢獻。其次，從文體的角度對王安石的樂府、歌行和七言古詩（包括雜言）進行考察，發現其以具體的創作實踐，自覺地辨析了三體之間異中有同的複雜關係，是北宋第一個嘗試解決樂府、歌行和七言古詩三體分野的詩人。第三，從王安石的律詩入手，勾勒出北宋初年至神宗元豐年間律詩發展的軌跡。王安石的五律在繼承晚唐體的同時，又刻意迴避了其在內容和藝術上的種種缺陷；其七律在融合白體和晚唐體之餘，又融入了詠懷的傳統和諷諭的精神，在確立宋代律詩基本風格所起的作用上來說，有至關重要的意義。第四，發掘了王安石絶句在宋詩發展過程中的詩學意義，並進一步探討了王安石五絶開拓近體的特性和七絶「情深文明，調逸旨遠」的博取眾家的文學史意義。第五，王安石《唐百家詩選》的選錄標準一直是詩學史上頗具

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Ysasi, Alonso Alejandro. "La obra gráfica de Pedro Quetglas “Xam” (1915-2001): la riqueza de un patrimonio." Doctoral thesis, Universitat de les Illes Balears, 2014. http://hdl.handle.net/10803/284394.

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És una investigació, anàlisis, i aproximació a l’obra gràfica de l’artista mallorquí, del segle XX, Pere Quetglas, conegut pel pseudònim de “Xam”. La seva activitat s'ha sistematitzat sobre la base la biografia, tècniques treballades i el seu entorn. Xam, es va exercitar en la caricatura, el dibuix, el cartell, el gravat xilogràfic, la pintura, els monotips, la serigrafia i en el gravat calcogràfic. Del conjunt de tota la seva producció l’autor se centra en l'obra gràfica produïda a partir de 1944, quan pot datar-se la seva primera xilografia, i la seva defunció, l’any 2001, en el qual realit

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"Three Early Twentieth Century Tango Songs Arranged for Brass Quintet." Doctoral diss., 2011. http://hdl.handle.net/2286/R.I.14317.

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abstract: Despite a quickly growing repertoire list for the brass quintet, the music of the early Argentine tango has remained relatively neglected by brass quintet arrangers and performers. With the goal of bringing a neglected art form to the brass quintet repertoire, three arrangements based on early twentieth century Argentine tango songs are presented here: "Elegante Papirusa" by Tito Roccatagliata, "A La Gran Muñeca" by Jesús Ventura, and "La Cotorrita" by Samuel Castriota. The arrangements follow the style of three early recordings produced by The Victor Talking Machine in 1920 and 1922

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Chang, Wen-Chang, and 張文昌. "The Study of Ritual Book in Tang and Song." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/61891081148483836825.

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Hsu, Kai-hsiang, and 許凱翔. "Temple Fairs in Shu during the Tang-Song Period." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/w62zfn.

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博士<br>國立清華大學<br>歷史研究所<br>105<br>The aim of this dissertation is to investigate the origins of “temple fairs” (miaoshi 廟市), “silkworm fairs” (canshi 蠶市) and “medicine fairs” (yaoshi 藥市) that were formed around religious centers in the Sichuan region during the Tang and the Song dynasties. The dissertation begins with an investigation of the relations between the development of silk and medicine industries and the rise of long-distance trade during the Tang dynasty. Through the investigation, I argue that in Sichuan, the commercialization of silk products and medicines not only led to the format

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Huang, Ting-Shuo, and 黃庭碩. "The Southeastern Literati and Politics between the Tang and Song Dynasty." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/72204903916650241380.

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碩士<br>國立臺灣大學<br>歷史學研究所<br>101<br>The rise of southern literati東南士人 in the middle of the New Song Dynasty (960-1127) was an eminent phenomenon in the Chinese history. On one hand, this phenomenon symbolized the shift of Chinese cultural centre from north to south; on the other hand, the phenomenon was intimately related to the emergence of Southeast regions as a core of Chinese cultural lives in the Late Imperial China. However, the background of this important phenomenon had still not been clarified comprehensively and systematically, which became the main subject for this thesis aiming to dea

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Zhang, Wenchang. "Tang Song li shu yan jiu cong gong li dao jia li." 2006. http://www.cetd.com.tw/ec/thesisdetail.aspx?etdun=U0001-2407200623424600.

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Lee, Chang-Yuan, and 李長遠. "Absorbing Taoism into Confucianism：Literati and Taoism in the Tang-Song Intellectual Transition." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/42jmt4.

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博士<br>國立臺灣大學<br>歷史學研究所<br>103<br>This dissertation attempts to delineate a more dynamic and convoluted history of the relation between Confucian and Taoist traditions in the transitional period from late Tang to early Song Dynasty. Intellectuals of medieval China generally recognized and appreciated the fusion of Confucian and Taoist traditions. In fact, Taoism wielded profound influence on their worldviews, political perspectives, and cultural lives. From mid-Tang Dynasty onwards, however, the relation between these two traditions was ready to shift. With the consciousness of subjectivi

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Kooheekyung and 具熙卿. "The auxiliary word in Zen Buddhism sayings of Tang and Song dynasty." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/51149917034350874351.

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Wen, Sheng-hung, and 溫昇泓. "Hidden in the dark Tattoo art of the Tang and Song Dynasty." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/39862600861639727094.

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碩士<br>國立屏東教育大學<br>視覺藝術教育學系<br>99<br>“Tattoo” has been giving negative impression to people in Chinese society; however, it holds a superior position in Chinese history. It was once a performance of art between commoners and nobles during the Tang and Song dynasties. Therefore, this change and what had made it change are what this study focuses on. Tang (618-907 AD) is a highly blended dynasty. It has the compatible quality in culture, politics, and art performance. After Tang, China stepped into a chaotic age called Five Dynasties and Ten Kingdoms (907-979 AD). The short lasting coun

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YANG, TSAI-YUN, and 楊彩雲. "Lin Hao’s Song Qing Tang Poiet Collection Tai Yang Cao of Research." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/ezt6z3.

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碩士<br>銘傳大學<br>應用中國文學系<br>107<br>Writer and historian from Kingmen, Lin Hao, employed to teach and manage the clerical work at Lin Zhanmei's Qianyuan Garden in Zhuqian, came to Taiwan in 1862 and had a close relationship with the host. During Dai Chao-Chuen Incident happening in Taiwan, Lin Zhanmei used all his personal belongings to support the incident, but his fame caused him into lasting lawsuits and serious illness. Lin Hao had to leave Qianyuan Garden for Kingman and worked in Penghu later. 1 Targeting at Lin Hao's Song Qing Tang Poiet Collection Volume 6, Tai Yang Cao I, and Volume 7

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CHANG, YEN-HSING, and 張晏行. "The Development of Chinese Cuju－Take Han, Tang and Song Dynasties For Example－." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/68q372.

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碩士<br>東吳大學<br>歷史學系<br>105<br>Cuju is a very old sport in China, and also recognized as the ancient football. Nowadays, football is the most popular sport in the world, so it’s worth researching. There were several forms of Cuju in the history. In the Han Dynasty, Cuju was mainly played for entertainment at feasts, the performers included men and women. They were professional, and practiced a variety of techniques. At the same time, a competitive form of Cuju was used as fitness training for military. During the Tang Dynasty, the ball became lighter and elastic. Furthermore, the post wa

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CAI, JING-YE, and 蔡靜野. "Painting and Calligraphy Display Space and Graphic Shape in Tang and Song Dynasties." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/367xhh.

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博士<br>國立臺灣藝術大學<br>書畫藝術學系<br>105<br>This research is based on the historical periods of Tang and Song, which contribute to the most flourishing and distinctive features of Chinese calligraphy and painting. To establish an insight on the basis and rules of Chinese painting and calligraphy, one should consider many external factors. Those external factors include the comparison and analysis of the shape and scale of the painting and calligraphy works of temples, palace, houses, grottoes, or tombs. Other factors include the materials from which the painting and calligraphy are drawn. It is implied

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Yang, Jun-feng, and 楊俊峰. "The State and Cisi Between Tang and Song: A History of Cisi Focalization." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/24239101831297404381.

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博士<br>臺灣大學<br>歷史學研究所<br>98<br>The study of the belief Cisi had usually focused on its relationship with the state power. Yet the relationship should not be seen as a given fact in the discussion of state measures on Cisi, but rather a dynamic process in history. Therefore, this thesis intends to display the fundamental change in the state conduct and attitude toward the belief Cisi between Tang and Song, and to work out how it had finally come into the agenda of the central government. In addition, it tries to prove that the state, after involvement with the belief Cisi, had begun to realize a

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陳本騰. "A study of Tang & Song Dynasty to sign poem about Yang Yuhuan." Thesis, 2014. http://ndltd.ncl.edu.tw/cgi-bin/gs32/gsweb.cgi/login?o=dnclcdr&s=id=%22102CHU00045001%22.&searchmode=basic.

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Pei, Lin Hsiao, and 林曉珮. "The research of Hakka songs by Tang, Hwa-Ying." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/48760538707518541702.

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碩士<br>國立新竹教育大學<br>音樂學系碩士班<br>100<br>This research is about Tang, Hwa-Ying’s Creative Hakka Songs, from his studying period since 1996 to 2011. Tang, Hwa-Ying has devoted himself to Creative Hakka Song since 1996. Based on the song style, Tang, Hwa-Ying’s Creative Hakka Songs are classified to three categories, Art song, Children song, and traditional arrange song. In this study, the author proposed traditional Hakka songs, Creative Hakka songs, and Hakka phonological as literature review. The author interviewed the principal of Tang, Hwa-Ying who expressed his music life which focus on thr

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Liao, Hsiu-Fen, and 廖秀芬. "Research for Development and Propagation of Secular Literature in The Tang and Song Dynasties." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/09830841524809462611.

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博士<br>國立中正大學<br>中國文學研究所<br>104<br>The concept of secular literature, results from after approximately the May 4th Movement, but in fact, the rise of the Tang and Song Dynasties in the metropolis; the performance is by saying, singing and rapping spread between the marketplace, such as storytelling, singing folk song sing songs and tell Bianwen, Gongdiao etc.; but the material or relevant records have spread very little, the related secular literature, more concentrated in the Ming and Qing Dynasties. In AD 1900, the Dunhuang Library Cave had been rescued dawn, where has one batch of forms, con

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Chuang, Tzu-Wei, and 莊子薇. "Considering the image of Yan zhenqing in Southen Song from Zhong Yi Tang Tie." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/mmgnh6.

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碩士<br>國立臺灣大學<br>藝術史研究所<br>102<br>There are 44 pieces of Yen Zhenqing’s（709-785）rubbing works in Zhong Yi Tang Tie which is currently preserved in Zhejiang Provincial Museum. The works include 15 regular scripts and 29 semi-cursive scripts. Zhong Yi Tang Tie presents both aesthetic and academic value of Yen’s works. From the prospective of calligraphy development history, it is worth notice that Zhong Yi Tang Tie , a personal piece created in Tang dynasty, was discovered and collected at Southern Song dynasty. Since Sonthern Song, Zhong Yi Tang Tie has its unique position in the history of call

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Li-JunGuo and 郭俐君. "The Tang Poems in “ Liang-song”and “Qilu” area：The Geographical Writing of Foreign Poets." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/17297129319397030904.

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HUNG, WEN-HSIUNG, and 洪文雄. "On Understanding And Interpretation About Wang Xizhi’s Calligraphy During the Tang and Song Dynasties." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/50921407269241500493.

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博士<br>國立中興大學<br>中國文學系所<br>102<br>Wang Xizhi was able to become the most influential figure in the history of Chinese calligraphy; the real reason was Tang-dynasty emperor Taizong’s praise highly. It seemed that the entire history of Chinese calligraphy had almost been enveloped by Wang Xizhi’s system since that time. None could contend with Wang Xizhi’s system until the rise of Stelae study. This research explores Wang Xizhi’s calligraphy for the understanding and interpretation during these two periods of time: the Tang-dynasty and Song-dynasty. The argument in this research is based on the

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Ching-YiWu and 吳靜宜. "The Influence of Zen on the Poetics in the Tang and Northern Song Dynasty." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/25252589352138501661.

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博士<br>國立成功大學<br>中國文學系碩博士班<br>101<br>The study is about Zen poetry and interaction between poetry and Zen Buddhism. The time limited to the Tang Dynasty to the Northern Song Dynasty, sought to clarify the poetic theory metaphor of meditation, Zen praxis, assimilation of Zen concepts in poetry and understand how to become part of the theory of poetics. In the China the Chinese Zen Buddhism is established in the Tang Dynasty. The Zen of this article is the classic application and Zen way of thinking.The assimilation of Zen concepts in poetry, not by the Buddhist name, the Buddhistic Truth words b

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周愛倫. "A Study on Representations of the Yellow Crane Tower in Tang and Song Literature." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/83128395639495098087.

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碩士<br>國立清華大學<br>中國文學系<br>101<br>There is an abundance of different representations of the Yellow Crane Tower in the field of Chinese literature. Such works not only are rich in aesthetic value but also reveal the collective intrinsic consciousness of scholars in their respective periods. This article aims to focus on the latter part, with emphasis on literature in the Tang and Song dynasties. I aspire to observe the historical development of the Yellow Crane Tower and construct a comprehensive picture of the collective intrinsic consciousness of the literati in each period, focusing especially

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Tsan, Fei-Wen, and 詹斐雯. "“All words of scenery are words of sentiment”: Blending scenery and sentiment with Tang Song Short Lyric Songs (lingci) and Mono-no-aware with Heian period Tanka." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/dj9k34.

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碩士<br>國立臺東大學<br>華語文學系碩士班<br>105<br>In the east, "sentiment" has always appear as an indispensable element of literary composition in rhyme. “Lyrical” is the word with the feeling of “heart throb" and “externally touch” that written in the poem. In the context of China and Japan, poem is derive from “lyrical”. “Sentiment” playing the main role in developing the system of literary composition in rhyme. 　　Tang Song Short Lyric Songs (Classical Chinese Poetry) and Waka (Japanese poetry, Tanka) are written from two diﬀerent languages and metrical pattern of poetry. Both of the poetry have similarit

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Hu, Yun-Wei, and 胡雲薇. "Continuities and Disruptions: A Study of Literati in North China between Tang and Song Dynasties." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/bcquzv.

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博士<br>國立臺灣大學<br>歷史學研究所<br>102<br>The period from the ninth century to the middle of the tenth century in Chinese history marked a critical period as China evolved from the medieval to the early modern age. Dramatic changes in ideology were observed in political, social, economic, and cultural environments. During the Tang-Song transition, economic and cultural centers continued to move to the South and the once dominant Northern scholar societies that originally made up the regional hubs gradually dwindled. Current studies of the Tang and Song Dynasties have generally placed greater importance

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Park, Bae-Kyung, and 朴培卿. "The study of "Chu-Chih Tzu" written by the literati in Tang and Song Dynasties." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/01245122031296108732.

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碩士<br>國立臺灣大學<br>中國文學系<br>86<br>"Chu-Chih" was originally a local folk song, but after Liu Yu-Hsi rewrote it, it became popular throughout the country for the entire Tang Dynasty. Many poets referred to it and it had a strong influence on literature up until the Ching Dynasty. "Chu-Chih Tzu" had an impact on the work of the literati. The example of Liu Yu-Hsi studying folk songs and changing them into new "Tzu''s" opened the way for the imitation of other literati in later p

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Zheng, En-Ci, and 鄭恩賜. "A Study on the Commentary and Punctuation of Classical Prose of the Tang-Song School." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/35428037264028307506.

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碩士<br>國立暨南國際大學<br>中國語文學系<br>98<br>This thesis analyzes the commentary and punctuation (ping-dian) of classical prose of Tang-Song School from three perspectives: the construction of canon and the development of ping-dian, the grammar, and the reading activity and the imagination of the world. These three perspectives focus on the inheritance and inauguration of the ping-dian of classical prose of from Tang-Song School from late Song dynasty to late Ming dynasty; moreover, they demonstrate the specialty of the literary theories of Tang-Song School by grasping the differences of the literary the

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CHEN, YU-TSUNG, and 陳昱宗. "The Appearance and the Variation of The Dragon in the Tang and Song Literary Sketches." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/87na6f.

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碩士<br>東吳大學<br>歷史學系<br>107<br>The dragon is a very famous and important legendary creature in Chinese culture. The study of dragon is a very important subject in Chinese history. However, after entering the twentieth century, researchers must to face a question: "What is dragon?" Today's research of dragon can be roughly divided into two categories. One is to find the origin and prototype of the dragon, and the other is to study from the perspectives of belief, image, and literature. Today, most people think that dragon does not exist. However, there are still many records about dragon in Chine

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Lin, Jung-I., and 林容伊. "On Chinese Ceramics and Glassware from Western Territories, during Tang to Song Dynasties, 618-1279 A.D." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/51606006812982427488.

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碩士<br>國立臺灣大學<br>藝術史研究所<br>102<br>In terms of the exchange and influences between art crafts, a special interest in Chinese ceramic imitations of Western glassware grows in the past two decades. Based on such scholarly foundation, this paper aims at a comprehensive study on how influences from other crafts, here the imported glassware in particular, inspire and enrich the stylistic repertory of Chinese ceramics, from Tang to Song dynasties. During this period, the development of aesthetics and production techniques for Chinese ceramics has reached its first peak. This paper collects and exa

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Wu, Xiu-an, and 吳修安. "Environmental Changes and Local Community in the Poyang Lake Basin during the Tang and Song Dynasties." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/93502812085701313670.

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Hsu, Hsin-Yu, and 許欣瑜. "An Action Research about Yin-Song Teaching Approach affecting Fifth-Grade Students on Tang Poetry Learning Achievement." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/33366694049878219153.

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碩士<br>國立臺中教育大學<br>教師專業碩士學位學程<br>102<br>Elementary school children were enlightened by Tang poetry on the classical poetry. They used to “say it out” Tang poems, but ignored the harmony and melody of Tang poems. Refinement of the Tang poems made them confused, and reflected “I cannot recite.” This study took action research, aiming to solve the problems encountered by children through the design and implement of Yin Song Tang poetry teaching program. It also solved the problem during the implement of Yin Song Tang poetry teaching program and promoting the professional growth in Tang poetry teac

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LO, SHENG-LUN, and 羅笙綸. "A Study on Connoisseurship of Calligraphy Works in Tang and Song Dynasty in Chung Tao Ko Pavilion." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/25539496238195519061.

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博士<br>明道大學<br>國學研究所<br>104<br>There were three times of fever of collecting Chinese calligraphy in Chinese history. The third time happened during from late Qing dynasty to Early R.O.C.; one of the well-known art collector at the period, Jingfu Pei (1855-1926) had passion for acquiring calligraphy masterpieces and claim to collect greater number of these kinds of art pieces than any other person. At the time, many connoisseurs respected Pei and even many apprenticed themselves to Pei. Pei edited his collection into “Zhuang Tao House painting recorded”, which contained 22 chapters started from

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謝安. "Professional Diagnosis or Prescription Manual？On Confucian Scholars' Medical Understanding and Doctor–Patient Relationship During Tang-Song Period." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/6vbjeb.

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