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1

Pham, Thien Truong. "Tanizaki Junʼichirō and the art of storytelling". Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25504.

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This thesis deals with the storytelling art of Tanizaki Jun'ichirō. An esthete par excellence, this prolific writer produced for over half a century a string of works that are essentially dedicated to the glorification of art and beauty. This glorification in turn enhances the quality of life which, also in the author's view, is both a dream and a game. Art and beauty, dreams and games are virtually the building blocks of Tanizaki's fictional universe in which illusion and reality are meant to be complementary rather than opposing forces that govern human existence. Transplanting this fabulous
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Buchenberger, Stefan. "Verfall zweier Familien Tanizaki Junichirô's Sasameyuki und Thomas Mann's Buddenbrooks : ein Vergleich /." München : Utz, 2004. http://catalog.hathitrust.org/api/volumes/oclc/61029321.html.

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Dubin, Rachael. "Zen and shadows intersections between spirituality and aesthetics in Tanizaki's "In praise of shadows" /." Diss., Connect to the thesis, 2008. http://hdl.handle.net/10066/3731.

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Moda, Vanessa <1989&gt. "Realtà fotografica e immaginazione: L'incanto del ricordo in Tanizaki Jun'ichirō." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13480.

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La tesi si propone di analizzare la natura del ricordo attraverso diverse opere di Tanizaki Jun'ichirō. L'elemento fotografico, presente come mezzo di evocazione del ricordo, è fondamentale per indagarne l'essenza, in contrapposizione sia alla realtà che all'immaginazione.
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5

Mascitelli, Juliana Saito Pinheiro. "Um olhar sobre o grou, a felicidade, a neve e o mistério: as quatro irmãs Makioka." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-16052016-145547/.

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O Japão de meados do século XX apresentava um contexto em que influências advindas do ocidente desde a abertura dos portos mesclavam-se à tradição japonesa. Nesse contexto viviam as irmãs Makioka, personagens centrais do romance de Junichiro Tanizaki e objeto principal da presente pesquisa. Por meio da figura de cada uma delas temos acesso ao modo como essas influências adentraram no dia a dia de parte da sociedade japonesa, mais especificamente da família Makioka, tradicional da região de Osaka, e seu círculo social. Para desenvolver esse estudo, faremos a contextualização do período vivido p
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Pastana, Rafaella Denise Lobo. "Da polaridade à dualidade: um estudo da obra literária Amor insensato de Jun\'ichir Tanizaki." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-28112016-104317/.

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O presente estudo intenciona relacionar a obra literária Amor insensato do escritor japonês Junichir Tanizaki com o corpo bibliográfico utilizado da psicanálise e história. O enredo da obra de Tanizaki apresenta caráter confessional e narra a vida conjugal das personagens Jji e Naomi. Em determinados aspectos, tal relação se apresenta como uma representação da interação que se deu entre o país Japão e países culturalmente colonizadores pertencentes ao hemisfério ocidental, e aponta as noções assimiladas do Oriente como cultura pouco civilizada e por isso mesmo, incapaz de falar por si mesma em
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Wei, Ran. "An Outsider and Insider's Osaka: Osaka in Tanizaki Jun'ichirō and Oda Sakunosuke's Literature." Thesis, University of Oregon, 2018. http://hdl.handle.net/1794/23790.

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This thesis looks at the representations of Osaka from the 1920s to the 1940s in Tokyo writer Tanizaki Jun’ichirō and Osaka writer Oda Sakunosuke’s literature. I examine how Tanizaki and Oda approached issues of local and national and responded to the changing power relations between the local and the national order, as well as Osaka’s gradual subordination into a greater national entity. I argue that the Osaka outsider Tanizaki and the Osaka insider Oda’s literary responses to Osaka’s changing relation with the nation share certain similarities and differences: the similarities lie in their a
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8

Kimura, Yukiko. "Las ideas de Tanizaki Jun'ichirō sobre la lengua literaria en el "momento japonés" de su trayectoria." Doctoral thesis, Universitat Autònoma de Barcelona. Programa de Doctorat en Traducció i Estudis Interculturals, 2020. http://hdl.handle.net/10803/671174.

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En l'albor de la seva història, el Japó no disposava de la seva propia escriptura i quan va surgir la necessitat de poseer-la, els habitants de l'arxipèlag nipó van optar per demanar prestats les lletres de la seva veïna, l'antiga Xina. Així van començar a introduir-se els caràcters xinesos al Japó. Tot i que el fet d'haver obtingut l'escriptura significava un succés revolucionari, els japonesos de lavo's van haver de enginyar per domesticar aquest escriptura a causa de la diferència gramatical que existia entre la llengua japonesa i la xinesa. En el procés d'aquesta domesticació, van aparèixe
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9

Navarini, Sara <1991&gt. "Dal romanzo al grande schermo: Manji. Analisi dell’opera di Tanizaki Jun’ichirō e delle diverse trasposizioni cinematografiche di Liliana Cavani e Masumura Yasuzō." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10483.

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Attualmente più di quaranta pellicole giapponesi e straniere sono state prodotte ispirandosi a una delle opere dello scrittore giapponese Tanizaki Jun’ichirō (1886-1965). Il presente lavoro intende analizzane un romanzo in particolare, “Manji” (pubblicato in italiano come “La croce buddista”, traduzione di Lydia Origlia) e due trasposizioni cinematografiche: la prima è il libero adattamento del 1985 della regista italiana Liliana Cavani (1933-) “Interno Berlinese”; la seconda è l’omonimo film del 1964, “Manji”, del noto regista giapponese Masumura Yasuzō (1924-1986). Lo scopo è di paragonare i
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10

Shibata, Miura Yuko. "Creating Japaneseness : formation of cultural identify /." Thesis, Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22199196.

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11

Montupet, Pascale. ""Poétique de l'écart" dans "Sylvie" de Gérard de Nerval, "Le grand Meaulnes" d́Alain-Fournier, "La fugitive" de Marcel Proust et dans "Musashino" de Kunikida Doppo, "Yoshinokuzu" de Tanizaki Jun-ichirô et "Kusamakura" de Natsumé Sôseki." Paris 3, 1993. http://www.theses.fr/1993PA030018.

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Onstott, Wilson Wright. "Articulation as an Act of Futility: A Deconstructive Exploration of Textual Articulation as It Functions within a First-Person Narrative Structure." Digital Commons @ East Tennessee State University, 2006. https://dc.etsu.edu/etd/2198.

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The inability of language to convey complete meaning and truth is a central point of address for much post-structuralist literary theory and criticism. When these theories are applied to a first-person narrative structure, whether it is a work of fiction or non-fiction, certain specific incongruities arise. When a narrative seeks to recall certain events, a presupposed reexamination takes place as the narrative unfolds text comes into being. If a narractice is contructed in this way then the intent of the text then is to convey comprehensive meanings or truths of those cataloged experiences
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ワーレン, ケズナジャット グレゴリー, та Gregory Warren Khezrnejat. "谷崎潤一郎の〈メルティング・ポット〉 : 大正・昭和初期の作品における越境的美学". Thesis, https://doors.doshisha.ac.jp/opac/opac_link/bibid/BB13059529/?lang=0, 2017. https://doors.doshisha.ac.jp/opac/opac_link/bibid/BB13059529/?lang=0.

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Holloway, David. "Of pens and needles: Reading the traditional in Tanizaki's "Shisei"." Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1442935.

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Bing-Hong, Tsai, and 蔡秉宏. "The Study of Amatory Literature of Tanizaki." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/02499469157056378437.

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碩士<br>中國文化大學<br>日本研究所<br>94<br>Tanizaki Junichiro(1886-1965)is one of the remarkable author who was seen as representation of Decadent. His most popular works include “Chijin no Ai”, “Shi Sei”, “Shun Kin Sho”, and “Sasame Yuki”,etc. His deep sensation was aroused through the experience of hiking. The mentioned above works depicted the physical beauty of females. Therefore, he is known as Diabolism.   During Tanizaki’s childhood, his mother died at young age, which had scared him for a long time. Therefore, he had “Oedipus Complex” and an unusual expectation for “Feminine”, which is called “Fe
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Kanayama, Yasuko. "The aesthetics of distance and Jun’ichiro Tanizaki." Thesis, 1997. http://hdl.handle.net/2429/5953.

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The aim of this thesis is to examine the transformation and development of Jun'ichiro Tanizaki's "Aesthetics of distance" in male-female relationship as well as in the main characters' perception of reality, through his three major works: Chijin no ai (Naomi), Shunkinsho (The Story of Shunkin), and Fulen rojin nikki (A Diary of a Mad Old Man). For Tanizaki, distance, whether in a spiritual, spatial, or social dimension, functions as a mechanism through which characters and readers perceive as well as measure reality. Furthermore, for him, beauty is measured by remoteness (distance) from
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17

Peng, I.-Chih, and 彭誼芝. "The cursed diary——A study on Tanizaki''s "The Key"." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/47840891381054624957.

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碩士<br>國立臺灣大學<br>日本語文學研究所<br>94<br>This thesis mainly aims to investigate dramatic elements in “The Key” (Published in "Central public opinion", 1956), written by Junichiro, Tanizaki (1886-1965) in his later years. According to Professor Donald Keene''s introduction, European critics regard this novel as the greatest masterpiece of the Japanese Literature. However, when it was published, the explicit sexual depiction has caused the great repercussions of the literary circles. First, I would like to introduce the historical background of this novel, and examine the connection between this t
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18

Daphne, Shih Fen Wang, and 王詩芬. "A Study of Tanizaki Junichiro's Works On The Images of Married Couples." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/84609156288029234899.

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碩士<br>輔仁大學<br>日本語文學系<br>96<br>This thesis analyzes the images of married couples from five of Tanizaki Junichiro’s novels from the perspective of the increasing “mature year” divorce rate in modern Japanese society. Chapter One deals with “Naomi,” which is a story about George and Naomi, a couple who meet each other and develop a complicated relationship. I argue that Tanizaki warns people that husbands who spoil their wives must face the consequences of their actions. Chapter Two is about “Manji(卍),” which analyzes the real life of the Kakiuchi couple and how they come into conflict with T
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19

Tsai, Ling-Zhen, and 蔡伶甄. "Misogynistic phenomenon in the literature of Tanizaki: Naomi, Quicksand, and The Key." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/75r8s7.

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碩士<br>國立臺灣大學<br>日本語文學研究所<br>106<br>Jun&apos;&apos;ichirō Tanizaki, nominated for Nobel Prize in Literature seven times, was called The Great Tanizaki in the history of modern Japanese literature. He pursued the writing concept of “female worship” in his entire life. His heroes kneel at the feet of women with functional beauty, and through abuse and abused, they are intoxicated in the pleasure of the sharp pain, mental and the physical. Gathering the esthetic elements such as grotesque, aestheticism, sadomasochism, immorality, and mystery, he enjoyed describing the passion for sadomasochism,
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20

WANG, YUCHENG, and 王宇澄. "A visual design of the symbolic implication of Junichiro Tanizaki ’s literature cover design." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/45nfn7.

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碩士<br>國立高雄師範大學<br>視覺設計學系<br>107<br>Junichiro Tanizaki( July 1886 – 30 July 1965)was a famous writers of modern Japanese literature. In Meiji era, naturalism literature was very popular. But he opened a new style of modern Japanese literature, Aestheticism. Tanizaki’s was based on the theme of beauty, but the cover design of books are not satisfactory, and the connotation of his works cannot be reflected. Therefore, I hope to redesign of Tanizaki’s novels’ cover. And I will design an infographic about Tanizaki’s life to let the readers know more about him. This research will analyze Tanizaki’s
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21

Lai, Ming-Shine, and 賴銘賢. "Corruption in Tanizaki Junichiro’s early stage works Focusing on “Shindou",“Oni-no-Men",“Itannsha-no-Kanashimi"." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/20567945541883495918.

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碩士<br>國立高雄第一科技大學<br>應用日語研究所<br>104<br>The Japanese modern literary writer, Tanizaki Junichiro started out from anti-naturalism literature. He created a lot of great works in his life as a writer. Among his early works are some autobiographic works, such as "Shindo (1916.1)", "Oni no men (1916.5), and "Itansha no kanashimi (1917.1)." A shared feature of these autobiographic works is description of decadence of heroes. Why is there description of decadence of heroes in his early autobiographic literary works? Is this related to his anti-naturalism ideology? To figure out the answers, I made anal
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Ho, Pei-lin, and 何珮琳. "The study of literature concerned with the theater space-Regarding the early years novels of Zunichiro Tanizaki-." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/b76x6x.

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碩士<br>東吳大學<br>日本語文學系<br>96<br>This thesis is consideration of the theater space and inquire into it's features and meanings of the Tanizaki work centering on `TATOO`, `YOUTH`, `SECRET`, `DEVILⅠ`, `DEVILⅡ` of Zunichiro Tanizaki. To consider the theater space, at first there is necessary to make clear what it is. According to the definition, inspect the features of the theater space and it's manifestation of these five novels. The theater space describing in this five works is almost presented with the Japanese buildings at the dynasty of Edo(equal to 1603 to 1868 A.D). For example, the Edo's
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Wang, Tse-Jen, and 王則仁. "The Meaning of Aesthetics and Body in Tanizaki Literature ─ Focusing on “Shisei”, “Chijin no Ai” and “Syunkinsyou” ─." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/49p624.

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碩士<br>淡江大學<br>日本語文學系碩士班<br>101<br>The purpose of this paper is to explore the themes, Aesthetics and the Body Theory, which has been embodied in the literatures of Jun’ichiro Tanizaki. These themes will be discussed in particular to Tanizaki’s three literature, “Shisei”, “Chijin no Ai” and “Syunkinsyou”. Firstly, the origin and the significance of the Body Theory will be discussed before applying them to the literature, “Shisei”, “Chijin no Ai” and “Syunkinsyou”. Hence, in the first chapter, the Body Theory of Japan and that of the Western will be introduced and contrasted in accordance with
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HOU, YUAN-KUI, and 侯元逵. "Woman rule as the strategy judging from Junichirou Tanizaki literary work -Mainly on Tattoo, Naomi, Diary of a Mad Old Man-." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/k53rhe.

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碩士<br>淡江大學<br>日本語文學系碩士班<br>104<br>As a result of having considered "woman rule", a pattern and the methods of the woman rule as the strategy of three works are different. but all three works are it in the element of the God structure by the man. Because men of the masochism and foot fetishism made an ideal seductive woman who ensnares men, they built up women as the beauty of a kind of art in what ruled over the woman, and increased their ideal mark. And men admire them, and adore their foot. It is a kind of rite of passage for "the woman rule" as the strategy to make "the beauty" of the art.
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Kanzaki, Sachiyo. "Changement identitaire et revendications régionalistes du Kansaï au Japon." Thèse, 2013. http://hdl.handle.net/1866/10357.

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Depuis quelque temps, au Japon, on utilise de plus en plus le terme « Kansaï » pour désigner la région du Kinki (littéralement « le voisinage de la capitale »). Cette thèse propose d’analyser l’émergence de cette entité régionale et de son discours culturel dans le but de pallier le manque de recherches antérieures sur la diversité socioculturelle et le régionalisme au Japon. Il y existe, d’une part, une volonté de considérer le Japon comme une entité homogène, et d’autre part, un contexte dans lequel le Japon lui-même prône l’homogénéité de son peuple. Historiquement, ces énoncés ont été réfu
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Beauregard, Julien. "L’oubli et les indéterminations de lecture dans Le Voyeur d’Alain Robbe-Grillet, La Clef de Junichirô Tanizaki et Trou de mémoire de Hubert Aquin." Thesis, 2011. http://spectrum.library.concordia.ca/35857/1/Beauregard_MA_F2011.pdf.

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Gerow, Aaron Andrew. "Writing cinema film and literature in prewar Japan /." 1992. http://catalog.hathitrust.org/api/volumes/oclc/30874228.html.

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Thesis (M.A.)--University of Iowa, 1992.<br>Typescript (photocopy). eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 112-117).
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Jeon, Miseli. "Image of mother in Jun’ichiro Tanizaki’s Hahakoi stories." Thesis, 1996. http://hdl.handle.net/2429/4740.

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The aim of this thesis is to reveal the transformation that takes place in Jun'ichoro Tanizaki's aestheticism by examining the maternal images in his hahakoi novels: "Longing for Mother" (Haha o kouru ki), "Captain Shigemoto's Mother" (Shosho Shigemoto no haha), and "The Bridge of Dreams" (Yume no ukihashi). The link between the maternal images and Tanizaki's aestheticism can be found in his artistic manifesto "In Praise of Shadows" (In'ei raisan). The aesthetic ideals and prerequisites set out in "Praise" are the very qualities possessed by Tanizaki's mother characters. The common qua
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Wang, YuTing, and 王玉婷. "The research of women worship from Tanizaki's "manji" "shunkinshou"─Mainly "narration" "character" "body"─." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/3w393g.

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Shu, Huang Man, and 黃曼殊. "A Thesis of Tanizaki's Late Trilogy─Focusing on the Methodology of "Mimesis" and Its Embodiments/Implications." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/z2w244.

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碩士<br>東吳大學<br>日本語文學系<br>101<br>The Japanese writer, Junichiro Tanizaki, created numerous masterpieces throughout his life. From his first short story The Tattoer in 1910 to the novel Diary of a Mad Old Man in 1963, Tanizaki’s literature has spanned over half century and is demarcated by the Great Kanto Earthquake of 1923. After the Earthquake, Tanizaki moved from his hometown in Edo to Kansai region. The Earthquake was regarded as a turning point to Tanizaki. It not only affected Tanizaki’s life, but also changed the development of Tanizaki’s literature. Diary of a Mad Old Man, The Key (19
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