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Relevant bibliographies by topics / Tanzania, Theatre for Development

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Journal articles

Academic literature on the topic 'Tanzania, Theatre for Development'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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Journal articles on the topic "Tanzania, Theatre for Development"

1

JOHANSSON, DR OLA. "The Lives and Deaths of Zakia: How AIDS Changed African Community Theatre and Vice Versa." Theatre Research International 32, no. 1 (2007): 85–100. http://dx.doi.org/10.1017/s0307883306002525.

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This article discusses the functions of African community theatre in general, and its preventive capacity in the HIV/AIDS epidemic in particular. By delineating the parallel developments of community theatre and HIV prevention, the reciprocal needs of the practices are assessed in light of certain cases in Tanzania. This country has taken a leading position in the implementation of sustainable and locally owned theatre projects, but the challenges of the AIDS epidemic have proven so vast that the previously assumed purposes of community theatre must be called into question. Rather than being v

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2

Mlama, Penina. "Popular theatre and development‐challenges for the future: The Tanzanian experience." Contemporary Theatre Review 12, no. 1-2 (2002): 45–58. http://dx.doi.org/10.1080/10486800208568651.

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3

Plastow. "Karibuni Wanachi: Theatre for Development in Tanzania, by Julie Koch, and Theatre for Development in Kenya: In Search of an Effective Procedure and Methodology, by Christopher J. Odhiambo." Research in African Literatures 41, no. 1 (2010): 182. http://dx.doi.org/10.2979/ral.2010.41.1.182.

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4

White, Michael. "Resources for a Journey of Hope: the Work of Welfare State International." New Theatre Quarterly 4, no. 15 (1988): 195–208. http://dx.doi.org/10.1017/s0266464x00002748.

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Founded by John Fox in Bradford in 1968, Welfare State International – WSI for short – is a consortium of freelance associates, many of whom have a fine art background. Funded by the Arts Council to research prototype forms of visual, celebratory theatre and ceremonial art, the company has achieved an international reputation for its original and pioneering work, having worked for and with communities throughout Britain and Europe, and as far afield as Japan, Australia, the USA, Canada, and Tanzania. Handcrafted celebratory events may variously incorporate specially made pyrotechnic animations

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5

Bertz, Ned. "INDIAN OCEAN WORLD CINEMA: VIEWING THE HISTORY OF RACE, DIASPORA AND NATIONALISM IN URBAN TANZANIA." Africa 81, no. 1 (2011): 68–88. http://dx.doi.org/10.1017/s0001972010000045.

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ABSTRACTThis essay considers the role of Hindi films in urban Tanzania in writing new chronologies of Indian Ocean world history. Examining films and movie theatres through overlapping local, national and transnational lenses, the article contributes to our understandings of the encounter between the Indian diaspora and nationalism in East Africa, and extends the history of Indian Ocean world connections into the second half of the twentieth century. In order to escape the historiographical dialectic between nation and diaspora which splits scholarship on Hindi films overseas, cinema needs to

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6

Le Lay, Maëline. "Koch (Jule), Karibuni Wananchi. Theatre for Development in Tanzania. Variations and Tendencies. Bayreuth : Pia Thelmann & Eckhard Breitinger / University of Bayreuth, coll. Bayreuth African Studies n°85, 2008, 193 p., bibl., index – ISBN 978-3-939661-06-1." Études littéraires africaines, no. 26 (2008): 115. http://dx.doi.org/10.7202/1035148ar.

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7

Schmidt, Nancy J., and Jane Plastow. "African Theatre and Politics: The Evolution of Theatre in Ethiopia, Tanzania, and Zimbabwe." International Journal of African Historical Studies 32, no. 2/3 (1999): 552. http://dx.doi.org/10.2307/220429.

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8

Coleman, Claire. "Applied theatre: development." Research in Drama Education: The Journal of Applied Theatre and Performance 21, no. 2 (2016): 269–70. http://dx.doi.org/10.1080/13569783.2016.1159125.

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9

Young-Jahangeer, Miranda. "Applied theatre: development." South African Theatre Journal 29, no. 1-3 (2016): xiii—xvi. http://dx.doi.org/10.1080/10137548.2016.1219529.

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10

Riccio, Thomas. "Tanzanian Theatre, From Marx to the Marketplace." TDR/The Drama Review 45, no. 1 (2001): 128–52. http://dx.doi.org/10.1162/105420401300079095.

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This is one of two articles in this TDR about Tanzanian perfor-mance. Riccio asks, What has been the “journey of Tanzania” from tribalism through colonialism to Marxism, and then to capital-ism and globalization as represented in performance?

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