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Relevant bibliographies by topics / Tapestry, Flemish / Journal articles

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Journal articles on the topic 'Tapestry, Flemish'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Bertrand, Pascal-François, and Richard Wittman. "Flemish Tapestry. Guy Delmarcel." Studies in the Decorative Arts 10, no. 2 (2003): 136–39. http://dx.doi.org/10.1086/studdecoarts.10.2.40663047.

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2

Caruso, Maria Rita, Lorenzo Lisuzzo, Giuseppe Cavallaro, Giacomo Mirto, Stefana Milioto, and Giuseppe Lazzara. "Thermal and Mechanical Characterization of Yarn Samples from Flemish Tapestry of the Sixteenth Century." Molecules 27, no. 23 (2022): 8450. http://dx.doi.org/10.3390/molecules27238450.

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We propose a physico-chemical approach for theharacterization of the conservation condition of yarns from a Flemish tapestry of the sixteenth century. The aging effect on the yarns’ performance was evaluated by comparison with commercial materials. Water uptake experiments highlighted the aptitude of yarns toward water sorption and their increased hydrophilicity upon aging. Thermogravimetric analysis can be considered a fast approach for the fiber identification and assessment on the material life-time. The dynamic mechanical analysis provided direct evidence on the yarns, conservation state a

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3

Brosens, Koenraad, Jan Aerts, Klara Alen, Astrid Slegten, and Fred Truyen. "Visualizing and Analyzing Complex and Dynamic Networks of Flemish Tapestry Entrepreneurs (1640–1720)." Leonardo 50, no. 5 (2017): 503. http://dx.doi.org/10.1162/leon_a_01276.

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This paper discusses the possibilities of visualizing and analyzing complex and dynamic social networks to understand the interplay between ever-changing social structure and artistic developments within the Antwerp and Brussels tapestry industry (1640–1720).

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4

Turner, Hilary L. "Tapestries once at Chastleton House and Their Influence on the Image of the Tapestries Called Sheldon: A Reassessment." Antiquaries Journal 88 (September 2008): 313–46. http://dx.doi.org/10.1017/s0003581500001451.

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The intentions expressed in William Sheldon's will of 1570 suggest an attempt to introduce tapestry weaving at Barcheston, Warwickshire. Interpreted in the 1920s as resulting in a commercial venture – the only production centre in Elizabethan England – tapestries were attributed to it without documentary evidence, without stylistic comparison with continental work and without study of the records of émigré Flemish weavers settling in London from 1559 onwards. Their presence and more easily available comparative material, in both documentary and tapestry form, combine W question the previous pi

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5

Brosens, Koenraad, Klara Alen, Astrid Slegten, and Fred Truyen. "MapTap and Cornelia Slow Digital Art History and Formal Art Historical Social Network Research." Zeitschrift für Kunstgeschichte 79, no. 3 (2016): 315–30. http://dx.doi.org/10.1515/zkg-2016-0025.

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Abstract The essay introduces MapTap, a research project that zooms in on the ever-changing social networks underpinning Flemish tapestry (1620 – 1720). MapTap develops the young and still slightly amorphous field of Formal Art Historical Social Network Research (FAHSNR) and is fueled by Cornelia, a custom-made database. Cornelia’s unique data model allows researchers to organize attribution and relational data from a wide array of sources in such a way that the complex multiplex and multimode networks emerging from the data can be transformed into partial unimode networks that enable proper F

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6

James, Stuart. "Flemish Tapestry2000198Guy Delmarcel. Flemish Tapestry. London: Thames and Hudson 1999. 383 pp, ISBN: 0 500 01972 X £60.00." Reference Reviews 14, no. 4 (2000): 30–31. http://dx.doi.org/10.1108/rr.2000.14.4.30.198.

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7

Barbero, S. "Iconographic representation of a dioptra in a flemish tapestry of the XV century." Optica Pura y Aplicada 47, no. 1 (2014): 51–62. http://dx.doi.org/10.7149/opa.47.1.51.

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8

Chen, Victor J., Gregory D. Smith, Amanda Holden, and Sadie Arft. "Dye Analysis of a 17th-Century Mattens Workshop Tapestry Based on Raphael’s Drawing, The Miraculous Draught of Fishes." Heritage 7, no. 3 (2024): 1221–36. http://dx.doi.org/10.3390/heritage7030059.

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This paper describes the identification of dyes on fifty yarn samples from a tapestry created by the well-known 17th-century Flemish workshop of the Mattens family. The design of the tapestry is based on the first of ten drawings known as the Acts of the Apostles by the famed 16th-century Italian painter Raphael. The drawings were commissioned by Pope Leo X and translated into tapestries by Pieter van Aelst; these original tapestries are still in the collection of the Vatican Museums. The present work was reproduced over a century later from the original drawing and is one in a possible set of

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9

Manokhina, M. A. "Reception of Antiquity through Flemish Tapestries of the 15th–16th Centuries (Based on the Collection of the State Hermitage Museum)." Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 162, no. 6 (2020): 74–85. http://dx.doi.org/10.26907/2541-7738.2020.6.74-85.

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The problem of reception of the antiquity through tapestries in the Russian historiography was considered. Using as an example the Flemish tapestries of the 15th–16th centuries from the Collection of the State Hermitage Museum, the transformation and popularity of ancient motifs in this art form were demonstrated, as well as their special role in the propaganda of power, high social status, and wealth. The following main elements of tapestries were analyzed: subjects, characters, costumes, and Latin banderoles. The methodology of tapestry analysis is similar to the one used by structuralists:

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10

BROSENS, KOENRAAD. "The Maîtres et Marchands Tapissiers of the Rue de la Verrerie: Marketing Flemish and French Tapestry in Paris around 1725." Studies in the Decorative Arts 12, no. 2 (2005): 2–25. http://dx.doi.org/10.1086/studdecoarts.12.2.40663132.

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11

Delmarcel, Guy. ""Saint Paul before Porcins Festus, King Herod Agrippa, and His Sister Berenice:" A Flemish Renaissance Tapestry by Pieter Coecke van Aelst." Bulletin of the Detroit Institute of Arts 78, no. 1-2 (2004): 18–29. http://dx.doi.org/10.1086/dia41504981.

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12

"Flemish tapestry." Choice Reviews Online 38, no. 03 (2000): 38–1338. http://dx.doi.org/10.5860/choice.38-1338.

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13

Weigert, Laura. "Laura Weigert. Review of "Flemish Tapestry" by Guy Delmarcel." caa.reviews, March 21, 2001. http://dx.doi.org/10.3202/caa.reviews.2001.86.

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14

Nerlich, Andreas G., Antonio Perciaccante, Simon T. Donell, and Raffaella Bianucci. "Madelung's disease in a rare 14th century Franco-Flemish woolen tapestry." Lancet Diabetes & Endocrinology, July 2022. http://dx.doi.org/10.1016/s2213-8587(22)00213-3.

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15

Flynn, Bernadette. "Towards an Aesthetics of Navigation." M/C Journal 3, no. 5 (2000). http://dx.doi.org/10.5204/mcj.1875.

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Introduction Explorations of the multimedia game format within cultural studies have been broadly approached from two perspectives: one -- the impact of technologies on user interaction particularly with regard to social implications, and the other -- human computer interactions within the framework of cybercultures. Another approach to understanding or speaking about games within cultural studies is to focus on the game experience as cultural practice -- as an activity or an event. In this article I wish to initiate an exploration of the aesthetics of player space as a distinctive element of

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16

Dissanayake, Charitha. "“Stay tuned!"." M/C Journal 27, no. 2 (2024). http://dx.doi.org/10.5204/mcj.3038.

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Introduction Australia's rich multicultural fabric is woven with the threads of diverse ethnic communities, each bringing unique cultures, languages, and traditions to the tapestry of the nation. Central to the experiences of immigrants and refugees in Australia is ethnic broadcasting, which serves as a bridge between their past and present, homeland and host country. This article delves into the multifaceted landscape of ethnic broadcasting, exploring its historical significance, current challenges, and potential pathways for future development. Historical Significance of Ethnic Broadcasting

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17

Coghlan, Jo, Lisa J. Hackett, and Huw Nolan. "Barbie." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3072.

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The story of Barbie is a tapestry woven with threads of cultural significance, societal shifts, and corporate narratives. It’s a tale that encapsulates the evolution of American post-war capitalism, mirroring the changing tides of social norms, aspirations, and identities. Barbie’s journey from Germany to Los Angeles, along the way becoming a global icon, is a testament to the power of Ruth Handler’s vision and Barbie’s marketing. Barbie embodies and reflects the rise of mass consumption and the early days of television advertising, where one doll could become a household name and shape the dr

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