Relevant bibliographies by topics / Tarantism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Tarantism'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Tarantism"

1

Bynum, Bill. "Tarantism." Lancet 358, no. 9294 (2001): 1736. http://dx.doi.org/10.1016/s0140-6736(01)06731-9.

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Zappatore, Daniele. "Tarantism: The Italian Pizzica from Music Therapy to New Formsof Performance." International Journal of Creative and Arts Studies 4, no. 2 (2018): 1–7. http://dx.doi.org/10.24821/ijcas.v4i2.1962.

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Far from being a mere historical reconstruction of the complex and culturally conditioned zymology of tarantism, the aim of this paper is to highlight its dynamic diachronically. Originally came from Italy, tarantism and its dynamics couldn’t be disjoined from its ancient concepts: cults, ritual possession, choral-music exorcism, that can be understood as a music therapy. In ethnomusicology standpoints, the particular significance would join the analysis of its from and its cultural aspect to elaborate the preservation of its choral nature or even its original ritual use in some maintained tar
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Tita, Michele. "Healing Songs and Music in Southern Italy: the Case of Tarantism." Tautosakos darbai 59 (June 2, 2020): 134–46. http://dx.doi.org/10.51554/td.2020.28371.

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Humans have always expressed themselves through songs and it is possible to witness practices of traditional singing almost everywhere and every time. The case that I am presenting in this article refers to the context of Southern Eastern Italy until the 1960s and the practice of singing and playing instruments as a form of healing towards people affected by tarantism, a peculiar culture-bound syndrome of that geographical area nowadays extinct. Tarantism takes its name from the spider called tarantula, which was said to sting mostly women around the end of June. Music and songs belonging to t
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David Gentilcore. " The Land of Remorse: A Study of Southern Italian Tarantism, and: Storia biomedica del tarantismo nel XVIII secolo (review)." Bulletin of the History of Medicine 82, no. 2 (2008): 447–50. http://dx.doi.org/10.1353/bhm.0.0054.

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Siporin, Steve, Ernesto De Martino, and Dorothy Louise Zinn. "The Land of Remorse: A Study of Southern Italian Tarantism." Journal of American Folklore 122, no. 483 (2009): 104. http://dx.doi.org/10.2307/20487659.

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Cupolo, Marco. "The Land of Remorse: A Study of Southern Italian Tarantism (review)." Italian Culture 23, no. 1 (2005): 181–83. http://dx.doi.org/10.1353/itc.2006.0007.

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Fransen, Sietske. "Ritual, Rapture and Remorse: A Study of Tarantism and Pizzica in Salento." Folklore 123, no. 2 (2012): 241–42. http://dx.doi.org/10.1080/0015587x.2012.683586.

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Richardson-Boedler, C. "The widow spider Latrodectus tredecimguttatus: source of the remedy Tarentula hispanica?" British Homeopathic Journal 90, no. 01 (2001): 44–49. http://dx.doi.org/10.1054/homp.1999.0456.

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AbstractThe European wolf spider, Lycosa tarentula, said to have caused the historical phenomenon of ‘tarantism’, is the official medicinal source of the homeopathic remedy Tarentula hispanica. Yet, scientific evidence links the spider's venomous effects with mild necrotic and minor systemic effects that contrast with the proving symptoms of Tarentula hispanica which show a cerebral and neural component. A comparative investigation by use of toxicological, clinical findings, supported by modern and antique biological texts, as well as homeopathic materia medica, traces the source of the remedy
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Charuty, Giordana. "Ernesto De Martino, The Land of Remorse. A Study of Southern Italian Tarantism." L'Homme, no. 187-188 (October 3, 2008): 489–91. http://dx.doi.org/10.4000/lhomme.20672.

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Steve Siporin. "The Land of Remorse: A Study of Southern Italian Tarantism (review)." Journal of American Folklore 122, no. 1 (2008): 104–6. http://dx.doi.org/10.1353/jaf.0.0059.

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Dissertations / Theses on the topic "Tarantism"

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Smith, Dori Marie. "Lyric Possession: A Dramatization of Italian Tarantism in Song." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/560813.

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Lyric Possession: A Dramatization of Italian Tarantism in Song is a one-act creative project informed by research exploring the formation and evolution of Mediterranean musical, religious, and cultural identity through the practice of the tarantella. The tarantella is a musical form woven into the very fabric of the Mediterranean cultural landscape, in song, dance and folkloric history. The transformation of scholarly perspectives into dramatic format, recalling traditional Italian folk drama, illuminates the history and cultural relevance of the tarantella through the lives and songs of its p
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Brown, Myron D. "The 19th Century Tarantella for Piano: A Pedagogical Guide to Performance and Leveling." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1302883737.

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Levitskiy, M. V. "Quentin Tarantino." Thesis, Sumy State University, 2015. http://essuir.sumdu.edu.ua/handle/123456789/40467.

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Quentin Jerome Tarantino (born March 27, 1963) is an American film director, screenwriter, cinematographer, producer, and actor. Tarantino grew up an obsessed film fan and worked at Video Archives, a video rental store while training to act. Tarantino is a shining example of self-education, he never studied at universities or academies of directory and actor arts, all that he learned he learned on examples of the great films and on amateur courses.
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Blake, Eric Michael. "Genre, Justice & Quentin Tarantino." Scholar Commons, 2015. http://scholarcommons.usf.edu/etd/5911.

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The films of Quentin Tarantino have held a significant influence on modern cinema, and therefore on cinema studies. As such, studies on the social and philosophical implications of his work have appeared over the years, mostly in regards to content. However, with the exception of references to his use of cinematic violence, studies of his technique—i.e., his cinematic style—have been rare, and rarer still have been studies of the social implications that arise from the patterns of his style as well as those his subject matter. The following thesis seeks to use the concept of Auteur Theory—spec
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Tarantino, Sarah [Verfasser]. "Arbeitnehmerbeteiligung an Investitionsentscheidungen / Sarah Tarantino." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2016. http://d-nb.info/1122046421/34.

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Santos, Fabrício Cordeiro dos. "A cinefilia no cinema de Quentin Tarantino." Universidade Federal de Goiás, 2013. http://repositorio.bc.ufg.br/tede/handle/tede/3115.

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Submitted by Jaqueline Silva (jtas29@gmail.com) on 2014-09-22T17:22:31Z No. of bitstreams: 2 Santos, Fabrício Cordeiro-2013-dissertação.pdf: 3235906 bytes, checksum: 8467e0e05ccaf4b70549da7b0e388498 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved for entry into archive by Jaqueline Silva (jtas29@gmail.com) on 2014-09-22T18:50:46Z (GMT) No. of bitstreams: 2 Santos, Fabrício Cordeiro-2013-dissertação.pdf: 3235906 bytes, checksum: 8467e0e05ccaf4b70549da7b0e388498 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Made a
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Bergien, Angelika. ""Der Tarantino der Townships" – kulturelle Dimensionen metaphorischer Eigennamenverwendungen." Gesellschaft für Namenkunde e.V, 2011. https://ul.qucosa.de/id/qucosa%3A12545.

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In their primary use names are inherently defi nite, but they also have various secondary uses where this inherent defi niteness is lost. One such use is to identify an individual or place having relevant properties of the bearer of another name (e.g. We make Singapore Boston of the East or Paul Grootboom is the Tarantino of the townships). The examples make sense only if we know the source referents (Boston and Tarantino) and then establish a metaphorical relationship with the target referents (Singapore and Paul Grootboom). Thus, names are used as an economical way of referring to the transf
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Bergien, Angelika. ""Der Tarantino der Townships" – kulturelle Dimensionen metaphorischer Eigennamenverwendungen." Universitätsbibliothek Leipzig, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-145342.

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In their primary use names are inherently defi nite, but they also have various secondary uses where this inherent defi niteness is lost. One such use is to identify an individual or place having relevant properties of the bearer of another name (e.g. We make Singapore Boston of the East or Paul Grootboom is the Tarantino of the townships). The examples make sense only if we know the source referents (Boston and Tarantino) and then establish a metaphorical relationship with the target referents (Singapore and Paul Grootboom). Thus, names are used as an economical way of referring to the transf
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Soares, Sergio J. Puccini. "Cães de aluguel : analise de um roteiro de Quentin Tarantino." [s.n.], 2001. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285075.

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Orientador: Fernão Vitor Pessoa A. Ramos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-07-27T22:17:05Z (GMT). No. of bitstreams: 1 Soares_SergioJ.Puccini_M.pdf: 5602780 bytes, checksum: d90cc113e8730fb997e4374ec08d1a16 (MD5) Previous issue date: 2001<br>Resumo: O texto da dissertação apresenta uma análise do roteiro Cães de Aluguel, escrito pelo cineasta norte-americano Quentin Tarantino. Esta análise privilegia um enfoque relacionado à estrutura narrativa articulada pelo roteiro, que subverte a ordem linear da apresenta
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Barthel, Korinna. "Das Quentchen Gewalt heisse und kalte Gewalt in den Filmen Quentin Tarantinos." Marburg Tectum-Verl, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2660070&prov=M&dok_var=1&dok_ext=htm.

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Books on the topic "Tarantism"

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Tarantino, Luigi. La notte dei tamburi e dei coltelli: La danza-scherma nel Salento. BESA, 2001.

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Mina, Gabriele. La tela infinita: Bibliografia degli studi sul tarantismo mediterraneo, 1945-2004. Besa, 2005.

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Paolo, Apolito, De Mauro Tullio, and Rossi Annabella 1933-, eds. Lettere da una tarantata. Argo, 1994.

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Convegno internazionale di studi sul tarantismo (1998 Galatina, Italy). Quarant'anni dopo De Martino: Atti. Besa, 2000.

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Pizza, Giovanni. Il tarantismo oggi: Antropologia, politica, cultura. Carocci editore, 2015.

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Gabriele, Mina, ed. Il morso della differenza: Antologia del dibattito sul tarantismo fra il 14. e il 16. secolo. Besa, 2000.

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Vallone, Giancarlo. Le donne guaritrici nella terra del rimorso: Dal ballo risanatore allo sputo medicinale. Congedo, 2004.

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Magic, tarantism and vampirism (Conference) (2012 Lecce Italy). Magie, Tarantismus und Vampirismus: Eine interdisziplinäre Annäherung. Verlag Dr. Kovač, 2013.

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Romanazzi, Andrea. Il ritorno del dio che balla: Culti e riti del tarantolismo in Italia. Venexia, 2006.

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Giorgi, Pierpaolo De. L' estetica della tarantella: Pizzica, mito e ritmo. Congedo, 2004.

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Book chapters on the topic "Tarantism"

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Baldwin, Martha. "Dancing with Spiders: Tarantism in Early Modern Europe." In Experiencing Nature. Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-011-5810-7_6.

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Boswell, Matthew. "Inglourious Basterds (Quentin Tarantino)." In Holocaust Impiety in Literature, Popular Music and Film. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358690_11.

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Nitsche, Lutz. "Was ist ein auteur?" In Hitchcock — Greenaway — Tarantino. J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02876-1_1.

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Nitsche, Lutz. "Aufstieg, Fall und Rückkehr des Regisseurs. Verwandlungen der ‘auteur theory’." In Hitchcock — Greenaway — Tarantino. J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02876-1_2.

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Nitsche, Lutz. "An Schwellen des Autorenkinos. Zur Konstruktion von Autorschaft in den Paratexten des Films." In Hitchcock — Greenaway — Tarantino. J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02876-1_3.

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Nitsche, Lutz. "Der auteur im Bilde Selbstdarstellungen als paratextuelle Inversionen." In Hitchcock — Greenaway — Tarantino. J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02876-1_4.

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Nitsche, Lutz. "“Doing being an auteur” Das Interview als Identitätsperformance." In Hitchcock — Greenaway — Tarantino. J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02876-1_5.

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Nitsche, Lutz. "“May the hype be with you” Zum Marketing des Autorenkinos." In Hitchcock — Greenaway — Tarantino. J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02876-1_6.

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Nitsche, Lutz. "Schluss." In Hitchcock — Greenaway — Tarantino. J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02876-1_7.

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"TARANTISM." In The Little Book of Spiders. Princeton University Press, 2024. http://dx.doi.org/10.2307/jj.7616631.66.

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Conference papers on the topic "Tarantism"

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Garín Boronat, Manuel. "El autor invitado : Cronenberg Tarantino y la mutación transgenérica en la serie Alias de J.J.Abrams." In Nuevas Tendencias e hibridaciones de los discursos audiovisuales en la cultura digital contemporánea. ediciones de Ciencias Sociales, 2011. http://dx.doi.org/10.6035/978-84-87510-57-1.2011.60.

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Mohrig, David, and John M. Swartz. "RIO GRANDE SHELF-EDGE DELTA AND SUBMARINE SLOPE SYSTEM, OFFSHORE TEXAS, USA: TARANTIAN – EARLY HOLOCENE SEDIMENTATION OVERWHELMS TECTONICS." In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-302719.

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