Relevant bibliographies by topics / Tarantism

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Tarantism'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Tarantism.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Tarantism"

1

Bynum, Bill. "Tarantism." Lancet 358, no. 9294 (2001): 1736. http://dx.doi.org/10.1016/s0140-6736(01)06731-9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Zappatore, Daniele. "Tarantism: The Italian Pizzica from Music Therapy to New Formsof Performance." International Journal of Creative and Arts Studies 4, no. 2 (2018): 1–7. http://dx.doi.org/10.24821/ijcas.v4i2.1962.

Full text
Abstract:
Far from being a mere historical reconstruction of the complex and culturally conditioned zymology of tarantism, the aim of this paper is to highlight its dynamic diachronically. Originally came from Italy, tarantism and its dynamics couldn’t be disjoined from its ancient concepts: cults, ritual possession, choral-music exorcism, that can be understood as a music therapy. In ethnomusicology standpoints, the particular significance would join the analysis of its from and its cultural aspect to elaborate the preservation of its choral nature or even its original ritual use in some maintained tarantellas. Through a cultural approach, this paper showed how, in the next period, political and economic development of these processes of capitalization resulting form of commodification focused in the aspects of dance and music. This lead to a decontextualization of the tarantula’s symbol into ideological discourse that transformed into cultural heritage in order to give it the status of capital goods, to be launched in cultural market.
APA, Harvard, Vancouver, ISO, and other styles
3

Tita, Michele. "Healing Songs and Music in Southern Italy: the Case of Tarantism." Tautosakos darbai 59 (June 2, 2020): 134–46. http://dx.doi.org/10.51554/td.2020.28371.

Full text
Abstract:
Humans have always expressed themselves through songs and it is possible to witness practices of traditional singing almost everywhere and every time. The case that I am presenting in this article refers to the context of Southern Eastern Italy until the 1960s and the practice of singing and playing instruments as a form of healing towards people affected by tarantism, a peculiar culture-bound syndrome of that geographical area nowadays extinct. Tarantism takes its name from the spider called tarantula, which was said to sting mostly women around the end of June. Music and songs belonging to the traditional and wider genre of pizzica were used to treat them. Indeed, they could get rid of the venom of the spider by dancing with this music and these songs (even though the definitive healing could have been obtained only by the grace of Saint Paul). Pizzica is still sung, played and danced in Salento nowadays, although without its original healing function.The aim of this article is, therefore, to explore some examples of pizzica as witnessed from ethnomusicologists and played nowadays, highlighting their social and cultural role in both healing and recreational contexts.
APA, Harvard, Vancouver, ISO, and other styles
4

David Gentilcore. " The Land of Remorse: A Study of Southern Italian Tarantism, and: Storia biomedica del tarantismo nel XVIII secolo (review)." Bulletin of the History of Medicine 82, no. 2 (2008): 447–50. http://dx.doi.org/10.1353/bhm.0.0054.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Siporin, Steve, Ernesto De Martino, and Dorothy Louise Zinn. "The Land of Remorse: A Study of Southern Italian Tarantism." Journal of American Folklore 122, no. 483 (2009): 104. http://dx.doi.org/10.2307/20487659.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Cupolo, Marco. "The Land of Remorse: A Study of Southern Italian Tarantism (review)." Italian Culture 23, no. 1 (2005): 181–83. http://dx.doi.org/10.1353/itc.2006.0007.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Fransen, Sietske. "Ritual, Rapture and Remorse: A Study of Tarantism and Pizzica in Salento." Folklore 123, no. 2 (2012): 241–42. http://dx.doi.org/10.1080/0015587x.2012.683586.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Richardson-Boedler, C. "The widow spider Latrodectus tredecimguttatus: source of the remedy Tarentula hispanica?" British Homeopathic Journal 90, no. 01 (2001): 44–49. http://dx.doi.org/10.1054/homp.1999.0456.

Full text
Abstract:
AbstractThe European wolf spider, Lycosa tarentula, said to have caused the historical phenomenon of ‘tarantism’, is the official medicinal source of the homeopathic remedy Tarentula hispanica. Yet, scientific evidence links the spider's venomous effects with mild necrotic and minor systemic effects that contrast with the proving symptoms of Tarentula hispanica which show a cerebral and neural component. A comparative investigation by use of toxicological, clinical findings, supported by modern and antique biological texts, as well as homeopathic materia medica, traces the source of the remedy Tarentula hispanica to the Mediterranean widow spider Latrodectus tredecimguttatus, thus warranting a re-evaluation of pharmacological preparation.
APA, Harvard, Vancouver, ISO, and other styles
9

Charuty, Giordana. "Ernesto De Martino, The Land of Remorse. A Study of Southern Italian Tarantism." L'Homme, no. 187-188 (October 3, 2008): 489–91. http://dx.doi.org/10.4000/lhomme.20672.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Steve Siporin. "The Land of Remorse: A Study of Southern Italian Tarantism (review)." Journal of American Folklore 122, no. 1 (2008): 104–6. http://dx.doi.org/10.1353/jaf.0.0059.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Tarantism"

1

Smith, Dori Marie. "Lyric Possession: A Dramatization of Italian Tarantism in Song." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/560813.

Full text
Abstract:
Lyric Possession: A Dramatization of Italian Tarantism in Song is a one-act creative project informed by research exploring the formation and evolution of Mediterranean musical, religious, and cultural identity through the practice of the tarantella. The tarantella is a musical form woven into the very fabric of the Mediterranean cultural landscape, in song, dance and folkloric history. The transformation of scholarly perspectives into dramatic format, recalling traditional Italian folk drama, illuminates the history and cultural relevance of the tarantella through the lives and songs of its practitioners. In the Salentine peninsula where magic and religion collide, the ritualistic healing practice of the tarantella has served as a musical mechanism for dealing with reactions to socio-cultural issues such as repression of sexual identity, disenfranchisement, poverty and powerlessness experienced by Southern Italian women for centuries. Believed to have been a reaction to the venom of the indigenous Italian tarantula or wolf spider, peasant women in the Salentine peninsula exhibited poisoning-like symptoms and possession by spider spirits cured only through the performance of the tarantella and through the intercession of St. Paul, the patron saint of those who perform the tarantella, the tarantists. The purpose of this study is twofold. First, to examine the musical manifestations of the Tarantella as informed by its folkloric history, particularly in consideration of gender marginalization and female power. Second, to create a musical drama that portrays the music of the tarantella in a dramatic context that will reflect its folkloric history, scholarship by the anthropological, ethnomusicological and psychological communities in the form of the ritual itself. The project proposes that the complex, multifaceted history of the tarantella may best be captured and expressed through practice via a recreation of the ritual in the form of a musical drama.
APA, Harvard, Vancouver, ISO, and other styles
2

Brown, Myron D. "The 19th Century Tarantella for Piano: A Pedagogical Guide to Performance and Leveling." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1302883737.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Levitskiy, M. V. "Quentin Tarantino." Thesis, Sumy State University, 2015. http://essuir.sumdu.edu.ua/handle/123456789/40467.

Full text
Abstract:
Quentin Jerome Tarantino (born March 27, 1963) is an American film director, screenwriter, cinematographer, producer, and actor. Tarantino grew up an obsessed film fan and worked at Video Archives, a video rental store while training to act. Tarantino is a shining example of self-education, he never studied at universities or academies of directory and actor arts, all that he learned he learned on examples of the great films and on amateur courses.
APA, Harvard, Vancouver, ISO, and other styles
4

Blake, Eric Michael. "Genre, Justice & Quentin Tarantino." Scholar Commons, 2015. http://scholarcommons.usf.edu/etd/5911.

Full text
Abstract:
The films of Quentin Tarantino have held a significant influence on modern cinema, and therefore on cinema studies. As such, studies on the social and philosophical implications of his work have appeared over the years, mostly in regards to content. However, with the exception of references to his use of cinematic violence, studies of his technique—i.e., his cinematic style—have been rare, and rarer still have been studies of the social implications that arise from the patterns of his style as well as those his subject matter. The following thesis seeks to use the concept of Auteur Theory—specifically, that Tarantino is the primary artist of the films directed by him—to propose that a specific artistic style conveys a specific worldview: namely, that the artistic choices made by the director, in content and technique, can and do convey a viewpoint regarding “real life” and the world. Specifically, this work will culminate in analyzing and determining tenants to be gleaned from the Tarantino canon regarding issues of justice, both on an individual and societal basis. With his focus on crime—again, both societal and individual—Tarantino makes commentary on societal breakdown; the audience’s emotional support (or lack thereof) for characters and their actions corresponds with identification, and therefore draws real-life parallels. Such refers to the concept of “Realism”, which will be discussed in detail. Further, Tarantino’s trend of recycling elements from prior films refers to artistic “Postmodernism”—use of “pastiche” and sampling to create a “new” work. The thesis will analyze the value and meaning of the major samplings in Tarantino’s films—particularly in regards to genre--and concludes that, far from a simple conglomeration, a Tarantino “Genre-Blender” forms a cohesive whole, oriented towards specific impact of the audience. From the above two issues of Realism and Postmodernism in art, and establishing the existence of a cohesive artistic vision in Tarantino’s work, this thesis identifies patterns in such that identify specific viewpoints on questions of “Good”, “Evil”, and “Justice”. Key to this is the dichotomy between objective principles and subjectivity in human interaction amid the applications of principles. Tarantino’s work conveys a belief in certain objective tenants; however, the applications that arise through interaction cause complications, arising through human limitations in perspective. The ultimate purpose of this study is to link studies of social implications of film to not merely content, but in choices in cinematic style. It is a contribution at once to studies of film and to studies of artistic theory (in particular Realism and Postmodernism), using both to analyze how a specific, popular, mainstream artist reflects a worldview through the sensibilities that are channeled in creating his works.
APA, Harvard, Vancouver, ISO, and other styles
5

Tarantino, Sarah [Verfasser]. "Arbeitnehmerbeteiligung an Investitionsentscheidungen / Sarah Tarantino." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2016. http://d-nb.info/1122046421/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Santos, Fabrício Cordeiro dos. "A cinefilia no cinema de Quentin Tarantino." Universidade Federal de Goiás, 2013. http://repositorio.bc.ufg.br/tede/handle/tede/3115.

Full text
Abstract:
Submitted by Jaqueline Silva (jtas29@gmail.com) on 2014-09-22T17:22:31Z No. of bitstreams: 2 Santos, Fabrício Cordeiro-2013-dissertação.pdf: 3235906 bytes, checksum: 8467e0e05ccaf4b70549da7b0e388498 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved for entry into archive by Jaqueline Silva (jtas29@gmail.com) on 2014-09-22T18:50:46Z (GMT) No. of bitstreams: 2 Santos, Fabrício Cordeiro-2013-dissertação.pdf: 3235906 bytes, checksum: 8467e0e05ccaf4b70549da7b0e388498 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Made available in DSpace on 2014-09-22T18:50:46Z (GMT). No. of bitstreams: 2 Santos, Fabrício Cordeiro-2013-dissertação.pdf: 3235906 bytes, checksum: 8467e0e05ccaf4b70549da7b0e388498 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2013-08-28<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Cinephilia founds its place during the 1950s from the Heirs of Bazinian critical approach. The interest of young cinephiles as François Truffaut and Jean-Luc Godard in living a life around movies ended up in the creation of a new culture, which led to a special study of cinema, a policy of legitimizing movies and auteurs and a closer look at the mise en scène. Moreover, the importance of collective view and sociability to the flourishing cinephile, just like the presence of a certain fetish and practices and habits around the theater. Based on the concepts of cinephilia and its historical overview presented by the critic and researcher Antoine de Baecque, this work has as one of its objectives to look for distinctions between what is meant by cinephile for over fifty years and what is meant by cinephile today. Nowadays, media and communication amplify and make even more complex the relationship of the viewer with images, now subjected to a whole range of devices which are perfect for the mastery of the spectacle. Now films have to compete with the “all-image”, a term used by the media in the 1970s. Secondly, this work observes, through filmic analysis, manifestations of cinephilia in Quentin Tarantino’s last films, as well as its relationship with the “all-image”.<br>A cinefilia encontrou seu lugar no cinema a partir dos anos 1950. Herdeiros do olhar crítico baziniano, o interesse de jovens como François Truffaut e Jean-Luc Godard em se entregar a uma vida em torno dos filmes acabou por plantar uma nova cultura. Desenvolveu-se uma erudição própria do cinema, uma política de legitimação de filmes e autores, um olhar atento para a mise en scène, além de um certo fetiche e práticas e hábitos em torno da sala de cinema, do ver coletivo, a sociabilidade tão importante para o florescimento cinéfilo. Partindo dos conceitos de cinefilia e de seu apanhado histórico apresentado pelo crítico e pesquisador Antoine de Baecque, este trabalho tem como um de seus objetivos apontar distinções entre o que se entendia por cinéfilo há mais de cinquenta anos e o que se entende por cinéfilo hoje, tempo em que a mídia e a comunicação ampliam e problematizam a relação do espectador com as imagens, agora submetidas a todo um conjunto de aparatos ideal para a manifestação e domínio do espetáculo, fazendo com que o cinema dispute lugar com o que as mídias setentistas passaram a se referir como “tudo-imagem”. Num segundo momento, pretende observar, por meio da análise fílmica, as manifestações da(s) cinefilia(s) no cinema de Quentin Tarantino, cineasta autoral contemporâneo, assim como sua relação com o “tudoimagem”.
APA, Harvard, Vancouver, ISO, and other styles
7

Bergien, Angelika. ""Der Tarantino der Townships" – kulturelle Dimensionen metaphorischer Eigennamenverwendungen." Gesellschaft für Namenkunde e.V, 2011. https://ul.qucosa.de/id/qucosa%3A12545.

Full text
Abstract:
In their primary use names are inherently defi nite, but they also have various secondary uses where this inherent defi niteness is lost. One such use is to identify an individual or place having relevant properties of the bearer of another name (e.g. We make Singapore Boston of the East or Paul Grootboom is the Tarantino of the townships). The examples make sense only if we know the source referents (Boston and Tarantino) and then establish a metaphorical relationship with the target referents (Singapore and Paul Grootboom). Thus, names are used as an economical way of referring to the transferred properties which are associated with the name bearer. Metaphors in general are selective and highlight particular aspects of the source and target referents while hiding others. Based on a survey including examples from multiple sources and informants with diff erent backgrounds, I want to explore some of the issues that metaphorically used names raise. In particular, I show that a cultural dimension is refl ected a) in the use of local or non-local source referents and b) in the knowledge about the source referent that is evoked in a given discourse context.
APA, Harvard, Vancouver, ISO, and other styles
8

Bergien, Angelika. ""Der Tarantino der Townships" – kulturelle Dimensionen metaphorischer Eigennamenverwendungen." Universitätsbibliothek Leipzig, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-145342.

Full text
Abstract:
In their primary use names are inherently defi nite, but they also have various secondary uses where this inherent defi niteness is lost. One such use is to identify an individual or place having relevant properties of the bearer of another name (e.g. We make Singapore Boston of the East or Paul Grootboom is the Tarantino of the townships). The examples make sense only if we know the source referents (Boston and Tarantino) and then establish a metaphorical relationship with the target referents (Singapore and Paul Grootboom). Thus, names are used as an economical way of referring to the transferred properties which are associated with the name bearer. Metaphors in general are selective and highlight particular aspects of the source and target referents while hiding others. Based on a survey including examples from multiple sources and informants with diff erent backgrounds, I want to explore some of the issues that metaphorically used names raise. In particular, I show that a cultural dimension is refl ected a) in the use of local or non-local source referents and b) in the knowledge about the source referent that is evoked in a given discourse context.
APA, Harvard, Vancouver, ISO, and other styles
9

Soares, Sergio J. Puccini. "Cães de aluguel : analise de um roteiro de Quentin Tarantino." [s.n.], 2001. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285075.

Full text
Abstract:
Orientador: Fernão Vitor Pessoa A. Ramos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-07-27T22:17:05Z (GMT). No. of bitstreams: 1 Soares_SergioJ.Puccini_M.pdf: 5602780 bytes, checksum: d90cc113e8730fb997e4374ec08d1a16 (MD5) Previous issue date: 2001<br>Resumo: O texto da dissertação apresenta uma análise do roteiro Cães de Aluguel, escrito pelo cineasta norte-americano Quentin Tarantino. Esta análise privilegia um enfoque relacionado à estrutura narrativa articulada pelo roteiro, que subverte a ordem linear da apresentação dos fatos da história. Ao fazer isso, o roteirista, ao mesmo tempo em que redimensiona o sentido de cenas que não encontrariam espaço se a evolução da história se desse de forma linear, garante a dinâmica exigida pelo gênero ao qual o roteiro se inscreve, sem abrir mão da inclinação verborrágica que caracteriza seu trabalho. Obs. Todas as traduções aqui apresentadas foram feitas pelo autor. As traduções dos trechos do roteiro se encontram ao final de cada capítulo, acompanhando nota correspondente à referência bibliográfica<br>Abstract: No informed.<br>Mestrado<br>Mestre em Multimeios
APA, Harvard, Vancouver, ISO, and other styles
10

Barthel, Korinna. "Das Quentchen Gewalt heisse und kalte Gewalt in den Filmen Quentin Tarantinos." Marburg Tectum-Verl, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2660070&prov=M&dok_var=1&dok_ext=htm.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Tarantism"

1

Tarantino, Luigi. La notte dei tamburi e dei coltelli: La danza-scherma nel Salento. BESA, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Mina, Gabriele. La tela infinita: Bibliografia degli studi sul tarantismo mediterraneo, 1945-2004. Besa, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Paolo, Apolito, De Mauro Tullio, and Rossi Annabella 1933-, eds. Lettere da una tarantata. Argo, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Convegno internazionale di studi sul tarantismo (1998 Galatina, Italy). Quarant'anni dopo De Martino: Atti. Besa, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Pizza, Giovanni. Il tarantismo oggi: Antropologia, politica, cultura. Carocci editore, 2015.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Gabriele, Mina, ed. Il morso della differenza: Antologia del dibattito sul tarantismo fra il 14. e il 16. secolo. Besa, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Vallone, Giancarlo. Le donne guaritrici nella terra del rimorso: Dal ballo risanatore allo sputo medicinale. Congedo, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Magic, tarantism and vampirism (Conference) (2012 Lecce Italy). Magie, Tarantismus und Vampirismus: Eine interdisziplinäre Annäherung. Verlag Dr. Kovač, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Romanazzi, Andrea. Il ritorno del dio che balla: Culti e riti del tarantolismo in Italia. Venexia, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Giorgi, Pierpaolo De. L' estetica della tarantella: Pizzica, mito e ritmo. Congedo, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Tarantism"

1

Baldwin, Martha. "Dancing with Spiders: Tarantism in Early Modern Europe." In Experiencing Nature. Springer Netherlands, 1997. http://dx.doi.org/10.1007/978-94-011-5810-7_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Boswell, Matthew. "Inglourious Basterds (Quentin Tarantino)." In Holocaust Impiety in Literature, Popular Music and Film. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358690_11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Nitsche, Lutz. "Was ist ein auteur?" In Hitchcock — Greenaway — Tarantino. J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02876-1_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Nitsche, Lutz. "Aufstieg, Fall und Rückkehr des Regisseurs. Verwandlungen der ‘auteur theory’." In Hitchcock — Greenaway — Tarantino. J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02876-1_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Nitsche, Lutz. "An Schwellen des Autorenkinos. Zur Konstruktion von Autorschaft in den Paratexten des Films." In Hitchcock — Greenaway — Tarantino. J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02876-1_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Nitsche, Lutz. "Der auteur im Bilde Selbstdarstellungen als paratextuelle Inversionen." In Hitchcock — Greenaway — Tarantino. J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02876-1_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Nitsche, Lutz. "“Doing being an auteur” Das Interview als Identitätsperformance." In Hitchcock — Greenaway — Tarantino. J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02876-1_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Nitsche, Lutz. "“May the hype be with you” Zum Marketing des Autorenkinos." In Hitchcock — Greenaway — Tarantino. J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02876-1_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Nitsche, Lutz. "Schluss." In Hitchcock — Greenaway — Tarantino. J.B. Metzler, 2002. http://dx.doi.org/10.1007/978-3-476-02876-1_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

"TARANTISM." In The Little Book of Spiders. Princeton University Press, 2024. http://dx.doi.org/10.2307/jj.7616631.66.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Tarantism"

1

Garín Boronat, Manuel. "El autor invitado : Cronenberg Tarantino y la mutación transgenérica en la serie Alias de J.J.Abrams." In Nuevas Tendencias e hibridaciones de los discursos audiovisuales en la cultura digital contemporánea. ediciones de Ciencias Sociales, 2011. http://dx.doi.org/10.6035/978-84-87510-57-1.2011.60.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Mohrig, David, and John M. Swartz. "RIO GRANDE SHELF-EDGE DELTA AND SUBMARINE SLOPE SYSTEM, OFFSHORE TEXAS, USA: TARANTIAN – EARLY HOLOCENE SEDIMENTATION OVERWHELMS TECTONICS." In GSA Annual Meeting in Seattle, Washington, USA - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017am-302719.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Tarantism' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography