Log in

Relevant bibliographies by topics / Tarantism / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Tarantism.

Dissertations / Theses on the topic 'Tarantism'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Tarantism.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Smith, Dori Marie. "Lyric Possession: A Dramatization of Italian Tarantism in Song." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/560813.

Full text

Abstract:

Lyric Possession: A Dramatization of Italian Tarantism in Song is a one-act creative project informed by research exploring the formation and evolution of Mediterranean musical, religious, and cultural identity through the practice of the tarantella. The tarantella is a musical form woven into the very fabric of the Mediterranean cultural landscape, in song, dance and folkloric history. The transformation of scholarly perspectives into dramatic format, recalling traditional Italian folk drama, illuminates the history and cultural relevance of the tarantella through the lives and songs of its p

APA, Harvard, Vancouver, ISO, and other styles

2

Brown, Myron D. "The 19th Century Tarantella for Piano: A Pedagogical Guide to Performance and Leveling." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1302883737.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Levitskiy, M. V. "Quentin Tarantino." Thesis, Sumy State University, 2015. http://essuir.sumdu.edu.ua/handle/123456789/40467.

Full text

Abstract:

Quentin Jerome Tarantino (born March 27, 1963) is an American film director, screenwriter, cinematographer, producer, and actor. Tarantino grew up an obsessed film fan and worked at Video Archives, a video rental store while training to act. Tarantino is a shining example of self-education, he never studied at universities or academies of directory and actor arts, all that he learned he learned on examples of the great films and on amateur courses.

APA, Harvard, Vancouver, ISO, and other styles

4

Blake, Eric Michael. "Genre, Justice & Quentin Tarantino." Scholar Commons, 2015. http://scholarcommons.usf.edu/etd/5911.

Full text

Abstract:

The films of Quentin Tarantino have held a significant influence on modern cinema, and therefore on cinema studies. As such, studies on the social and philosophical implications of his work have appeared over the years, mostly in regards to content. However, with the exception of references to his use of cinematic violence, studies of his technique—i.e., his cinematic style—have been rare, and rarer still have been studies of the social implications that arise from the patterns of his style as well as those his subject matter. The following thesis seeks to use the concept of Auteur Theory—spec

APA, Harvard, Vancouver, ISO, and other styles

5

Tarantino, Sarah [Verfasser]. "Arbeitnehmerbeteiligung an Investitionsentscheidungen / Sarah Tarantino." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2016. http://d-nb.info/1122046421/34.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Santos, Fabrício Cordeiro dos. "A cinefilia no cinema de Quentin Tarantino." Universidade Federal de Goiás, 2013. http://repositorio.bc.ufg.br/tede/handle/tede/3115.

Full text

Abstract:

Submitted by Jaqueline Silva (jtas29@gmail.com) on 2014-09-22T17:22:31Z No. of bitstreams: 2 Santos, Fabrício Cordeiro-2013-dissertação.pdf: 3235906 bytes, checksum: 8467e0e05ccaf4b70549da7b0e388498 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Approved for entry into archive by Jaqueline Silva (jtas29@gmail.com) on 2014-09-22T18:50:46Z (GMT) No. of bitstreams: 2 Santos, Fabrício Cordeiro-2013-dissertação.pdf: 3235906 bytes, checksum: 8467e0e05ccaf4b70549da7b0e388498 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5)<br>Made a

APA, Harvard, Vancouver, ISO, and other styles

7

Bergien, Angelika. ""Der Tarantino der Townships" – kulturelle Dimensionen metaphorischer Eigennamenverwendungen." Gesellschaft für Namenkunde e.V, 2011. https://ul.qucosa.de/id/qucosa%3A12545.

Full text

Abstract:

In their primary use names are inherently defi nite, but they also have various secondary uses where this inherent defi niteness is lost. One such use is to identify an individual or place having relevant properties of the bearer of another name (e.g. We make Singapore Boston of the East or Paul Grootboom is the Tarantino of the townships). The examples make sense only if we know the source referents (Boston and Tarantino) and then establish a metaphorical relationship with the target referents (Singapore and Paul Grootboom). Thus, names are used as an economical way of referring to the transf

APA, Harvard, Vancouver, ISO, and other styles

8

Bergien, Angelika. ""Der Tarantino der Townships" – kulturelle Dimensionen metaphorischer Eigennamenverwendungen." Universitätsbibliothek Leipzig, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-145342.

Full text

Abstract:

In their primary use names are inherently defi nite, but they also have various secondary uses where this inherent defi niteness is lost. One such use is to identify an individual or place having relevant properties of the bearer of another name (e.g. We make Singapore Boston of the East or Paul Grootboom is the Tarantino of the townships). The examples make sense only if we know the source referents (Boston and Tarantino) and then establish a metaphorical relationship with the target referents (Singapore and Paul Grootboom). Thus, names are used as an economical way of referring to the transf

APA, Harvard, Vancouver, ISO, and other styles

9

Soares, Sergio J. Puccini. "Cães de aluguel : analise de um roteiro de Quentin Tarantino." [s.n.], 2001. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285075.

Full text

Abstract:

Orientador: Fernão Vitor Pessoa A. Ramos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-07-27T22:17:05Z (GMT). No. of bitstreams: 1 Soares_SergioJ.Puccini_M.pdf: 5602780 bytes, checksum: d90cc113e8730fb997e4374ec08d1a16 (MD5) Previous issue date: 2001<br>Resumo: O texto da dissertação apresenta uma análise do roteiro Cães de Aluguel, escrito pelo cineasta norte-americano Quentin Tarantino. Esta análise privilegia um enfoque relacionado à estrutura narrativa articulada pelo roteiro, que subverte a ordem linear da apresenta

APA, Harvard, Vancouver, ISO, and other styles

10

Barthel, Korinna. "Das Quentchen Gewalt heisse und kalte Gewalt in den Filmen Quentin Tarantinos." Marburg Tectum-Verl, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2660070&prov=M&dok_var=1&dok_ext=htm.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Katz, Joshua. "Once Upon a Time in Tarantino-Occupied Carnage: A Study of the Aesthetic Affectations and the Moral Dilemmas Powering Violence in the Revenge Cinema of Quentin Tarantino." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/586.

Full text

Abstract:

This thesis examines the critical response to Quentin Tarantino’s representations of screen violence, primarily the violent content in his three revenge thrillers: Kill Bill (2003-4), Inglourious Basterds (2009), and Django Unchained (2012). Throughout Tarantino’s career, critics have attacked him for aestheticizing bloodshed to such a degree that it becomes a glib, pop culture affectation, and the empirically larger amounts of violent content in the revenge thrillers has only encouraged this claim. This paper argues for a recontextualization of how Tarantino wields brutality throughout these

APA, Harvard, Vancouver, ISO, and other styles

12

Queiroz, Filipe Artur de Sousa. "Aproximação entre atividades narrativas: o cinema e a história." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/6743.

Full text

Abstract:

Submitted by Cássia Santos (cassia.bcufg@gmail.com) on 2017-01-16T09:48:51Z No. of bitstreams: 2 Dissertação - Filipe Artur de Sousa Queiroz - 2016.pdf: 1315281 bytes, checksum: dbdb4c52d2b712b4489682f1cdace9c4 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-01-16T11:07:26Z (GMT) No. of bitstreams: 2 Dissertação - Filipe Artur de Sousa Queiroz - 2016.pdf: 1315281 bytes, checksum: dbdb4c52d2b712b4489682f1cdace9c4 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf84

APA, Harvard, Vancouver, ISO, and other styles

13

Magnani, Matthew Daniel. "Martin Scorsese, Quentin Tarantino, and the Crime Films of the Nineteen Nineties." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278623/.

Full text

Abstract:

Martin Scorsese's films, GOODFELLAS and CASINO, and Quentin Tarantino's RESERVOIR DOGS and PULP FICTION are examined to determine if the crime film of the 1990s has become increasingly more in the style of film noir. The differences and similarities between the two crime films each director has either written or co-written in the 1990s are delineated to demonstrate this trend. Other crime films of the latter 1990s (SEVEN, THE USUAL SUSPECTS, and MULHOLLAND FALLS) are also examined to aid in defining the latest incarnation of the crime film as "Noir Modernist," a term that is demonstrated to be

APA, Harvard, Vancouver, ISO, and other styles

14

Soler, Pardo Betlem. "Swearing and Translation: A Study of the insults in the filims of Quentin Tarantino." Doctoral thesis, Universitat de València, 2011. http://hdl.handle.net/10803/81396.

Full text

Abstract:

This thesis analyses the insults in Quentin Tarantino’s films and their translation into Spanish. The insults in Tarantino’s films can be considered very interesting from a social point of view as I have gradually developed during this research. First, I have highlighted the possible problems when translating insults into Spanish. Secondly, I have provided the reader with specific examples in English of the insults collected from the seven films I have analysed [Reservoir Dogs, Pulp Fiction, Four Rooms, Jackie Brown, Kill Bill vol. I and II, Death Proof and Inglorious Basterds]. Finally, my i

APA, Harvard, Vancouver, ISO, and other styles

15

Rosén, Rebecca. "Quentin Tarantino och kärleken till blaxploitation : - en jämförande analys av representationen av svarta kvinnor." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-53624.

Full text

Abstract:

Följande uppsats kommer att fokusera på relationen mellan Quentin Tarantino och blaxploitation, och syftet med uppsatsen är att undersöka huruvida Tarantino väljer att representera sina svarta kvinnliga huvudkaraktärer annorlunda i sina blaxploitation-influerade filmer Jackie Brown (1997) och Django Unchained (2012) i jämförelse med representationen av svarta kvinnliga huvudkaraktärer i två av de mest kända blaxploitationfilmerna från 1970-talet, Coffy (1973) och Foxy Brown (1974). Den grundläggande teorin för uppsatsen är den feministiska filmteorin, men andra texter som berör representatione

APA, Harvard, Vancouver, ISO, and other styles

16

Quiroz, Linares Andrea del Rosario. "La estetización de la violencia en las películas Inglourious Basterds y Django Unchained del cineasta Quentin Tarantino como un instrumento enunciativo de la violencia de las víctimas y los victimarios." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2016. http://tesis.pucp.edu.pe/repositorio/handle/123456789/7552.

Full text

Abstract:

El presente trabajo de investigación es un estudio acerca de las técnicas y recursos formales audiovisuales que conforman la estética del cine en relación con la violencia representada en dos obras cinematográficas: Inglourious Basterds (2009) y Django Unchained (2012). Esto surge a partir de un interés particular por los intensos, inagotables y diferentes modos de retratar la violencia en el cine a lo largo de su historia, originando obras tan diversas como las apreciaciones que se hacen de ellas: hay quienes la encuentran atractiva y otros para quienes es repulsiva. El director de ci

APA, Harvard, Vancouver, ISO, and other styles

17

Huillet, Marie-Pierre. "Masculinités et féminités dans le cinéma de Quentin Tarantino : analyses filmiques et études de réception." Thesis, Toulouse 2, 2017. http://www.theses.fr/2017TOU20066/document.

Full text

Abstract:

S'il est bien un espace « à travers quoi les sociétés se parlent » (N. Burch, G. Sellier, 2009 : 22), c'est bien celui du cinéma. Ce média est une activité sociale, culturellement spécifique et éminemment « constructiviste » (M. Coulomb-Gully, 2011 : 10), notamment en terme de construction de Genre. La filmographie de Quentin Tarantino qui couvre plus de vingt ans de cinéma international, nous a semblé poser avec acuité la question du Genre. Nous nous sommes donc proposée, dans un premier temps de notre travail de recherche, d'analyser les sept premiers longs métrages du réalisateur américain

APA, Harvard, Vancouver, ISO, and other styles

18

Hillerbrand, Rune Adam. "Oförutsägbar fiktion : Narratologiska brott och kontraster i Quentin Tarantinos Pulp Fiction." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-154873.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Raines, Heather J. "Auteur direction, collaboration and film music: Re-imaginings in the cinema of Rodriguez and Tarantino." Thesis, University of Ottawa (Canada), 2009. http://hdl.handle.net/10393/28222.

Full text

Abstract:

The theory of film music and its terms and categories have not yet been applied to or tested in more recent genres of film, and this study tests the application of the terms auteur and melomane in the films of Robert Rodriguez (Once Upon A Time In Mexico, Sin City and Planet Terror) and Quentin Tarantino (Kill Bill V. 1 and 2, Death Proof). Both directors have a distinct musical stance, and through an examination of the above-mentioned films, their influences and sonic impact are explored. The working question of this thesis, in the abstract, is whether or to what extent the terms, concepts an

APA, Harvard, Vancouver, ISO, and other styles

20

Gomes, Lenildo Monteiro. "Um prato que se come frio: a dimensÃo da violÃncia nos filmes de Quentin Tarantino." Universidade Federal do CearÃ, 2006. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=10809.

Full text

Abstract:

FundaÃÃo de Amparo Ã Pesquisa do Estado do CearÃ<br>Alguns aspectos da sociedade contemporÃnea podem ser analisados a partir da leitura peculiar dimensionada no processo de produÃÃo artÃstica. Dessa forma a arte surge nesse contexto histÃrico influenciada pelo consumismo pela sociedade da comunicaÃÃo e pelos mass media, sendo relacionada ao esteticismo e Ã espetacularizaÃÃo, reconfigurando-a notadamente na produÃÃo voltada para a televisÃo e para o cinema. A arte Ã expressÃo da vida e objeto de anÃlise das relaÃÃes sociais e, seus pressupostos, remetem a problemÃtica da estÃtica. Nesse senti

APA, Harvard, Vancouver, ISO, and other styles

21

GOMES, Lenildo Monteiro. "Um prato que se come frio: a dimensão da violência nos filmes de Quentin Tarantino." www.teses.ufc.br, 2006. http://www.repositorio.ufc.br/handle/riufc/7170.

Full text

Abstract:

GOMES, Lenildo Monteiro. Um prato que se come frio: a dimensão da violência nos filmes de Quentin Tarantino. 2006. 204f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Sociologia, Fortaleza (CE), 2006.<br>Submitted by Márcia Araújo (marcia_m_bezerra@yahoo.com.br) on 2014-01-21T16:08:00Z No. of bitstreams: 1 2006-DIS-LMGOMES.pdf: 1842945 bytes, checksum: d82c432194142acc15f46716fdd99a2f (MD5)<br>Approved for entry into archive by Márcia Araújo(marcia_m_bezerra@yahoo.com.br) on 2014-01-21T16:19:44Z (GMT) No. of bitstreams: 1 2006-DIS-LMGOMES.pdf: 184294

APA, Harvard, Vancouver, ISO, and other styles

22

Grimalt, Esther. "La mise en fiction de la Shoah dans la Danse de Gengis Cohn de Romain GARY, Inglourious Basterds de Quentin TARANTINO et The Passenger de Mieczyslaw WEINBERG." Thesis, Avignon, 2019. http://www.theses.fr/2019AVIG1195.

Full text

Abstract:

« Seuls ceux qui ont connu Auschwitz savent ce que c’était. Les autres ne le sauront jamais. » Cette vérité proclamée par Élie Wiesel résume à elleseule l’impossibilité de se représenter ce qu’ont enduré les victimes du nazisme, qu’elles soient juives, tziganes, homosexuelles ou opposantespolitiques. En effet si l’on ne peut se représenter leurs tribulations comment pouvons-nous imaginer les représenter ? Cette question fut celle quiprésida à l’émergence du concept d’irreprésentabilité, défendu notamment par Claude Lanzmann, concept qui devint tôt une injonction qui condamnaittoute entreprise

APA, Harvard, Vancouver, ISO, and other styles

23

De, carli Manuel. "Le tarentisme et les qualités occultes en Hollande aux XVIIe et XVIIIe siècles : l’œuvre de Wolferd Senguerd (1646-1724)." Thesis, Tours, 2019. http://www.theses.fr/2019TOUR2023.

Full text

Abstract:

Le présent travail de thèse est consacré à la reconstruction de la réflexion de Wolferd Senguerd (Utrecht, 1646- Leyde, 1724) sur la tarentule, sur les effets merveilleux de son poison et sur les extraordinaires propriétés curatives de certaines musiques, par rapport à la question des qualités occultes. Professeur de “Philosophie péripatéticienne” à l’Université de Leyde, Senguerd est une figure peu connue dans le cadre des études sur le tarantisme. Toutefois, il est l’auteur de bien trois textes sur la question. En effet, Wolferd passe son doctorat en philosophie, en écrivant une "Disputatio

APA, Harvard, Vancouver, ISO, and other styles

24

Cavallero, Jonathan J. "Italian/American filmmakers in American motion pictures : the films of Capra, Scorsese, Savoca, Coppola, and Tarantino /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3301350.

Full text

Abstract:

Thesis (Ph.D.)--Indiana University, Depts. of Communication and Culture and American Studies, 2007.<br>Title from dissertation home page (viewed Sept. 26, 2008). Source: Dissertation Abstracts International, Volume: 69-02, Section: A, page: 0413. Adviser: James Naremore.

APA, Harvard, Vancouver, ISO, and other styles

25

Poulter, Angela. "Transforming Tarantine horizons : a political, social and cultural history from the fourth to first century B.C." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270466.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Lippel, Luiz Felipe Rosa. "A mise en scène de Quentin Tarantino : um jogo de atração e distração na construção da encenação em profundidade de campo /." Bauru, 2018. http://hdl.handle.net/11449/157388.

Full text

Abstract:

Orientador: Arlindo Rebechi Júnior<br>Banca: Marcelo Magalhães Bulhões<br>Banca: Mauro Alejandro Baptista y Vedia Sarubbo<br>Orientador: Arlindo Rebechi Junior<br>Resumo: Com o propósito de analisar a estrutura da mise em scène e o ponto de vista do cinema de Quentin Tarantino, esta dissertação parte do pressuposto que Tarantino opera através de um amálgama de cinema de entretenimento e o cinema de autor. Com a quebra do ilusionismo e distanciamento Tarantino parece jogar com elementos de cena e efeitos de som e música para trabalhar um fluxo de atenção e distração em uma encenação com profund

APA, Harvard, Vancouver, ISO, and other styles

27

Carlefred, Liza, and Linda Hagberg. "En kvinnas hämnd : Kill Bill och actionhjältinnan." Thesis, Linköping University, Department of Thematic Studies, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-2414.

Full text

Abstract:

<p>I december 2003 gick filmen <i>Kill Bill</i> upp på biograferna med ett våldsamt och blodigt innehåll. Reaktionerna blev starka, vilket kan bero på att <i>Kill Bill</i> är en actionfilm där kvinnorna har en annan roll än den lättklädda medhjälparen. Då kvinnorna står i fokus var filmen som gjord för en analysav hur just kvinnan gestaltas i filmens värld. Syftet med uppsatsen är att undersöka om de patriarkala strukturerna förändras när typiskt manliga roller intas av kvinnor. Analysen inriktar sig främst på filmen <i>Kill Bill</i>, men diskuterar också det sammanhang i vilket filmen skapats

APA, Harvard, Vancouver, ISO, and other styles

28

Miller, Richard. "L'imaginisation du réel: pour une politique des imaginaires singuliers :le combat du bien et la vengeance possible illustrés par la mythologie de saint Georges et le cinéma de Quentin Tarantino." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209981.

Full text

Abstract:

Un corps humain n’est pas le réceptacle passif d’impressions. Il n’est condamné à aucun « réel » qui s’imposerait à lui. Tout au contraire crée-t-il, continûment et spontanément, des images singulières de la réalité. Cette faculté d’imaginisation est le sujet de la présente thèse, ainsi que la conséquence qui s’ensuit, pour chaque individu, de ne pouvoir que croire en une réalité toujours déjà imaginisée. L’imaginisation sera envisagée selon une double visée :en tant que faculté (laquelle produit des effets concrets, historisants), et en tant que qualité originelle de l’être humain.<p>Poser qu

APA, Harvard, Vancouver, ISO, and other styles

29

Rafati, Tofan. "A Machine for Imagination." Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/35729.

Full text

Abstract:

<P>It began with the question, â What if the Modern Man was successful in his dominion over nature?â </P> <P>By means of Architecture this thesis became a speculation and commentary on the human condition. But, more than that, this is a story that tells the evolution and outcome of a series of questions and inquiries into the relationship between Architecture, art and the mythopoetic-narrative realm. </P><br>Master of Architecture

APA, Harvard, Vancouver, ISO, and other styles

30

Paulsson, Tim. "En studie av Quentin Tarantinos karaktärsskapande : Analys av karaktärerna O-ren Ishii, Hans Landa och Calvin Candie." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-85523.

Full text

Abstract:

Quentin Tarantino är välkänd för att skriva bra dialog och lyfts ofta fram som skicklig på att skapa intressanta karaktärer. I denna studie analyseras tre av hans karaktärer O-Ren Ishii (Lucy Liu) från Kill Bill: Vol. 1 (2003), Hans Landa (Christoph Waltz) från Inglourious Basterds (2009) och Calvin Candie (Leonardo DiCaprio) från Django Unchained (2012). Målet med studien är förankra karaktärsteorin i konkreta exempel på karaktärer som är skapade av Tarantino, samt att bidra med kunskap om hur man skapar välgjorda karaktärer. Målet uppnås genom att svara på två frågeställningar: 1) Hur är kar

APA, Harvard, Vancouver, ISO, and other styles

31

Thorvaldsen, Astrid. "«Vold» og VOLD : En studie av vold med utgangspunkt i Inglourious Basterds og Funny Games." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for kunst og medievitenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-24943.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Cook, Jared Welling. "Nazisploitation and the Problem of Violence in Quentin Tarantino's Inglourious Basterds." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2698.

Full text

Abstract:

In this thesis, I explore the representation of Nazis and violence in Quentin Tarantino's Inglourious Basterds (2009), including how the film proposes justification for violence and murder, and how the film participates in cultural fantasies. The film presents an alternate outcome of World War II in which the Allies achieve victory by assassinating Hitler and the High Command of the Third Reich in a movie theater. The Nazis in the film, far from being a complex enemy, are used for their token villain status. Using the Nazis in this way both participates in and reinterprets the Nazisploitation

APA, Harvard, Vancouver, ISO, and other styles

33

Read, Madeleine Erica. "Misrepresenting the Shoah in American Film." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/7214.

Full text

Abstract:

How should we, Americans, confront our complicity in reproducing the Shoah? For complicit we are, if consumerism is any metric: Steven Spielberg<'>s 1993 film Schindler<'>s List had grossed $321 million as of 2012; more than 40 million people have made the pilgrimage to the sacred US Holocaust Museum; at last count, The Diary of Anne Frank had sold 30 million copies. These numbers are stale staples in the debate over the ethics of Shoah representation, of course, but they bear out the skepticism of critics who have questioned American Holocaust consumer culture. And consumerism is only the fir

APA, Harvard, Vancouver, ISO, and other styles

34

Kocábek, Daniel. "Autorská realizace filmového dialogu." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-264774.

Full text

Abstract:

This thesis is about auteur execution of film dialogue in screenplays and also in film. By analysing four different feature films, Reservoir Dogs, Chasing Amy, Before Sunset, and Rushmore this work shows how their authors shoot conversational scenes in an innovative manner. The American Independent cinema is briefly introduced as well as the auteur theory. The choice of filmmakers and specific films is explained. The thesis subsequently demonstrates how film dialogue is being viewed by film handbooks and how a conventional dialogue scene looks like. The four analyses are based on all of this i

APA, Harvard, Vancouver, ISO, and other styles

35

Carstocea, George. "Reality, language, and history: three facets of contemporary Romanian cinema." Thesis, Boston University, 2012. https://hdl.handle.net/2144/12312.

Full text

Abstract:

Thesis (M.F.A.)--Boston University PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>The purpose of this thesis is to closely analyze some of the individual authorial voices that have emerged from contemporary Romanian cinema. Billed by the international critical establishment as a "New Wave

APA, Harvard, Vancouver, ISO, and other styles

36

Pisapia, Jasmine. "Image et survivance en anthropologie visuelle : Ernesto De Martino et l’ethnographie interdisciplinaire." Thèse, 2013. http://hdl.handle.net/1866/10628.

Full text

Abstract:

Ce projet analyse le rôle des images – photographies, films, dessins – produites dans le cadre des recherches ethnographiques « interdisciplinaires » menées par l’anthropologue italien Ernesto De Martino en Italie méridionale dans les années 1950. Ces expéditions ont donné lieu à des documents multiformes puisqu’elles regroupent des chercheurs de formations différentes : historien des religions, ethnomusicologue, psychiatre, photographe, et occasionnellement cinéaste. Plus spécifiquement, il s’agit d’étudier le rôle des matériaux visuels dans la recherche sur le tarentisme, rituel de possessio

APA, Harvard, Vancouver, ISO, and other styles

37

Benešová, Lucie. "Reprezentace feminity ve filmové tvorbě Quentina Tarantina." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-332800.

Full text

Abstract:

The submitted thesis is titled Representations of Femininity in Quentin Tarantino's Movies and it focuses on the process of femininity construction in six selected movies both written and directed by Quentin Tarantino. The aim of this study is to identify how Tarantino operates the notions of conventional femininity and traditional female gender roles. Furthermore, it investigates to what extent his films either support or subvert stereotypical gender identities. In relation to the research issues the key concepts are defined by the theoretical part of this work. In particular it describes the

APA, Harvard, Vancouver, ISO, and other styles

38

LIPPOLIS, ENZO. "I semata funerari tarantini di età ellenistica." Doctoral thesis, 1987. http://hdl.handle.net/11573/404224.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Elterich, Geoffrey Kenneth. "Tarantino : exposing the spectacle of the postmodern condition /." 2007. http://www.consuls.org/record=b2909426.

Full text

Abstract:

Thesis (M.A.) -- Central Connecticut State University, 2007.<br>Thesis advisor: Robert Dunne. "... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 86-89). Also available via the World Wide Web.

APA, Harvard, Vancouver, ISO, and other styles

40

Kobyláková, Irena. "Fenomén tarantismu a tradiční hudební a taneční styl pizzica v jihoitalském kraji Apulie." Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-280891.

Full text

Abstract:

The diploma work called The Phenomenon of Tarantism and the Traditional Musical and Dancing style of Pizzica in the South-Italian Region of Puglia by BcA. Irena N. Kobyláková analyses two basic cultural topics typical for the South-Italian region of Puglia from ethnological point of view, tarantism and pizzica, which complement each other. In the first part the author treats the process of tarantism, i.e. of a psychosomatic disease which was healed by musical and dance therapy in a frenetic rhythm of pizzica created by drumming on a tambourine. The work analyses the causes of the disease, whic

APA, Harvard, Vancouver, ISO, and other styles

41

Dias, Vítor Emanuel Simões. "A palavra nos filmes de Quentin Tarantino : o diálogo como suporte da estrutura narrativa." Master's thesis, 2011. http://hdl.handle.net/10316/31994.

Full text

Abstract:

Dissertação de mestrado em Estudos Artísticos, apresentada à Faculdade de Letras da Universidade de Coimbra<br>Desde há muito tempo que, no cinema, as palavras têm vindo a ganhar um relevo cada vez mais elevado, o que permite conferir à estrutura dos filmes, diversas possibilidades de orientação. Os filmes de Quentin Tarantino assentam numa estruturação muito pouco convencional. O recurso aos diálogos por parte deste realizador, chega a ser exaustivo, mas muito bem articulado, atribuindo à narrativa um ambiente renovado, pouco usual no cinema americano. Além de entreter e causar tensão atrav

APA, Harvard, Vancouver, ISO, and other styles

42

Stubbs, Evelyn. "Intersections : Baudrillard's hyperreality and Lyotard's metanarratives in selected Tarantino Visual Tropes." Diss., 2011. http://hdl.handle.net/10500/6685.

Full text

Abstract:

This dissertation examines two films directed by Quentin Tarantino, whom I have situated as a postmodern film director, within the theoretical context of the philosophies of two postmodern philosophers: Jean Baudrillard and Jean-François Lyotard. I argue that the major institutions of society, such as the family and religion, are viewed as grand narratives, in Lyotard’s sense of the term, which Tarantino repeatedly subverts. Overlapping with this intersection of Lyotard’s philosophy in Tarantino’s films is the Baudrillardian loss of the real, which manifests as hyperreality in many scenes. I s

APA, Harvard, Vancouver, ISO, and other styles

43

Terblanche, Catherine. "Dismemberment and dispossession in the work of Quentin Tarantino and Nathalie Djurberg." Diss., 2014. http://hdl.handle.net/10500/18718.

Full text

Abstract:

Text in English<br>This study aims to apply the biopolitical theories of Giorgio Agamben on homo sacer to the stereotypical representation of the violent woman. Using feminist methodologies for dismantling and exposing social stereotypes, this research explores the relationship between femininity, violence and the representation of these. By focussing on the influence of traditional narratives as found in ancient mythology and fairy tales, the study investigates the contemporary portrayal of the stereotypical violent woman using acts of dismemberment and dispossession in the work of Quentin Ta

APA, Harvard, Vancouver, ISO, and other styles

44

Van, Wyk Karl. "Alternative times: temporalities in the alternative histories of Philip Roth, Martin Amis, and Quentin Tarantino." Thesis, 2017. https://hdl.handle.net/10539/24616.

Full text

Abstract:

A dissertation submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements of the degree of Doctor of Philosophy, Johannesburg, 2017<br>The publication of alternative history fiction increased greatly after World War II, the war itself having become one of the mode’s most popular subjects. In recent years several acclaimed authors and filmmakers have constructed their own World War II alternative histories, thus providing the mode with increased academic at tention. This study focuses on Philip Roth’s fictional memoir The Plot

APA, Harvard, Vancouver, ISO, and other styles

45

MAZZEO, MARCO. "Trattato di Igiene e dietetica. Anonimo Tarantino (cod. XII E 7 Biblioteca Nazionale di Napoli)." Doctoral thesis, 2011. http://hdl.handle.net/11573/917472.

Full text

Abstract:

Il Trattato di igiene e dietetica è conservato nel codice XII E 7 della Biblioteca Nazionale di Napoli; è un codice acefalo di cui non conosciamo né l'autore, né l'anno di composizione. Si tratta di un codice cartaceo miscellaneo e si presenta, nel complesso, in buono stato di conservazione; meglio conservate sono le carte relative al Trattato (cc. 2 - 254) rispetto alle ultime trenta carte.

APA, Harvard, Vancouver, ISO, and other styles

46

Tavernaro-Haidarian, Leyla. "Brother Tarantino in the mosque: An analysis of the cultural and political instrumentality of satire in "The Lizard" (2004)." Thesis, 2008. http://hdl.handle.net/10539/5862.

Full text

Abstract:

Against the backdrop of a possible US military attack on Iran, this report examines a film that advances the case for independent political reform from within Iran’s borders. The case study analyzes the cultural and political instrumentality of satire in Kamal Tabrizi’s film, The Lizard (2004). By determining the socio-political restrictions that inform Iran’s society and film industry, it demonstrates that The Lizard uses satire to transgress the value-system that the Iranian theocracy is upheld by. The study draws on narrative analysis to explore the film’s satiric devices of parody an

APA, Harvard, Vancouver, ISO, and other styles

47

Faradji, Helen. "Maniérisme et distanciation ludique dans le film noir contemporain : autour du cinéma de Joel et Ethan Coen et de Quentin Tarantino." Thèse, 2008. http://www.archipel.uqam.ca/1558/1/D1701.pdf.

Full text

Abstract:

Les films des cinéastes américains Joel et Ethan Coen et Quentin Tarantino ont su marquer leur temps. Soutenus tant par la critique que par le public, manifestant une façon de faire du cinéma aussi originale qu'inédite, ces films sont également les représentants les plus cohérents d'une tendance signifiante traversant le cinéma des années 1990. Suivie par plusieurs autres cinéastes, cette tendance structurante, laquelle envisage le cinéma dans son historicité, que je nomme post-maniériste, vise à faire revivre avec dynamisme et singularité le genre du film noir. Les genres sont en effet un out

APA, Harvard, Vancouver, ISO, and other styles

48

DeLassus, Dana. "Silence of the schoolgirls : death and the Japanese schoolgirl in contemporary US pop culture." 2013. http://hdl.handle.net/2152/21422.

Full text

Abstract:

This thesis explores images of the Japanese schoolgirl as accessory to the Occidental Self in contemporary Orientalist pop culture in the US. In an analysis of a series of images by four different Western pop culture artists, each artist expresses an appreciation for Japan that is based primarily on their encounter with Japanese pop culture. Furthermore, they express identification with the Japanese Other and a desire to introject into Japanese subjectivities. However, lacking the material body needed for full immersion or identification with the Other, they produce the Japanese schoolgirl

APA, Harvard, Vancouver, ISO, and other styles

49

Tarantik, Karina Rosa [Verfasser]. "Investigation of new more environmentally benign, smoke-reduced, red- and green-light emitting pyrotechnic compositions based on nitrogen-rich coloring agents / vorgelegt von Karina Rosa Tarantik." 2010. http://d-nb.info/1006645756/34.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Mitchell, Amber N. "Playing patsy: film as public history and the image of enslaved African American women in post-civil rights era cinema." Thesis, 2017. https://doi.org/10.7912/C26H27.

Full text

Abstract:

Indiana University-Purdue University, Indianapolis<br>The goal of this thesis is to understand the relationship between the evolving representations of African American women in post-Civil Rights era films about the Transatlantic slave trade; the portraits these images present of black women and their history; and how these films approach the issues of difficult heritage and re-presenting atrocity in entertainment. Film shapes the ways in which we understand the past, leaving a lifelong impression about historical events and the groups involved. By analyzing the stories, directorial processes,

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!