Relevant bibliographies by topics / Tarentisme

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Tarentisme'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Tarentisme"

1

Mitri, Gino L. Di. "Les Lumières de la transe: Approche historique du tarentisme." Cahiers de musiques traditionnelles 19 (2006): 117. http://dx.doi.org/10.2307/40240637.

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Bevilacqua, Salvatore. "Le tarentisme et ses fictions ethnographiques: épistémologie d’une maladie de l’Autre." Gesnerus 65, no. 3-4 (2008): 225–48. http://dx.doi.org/10.1163/22977953-0650304004.

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Tarantism is a cultural syndrome caused by a symbolic spider bite that was treated in Southern Italy by means of a musical and religious ritual. At the frontiers of theories of insanity this “disease” is the source of a rich and centuries-old scientific literature. This article proposes an epistemological analysis of the medical paradigms that have built the scientific representations of this phenomenon and that make it an anthropological mediation of cultural alterity of the Apulian territory and Southern Italy in general. Geographical or social determinism, popular irrationality, simulation
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Pisapia, Jasmine. "Archives du pathos." Intermédialités, no. 18 (May 7, 2012): 45–69. http://dx.doi.org/10.7202/1009073ar.

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L'ethnographie revêt deux fonctions : observer et enregistrer. Ces fonctions, qui sont au coeur de la pratique anthropologique depuis ses débuts, ont toujours été renforcées par les nouveaux outils (ou médias) dont s’est dotée la discipline. Centré sur la production iconographique de l’anthropologue italien Ernesto De Martino, cet article propose en premier lieu une esquisse des objets d’étude de cet auteur, en insistant sur leur valeur historiographique. Ainsi, les crises de possession provoquées par la morsure d'un arachnide représentent les « reliquats folklorico-religieux » du tarentisme,
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Thorn, Jed M. "The invention of ‘Tarentine’ red-figure." Antiquity 83, no. 319 (2009): 174–83. http://dx.doi.org/10.1017/s0003598x00098173.

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AbstractThis deconstruction of how Apulian red-figure pottery came to be termed Tarentine has implications for archaeological methodology far beyond the Mediterranean. The author shows how the assumptions of great authorities, themselves rooted in a colonial world, led to a highly resistant model of core and periphery for pottery production that may have no basis in fact. It is a fine example of the process that has left us with so many unsuitable and immovable names for material from Samian to Gothic.
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Hirata, Elaine Farias Veloso. "Tarentine terracottas and the heoric cult in a colonial area." Revista do Museu de Arqueologia e Etnologia, no. 8 (December 2, 1998): 129. http://dx.doi.org/10.11606/issn.2448-1750.revmae.1998.109533.

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A colônia espartana de Tarento produziu uma série de estatuetas de terracota representando uma figura masculina reclinada em leito de banquete e acompanhada, por vezes, de uma figura feminina e uma criança. Estas figurinhas - manufaturadas por mais de três séculos - foram encontradas em quantidades fabulosas: milhares em um só depósito votivo. A interpretação dos personagens vem sendo debatida desde os fins do século passado, quando ocorreram os primeiros achados. Não há, no entanto, estudos sistemáticos a respeito. Consideramos que há indícios arqueológicos e textuais suficientes para que se
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6

Lowe, N. J. "IV From Greece to Rome." New Surveys in the Classics 37 (2007): 81–96. http://dx.doi.org/10.1017/s0017383508000466.

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The origins of Roman comedy are, in one sense, clear-cut: at the Ludi Romani or Roman Games of September 240, a Romanized Tarentine Greek known as Lucius Livius Andronicus, who at some point also translated the Odyssey into Latin, produced the first Latin translations of Greek plays on a Roman stage. This firm date, for which we have Cicero's friend Atticus to thank, marks the beginning of the establishment of a practice of translating classic Greek plays that would continue in both comedy and tragedy for at least a further century.
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Bevilacqua, Salvatore. "Le tarentisme et ses fictions ethnographiques." Gesnerus, 2008. http://dx.doi.org/10.24894/gesn-fr.2008.65012.

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Dissertations / Theses on the topic "Tarentisme"

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Collu, Roberta. "Le tarentisme dans les sociétés contemporaines de l'Italie du sud : de l'espace privé à l'espace public : approche ethnoscénologique." Paris 8, 2005. http://www.theses.fr/2005PA082793.

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L’objet de la recherche est le phénomène dit du tarentisme ou « danse de la tarentule », considéré dans son actualisation dans les sociétés contemporaines de l’Italie du sud. L’aire géographique concernée est celle du Salento, une zone spécifique de l’Italie du sud dans la région des Pouilles. La perspective d’étude adoptée est celle de l’ethnoscénologie qui permet une orientation méthodologiquement interdisciplinaire tout en adoptant une approche nouvelle par rapport à la littérature particulièrement riche sur le sujet. L’analyse des rapports entre la musique, la danse, et les « transes » sel
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2

De, carli Manuel. "Le tarentisme et les qualités occultes en Hollande aux XVIIe et XVIIIe siècles : l’œuvre de Wolferd Senguerd (1646-1724)." Thesis, Tours, 2019. http://www.theses.fr/2019TOUR2023.

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Le présent travail de thèse est consacré à la reconstruction de la réflexion de Wolferd Senguerd (Utrecht, 1646- Leyde, 1724) sur la tarentule, sur les effets merveilleux de son poison et sur les extraordinaires propriétés curatives de certaines musiques, par rapport à la question des qualités occultes. Professeur de “Philosophie péripatéticienne” à l’Université de Leyde, Senguerd est une figure peu connue dans le cadre des études sur le tarantisme. Toutefois, il est l’auteur de bien trois textes sur la question. En effet, Wolferd passe son doctorat en philosophie, en écrivant une "Disputatio
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Bencze, Ágnes. "Recherches sur la petite plastique de terre cuite tarentine, des origines à la fin du VIe siècle." Paris 1, 2005. http://www.theses.fr/2005PA010707.

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Dès 1879 des milliers de terres cuites figurées ont été découvertes sur les sites où s'étaient élevés, entre le VIIe et le IVe siècles av. J-C. , les sanctuaires de Tarente. On propose ici, pour la première fois, un catalogue systématique de la phase archaïque de cette production, fondé sur l'examen direct des plus importantes collections de terres cuites tarentines. La question principale portait sur la définition des traits qui caractérisent le langage stylistique de Tarente archaïque, à travers une classe de production quantitativement importante. L'idée d'une première phase éclectique qui
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Appelgren, Karl. "The last coin of Taras? : A study of a late Tarentine coin in the collections of the Uppsala University Coin Cabinet." Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-446582.

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In this thesis, a coin from the Hannibalic occupation of Taras is analysed and discussed. The method applied in the analysis is Panofsky’s iconological method, and the theoretical framework has been derived from the research questions themselves in dialogue with modern numismatic research.  The focus of the discussion is on the relationship between the coin and its historical context. In the thesis, it is argued that the coin is a didrachm with heavily reduced weight, and that the weight reduction is a result of the financial difficulties caused by the Second Punic War.<br>Denna uppsats är en
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Pisapia, Jasmine. "Image et survivance en anthropologie visuelle : Ernesto De Martino et l’ethnographie interdisciplinaire." Thèse, 2013. http://hdl.handle.net/1866/10628.

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Ce projet analyse le rôle des images – photographies, films, dessins – produites dans le cadre des recherches ethnographiques « interdisciplinaires » menées par l’anthropologue italien Ernesto De Martino en Italie méridionale dans les années 1950. Ces expéditions ont donné lieu à des documents multiformes puisqu’elles regroupent des chercheurs de formations différentes : historien des religions, ethnomusicologue, psychiatre, photographe, et occasionnellement cinéaste. Plus spécifiquement, il s’agit d’étudier le rôle des matériaux visuels dans la recherche sur le tarentisme, rituel de possessio
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Maclellan, Jonathan. "A city of laughter: assessing Tarentine comedy from the fourth century to the Roman stage." Thesis, 2009. http://hdl.handle.net/2152/ETD-UT-2009-05-133.

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Following the publication of Trendall’s Phlyax Vases, the history of comedic theatre in Magna Graecia received a great amount of scholarly attention, culminating in such important works as Taplin’s Comic Angels, Green’s Theatre in Ancient Greek Society and most recently Bosher’s dissertation, Theater on the Periphery. This work is, in many ways, a supplement to their collective research, and assesses the literary and material evidence for the development of comedy in the Apulian city of Tarentum. The analysis of textual evidence will begin by investigating Tarentine interactions with Attic the
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Books on the topic "Tarentisme"

1

Fields, Nic. Tarentine horseman of Magna Graecia, 430-190 BC. Osprey, 2008.

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2

Images and insults: Ancient historiography and the outbreak of the Tarentine War. Steiner, 2005.

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3

Nancy, Van Deusen, Del Giudice Luisa, and Italian Oral History Institute, eds. Performing ecstasies: Music, dance, and ritual in the Mediterranean. Institute of Mediaeval Music, 2005.

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Book chapters on the topic "Tarentisme"

1

Conte, Tullia. "Chapitre 33. Le tarentisme." In Musicothérapie active. Dunod, 2021. http://dx.doi.org/10.3917/dunod.baker.2021.01.0263.

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Gallo, Annarosa. "La tradizione manoscritta delle epigrafi latine di Tarentum." In Altera pars laboris. Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-374-8/008.

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Manuscripts with texts of Tarantine inscriptions date back to the 15th and 17th centuries and contain transcriptions by foreign and local scholars. The oldest manuscript containing Tarentine inscriptions is the Marucellian Code A 79 1, followed by the Vat. lat. 6039, 5237, 5241. In particular, the Vat. lat. 5241 preserves a trace of A. Paglia’s research on the impulse of Aldo Manuzio the Younger. However, also local scholars dealt with Latin inscriptions in their works: among these we note Giovanni Giovine and Ambrogio Merodio. Merodio’s transcriptions were inadvertently used by Mommsen, through the work of the Abbot Pacichelli. Most of the few inscriptions reproduced in the manuscript tradition (eight epitaphs and two honorary dedications) are now lost and were originally found in churches where they had been reused as spolia.
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"Was uns fesselt – In den Fängen des Anderen. Notizen für eine psychoanalytische Untersuchung von vier Modellen kollektiver Vergiftungsvorstellungen: fattura und Tarentismus, Umweltvergiftung und die »Droge im Wohnzimmer«." In Wahn - Wissen - Institution. transcript-Verlag, 2005. http://dx.doi.org/10.14361/9783839402849-015.

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