Academic literature on the topic 'Tari'

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Journal articles on the topic "Tari"

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Rahayuningtyas, Nurul Dwi, Wahyu Lestari, and Malarsih Malarsih. "EVALUASI PEMBELAJARAN TARI TOPENG MINA TANI PADA SANGGAR TARI PANDU KABUPATEN PATI." Jurnal Sitakara 6, no. 2 (August 26, 2021): 182–91. http://dx.doi.org/10.31851/sitakara.v6i2.6365.

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Sanggar Tari Pandu merupakan lembaga pendidikan non formal yang berkecimpung dalam dunia seni pertunjukan di Kabupaten Pati. Sanggar Tari Pandu memiliki hasil karya unggulan yang berjudul Tari Topeng Mina Tani yang menjadi materi sekaligus pengenalan kepada peserta didikterhadap tari tradisional. Penelitian bertujuan untuk mendeskripsikan mengenai Evaluasi Pembelajaran Tari Topeng Mina Tani Pada Sanggar Tari Pandu Kabupaten Pati yang meliputi dari komponen pembelajaran pelatih, peserta didik, tujuan pembelajaran, sumber pembelajaran, metode pembelajaran, kegiatan belajar mengajar, materi pembelajaran, alat, media dan evaluasi. Teknik kriteria evaluasi mengacu pada wiraga, wirasa, dan wirama. Penelitian menggunakan metode kualitatif dalam bentuk deskriptif dan pendekatan penelitian berupa Pendekatan Interdisiplin. Sumber data yang digunakan dalam penelitian yaitu 4P yang artinya person, place, process, dan paper. Teknik pengumpulan data menggunakan teknik observasi, wawancara, dana dokumentasi. Data diperoleh dengan cara anlisis secara deskriptif. Hasil penelitian menunjukkan model Evaluasi Pembelajaran Tari Topeng Mina Tani Pada Sanggar Tari Pandu Kabupaten Pati.
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Ismunandar, Ismunandar. "Kreativitas Juhermi Tahir dalam Tari Jepin Tali Bui Kota Pontianak." Aksara: Jurnal Ilmu Pendidikan Nonformal 8, no. 2 (May 6, 2022): 1093. http://dx.doi.org/10.37905/aksara.8.2.1093-1116.2022.

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<p>Jepin Tali Bui dance in general as an art form that was inherited by the culture of the old people. The Jepin Tali Bui dance continues to develop in West Kalimantan, both from the development of movement steps, music, property accompaniment, clothing and art performers. Where in terms of motion, it does not leave the typical movement of the jepin movement, namely the number of foot movements and placing the heel at the beginning of the movement. Typical Malay music with stringed and segmented musical instruments, a very distinctive property of the tali bui jepin dance is the rope. For this reason, at this time creative people are needed who are able to develop a dance so that it does not become extinct. This has resulted in new innovations in the movement pattern of the Jepin Tali Bui dance, the technique of the Jepin Tali Bui dance, as well as the musical accompaniment of the current Jepin Tali Bui dance, especially the Jepin Tali Bui dance, the result of the creativity of Juhermi Tahir himself. The results of this study are expected to be used as a reference for further research and the Jepin Tali Bui Dance in Pontianak City can be used as an alternative as a performance medium for appreciation in the form of dance videos and recordings of Jepin Tali Bui dance music which will be used as a medium for appreciation of dance in the world of education such as schools. , study program, community.</p><p>Tari Jepin Tali Bui secara umum sebagai salah satu bentuk seni yang diwariskan oleh kebudayaan orang tua dulu. Tari Jepin Tali Bui terus berkembang di Kalimantan Barat, baik dari perkembangan langkah gerak, musik, iringan properti, busana dan pelaku seninya. Dimana dari segi gerak, tidak meninggalkan gerakan khas dari gerak jepin yaitu banyaknya pergerakan kaki dan menitikan tumit di awal gerakan. Musik khas melayu dengan alat musik gambus dan beruas, properti yang sangat khas dari tari jepin tali bui adalah tali. Untuk itu, saat ini memang diperlukan orang-orang kreatif yang mampu untuk mengembang sebuah seni tari agar tidak punah. Hal tersebut telah menghasilkan inovasi baru dalam pola gerak tari Jepin Tali Bui, teknik gerak tari Jepin Tali Bui, serta iringan musik tari Jepin tali Bui saat ini saat ini, khususnya tari Jepin Tali Bui hasil dari kreativitas seorang Juhermi Tahir itu sendiri. Hasil penelitian ini diharapkan dapat dijadikan acuan bagi penelitian selanjutnya dan Tari Jepin Tali Bui di Kota Pontianak dapat dijadikan alternatif sebagai media pertunjukan untuk apresiasi yang berupa video tari dan rekaman musik tari Jepin Tali Bui yang akan dimanfaatkan sebagai media untuk apresiasi seni tari didunia pendidikan seperti sekolah, program studi, komunitas.</p>
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Istiqomah, Istiqomah, and Habudin Habudin. "ANALISIS NILAI-NILAI PENDIDIKAN DALAM SENI TARI AHLAN WASAHLAN DAN TARI RAMPAK TERBANG CIOLANG DAERAH BANTEN." Primary : Jurnal Keilmuan dan Kependidikan Dasar 10, no. 2 (January 3, 2019): 135. http://dx.doi.org/10.32678/primary.v10i02.1285.

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Penelitian ini bertujuan untuk mengetahui tentang tarian daerah Banten, yaitu tari Ahlan Wasahlan dan tari Rampak Terbang Ciolang dan nilai-nilai pendidikan yang terkandung di dalamnya. Metode penelitian yang digunakan adalah metode kualitatif, analisis deskriptif dengan studi kasus. Penyebaran lembar analisis dilakukan pada 10 responden penonton tari Ahlan Wasahlan dan tari Rampak Terbang Ciolang. Teknik pengumpulan data menggunakan observasi, wawancara, dan dokumentasi. Analisis data dilakukan dengan cara mereduksi data, menyajikan, dan penarikan kesimpulan atau verifikasi. Dari penelitian yang telah dilakukan, diperoleh hasil sebagai berikut. Tari Ahlan Wasahlan merupakan pertunjukan kesenian tari untuk penyambutan tamu, sedangkan tari Rampak Terbang Ciolang merupakan pertunjukan tari yang mengisahkan tentang kehidupan sehari-hari santri pada sebuah pesantren, tarian ini bukan hanya sekedar hiburan tapi juga sebagai tuntunan. Nilai-nilai yang terkandung di dalam kedua tarian tersebut, berisikan tentang ajaran-ajaran agama Islam dalam kehidupan sehari-hari, nilai pendidikan tersebut diantaranya berupa nilai pendidikan Agama Islam, nilai budaya, nilai etika, nilai estetika, nilai kebersamaan, nilai percaya diri, nilai keramahtamahan, nilai saling menghormati, nilai komunikasi, nilai kerakyatan, nilai kreativitas, dan nilai patriotisme. Tari Ahlan Wasahlan dan tari Rampak Terbang Ciolang perlu dilestarikan sebagai identitas budaya Banten.
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Mahesa, Gessila Siva, and R. Indriyanto. "NILAI ESTETIS RIAS DAN BUSANA TARI TANI MELATI DESA KALIPRAU SANGGAR SENI KALOKA KABUPATEN PEMALANG." JADECS (Journal of Art, Design, Art Education & Cultural Studies) 6, no. 2 (November 29, 2021): 148. http://dx.doi.org/10.17977/um037v6i22021p148-160.

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Abstract: Make-up are visual aspects in the elements of dance, which means make-up or grooming and dressing aimed at inviting the audience's attention to enjoy and interpret the content of dance offerings. The aesthetic value of the make-up and clothing of Tani Melati Dance includes the appearance value, the content or meaning value, the expression value of each form, process, color that combines the combination of results of jasmine flower ronce as village branding in realizing the purity of jasmine sambac and the activities of jasmine farmers. Key Words: Aesthetic Value, Make-up, Tani Melati Dance Abstrak: Rias dan busana adalah aspek visual dalam unsur elemen tari yang berarti berias atau dandan dan berbusana yang bertujuan untuk mengundang perhatian penonton untuk menikmati dan menginterpretasikan isi sajian tari. Nilai esteis rias dan busana Tari Tani Melati meliputi nilai kesan penampilan, nilai isi atau makna, nilai pengungkapan dari setiap perpaduan bentuk, proses, warna yang menggabungkan perpaduan dari hasil ronce bunga melati sebagai branding desa dalam mewujudkan kemurnian Jasmine Sambac dan aktivitas petani melati. Kata kunci: Nilai Estetis, Rias dan Busana, Tari Tani Melati
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Mahesa, Gessila Siva, and R. Indriyanto. "NILAI ESTETIS RIAS DAN BUSANA TARI TANI MELATI DESA KALIPRAU SANGGAR SENI KALOKA KABUPATEN PEMALANG." JADECS (Journal of Art, Design, Art Education & Cultural Studies) 6, no. 2 (November 29, 2021): 148. http://dx.doi.org/10.17977/um037v6i22021p148-160.

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Abstract: Make-up are visual aspects in the elements of dance, which means make-up or grooming and dressing aimed at inviting the audience's attention to enjoy and interpret the content of dance offerings. The aesthetic value of the make-up and clothing of Tani Melati Dance includes the appearance value, the content or meaning value, the expression value of each form, process, color that combines the combination of results of jasmine flower ronce as village branding in realizing the purity of jasmine sambac and the activities of jasmine farmers. Key Words: Aesthetic Value, Make-up, Tani Melati Dance Abstrak: Rias dan busana adalah aspek visual dalam unsur elemen tari yang berarti berias atau dandan dan berbusana yang bertujuan untuk mengundang perhatian penonton untuk menikmati dan menginterpretasikan isi sajian tari. Nilai esteis rias dan busana Tari Tani Melati meliputi nilai kesan penampilan, nilai isi atau makna, nilai pengungkapan dari setiap perpaduan bentuk, proses, warna yang menggabungkan perpaduan dari hasil ronce bunga melati sebagai branding desa dalam mewujudkan kemurnian Jasmine Sambac dan aktivitas petani melati. Kata kunci: Nilai Estetis, Rias dan Busana, Tari Tani Melati
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Gebrina, Riska. "JALA (Jaring Menangkap Ikan)." Joged 11, no. 1 (April 8, 2019): 647–58. http://dx.doi.org/10.24821/joged.v11i1.2497.

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Karya tari Jala merupakan gambaran aktivitas masyarakat pesisir Aceh dalam menjalani keseharian sebagai seorang nelayan dalam usaha mencari rezeki. Di dalamnya suasana kegotongroyongan dengan nilai kekompakkan, semangat dan kebersamaan. Jala yang artinya adalah jaring untuk menangkap ikan, proses yang dilakukan pada tari ini menggunakan properti tali dan dirajut menjadi sebuah jala atau jaring.Berawal dari rangsang visual yaitu saat melihat para nelayan yang pergi ke laut untuk mencari ikan sebagai mata pencaharian sehari-hari. Tari ini menceritakan tentang aktivitas para nelayan yang ada di Aceh yang menangkap ikan di laut, namun lebih memperlihatkan bagaimana cara membuat sebuah rangkaian tali untuk menangkap ikan yang disebut Jala.Pendekatan kreativitas adalah milik semua orang yang mampu atau bisa membuat sebuah inovasi baru, baik itu inovasi baru tanpa adanya unsur tradisi maupun inovasi yang ada perkembangan tradisi berdasarkan pemikiran masing-masing seniman yang mempunyai daya kemampuan yang berbeda-beda juga. Melalui pendekatan inilah cara berpikir dan cara bekerja secara kreatif akan dibangun. Pendekatan kedua adalah koreografi, merupakan suatu seni dalam membuat dan merancang suatu komposisi tari, yang digunakan sebagai landasan dalam mencipta yang meliputi bentuk penyajian tari, gerak tema, judul, tata rias, tata busana, pola lantai, musik, properti.
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Gebrina, Riska. "JALA (Jaring Menangkap Ikan)." Joged 9, no. 1 (April 8, 2019): 647–58. http://dx.doi.org/10.24821/joged.v9i1.2497.

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Karya tari Jala merupakan gambaran aktivitas masyarakat pesisir Aceh dalam menjalani keseharian sebagai seorang nelayan dalam usaha mencari rezeki. Di dalamnya suasana kegotongroyongan dengan nilai kekompakkan, semangat dan kebersamaan. Jala yang artinya adalah jaring untuk menangkap ikan, proses yang dilakukan pada tari ini menggunakan properti tali dan dirajut menjadi sebuah jala atau jaring.Berawal dari rangsang visual yaitu saat melihat para nelayan yang pergi ke laut untuk mencari ikan sebagai mata pencaharian sehari-hari. Tari ini menceritakan tentang aktivitas para nelayan yang ada di Aceh yang menangkap ikan di laut, namun lebih memperlihatkan bagaimana cara membuat sebuah rangkaian tali untuk menangkap ikan yang disebut Jala.Pendekatan kreativitas adalah milik semua orang yang mampu atau bisa membuat sebuah inovasi baru, baik itu inovasi baru tanpa adanya unsur tradisi maupun inovasi yang ada perkembangan tradisi berdasarkan pemikiran masing-masing seniman yang mempunyai daya kemampuan yang berbeda-beda juga. Melalui pendekatan inilah cara berpikir dan cara bekerja secara kreatif akan dibangun. Pendekatan kedua adalah koreografi, merupakan suatu seni dalam membuat dan merancang suatu komposisi tari, yang digunakan sebagai landasan dalam mencipta yang meliputi bentuk penyajian tari, gerak tema, judul, tata rias, tata busana, pola lantai, musik, properti.
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--, Indrayuda. "FENOMENA TARI KONTEMPORER DALAM KARYA TARI." Jurnal Pendidikan dan Kebudayaan 16, no. 1 (January 10, 2010): 64. http://dx.doi.org/10.24832/jpnk.v16i1.432.

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Wijaya, Andi. "Komunikasi Seni Intrapersonal Dalam Pembelajaran Musik Dengan Rangsang Audio Mengunakan Metode Zoltan Kodaly." Lentera: Jurnal Pendidikan 14, no. 2 (October 1, 2019): 1–10. http://dx.doi.org/10.33654/jpl.v14i2.837.

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Pelajaran yang disesuaikan antara materi seni musik dan seni tari karena tujuan seni budaya di sekolah umum bukanlah menjadi seniman, melainkan diharapkan mahasiswa mendapatkan pengalaman seni musik dan seni tari. Dalam proses komunikasi intrapersonal serta peningkatan kreativitas gerak tari yang dalam proses pembelajaran mata kuliah pengetahuan seni musik kepada mahasiswa dapat menumbuhkan kepekaan kepekaan audio yang telah dipelajarinya sebelum gerak tari dengan iringan musik yang terlebih dahulu mereka pelajari sebelumnya. Kepekaan rasa, pikir, dan kecintaan seni dapat mereka tumbuhkan serta kerjasama antara mata kuliah pengetahuan seni music dengan mahasiswa, dengan adanya rangsangan audio hasil bunyi recorder dan gerak hand signs tadi dapat dijadikan bahan untuk memotivasi gerak tari. Dengan demikian arah pendidikan seni sebenarnya pada perubahan sikap mahasiswa serta diharapkan mahasiswa dapat memperoleh pengetahuan dasar tentang kedua seni yang mereka pelajari antara seni musik dan seni tari penting bagi penyesuaian diri akan kehidupan masa depan. Perkembangan dari segi kreativitas ini harus diimbangi dengan peningkatan sarana bahan ajar yang menyangkut media di STKIP-PGRI Banjarmasin. Dalam seni budaya, gerak tari dan penggunaan rangsangan audio perlu dilakukan secara terus-menerus dan berkesinambungan karena tingkat keseringan yang terjadi pada mahasiswa akan mempengaruhi kepekaan mahasiswa dalam berproses gerak tari. Pelaksanaan kegiatan belajar mengajar seni bisa berjalan dengan baik, hal ini karena didukung dengan sikap mahasiswa yang sangat antusias dalam belajar, ketertiban dalam mengikuti pelajaran, selain itu juga faktor utama dari dosen yang bisa menerapkan metode yang tepat. Dengan adanya proses pembelajaran ini, diharapkan mampu meningkatkan kreativitas dan kepekaan.
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Harsono, T. Dibyo. "TARI MELINTING: SENI TARI TRADISIONAL LAMPUNG TIMUR." Patanjala : Jurnal Penelitian Sejarah dan Budaya 6, no. 1 (March 1, 2014): 123. http://dx.doi.org/10.30959/patanjala.v6i1.190.

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AbstrakSalah satu kelengkapan dalam pelaksanaan tata cara adat, upacara adat yang ada pada masyarakat melinting adalah adanya sebuah tarian adat melinting. Pada awalnya tarian ini memang merupakan sebuah tarian sakral, namun dalam perkembangannya tarian ini banyak mengalami perubahan dan perkembangan, baik dalam segi gerak, kostum, maupun kesakralannya. Penelitian ini bertujuan mendeskripsikan dan mengungkap tari melinting beserta filosofi yang mendasarinya. Pengumpulan data dilakukan dengan melaksanakan wawancara mendalam, pengamatan (observasi), dan studi kepustakaan. Ternyata tari melinting memiliki makna yang mendalam, tidak hanya gerakan tarinya yang indah, namun juga filosofi yang ada di balik tarian tersebut, seperti tentang kearifan tradisional masyarakat, falsafah hidup, serta dinamika kehidupan masyarakat Melinting khususnya dan masyarakat Lampung Timur pada umumnya. Kata melinting mempunyai makna yang sangat luas, merupakan nama daerah (kecamatan), nama jenis tumbuhan, nama tarian, dan juga nama dari sebuah wilayah adat dari Keratuan Melinting yang meliputi daerah Labuhan Maringgai, Gunung Pelindung, Wana. Di masa lalu wilayah adat melinting mencakup daerah yang lebih luas lagi, ke utara sampai dengan pantai di Labuhan Maringgai dan ke selatan sampai ke daerah Tegineneng. AbstractOne of the complement during the ceremonial customs in Melinting society is Melinting dance. In the beginning, this dance is sacred, however during the time their movement, customs, or sacred has changed and developed. This research has a purpose to describe and reveal of Melinting dance with their philosophy. The procedure for collecting the data with an in depth interview, observation, and library research. In result, Melinting dance has a deep meaning. It is not only about beautiful dance movement, but also the philosophy of wisdom, life, also talking about the dynamics of melinting and East Lampung society. Word of Melinting has a broader meaning, such as name of an area (district), plantation, dancing, and the territory of Melinting crown including Labuan Maringgai, Gunung Pelindung, Wana. In the past, the melintingregion included a wider area, to the north reach Labuan Maringgau beach, and to the south reach Tegineneng area.
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Dissertations / Theses on the topic "Tari"

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Peterle, Silvia <1988&gt. "IMPOSIZIONE SUI SERVIZI COMUNALI: TASI E TARI." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/5324.

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Alla luce delle recenti novità sul tema dei tributi locali, apportate dalla Legge di Stabilità 2014, si intende fornire un'analisi delle due nuove entrate collegate all'erogazione dei servizi forniti dal Comune alla collettività che vanno a comporre la nuova imposta unica comunale: la TASI destinata a finanziare i costi per i servizi indivisibili e la TARI finalizzata alla copertura dei servizi inerenti al servizio di raccolta e smaltimento dei rifiuti.L'approccio proposto in questa sede prevede dapprima un'analisi tecnica dei vari elementi che strutturano i due prelievi in esame,con una breve evoluzione storico normativo dei servizi considerati per poi giungere ad elaborare considerazioni sulla correttezza dei tributi rispetto al presupposto economico che colpiscono ossia l'utilizzo dei servizi.
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Rafiee, Tari Zoya [Verfasser]. "Isokinetische Kraftmessung nach Knieendoprothetik - kurz- bis mittelfristige Ergebnisse / Zoya Rafiee Tari." Köln : Deutsche Zentralbibliothek für Medizin, 2010. http://d-nb.info/100915799X/34.

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Corige, Manuel. "Dificuldades no desenvolvimento da agricultura no corredor do Rio Dande: o caso de Santa Bolea-Tari a norte do municipio do Dande província do Bengo." Master's thesis, Universidade de Évora, 2012. http://hdl.handle.net/10174/15919.

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A região do corredor do rio Dande-Bengo apresenta problemas de vária ordem nas suas áreas rurais. Nesta região os problemas vão desde as infra-estruturas, transportes, saúde, educação, até ao problema de existência de uma agricultura rudimentar. A melhoria das condições de vida das populações rurais passa por uma intervenção integrada de promoção do desenvolvimento rural. O presente trabalho tem como objectivo identificar os principais constrangimentos no desenvolvimento da agricultura no corredor do rio Dande, caso do município com o mesmo nome, e propor estratégias para ultrapassar os constrangimentos com vista a contribuir na redução da pobreza e no aumento do desenvolvimento económico e bem-estar das populações. As dificuldades no desenvolvimento da agricultura no Corredor do rio Dande não são apenas da responsabilidade da falta de chuva mas sobretudo do fraco investimento tecnológico e de infraestruturas capazes de fazer face a esse desiderato; ABSTRACT:The present work aims to identify the main constraints on agricultural development in the corridor of the river Dande, in the municipality with the same name, mainly the ones related to infrastructures, transport, health, education, until the problem of existence of a rudimentary agriculture. The present work aims to identify the main constraints to the development of the agriculture in corridor do rio Dande region, and to propose strategies to overcome these constraints contributing to the reduction of hunger and poverty and to the increase of the economic development and wellbeing of the people The difficulties in the development of agriculture in the Corredor do rio Dande are not just the responsibility of the lack of rain but mostly of the weak technological investment and infrastructure able to cope with this problem.
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Mwandila, Gershom. "Determination of Design Parameters and Investigation on Operation Performance for an Integrated Gas Cleaning System to Remove Tars from Biomass Gasification Producer Gas." Thesis, University of Canterbury. Chemical and Process Engineering, 2010. http://hdl.handle.net/10092/6191.

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Determinations of design parameters and investigation on operation performance of a tar removal system for gas cleaning of biomass producer gas have been undertaken. The presence of the tars in the producer gas has been the major hindrance for the commercialisation of the biomass gasification technology for power generation, hydrogen production, Fischer Tropsch (FT) synthesis, chemical synthesis and synthetic natural gas (SNG) synthesis. The characteristic of the tars to condense at reduced temperatures cause problems in the downstream processing as the tars can block and foul the downstream process equipment such as gas engines reactor channels, fuel cells, etc. Considerable efforts have been directed at the removal of tars from the producer gas where the tars can be either chemically converted into lighter molecular weight molecules or physically transferred from gas phase to liquid or solid phase. In the former, the tars have been removed in a scrubber by transferring them from the producer gas to a scrubbing liquid and then removed from the liquid to air in a stripper and finally recycled them into air to a gasifier to recover their energy. A tar removal test system involving a scrubber and stripper has been designed based on the predicted tar solubility in canola methyl ester (CME) as the scrubbing liquid and its measured properties (CME is a type of methyl ester biodiesel). The tar solubility has been predicted to decrease with increasing temperatures and thus its value increases at lower temperatures. In designing the test system, the design parameters are needed including equilibrium coefficients of the gas-liquid system, molar transfer coefficient and the optimum liquid to gas flow rate ratio. The equilibrium coefficients have been predicted based on thermodynamic theories where the required data are determined from CME composition and known properties of each component of the CME as well as the properties of the model tar (naphthalene). The molar transfer coefficients are then experimentally determined and the correlations as a function of liquid and gas flow rates are proposed which are consistent with literature. The optimum liquid to gas flow rate ratios have been found to be 21.4±0.1 for the scrubber and 5.7±0.1 for the stripper. Using these optimum ratios, the tar removal efficiencies in the scrubber and the stripper are 77 and 74%, respectively. The analysis of the system performance has been achieved after an innovative method of determining tar concentrations in both the liquid and gas phase had been developed based on the concept of the density of liquid mixtures. However, these tar removal efficiencies are low due to the fact that the targeted tar concentration in the scrubber’s off-gas was large. As a result the system has been redesigned based on the determined design parameters and its operation performance retested. In the redesigned system, the tar removal efficiency in the scrubber and stripper is 99%. The redesigned system would be integrated with the UC gasifier for downstream gas cleaning. Since 1% of tars are not removed, a makeup tar free CME of 0.0375 litres per hour for the 100kW UC gasifier has been introduced in the recycle stream between the scrubber and stripper to avoid tar accumulation in the system.
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Perez, Gabriel Mendes Hernandez. "Mooi misi no taki "taki-taki" / Moça bonita não fala "taki-taki": gênero, práticas e representações linguísticas de imigrantes brasileiros no Suriname." Niterói, 2017. https://app.uff.br/riuff/handle/1/5116.

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Faperj
Colégio Cruzeiro, CRUZEIRO, Brasil
A imigração de brasileiros no Suriname é um fenômeno relativamente recente que começou a ser percebido em meados dos anos 80, quando as primeiras modestas ondas de migração, formadas sobretudo por garimpeiros e prostitutas, se instalaram principalmente no interior do país. Estima-se que atualmente vivam na antiga Guiana Holandesa cerca de 16.000 brasileiros, concentrados particularmente na zona norte da capital Paramaribo, onde exercem atividades diversas nos setores de mineração, prestação de serviços, comércio e prostituição. Esta pesquisa se propõe a analisar as práticas e representações linguísticas de imigrantes brasileiros residentes na capital do Suriname, país onde coexistem cerca de 20 línguas faladas por distintas etnias, sendo o holandês a única com status de idioma oficial. Por entender, assim como Calvet ([1999] 2004), que as práticas linguísticas e as representações, ou seja, as imagens que os sujeitos constroem em torno das línguas, são não só interdependentes, mas se relacionam com os contextos sociais, ideologias e relações de poder nas quais estão inseridas, discuto neste trabalho os conceitos de mercado linguístico e violência simbólica conforme Bourdieu ([1982] 1996) e, naturalmente, contextualizo a imigração brasileira e apresento o panorama sociolinguístico observado no país, com ênfase na capital Paramaribo. A pesquisa in loco que constitui o corpus desta investigação demonstrou ainda que o gênero dos falantes exerce forte influência sobre as práticas e, sobretudo, sobre as representações linguísticas dos sujeitos, o que apontou para a necessidade de se discutir as interações entre linguagem e essas duas categorias. Assim, o presente trabalho apresenta ainda uma revisão bibliográfica das pesquisas sociolinguísticas mais relevantes que se dispuseram a analisar tais relações, como as pioneiras contribuições variacionistas de Labov (1966, 1990), Trudgill (1972) e Eckert (1989), os estudos centrados em contato linguístico de Piller & Pavlenko (2001, 2006) e, ainda, as desconstruções de um emergente campo dos estudos da linguagem, a linguística queer (LIVIA. A; HALL, K, 1997; BORBA, 2015). A reflexão teórica aqui proposta visará a discutir não só como esses dois fatores afetam as escolhas dos falantes, mas como os indivíduos constroem e afirmam seu gênero e outras identidades através da linguagem.
The Brazilian immigration in Suriname is a relatively recent phenomenon that came into prominence in the mid-80's, when the first modest waves of immigrants, most of them miners and prostitutes, settled mainly in the countryside. Around 16,000 Brazilians are currently living in the former Dutch Guiana, particularly in the northern part of the capital Paramaribo, where they work mostly in retail, the service industry, mining and prostitution. This research aims to analyze the language practices and representations of Brazilian immigrants living in the capital of Suriname, where about 20 languages are spoken by different ethnic groups and Dutch remains the only one with an official status. In our understanding, language representations, that means, the images that speakers have about languages, and language practices are, as defined by Calvet ([1999] 2004) not only interdependent, but are also related to social contexts, ideologies and power relationships. Thus, we discuss in this work the concepts of linguistic market and symbolic violence according to Bourdieu ([1982] 1996) and contextualize the Brazilian immigration and the current sociolinguistic panorama observed in the country, with an emphasis on the capital Paramaribo. The data collected in the field research also demonstrated that the gender of the speakers exerts a strong influence on their language practices and, above all, on their language representations. These observations led to the discussion on the relationships between language and gender. Thus, this work presents a bibliographical review of the most relevant sociolinguistic researches that discussed these relations, such as the first contributions of Labov (1966, 1990), Trudgill (1972) and Eckert (1989), the studies based on language contact by Piller & Pavlenko (2001, 2006) and the deconstructions of an emerging field of language studies: the Queer Linguistics (LIVIA. A; HALL, K, 1997; BORBA, 2015). The reflection on the theories presented in this work aims to discuss not only how gender affects the speakers' choices, but also how individuals construct and affirm their gender and other identities through language.
De immigratie van Brazilianen in Suriname is een vrij recent fenomeen en verscheen halfweg de jaren 80. De eerste golf van migranten bestonden voornamelijk uit mijnwerkers en prostituees die zich vestigden op het platteland in Suriname. Ongeveer 16.000 Brazilianen leven momenteel in het voormalige nederlanstalige Guyana, hoofdzakelijk in het noordelijke deel van de hoofdstad Paramaribo, waar ze voornamelijk werken in de kleinhandel, dienstensector, de mijnindustrie en prostitutie. Dit onderzoek richt zich op het analyseren van de taalgebruiken en representaties van Braziliaanse immigranten die leven in de hoofdstad van Suriname, waar ongeveer 20 talen gesproken worden door verschillende etnische groepen waarvan het Nederlands de enige taal is met een officiële status. Taalrepresentaties, d.i. het beeld dat sprekers hebben over een taal, en taalgebruiken worden door Calvet (1999, 2004) gedefinieerd als niet alleen onderling afhankelijk, maar gerelateerd tot de sociale context, ideologieën en krachtige relaties. Om deze reden onderzoeken we in dit werk de concepten van de taalkundige markt en het symbolisch geweld dat daarmee gepaard gaat volgens Bourdieu ([1982] 1996). Verder onderzoeken we ook de Braziliaanse immigratie en het huidig sociolinguistisch panorama dat geobserveerd wordt in het land, met de nadruk op de hoofdstad Paramaribo. De data dat werd verworven door het veldwerk toont ons dat de gender van de spreker een sterke invloed uitoefent op de taalgebruiken en bovenal op de taalrepresentatie. Deze observaties brengen ons naar de discussie van de relatie tussen taal en gender. Omwille van die reden focust dit werk zich op een bibliografische kijk op de meest relevante, sociolinguïstieke onderzoeken die deze relaties reeds aangehaald hebben. We kijken naar de eerste bijdragen van Labov (1966, 1990), Trudgill (1972) en Eckert (1989) en alsook de studies die gebaseerd zijn op taal contact door Piller en Pavlenko (2001,2006) en ook de bijdragen van een opkomend gebied van taalstudies: Queer linguistics (LIVIA. A; HALL, K, 1997; BORBA, 2015). De theorieën die we aanhalen in dit werk brengen ons naar de discussie hoe het geslacht van de spreker zijn keuzes beïnvloedt, maar ook hoe individuen hun geslacht en andere identiteiten vormen en bevestigen door middel van taal.
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Pagojūtė-Pociuvienė, Kristina. ""Taro" kortos." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2007. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2007~D_20070111_212357-13573.

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The Taro cards are the theme of the work. The point of work is to create the classic Taro deck of cards, containing all 78 cards, decompounding of 22 senior arcades and 56 cadence using traditional taro card system and sustaining with symbolisms of the Baltic tribes. The target of work: 1. To scrutinize the history, structure and symbolism of Taro cards. 2. To scrutinize the string of Taro cards with the magical world. 3. To scrutinize symbolic meaning in philosophical aspect. 4. Sustaining on the analysis of prototypes to concretize the volume and organization. 5. Designing (the generation of the idea for the work, sketching, projecting with a computer programs). There is the analysis of the literature and other sources of information used in the work. The photography and computer graphics are used in the magisterial work. In pursuance of the best quality there was the photography session with the reselected models organized. The pictures were processed with Adobe PhotoSHOP and Corel PhotoPAINT computer programs, later the results were processed with CorelDRAW computer program. Appearance and in abstract a growth of human mind gain abstractness, gets some new names, newer the less the target remains the same ��� to find the very point of reference, which could lead the life in harmony. Primitive minded people understand the ambience more in prominence to the parts that are important to their empathize which are important to experience, it is its harmony with nature... [to full text]
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Burström, Anna. "TARA : - En kvalitativ studie om läkarstudenters upplevelser av TARA." Thesis, Umeå universitet, Institutionen för psykologi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-178433.

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Depression är vanligt förekommande världen över och läkarstudenter är en utsatt grupp. Under läkarprogrammet ökar dessutom den psykiska ohälsan bland studenterna. Förmågan till psykologisk flexibilitet, innefattande defusion, acceptans, jag-som-kontext, flexibel uppmärksamhet i nuet, värden och ändamålsenligt handlande, har visat sig ha samband med ohälsa. Training for Awareness, Resilience and Action (TARA) har skapats i USA som metod för att i grupp behandla depression hos tonåringar. Under 2018 erbjöds TARA till en grupp läkarstudenter i Umeå och denna kvalitativa studie innefattade semistrukturerade intervjuer två år efter avslutad behandling. Deltagarna var fem av dessa studenter och intervjuerna fokuserade på deras upplevelser av TARA samt vilka metoder de fortsatt att använda. Åldern på deltagarna var 21-32 år vid intervjutillfället. En tematisk analys användes för att analysera materialet från intervjuerna. Resultatet visade att deltagarna upplevde att de fick flera olika verktyg att använda sig av för att hantera sin psykiska ohälsa. Främst var andningsövningar och att uppmärksamma det som hände inom dem som beskrevs som det viktigaste. Deltagarnas beskrivningar av deras erfarenheter visar att de övat upp sin förmåga till defusion, acceptans, flexibel uppmärksamhet i nuet, värden och ändamålsenligt handlande under TARA. Beskrivningar av jag-som-kontext gick inte att hitta i materialet. Studiens utformning, kvalitativa intervjuer, och urvalet av deltagare har minskat möjligheten till generalisering. Dock kan resultatet förstås som att TARA kan hjälpa till att öka upplevelsen av psykologisk flexibilitet, vilket i förlängningen kan minska symtomen på depression.
Depression is common worldwide and medical students are a vulnerable group and during the medical education mental illness increases. The ability for psychological flexibility, including diffusion, acceptance, Self-as-context, flexible contact with the present, values ​​and appropriate action, has been shown to be associated with ill health. Training for Awareness, Resilience and Action (TARA) has been created in the United States as a method of treating depression in group in adolescents. In 2018, TARA was offered to a group of medical students in Umeå and this qualitative study included semi-structured interviews with five of these students about their experiences of TARA and what methods they are using. The interviews were conducted two years after their participation in TARA. The participants attended the second and forth semester of their education when TARA occurred. The age of the participants was 21-32 years at the time of the interview. A thematic analysis was used to analyze the material from the interviews. The results showed that the participants felt that they were given several different tools to use to manage their mental illness. Mainly breathing exercises and paying attention to what was happening within them was described as the most important. The participants' descriptions of their experiences show that they practiced their ability for defusion, acceptance, flexible contact with the present, values ​​and appropriate action during TARA. Descriptions of Self-as-context couldn’t be found in the material. The design of the study, qualitative interviews, and the selection of participants have reduced the possibility of generalization. However, the result can be understood as that TARA can help to increase the experience of psychological flexibility, which in the long run can reduce the symptoms of depression.
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Boyle, Erin Elizabeth. "Capa & Taro." Digital Commons at Loyola Marymount University and Loyola Law School, 2021. https://digitalcommons.lmu.edu/etd/967.

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As political tensions spread across 1930s Europe, photographers and lovers, Endre Friedmann and Gerda Taro, create the persona of American photojournalist Robert Capa to conceal their Jewish identities. Under the guise of Capa, they put their lives on the front line to expose the humanitarian horrors of the Spanish Civil War with a name that will go down in history.
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Paunksnytė, Evelina. "Atstumai tarp aritmetinių skirstinių." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20140702_194349-14393.

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Darbe nagrinėjamos sveikareikšmės stipriai adityvios funkcijos, jų sekos bei pasiskirstymai. Pagrindinis rezultatas yra nustatyti, ar esant tam tikroms sąlygoms, atstumas tarp apibrėžtų skirstinių artėja į 0, kai x neaprėžtai auga.
Integer – valued strongly additive functions, their sequences and distributions are studied in this paper. The main result is to find out if having some conditions the distance between defined distributions vanishes while x tends to infinity.
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Baldridge, Mark. "Towards low tare sugarbeet." Thesis, De Montfort University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391783.

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Books on the topic "Tari"

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(Firm), Sentai Filmworks. Tari tari: Complete collection. United States]: Sentai Filmworks, 2013.

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Tari. [Quezon City]: Philippine Centennial Commission, 2000.

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illustrator, Yi U.-ch'ang, ed. Pae tari nŭn hyoja tari. Sŏul-si: Ungjin Juniŏ, 2009.

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Artati, A. A. Ayu Mayun, 1946-, ed. Tari Bali. Bandung: P4ST UPI, 2007.

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Ramlan, Lalan. Tari Keurseus. Bandung: STSI Press Bandung, 2003.

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Salam, Ridhwan Abd. Tari Saman. Bekasi: Wahana Bina Prestasi, 2012.

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1921-, Yu Chu-hyŏn, ed. Kkŭnŏjin tari. Sŏul Tʻŭkpyŏlsi: Samsŏngdang, 1987.

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Wŏn-sun, Im, and An Chang-hŏn 1947-, eds. Yet tari. Sŏul: Taewŏnsa, 1990.

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Ahmad, A. Samad. Kesenian tari. Melaka: Associated Educational Distributors (M), 1990.

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1938-, Sedyawati Edi, and Cokrohamijoyo F. X. Sutopo, eds. Pengetahuan elementer tari dan beberapa masalah tari. [Jakarta]: Direktorat Kesenian, Proyek Pengembangan Kesenian Jakarta, Departemen Pendidikan dan Kebudayaan, 1986.

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Book chapters on the topic "Tari"

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Cleland, Keith N. "14 Businesses Explore CBA/TARI." In IMPROVING PROFIT, 165–92. Berkeley, CA: Apress, 2013. http://dx.doi.org/10.1007/978-1-4302-6308-1_23.

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Jennison, Rebecca. "Precarity, Performance, and Activism in Recent Works by Ito Tari and Yamashiro Chikako." In Performance, Feminism and Affect in Neoliberal Times, 297–308. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-59810-3_23.

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Ball, Ray. "Comments on Stephen J. Taylor and Abdelkamel Tari “Further Evidence Against the Efficiency of Futures Markets”." In A Reappraisal of the Efficiency of Financial Markets, 603–5. Berlin, Heidelberg: Springer Berlin Heidelberg, 1989. http://dx.doi.org/10.1007/978-3-642-74741-0_37.

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Springer Fachmedien Wiesbaden. "Tarif." In 333 Keywords Arbeitsrecht, 213–28. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-08725-8_11.

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Moir-Bussy, Ann. "Tara." In Encyclopedia of Psychology and Religion, 2337–39. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_684.

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Gooch, Jan W. "Tare." In Encyclopedic Dictionary of Polymers, 730. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_11567.

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Panthri, Himali. "Tarn." In Encyclopedia of Earth Sciences Series, 1144–45. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-90-481-2642-2_564.

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Moir-Bussy, Ann. "Tara." In Encyclopedia of Psychology and Religion, 1781–83. Boston, MA: Springer US, 2014. http://dx.doi.org/10.1007/978-1-4614-6086-2_684.

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Stebbins, Morgan, Mark Popovsky, Kathryn Madden, Fredrica R. Halligan, Ann Moir-Bussy, Fredrica R. Halligan, Ronald Madden, et al. "Tara." In Encyclopedia of Psychology and Religion, 900–901. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-0-387-71802-6_684.

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Lakho, Hameeda, and Jeroen Wapenaar. "Tara." In Zie je mij?, 164–83. Houten: Bohn Stafleu van Loghum, 2022. http://dx.doi.org/10.1007/978-90-368-2827-7_10.

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Conference papers on the topic "Tari"

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Hayati, Auliya Aenul. "Civic Education through a Traditional Dance Namely “Tari Topeng”." In Proceedings of the Annual Civic Education Conference (ACEC 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/acec-18.2018.13.

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Sumiati, Lilis. "The Inheritance Model of Tari Wayang Sumedang: Enculturation and socialization." In 2nd International Conference on Arts and Design Education (ICADE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200321.059.

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Alsaify, Baha' A., Dale R. Thompson, and Jia Di. "Identifying passive UHF RFID tags using signal features at different Tari durations." In 2012 IEEE International Conference on RFID (IEEE RFID 2012). IEEE, 2012. http://dx.doi.org/10.1109/rfid.2012.6193054.

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Tuati, Anie, Deasi Daud, and Amy Wadu. "Fulfilment Quality of Service at El Tari Airport Kupang for Increasing Satisfaction Passenger." In International Conference on Applied Science and Technology on Engineering Science. SCITEPRESS - Science and Technology Publications, 2021. http://dx.doi.org/10.5220/0010965000003260.

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Iraqi, Hana Shilfia, Yahya Yahya, and Indrayuda Indrayuda. "Representation of Fanaticism against Local Culture through the Use of Tari Manyang in Sikakap Community Life." In Proceedings of the Seventh International Conference on Languages and Arts (ICLA 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icla-18.2019.8.

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Mulyani, Sri Rochani, Vip Paramarta, and Nina Herlina. "MEMBANGUN REPUTASI SEKOLAH MELALUI PEMBELAJARAN SENI BUDAYA DI SMP NEGERI 4 KALIJATI SUBANG." In Seminar Sosial Politik, Bisnis, Akuntansi dan Teknik (SoBAT) ke-3. LPPM USB YPKP, 2021. http://dx.doi.org/10.32897/sobat3.2021.22.

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Penelitian ini dilakukan dengan tujuan untuk mengetahui bagaimana pengelolaan pembelajaran seni budaya yang dilakukan di SMPN 4 Kalijati Subang, apakah dapat meningkatkan reputasi sekolah. Metode penelitian menggunakan pendekatan kualitatif, dengan menggunakan instrumen wawancara mendalam dari beberapa informan yaitu Kepala Sekolah, Guru, Staf Tata Usaha, Siswa, Orang Tua. Didukung pula dengan pendapat para ahli antara lain Kepala Dinas Pendidikan dan Kebudayaan Kabupaten Subang, Pengawas Sekolah Dinas Pendidikan dan Kebudayaan Kabupaten Subang dan Sanggar Tari Bale Kiwari. Teknik analisis data informan menggunakan software NVIVO pro12. Adapun hasil dari penelitian ini menunjukkan bahwa pengelolaan pembelajaran seni budaya dapat meningkatkan nama baik sekolah, dengan meningkatkan infrastruktur dan kualitas guru seni budaya dan kerjasama dengan sanggar seni, sehingga dapat mengoptimalkan prestasi di bidang seni budaya.
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Laranci, Paolo, Gianni Bidini, Bruno D’Alessandro, and Francesco Fantozzi. "Numerical Analysis of the Use of Vegetable Oil-Tars Mixtures From Syngas Scrubbing in a Microturbine Combustor." In ASME Turbo Expo 2014: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/gt2014-27326.

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TARs are a mixture of heavy and light hydrocarbons produced from pyrolysis and gasification of biomass and waste, as condensable volatiles in the syngas. Given their relatively low dew point, they are usually removed from syngas to avoid condensation and fouling of engines and equipment. Vegetable oil scrubbing compared to water scrubbing yields oil tar mixtures which is a renewable fuel and may be useful successfully to power a gas turbine. The feasibility of burning TAR, blended vegetable oil, in a combustor of a turbine is investigated. Computational simulations with a CFD software were performed to analyze evaporation and combustion processes of vegetable oil-tars mixture compared with pure vegetable oil and diesel, in terms of residence time, temperature distributions, inlet turbine conditions. The results show difficulties in evaporation of both vegetable oil and vegetable oil-tar mixture compared to diesel, with consequences in the combustion in terms of temperature distributions and higher NOx emissions. Preheating of vegetable oil and vegetable oil-tar mixture improves their evaporation approaching the results to those of the diesel case.
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Slavinskaitė, Neringa, Rūta Koniuhovaitė, and Eglė Stanislovaitytė. "NEDARBO LYGIO POVEIKIO BENDRAJAM VIDAUS PRODUKTUI BALTIJOS ŠALYSE ANALIZĖ." In Conference for Junior Researchers „Science – Future of Lithuania“. VGTU Technika, 2017. http://dx.doi.org/10.3846/vvf.2017.005.

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Nedarbo lygis ir bendrasis vidaus produktas (BVP) – tai vieni svarbiausių makroekonominių rodiklių, parodančių šalių išsivystymo ir pragyvenimo lygius, todėl tiek ekonomikoje, tiek politikoje jiems skiriamas didelis dėmesys. Mokslinėje literatūroje yra nurodoma, kad šie rodikliai yra tarpusavyje susiję, t. y. tarp jų egzistuoja neigiamas ryšys. Šiame straipsnyje yra analizuojamas nedarbo lygio ir BVP palyginamosiomis kainomis ryšys Baltijos šalyse. Analizei naudojami 2000–2015 metų duomenys. Tyrimui atlikti naudojama koreliacinė regresinė analizė, kurios gauti rezultatai įrodo neigiamo ryšio tarp nedarbo lygio ir BVP palyginamosiomis kainomis egzistavimą, tačiau ryšys reikšmingas Lietuvoje ir Estijoje, o Latvijoje priešingai – silpnas, t. y. nedarbo lygis turi mažai įtakos BVP palyginamosiomis kainomis.
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Saepudin, Dr, and Dr Kamaruddin. "Jawara and Local Election (Case Study of The Jawara Role of Tjimande Tari kolot Kebon Djeruk Hilir to win Wahidin Halim-Andika Hazrumy in the 2017 Banten gubernatorial election)." In 2nd International Conference on Social and Political Development (ICOSOP 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icosop-17.2018.19.

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Klinghoffer, Naomi, and Marco J. Castaldi. "Deactivation and Energy Analysis of Char Catalysts in Biomass Gasification Systems." In 20th Annual North American Waste-to-Energy Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/nawtec20-7036.

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One of the major barriers to gasification is the need for elimination of tars that are generated in thermochemical conversion processes. While metal catalysts can be used for tar decomposition, and cheaper alternative is char. Deactivation of char catalysts has been studied and these deactivation rates have been applied to a model for a gasification system. The calculations and experimental data presented here show that if the char from a gasifier is recycled to a tar reformer then some char deactivation will take place, but the activity will not fall below 40% of its initial activity. The energy penalty for diverting char, a potential heat source, to a catalytic reactor has been accounted for. This was done by comparing the heating value of char to the heating value of syngas generated from reforming tar using the char as a catalyst. At high gasification temperatures, when tar production in the gasifier was low, the char had a higher heating value than the syngas that was produced from tar reforming. At low temperatures, the heating value of the syngas exceeded that of the char combustion, which implies an overall energy benefit.
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Reports on the topic "Tari"

1

Wu, Hong, and Clarissa Ferreira Albrecht da Silviera. TAXI II. Landscape Architecture Foundation, 2017. http://dx.doi.org/10.31353/cs1290.

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McLendon, T. R., and T. C. Bartke. Tar sand. Office of Scientific and Technical Information (OSTI), January 1990. http://dx.doi.org/10.2172/5785285.

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Rintoul, Mark, Kyra Wisniewski, Katrina Ward, and Kanad Khanna. TAFI/Kebab End of Project Report. Office of Scientific and Technical Information (OSTI), April 2021. http://dx.doi.org/10.2172/1779606.

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Telenko, Darcy, Martin Chilvers, Nathan Kleczewski, Daren Mueller, Dian Plewa, Alison Robertson, Damon Smith, Adam Sisson, Albert Tenuta, and Kiersten Wise. Tar Spot of Corn. United States: Crop Protection Network, December 2020. http://dx.doi.org/10.31274/cpn-20201214-2.

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Angrist, Joshua, Sydnee Caldwell, and Jonathan Hall. Uber vs. Taxi: A Driver’s Eye View. Cambridge, MA: National Bureau of Economic Research, September 2017. http://dx.doi.org/10.3386/w23891.

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VonBulow, Gotz-Ullrich. A Role for TACI in Prostate Neoplasia. Fort Belvoir, VA: Defense Technical Information Center, January 2008. http://dx.doi.org/10.21236/ada508618.

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Lari, P. Piercing tool, Transportation Accident Resistant Container (TARC). Office of Scientific and Technical Information (OSTI), August 1994. http://dx.doi.org/10.2172/10177112.

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Wise, Kiersten, and Purdue Extension. Corn Disease Management: Tar Spot. United States: Crop Protection Netework, February 2019. http://dx.doi.org/10.31274/cpn-20190620-008.

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Cullen, D., S. McKinley, and C. Hagmann. MERCURY vs. TART Comparisons to Verify Thermal Scattering. Office of Scientific and Technical Information (OSTI), March 2006. http://dx.doi.org/10.2172/899422.

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Milne, T. A., R. J. Evans, and N. Abatzaglou. Biomass Gasifier ''Tars'': Their Nature, Formation, and Conversion. Office of Scientific and Technical Information (OSTI), November 1998. http://dx.doi.org/10.2172/3726.

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