Relevant bibliographies by topics / Tarquini

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Tarquini'

Author: Grafiati
Published: 9 March 2023
Last updated: 11 March 2023

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Journal articles on the topic "Tarquini"

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Edlund-Berry, Ingrid E. M., and M. Cristofani. "La grande Roma dei Tarquini." American Journal of Archaeology 97, no. 1 (1993): 182. http://dx.doi.org/10.2307/505858.

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Oviedo, Micaela. "Redes intelectuales, itinerarios e identidades regionales en la Argentina (siglo XX)." Revista de Historia Iberoamericana 9, no. 2 (2016): 131–33. http://dx.doi.org/10.3232/rhi.2016.v9.n2.09.

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Es reseña de: Redes intelectuales, itinerarios e identidades regionales en la Argentina (siglo XX) Claudia Salomón Tarquini (ed. lit.), María de los Ángeles Lanzillotta (ed. lit.) Rosario : Protohistoria Ediciones, 2016
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Rosés, Daniela, Adrián Alejandro Almirón, and Lisandro Gallucci. "Reseñas." Revista Paginas 8, no. 18 (2016): 120–30. http://dx.doi.org/10.35305/rp.v8i18.239.

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Claudia SALOMÓN TARQUINI y María LANZILLOTTA, Redes intelectuales, itinerarios e identidades regionales en la Argentina, Prohistoria - EDULPam, Rosario, 2016, 260 páginas. Osvaldo GRACIANO y Gabriela OLIVERA (coordinadores), Agro y política en Argentina. Tomo II. Actores sociales, partidos políticos, e intervencionismo estatal durante el peronismo 1943-1955, Buenos Aires, Ciccus, 2015, 476 páginas. Loris ZANATTA, El populismo, Madrid, Katz, 2014, 286 páginas.
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Zampa, Romina B. "Del Chaco santafesino a la Patagonia: nuevos aportes para el análisis de la frontera y las relaciones interétnicas en la segunda mitad del siglo XIX." Folia Histórica del Nordeste, no. 21 (October 8, 2013): 171. http://dx.doi.org/10.30972/fhn.0213362.

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<p>El presente trabajo tiene por objetivo realizar una revisión sobre distintos aportes que componen tres libros editados en los últimos años sobre la problemática fronteriza y las relaciones interétnicas en la segunda mitad del siglo XIX. Desde diversas miradas que involucran distintos recortes problemáticos y con la posibilidad de establecer algunos puntos en común, Gabriela Dalla-Corte Caballero, Claudia Salomón Tarquini y Brígida Baeza nos proponen un análisis profundo y complejo de diferentes situaciones de frontera que suceden en ese período. La intención de realizar una aproximación a varias investigaciones que abordan la problemática fronteriza pretende poner de manifiesto varias contribuciones importantes en términos metodológicos y de contenido histórico.</p><p> </p>
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García Rivera, Edna Lucía. "Sin medios de negociación. Las insurrecciones de indios en Sonora, 1855-1859." Estudios de Historia Moderna y Contemporánea de México, no. 57 (November 28, 2019): 101. http://dx.doi.org/10.22201/iih.24485004e.2019.57.68017.

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<p>El presente trabajo explica las insurrecciones de indios de 1855 a 1859, a través del marco teórico de la subalternidad centrando la atención en los intentos previos de negociación, intereses particulares que remitían a intereses grupales, conciencia reflexiva al interior de los grupos, así como un proceso de subalternización por parte del Estado a través de legislaciones especiales. Para lo anterior se retoman las propuestas de Ranahit Guha, Robert Fletcher y Salomón Tarquini. Mediante la correspondencia de tenientes indígenas de los pueblos ópatas y de reportes de la sociedad mestiza, se encuentra que ciertos grupos ópatas y yaquis utilizaron la insurrección como una forma de participar políticamente y recuperar los cargos militares indígenas de capitanes generales. A partir de lo anterior, existió una conciencia al interior, misma que no era producto de insurrecciones espontáneas, sino de intentos previos de negociación e insurrección cuando no existía el pacto. Un ejemplo de lo anterior fue la contraposición a las políticas provenientes de Ignacio Pesqueira por parte de las gavillas de indios, que ejecutarán su acción buscando destituirlo del gobierno en apoyo a Manuel María Gándara.</p>
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Scapaticci, Maria Gabriella. "The Discovery of the Mithras Statue of Tarquinia." Acta Antiqua Academiae Scientiarum Hungaricae 58, no. 1-4 (2018): 9–23. http://dx.doi.org/10.1556/068.2018.58.1-4.2.

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Summary In 2014 the discovery of a Mithras' statue at Tarquinia occurred. This was due to the Comando Tutela Patrimonio Culturale dell'Arma dei Carabinieri, which informed the Soprintendenza per i Beni Archeologici dell'Etruria Meridionale about clandestine activities in May 2014 on the poggio della Civita – where the ancient city of Tarquinia stood – in a zone close to the Etruscan temple of the Ara della Regina (fig. 1). As soon as possible, the Soprintendenza carried out an archaeological excavation, focusing the effort on the need to find evidence for the place of origin of the magnificent sculptural group (fig. 2), which represents Mithras Tauroctonus. This sculpture was recovered by the Carabinieri after investigation by the police, directed by the Procura della Repubblica of the law court of Rome. Archaeological research since then has led to the discovery of another marble part of the same sculpture (fig. 3), i.e., the dog leaning on the knee of the bull and perfectly dovetailing with the Mithraic Tauroctony. The discovery of another fragment pertaining to the same sculpture is an irrefutable proof that the Mithras' statue came from the domus of the Civita of Tarquinia, which represents an important and new scientific result. The only other sculptural group depicting Mithras in Southern Etruria was one previously found in Vulci, discovered in 1975 after a clandestine excavation close to the domus del Criptoportico. This new finding proves the spread of this cult in Tarquinia, as well, and the style of the new sculpture suggests a chronological priority of the Tarquinian Mithraeum in respect to that in Vulci.
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Briquel, Dominique. "Tarquins de Rome et idéologie indo-européenne : (I) Tarquin l'Ancien et le dieu Vulcain." Revue de l'histoire des religions 215, no. 3 (1998): 369–95. http://dx.doi.org/10.3406/rhr.1998.1132.

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Garzulino, A. "LIDAR, TERRITORY AND ARCHAEOLOGICAL AREAS: NEW RESULTS AND PERSPECTIVES FOR THE KNOWLEDGE, ANALYSIS AND PRESERVATION OF COMPLEX CONTEXTS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W11 (May 4, 2019): 549–55. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w11-549-2019.

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<p><strong>Abstract.</strong> Within the "Tarquinia Project" and the “Centro di Ricerca Coordinato”, involving different groups of the Università degli Studi di Milano (Archaeology, Computer Science and Communication, Geoarchaeology, Palaeoanthropology) and the Politecnico di Milano (Architecture and Conservation of Cultural Heritage), the carried out activities were aimed at defining the best methodologies for the documentation, analysis, study and conservation of the archaeological remains in the territory of Tarquinia. Within this broad framework, from 2010 the two research groups focused their efforts in the identification of the entire route of the ancient Tarquinia wall circuit and the archaeological structures it contains in order to create thematic maps of the archaeological remains of the “Pianoro della Civita”. The performed work examined the available historical documentation, proceeding in an extensive analysis of the marks that characterized the area. Given the complex morphology of the area, the ancient presence of the sites spread over fourteen centuries and the dense vegetation characterizing the slopes, in order to investigate the archaeological objects a laser scanner survey using LiDAR technology (Light Detection and Ranging) of the entire territory was performed. Through this system it was possible to carry out detailed geoarchaeological analysis, due the numerous phenomena of instability and runoff affecting the surfaces of the inhabited area and also involving the construction of the city wall circuit. These investigations, together with what emerges from the interpretation of the cartographies and the history of the archaeological analysis, made it possible to evaluate and verify the archaeological remains, contributing to the creation of the thematic maps of the ancient Tarquinian city walls.</p>
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Guittard, Charles. "La Grande Roma dei Tarquini, catalogue de l'exposition réalisé sous la direction de Mauro Cristofani, Rome, L'Erma di Bretschneider, 1990, 294 p., 36 planches couleur hors-texte." Annales. Histoire, Sciences Sociales 47, no. 2 (1992): 397–99. http://dx.doi.org/10.1017/s0395264900061667.

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Freijomil, Andrés G. "Reseña de Claudia Salomón Tarquini, Sandra R. Fernández, María de los Ángeles Lanzillotta y Paula I. Laguarda (Eds.) El hilo de Ariadna. Propuestas metodológicas para la investigación histórica. Prometeo, 2019, 340 páginas." Quinto Sol 25, no. 1 (2021): 1–4. http://dx.doi.org/10.19137/qs.v25i1.5522.

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Dissertations / Theses on the topic "Tarquini"

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Parrella, Andrea. "Guida turistica di Tarquinia: una proposta di traduzione per viaggiatori cinesi." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/18341/.

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Questo lavoro di traduzione in cinese di una guida turistica di Tarquinia è stato realizzato cercando di seguire al meglio le magistrali indicazioni di Eco sulla natura della traduzione e sul ruolo di negoziatore che il traduttore deve esercitare. Come il titolo dell’opera di Eco suggerisce, il traduttore dice quasi la stessa cosa; ma è proprio in quel “quasi” che risiede la sua arte di negoziatore, in grado di comprendere la tensione tra fedeltà e infedeltà e stabilire il grado di torsione a cui si può sottomettere il testo fonte. Quello della traduzione di testi turistici è un settore vasto che cresce di pari passo con lo sviluppo economico e con la globalizzazione. Le componenti tematiche che rientrano nel campo del turismo toccano numerosi ambiti, come storia e geografia, sociologia, psicologia, marketing e cultura di massa. Riprendendo la teoria del linguaggio di Karl Bühler (1934), poi rielaborata da Roman Jakobson (1966), è possibile individuare nel testo turistico due funzioni essenziali, quella vocativa e quella informativa, presenti in diversi gradi a seconda della tipologia di testo, mentre una terza, quella espressiva, compare in misura molto minore. Considerando che in una guida turistica la funzione vocativa, seppur subordinata alla funzione informativa, ricopre un ruolo rilevante, ho cercato in primo luogo di adattare il testo a quelle che ho ritenuto essere le esigenze del lettore di lingua cinese.
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Haumesser, Laurent. "Le décor funéraire étrusque à l’époque hellénistique : images eschatologiques et imaginaire de l’au-delà." Paris 10, 2006. http://www.theses.fr/2006PA100166.

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Cette thèse analyse le décor peint des tombes étrusques d’époque hellénistique, en particulier à Tarquinia. A travers la comparaison avec les monuments découverts dans les autres centres du monde hellénistique (Macédoine, Thrace, Alexandrie, Italie méridionale), il s’agit de réévaluer l’apport des documents étrusques à l’histoire de la peinture entre la seconde moitié du IVème siècle et le IIIème siècle av. J. -C. L’examen de corpus précis de tombes, mais aussi de sarcophages peints et de vases permet de suivre la diffusion en Etrurie des innovations picturales de l’époque, notamment au niveau de l’usage de la couleur et des motifs décoratifs. Une importance particulière est accordée à la question du lien entre l’architecture et le décor peint, ainsi qu’aux conceptions eschatologiques que ces peintures révèlent, en particulier à travers l’examen des figures de démons<br>This study deals with the painted tombs of Etruria, and especially of Tarquinia, in the Hellenistic time. Through the comparison with the monuments discovered in the last years throughout the Mediterranean world (Macedonia, Alexandria, South Italy), the analysis of the Etruscan documents gives precious informations on the story of the antic painting between the second half of the 4th. Century and the end of the 3rd century B. C. In the paiented tombs, but also on painted sarcophages and ceramic, one can see the diffusion of pictural innovations, such as the new importance of color et decorative motifs. This work analyses more accurately the link between architecture and painting, and also the eschatological believes displayed by these pictures, especially by the representations of demons
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Brancaleoni, Greta. "Nuovi studi sulle necropoli etrusche di Tarquinia (VT) con GPR e Geoelettrica." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2016.

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Abbiamo investigato con metodologie geofisiche del tutto non invasive un settore della necropoli etrusca di Monterozzi, Tarquinia (VT). Le tecniche utilizzate, per l'accertamento di camere sepolcrali nel sottosuolo, sono state il GPR e la geoelettrica. Dalla campagna effettuata nel mese di giugno 2016 è emerso che: I) le camere mortuarie, scavate direttamente nella roccia calcarenitica, si possono suddividere in superficiali (profondità maggiore di 2 m e comprendenti un dromos di accesso) e profonde (profondità maggiore di 5 m e di dimensioni maggiori rispetto alle prime); II) il metodo GPR permette un'elevata risoluzione delle strutture nascoste a scapito della profondità di investigazione, inoltre è affetto da disturbo proveniente da artefatti antropici posti in superficie; III) il metodo resistivo adottato permette esplorazioni profonde e risulta molto potente nella localizzazione delle cavità sepolte; IV) le strutture archeologiche nel sottosuolo producono sulla superficie topografica delle forme ben riconoscibili per il diverso contenuto in umidità rispetto all'intorno, di ausilio quindi al presente studio è stata l’analisi delle immagini da satellite di Google Earth; V) l'approccio di lavoro che ha combinato le due diverse metodologie sia tra loro sia con le immagini digitali risulta molto vantaggioso ai fini della presente ricerca.
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Lovergne, Edwige. "Le mobilier funéraire des nécropoles hellénistiques d'Etrurie méridionale : Musarna et le territoire de Tarquinia." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H084.

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Cette thèse porte sur l'étude des mobiliers funéraires en Etrurie méridionale à la période hellénistique. Elle se proposait de faire le point sur l'ensemble des données livrées par les nombreuses nécropoles du territoire de Tarquinia, en accordant une attention particulière à l'Étrurie rupestre. En partant de l'étude ponctuelle des nécropoles du site étrusco-romain de Musarna, l'analyse détaillée des mobiliers funéraires, couplée à celle des structures funéraires, a représenté la première étape d'une réflexion à plus grande échelle sur les pratiques et les rituels funéraires attestés dans la région. Au travers de la composition des assemblages funéraires, on a tenté d'identifier des éléments pouvant permettre de mieux comprendre les coutumes funéraires et leur évolution entre la fin du IV" siècle av. J.-C. et le début du 1°' siècle av. J.-C., période chronologique caractérisée par le phénomène de conquête et de « romanisation » des territoires étrusques, jusqu'à l'intégration complète des grandes métropoles dans l'État romain. Par le biais des éléments mis en évidence, on a cherché à apporter des réponses à une série de questions relatives à plusieurs aspects du monde funéraire, en relation directe avec le contexte historique : statut des défunts, spécificité sexuelle, valeur matérielle ou symbolique des dépôts. L'étude de chaque déposition a permis de mettre en évidence plusieurs aspects de la gestualité qui se déroule autour de la mort du défunt au sein de ce grand groupe culturel, et leur évolution au cours des différentes époques considérées<br>This thesis deals with the study of funerary set in Southern Etruria during the Hellenistic period based on a systematic gathering of all the data supplied by the numerous necropolis of the territory of Tarquinia, with particular attention to the « Etruria rupestre ». The detailed analysis of funerary set, coupled with that of funerary structures of the Etruscan-Roman site of Musarna, was the first step in a larger-scale reflection on the funeral and rituals practices attested in this region. Through the composition of the funerary assemblages, attempts have been made to identify elements that can better illustrate funerary customs and their evolution between the end of the 4th century BC. and the beginning of the 1st century BC., a chronological period characterized by the gradual conquest and colonization of the Etruscan territories, until the complete integration of the great metropolises in the Roman state. Through the elements highlighted, an attempt was made to answer a series of questions concerning several aspects of the funerary world directly related to the historical context: the status of the deceased, the gender specificity, the material or symbolic value of the deposits. The study of each deposition made it possible to highlight several aspects of the gestuality that takes place around the death of the deceased within this great cultural group, and its evolution during the different periods considered
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Toms, Judith. "Some aspects of the Villanovan culture of Southern Etruria, with special reference to Tarquinia." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326701.

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Fellie, Maria C. Polo de Bernabé José Manuel. "Antonio Colinas The re-writing of Sepulcro en Tarquinia in Larga carta a Francesca /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2009. http://dc.lib.unc.edu/u?/etd,2245.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2009.<br>Title from electronic title page (viewed Jun. 26, 2009). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Romance Languages Spanish." Discipline: Romance Languages; Department/School: Romance Languages.
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Mengoni, Saverio. "Caratterizzazione e analisi dei processi di instabilità delle tombe etrusche nella necropoli dei Monterozzi a Tarquinia." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/17605/.

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La tematica al centro della tesi è il monitoraggio e la valutazione della stabilità del versante roccioso in cui si colloca la tomba dei Vasi Dipinti, facente parte della necropoli dei Monterozzi di Tarquinia e la proposta preliminare di interventi a basso impatto per la conservazione del sito. Le attività svolte sono riportate di seguito: inquadramento geografico, storico ed archeologico della necropoli della tomba dei Vasi Dipinti; inquadramento geologico; inquadramento geomorfologico, sviluppato interpretando le carte tematiche riguardanti la zona di interesse, comprese quelle del progetto IFFI (Inventario dei Fenomeni Franosi in Italia); inquadramento sismico dell’area, condotto a partire dai dati forniti dall’INGV per il comune di Tarquinia; inquadramento meteo-climatico del comune di Tarquinia; inquadramento topografico attraverso: acquisizioni TLS (Terrestrial Laser Scanner), fotogrammetria digitale, rilievo topografico tramite stazione totale e georeferenziazione tramite GPS; monitoraggio deformo-metrico manuale che ha riguardato la progettazione, l’istallazione e la lettura periodica di tre fessurimetri lineari e di sette mire (lette con estensimetro meccanico rimovibile); caratterizzazione fisica e meccanica della roccia in esame tramite prove di laboratorio; caratterizzazione delle discontinuità tramite rilievo in situ; classificazione tecnica dell’ammasso; creazione di un modello geotecnico del sottosuolo; analisi cinematica del versante effettuata tramite il programma Dips®; analisi numerica del versante effettuata tramite il programma Plaxis2D®; elaborazione dei risultati ottenuti e proposte di intervento quali: la regimentazione delle acque meteoriche e il divieto di lavorazione agricola della prima fascia di terreno a contatto con il piede del versante. Le analisi svolte, in particolare l’analisi numerica, hanno permesso di scongiurare fenomeni di instabilità del versante nelle condizioni attuali.
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Weir, Allison Jean. "Footsteps of the dead : iconography of beliefs about the afterlife and evidence for funerary practices in Etruscan Tarquinia." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3649.

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This thesis is a study of Etruscan attitudes to the afterlife, based on analysis of the funerary archaeology, architecture, and iconography of death from the ancient city of Tarquinia. The focus on one settlement allowed for a more precise reconstruction of funerary attitudes; it also avoided the pitfalls of approaching Etruscan civilisation as uniform and homogeneous across its varied city-states; and it made clear when particular beliefs about the afterlife changed or developed. After a general discussion of approaches to the subject in the published literature and of the specific conditions at the site of Tarquinia, it proceeds through a series of case studies chosen from each of the major periods of Etruscan civilisation from the Villanovan to the Hellenistic period. The analysis is based on published excavations and studies, supplemented by fieldwork conducted in Rome and at Tarquinia. The case studies were chosen based on the type of information that they can give about the way the underworld was imagined. No one tomb can be used to illustrate the entire set of beliefs and traditions that occurred at one time. Throughout the course of this study, I focus on the changes and developments of funerary traditions over the nine centuries of Etruscan civilisation at Tarquinia. The main finding to emerge from these studies relates to the long term stability of funerary practices at Tarquinia. As elsewhere in Etruria, there are changes in the scale and design of tombs and in the subjects and manner of their decoration. Yet it is difficult to identify any sudden discontinuities of practice. In a number of cases, it is argued that motifs that are well attested only in later periods can already be seen in the earlier material, while few themes introduced into the repertoire are ever completely lost. Rather, the same motifs are occasionally represented in different form from period to period. Whether the explanation is to be sought in the conservative influence of a small number of ruling families, or in the absence of social revolutions of the kind that characterised some Greek poleis, or in a conscious desire to preserve local, i.e. Tarquinian, traditions and styles, it seems that the history of Etruscan death is –in this case at least –not to be written in terms of dramatic changes so much as of gradual evolution and development. On this basis, a tentative account of the (local) Etruscan underworld is offered as it emerges from material drawn from all the periods studied.
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Léone, Julie. "La céramique à paroi fine de Musarna (Étrurie méridionale) : typologie, production, circulation." Thesis, Aix-Marseille, 2014. http://www.theses.fr/2014AIXM3006.

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La céramique à paroi fine est un groupe de vaisselle romaine parmi les plus représentés sur les sites archéologiques. Un échantillonnage important (environ 25000 fragments) a été mis au jour dans les différents secteurs fouillés de la cité étrusco-romaine de Musarna (territoire de Tarquinia). Son étude a permis d'identifier cinquante-huit formes de vases et de retracer leur évolution technique. Leur comparaison avec le matériel provenant des sites voisins, de l'Étrurie, de toute la péninsule italique, et des territoires conquis a conduit à l'identification de plusieurs zones de production. Divisés en six phases chronologiques, leur datation s'étend entre le dernier tiers du IIe siècle av. J.-C. et le IIe siècle ap. J.-C<br>The Thin-walled ware is one of the most represented class of vessel ceramic found on roman archaeological sites. An important batch (around 25000 shards) has been found in the various areas explored in one of the etrusco-roman cities of Tarquinia's territory: Musarna. The study of that Corpus allowed us to identify fifty-eight forms of vases and to trace their technological evolution. The parallels found with the material coming from others sites in Etruria, in the whole Italy and in the conquered territories have evidenced the existence of several productions areas. The Thin-walled ware from Musarna can be divided in six chronological phases, distributed between the last third of the II century B.C. and the II century A.D
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Brown, D. "Deciphering the language of Etruscan dress : a hierarchical clustering analysis re-tailoring Tarquinian tomb painting." Thesis, University of Liverpool, 2017. http://livrepository.liverpool.ac.uk/3015866/.

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Tarquinian tomb paintings are of an unrivalled artistic and cultural importance. The primary aim of this thesis is to identify and investigate their pictorial forms, language, and structures of painted dress, so as to re-tailor understanding of Tarquinia, its tombs, and its tomb paintings throughout the Archaic and Classical periods of ancient Italy (approx. 6th – 2nd century BC). Tarquinian painted dress is examined by the application of an original methodological approach, which identifies and investigates the structures of painted dress through the application of a hierarchical clustering analysis. Thereby, the thesis emphasises the significant versatility of dress as an investigative tool in the ancient world, and expands its study, and extends its forms of analysis. Methodologically, it innovatively quantifies Tarquinian tomb painting, which contrasts the typical qualitative and anecdotal methods usually applied when dealing with such visual imagery depicted amidst archaeological contexts. The analysis makes use of numerical procedures to divide a group of given units into homogeneous sub-groups, which allow for the visual inspection of an otherwise complex set of data-matrices. This statistically examines painted dress’s relationships to identify groupings of similarity from within a heterogeneous data-matrix. Seeking deeper structures not readily apparent on the surface, or revealed by more traditional modes of analysis, the study facilitates identification of painted dress’s arrangements, and examines their groupings by applying key tenets of contemporary dress theory. Trends of typological regularity, high frequency, but weak associative strength belonging to 6th – 5th century BC painted dress groupings are identified, as are trends of typological irregularity, low frequency, but strong associative strength, identified as belonging to 4th – 3rd/2nd century BC groupings. Thus, this study contributes a hitherto unidentified varying manipulation of non-verbal sartorial communication, which indicates consciously shifting choices, priorities, intentions, and decisions as to the communicative utilization of painted dress from the 6th – 3rd/2nd century BC. Therefore, painted Tarquinian dress is identified as a key form of non-verbal communication that conveys previously overlooked socio-cultural information, but the thesis also repositions tomb painting as a communicative device. Consequently, it provides new insight into Etruscan dress’s and painted tombs’ broader significance amidst wider Etruscan society.
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Books on the topic "Tarquini"

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Mauro, Cristofani, and Palazzo delle esposizioni (Rome, Italy)., eds. La Grande Roma dei Tarquini: Roma, Palazzo delle esposizioni, 12 giugno-30 settembre 1990. "L'Erma" di Bretschneider, 1990.

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Italy) Convegno internazionale di studi sulla storia e l'archeologia dell'Etruria (17th 2009 Orvieto. La grande Roma dei Tarquini: Atti del XVII Convegno internazionale di studi sulla storia e l'archeologia dell'Etruria. Fondazione per il Museo "Claudio Faina", 2010.

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Kuhoff, Wolfgang. La grande Roma dei Tarquini: Die früheste Expansion des römischen Staates im Widerstreit zwischen literarischer Überlieferung und historischer Wahrscheinlichkeit. B. Wissner, 1995.

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Tarquinia. Scipioni, 2000.

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Cataldi, Maria. Tarquinia. Quasar, 1993.

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Pallottino, Paola. Tarquinio Sini. Ilisso, 1998.

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Commissione nazionale italiana per l'Unesco, ed. Tarquinia: Le necropoli. Istituto poligrafico e Zecca dello Stato, Libreria dello Stato, 2006.

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Cicerchia, Pietro. Tarquinia borgo medioevale. Istituto poligrafico e Zecca dello Stato, Libreria dello Stato, 1990.

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Maria, Bonghi Jovino, ed. Gli Etruschi di Tarquinia. Panini, 1986.

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Tarquinia: An Etruscan city. Duckworth, 2004.

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Book chapters on the topic "Tarquini"

1

Betti, Maddalena. "Papa Giovanni VIII e l’aristocrazia romana. La fuga dei “Tarquini”, aprile 876." In I Longobardi a Venezia. Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.hama-eb.5.118874.

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Steinheuer, Joachim. "Tarquinio Merula." In Barockmusikführer. J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-99520-9_72.

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Wild, Gerhard. "Quental, Antero Tarquínio de." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13728-1.

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Wild, Gerhard. "Quental, Antero Tarquínio de: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13729-1.

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Stocker, Barry. "Tarquinius and Brutus: Political Fear and Trembling." In Kierkegaard on Politics. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137372321_2.

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Mastrocinque, Attilio. "Tarquin the Superb and the Proclamation of the Roman Republic." In A Companion to Livy. John Wiley & Sons, Inc, 2014. http://dx.doi.org/10.1002/9781118339015.ch23.

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Brüggen, Elke. "Geschlecht, Herrschaft, Macht. Lucretia in der Tarquinius-Erzählung der Kaiserchronik." In Heroinnen und Heldinnen in Geschichte, Kunst und Literatur. V&R unipress, 2022. http://dx.doi.org/10.14220/9783737014038.87.

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Spizzichino, Daniele, Gabriele Leoni, Paolo M. Guarino, et al. "Slope Instability Induced by Climate Changes on the UNESCO Etruscan Necropolis of Monterozzi (Tarquinia, Italy)." In Springer Geology. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-13810-2_9.

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Iamartino, Giovanni, and Alessandra Manzi. "Mirrors for Princes: Paratexts and Political Stance in Henry Carey’s Translations of Romulo and Il Tarquinio Superbo by Virgilio Malvezzi." In Thresholds of Translation. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-72772-1_9.

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"Tarquinia." In Encyclopedic Dictionary of Archaeology. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58292-0_200119.

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Conference papers on the topic "Tarquini"

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Mura, F., A. Cirigliano, D. Maras, and T. Rinaldi. "Analysis of moonmilk nanofibers in the etruscan tombs of Tarquinia." In THE 1ST INTERNATIONAL CONFERENCE ON INNOVATIONS FOR COMPUTING, ENGINEERING AND MATERIALS, 2021: ICEM, 2021. AIP Publishing, 2021. http://dx.doi.org/10.1063/5.0068804.

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Guzman, Pablo. "TEMPORAL AND SPATIAL ANALYSIS OF RECHARGE IN THE INTER-ANDEAN CATCHMENT OF TARQUI (ECUADOR)." In GSA Annual Meeting in Indianapolis, Indiana, USA - 2018. Geological Society of America, 2018. http://dx.doi.org/10.1130/abs/2018am-315785.

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Lojano, Paul, Javier Cabrera, Angel Lojano, Diego Morales, and Daniel Icaza. "Voltage Data Collection using Arduino and Matlab of a Photovoltaic Wind Power System in the Locality of Tarqui the Cuenca Ecuador." In 2019 8th International Conference on Renewable Energy Research and Applications (ICRERA). IEEE, 2019. http://dx.doi.org/10.1109/icrera47325.2019.8997035.

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Escobar, Julia, Victor Cerda, and Andrea Tapuy. "Evaluation of the operation parameters and the process quality of the obtaining of granulated panela in the parish of Tarqui, in the panela industry “El Valle”." In MOL2NET 2018, International Conference on Multidisciplinary Sciences, 4th edition. MDPI, 2018. http://dx.doi.org/10.3390/mol2net-04-06103.

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