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Relevant bibliographies by topics / Tartini, Giuseppe, 1692-1770

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Journal articles
Dissertations / Theses

Academic literature on the topic 'Tartini, Giuseppe, 1692-1770'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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Journal articles on the topic "Tartini, Giuseppe, 1692-1770"

1

Molin, G., G. Salviulo, and P. Guerriero. "A Crystal-Chemical Study of Remains found in the Tomb of Giuseppe Tartini (1692-1770)." Archaeometry 44, no. 1 (2002): 107–16. http://dx.doi.org/10.1111/1475-4754.00046.

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WALLS, PETER. "GIUSEPPE TARTINI (1692–1770) SONATE A VIOLINO SOLO; ARIA DEL TASSO Chiara Banchini (violin), Patrizia Bovi (soprano) Zig-Zag Territoires, ZZT080502, 2006/2007; one disc, 69 minutes - GIUSEPPE TARTINI (1692–1770), FRANCESCO MARIA VERACINI (1690–1768) THE DEVIL'S TRILL: SONATAS BY GIUSEPPE TARTINI [AND FRANCESCO MARIA VERACINI] Rodolfo Richter (violin), Susanne Heinrich (viola da gamba), Silas Standage (harpsichord), William Carter (archlute, baroque guitar) / Palladians Linn, CKD 292, 2008; one disc, 61 minutes." Eighteenth Century Music 7, no. 2 (2010): 314–16. http://dx.doi.org/10.1017/s1478570610000230.

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3

Angus, Bill. "Going down to the crossroads: popular music and transformative magic." Popular Music 39, no. 2 (2020): 257–69. http://dx.doi.org/10.1017/s0261143020000379.

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Abstract:

If there is a single narrative that captures the modern understanding of transformative crossroads magic it is the spurious fable of the selling of Robert Johnson's soul. When, in the palaeoanthropology of 20th century rock and roll music, the biographers of the short-lived blues legend claimed that he had been down to the Dockery Plantation crossroads at midnight to sell his soul to the Devil in exchange for guitar skills, they were perhaps unwitting witnesses to the deep history of myth and ritual that has long been associated with the transformative space of the crossroads. They were not lacking in foresight, however, about the way in which such a claim would enhance their subject's credibility. The value of such a sulphurous reputation for a musician is not merely a recent phenomenon but also has historical precedents. A hundred years before Johnson (who lived 1911–1938), the guitarist and violinist Niccolo Paganini (1782–1840) was considered such a suspiciously devilish virtuoso that his audiences were reputed to cross themselves before his concerts in hope of protection from subtle demonic influence. One audience member even fled a concert after reporting seeing the Devil himself aiding Paganini's performance. Going a little further back, Giuseppe Tartini (1692–1770) explained of his best-known sonata, The Devil's Trill (1713), that he had ‘written down the piece after waking from a particularly vivid dream of the Devil playing a violin with ferocious virtuosity’, and claimed that it was ‘but a shadow of what he had witnessed in the dream, for he was unable to capture on the page the Devil's full intensity’. His long career was certainly not harmed by this youthful excursion into Hell.

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4

CROSS, ERIC. "FRANCESCO NAVARA (fl. 1695–1699), COMPOSER X (fl. c1695), GIOVANNI LEGRENZI (1626–1690), TOMASO ALBINONI (1671–1751), GIUSEPPE VALENTINI (c1680–c1760), ANTONIO VIVALDI (1678–1741) THE RISE OF THE NORTH ITALIAN VIOLIN CONCERTO, 1690–1740 VOLUME 1. THE DAWN OF THE VIRTUOSO Adrian Chandler (violin), Mhairi Lawson (soprano)/La Serenissima/Adrian Chandler Avie AV2106, 2006; one disc, 78 minutes - ANTONIO VIVALDI (1678–1741) THE RISE OF THE NORTH ITALIAN VIOLIN CONCERTO, 1690–1740 VOLUME 2. ANTONIO VIVALDI: VIRTUOSO IMPRESARIO Adrian Chandler (violin), Mhairi Lawson (soprano), Sarah McMahon (violoncello), Gareth Deats (violoncello)/ La Serenissima/Adrian Chandler Avie AV2128, 2007; one disc, 77 minutes - ANTONIO VIVALDI (1678–1741), PIETRO LOCATELLI (1695–1764), GIOVANNI BATTISTA SAMMARTINI (1700/1701–1775), GIUSEPPE TARTINI (1692–1770) THE RISE OF THE NORTH ITALIAN VIOLIN CONCERTO, 1690–1740 VOLUME 3. THE GOLDEN AGE Adrian Chandler (violin)/La Serenissima/Adrian Chandler Avie AV2154, 2008; one disc, 80 minutes." Eighteenth Century Music 6, no. 2 (2009): 296–99. http://dx.doi.org/10.1017/s1478570609990121.

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Dissertations / Theses on the topic "Tartini, Giuseppe, 1692-1770"

1

Wallace, Susan Murphree. "The Devil's trill sonata, Tartini and his teachings." 2003. http://wwwlib.umi.com/cr/utexas/fullcit?p3119653.

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2

Tartini, Giuseppe 1692-1770. "Six concertos for violin and string orchestra, 1733." 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armb949.pdf.

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3

Kwon, Yongsun 1974. "Structure and technique of the variation genre in selected violin sonatas of Corelli, Locatelli and Tartini." Thesis, 2006. http://hdl.handle.net/2152/12983.

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Kwon, Yongsun. "Structure and technique of the variation genre in selected violin sonatas of Corelli, Locatelli and Tartini." Thesis, 2006. http://hdl.handle.net/2152/2922.

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