Academic literature on the topic 'Tastemaking'

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Journal articles on the topic "Tastemaking"

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Branciforte, Joshua. "Pope’s Perversity: Tastemaking in Liberal Culture." Modern Language Quarterly 80, no. 3 (2019): 261–86. http://dx.doi.org/10.1215/00267929-7569611.

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Abstract Alexander Pope envisioned his poetry as conducive to a social order shaped and guided by taste. However, unlike later arbiters of taste who sought to project idealized norms, Pope used techniques that were oppositional, individualized, materialist, and perverse. His aesthetic strategies aimed at achieving homogeneity across diverse populations without normative prescriptions. Pope drew on the skeptical notion of the “ruling passion” to model his understanding of taste as a social process. Construed solely as a model of personality, his theory is frequently dismissed; read as a model f
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Blizzard, Mónica García. "Review: Tastemakers and Tastemaking: Mexico and Curated Screen Violence, by Niamh Thornton." Mexican Studies/Estudios Mexicanos 38, no. 1 (2022): 200–203. http://dx.doi.org/10.1525/msem.2022.38.1.200.

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Schulze, Joshua. "The Oil Paintings in the Department Store: The Robe and Racialized Tastemaking in 1950s Detroit." American Quarterly 76, no. 2 (2024): 165–87. http://dx.doi.org/10.1353/aq.2024.a929162.

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Abstract: This essay examines the promotion of Twentieth Century–Fox’s production of The Robe (1953)—which exhibited Dean Cornwell’s oil paintings in local department stores in Detroit—in relation to the city’s sociocultural context and racial tensions. It argues that ongoing issues in the city such as property ownership, racialized topographical boundaries, and class aspiration can be traced across Detroit’s film culture in the postwar period, particularly in the burgeoning middlebrow culture of materialistic consumption. The promotional campaign’s use of art exhibitions in department stores
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Herron, Adam. "‘A contemptible movie now showing in Times Square’: Cultural distinctions, space and taste in the exhibition of Snuff at the National Theatre." Horror Studies 11, no. 2 (2020): 169–85. http://dx.doi.org/10.1386/host_00017_1.

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This article considers the urban landscape of New York City’s theatre district in the 1970s and how its identity as a contested space provides insight into key cultural shifts, including changes to the regulation of media, variance and convergence between industrial practices in the film industry, and discursive struggles between culture and capital. With many of the city’s luxurious picture palaces converted into movie theatres with cheaper ticket prices and more genre fare in the wake of the Great Depression, critics sought to contain ‘low’ media such as horror and pornography to prevent the
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Barna, Emilia. "“The perfect guide in a crowded musical landscape:” Online music platforms and curatorship." First Monday 22, no. 4 (2017). http://dx.doi.org/10.5210/fm.v22i4.6914.

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Curatorship or curation has become a widely used term in music industry and popular music discourse recently, used not only in a museum or exhibition context, but also in connection with music festivals, and increasingly, playlists and other functions related to online music platforms. Through a case study of 22tracks, an online, playlist-based music discovery service currently based in four European cities, I look at the role and position of the music curator, and provide a critical analysis of the dominant discourses around music curation. I place the discourse of music curation into a conte
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Dissertations / Theses on the topic "Tastemaking"

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Elliott, Fraser. "The circulation of Chinese cinemas in the UK : studies in taste, tastemaking and film cultures." Thesis, University of Manchester, 2018. https://www.research.manchester.ac.uk/portal/en/theses/the-circulation-of-chinese-cinemas-in-the-uk-studies-in-taste-tastemaking-and-film-cultures(d4745fd7-a5bb-4168-967e-17c2399df962).html.

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This thesis has two interrelated research objectives. First, to understand the circulation of Chinese cinema in Britain through the cultural authorities and gatekeepers responsible for the canonisation of international film. Second, to use Chinese-language films as case studies through which to deconstruct and better understand the mechanisms that make up British film cultures and their tastemaking practices. English-language Chinese film studies has long been preoccupied with the semantic issue of how to define such a loaded and diverse concept as “Chinese cinema”, with investigations g
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Books on the topic "Tastemaking"

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Thornton, Niamh. Tastemakers and Tastemaking. State University of New York Press, 2021.

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Tastemakers and Tastemaking Hb. State University of New York Press, 2020.

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Dane, Alexandra. White Literary Taste Production in Contemporary Book Culture. Cambridge University Press, 2023.

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Dane, Alexandra. White Literary Taste Production in Contemporary Book Culture. Cambridge University Press, 2023.

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Book chapters on the topic "Tastemaking"

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Woollett, Phil. "Transactions in Taste: An Examination of a Potential Tastemaking Landscape Within Kent’s Blues Club Scene and the Conception of a Local Taste Accent." In Popular Music Scenes. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-08615-1_8.

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"Tastemakers and Tastemaking." In Tastemakers and Tastemaking. SUNY Press, 2020. http://dx.doi.org/10.1515/9781438481142-003.

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"Clothing, News, and Tastemaking." In Communicating Fashion. Bloomsbury Visual Arts, 2021. http://dx.doi.org/10.5040/9781350112278.ch-005.

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"Front Matter." In Tastemakers and Tastemaking. SUNY Press, 2020. http://dx.doi.org/10.1515/9781438481142-fm.

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"Commonplace and Routine." In Tastemakers and Tastemaking. SUNY Press, 2020. http://dx.doi.org/10.1515/9781438481142-005.

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"Contents." In Tastemakers and Tastemaking. SUNY Press, 2020. http://dx.doi.org/10.1515/9781438481142-toc.

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"Reversioning and Thick Contexts." In Tastemakers and Tastemaking. SUNY Press, 2020. http://dx.doi.org/10.1515/9781438481142-006.

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"Curating Cruelty and Criminality." In Tastemakers and Tastemaking. SUNY Press, 2020. http://dx.doi.org/10.1515/9781438481142-008.

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"Illustrations." In Tastemakers and Tastemaking. SUNY Press, 2020. http://dx.doi.org/10.1515/9781438481142-001.

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"Filmography." In Tastemakers and Tastemaking. SUNY Press, 2020. http://dx.doi.org/10.1515/9781438481142-010.

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Conference papers on the topic "Tastemaking"

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Lzicar, Robert, and Amanda Unger. "Designer of the Canon: A Case Study of Swiss Graphic Design Historiography and Tastemaking." In 9th Conference of the International Committee for Design History and Design Studies. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0006.

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