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Relevant bibliographies by topics / Tatar Folk songs

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Journal articles

Academic literature on the topic 'Tatar Folk songs'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "Tatar Folk songs"

1

Lobkov, Aleksandr E. "An Episode from the History of Crimean Musical Folklore: a Collection of Crimean Tatar Songs by N. Borovko and M. Krasev." Golden Horde Review 11, no. 1 (2023): 123–42. http://dx.doi.org/10.22378/2313-6197.2023-11-1.123-142.

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Research objectives: To outline the activities of Nina Borovko-Langlet as a collector and performer of folk songs of the Crimean Tatars and to introduce into scientific use a collection of Crimean Tatar songs and dances, prepared by her in collaboration with the composer M.I. Krasev. Research materials: The collection of Nina Borovko and Mikhail Krasev “Crimean Tatar Songs,” published in Stockholm in 1925, and little-known Russian and foreign journal articles served as additional material. As comparative material, the publications of Crimean folklore texts of the 1920s and 1930s were used. Res

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2

Мухаметзянова, Л. Х., and К. М. Миннуллин. "Hushavaz as a kind of lyro-epic folklore of the Tatars." Эпосоведение, no. 1(17) (March 28, 2020): 61–69. http://dx.doi.org/10.25587/svfu.2020.17.58366.

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Статья посвящается изучению некоторых теоретических и практических вопросов по татарскому фольклору, охватывает тему сбора образцов песенного наследия татар, проживающих в разных уголках России. Данная разновидность татарских народных песен на сегодняшний день одна из малоизученных областей в фольклористике. Хушавазы, своими корнями простирающиеся в глубь веков в истории существования музыкальной фольклорной традиции татар, и сегодня находят свое активное бытование в народной среде. Целью исследования является акцентирование внимания на хушавазах, как специфичном лиро-эпическом народно-песенно

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3

Humeniuk, Olha. "The Poetics of Folk Love Songs of the Crimean Tatars." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 54, no. 1 (2022): 239–52. http://dx.doi.org/10.36770/bp.678.

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The author of the article investigates the poetics, genre, and style structure of the folk love songs of the Crimean Tatars. Based on the works by such folklorists as Oleksiy Olesnytsky, Asan Refatov, Yahya Sherfedinov, Fevzi Aliyev, Ilyas Bakhshysh and others, but primarily on authentic texts, she allocates two main genres of folk lyrics of the Crimean Tatars, in which love motifs dominate. The most ancient is maqam. Characteristic of these lyrical compositions, a deep dramatic quality dictates a special emotional expressiveness. It is clearly shown with the help of exquisite figuration, such

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4

Mambetova, G. R. "Structural analysis of the Crimean Tatar folk lyrical songs." Искусство и образование, no. 6 (2022): 66–72. http://dx.doi.org/10.51631/2072-0432_2022_140_6_66.

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5

Saidasheva, Zemfira N. "Tatar Ethnomusicology: Development Prospects." ICONI, no. 2 (2019): 68–77. http://dx.doi.org/10.33779/2658-4824.2019.2.068-077.

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In the Russian musical culture the term “musical ethnography” as the name of science has appeared at the turn of the 19th and 20th centuries. In the Soviet period, when the politicization of art began to take place, the term “musical folklore” became established. The scientifi c thought about the Tatar folk musical creativity developed within the framework of “musical folklore”. In studies of the pitch and temporal structure of Tatar folk songs, a formal (abstract) approach dominated. Consideration of them in the context of other disciplines became possible only in the post-totalitarian period

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6

Цзинь, В. "Status quo and analysis of Tatar musical culture in Xinjiang, China." Historical bulletin 7, no. 2 (2024): 48–52. http://dx.doi.org/10.58224/2658-5685-2024-7-2-48-52.

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история татар, мигрирующих в Китай, насчитывает всего более ста лет. После переселения татар в Китай они принесли с собой различные культуры, которые повлияли на традиционную национальную культуру Китая и обогатили китайскую культуру. Среди них ещё большее распространение получила татарская музыкальная культура. Татарская музыкальная культура – важная часть татарской национальной культуры, она является основой распространения и развития татарской песни и танца. Татарские песни и танцы незаменимы на любом празднике в Синьцзян-Уйгурском автономном районе Китая. Из-за уникальности татарской музык

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7

Khalilaeva, Sabina Nazimovna. "Toponymicon of the Crimean Tatar Folk Songs: Thematic and Word-Formative Aspects." Filologičeskie nauki. Voprosy teorii i praktiki, no. 1 (January 2021): 53–57. http://dx.doi.org/10.30853/phil201013.

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8

Absemieva, L. S. "Functioning of space objects in the Crimeantatar language." Язык и текст 6, no. 1 (2019): 122–25. http://dx.doi.org/10.17759/langt.2019060120.

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The subject of the analysis in the article are the words related to the names of space objects in the Crimean Tatar language. Cosmodome and astronomy are onomastic space, providing a unique layer of vocabulary of the Crimean Tatar language. Comanime ‒ name universe, the moon, the sun and other cosmic objects, research is called cosmania. Names of space objects are often found in the Crimean Tatar folklore, folk songs, poetry. The young branch of onomastics of the Crimean Tatar language is practically not studied. This article investigates and groups space objects, which are extracted by the me

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9

Velieva, Sevilya S. "Musical instruments of the Crimean Tatars in the collection of the Bakhchisarai Museum-Reserve." Crimean Historical Review 10, no. 1 (2023): 147–61. http://dx.doi.org/10.22378/kio.2023.1.147-161.

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The article gives a detailed descripton of the musical instruments of the Crimean Tatars, which are presented in the collection of the Bakhchisarai Museum-Reserve and are interesting for studying musical culture in general. The history of formation of the collection of musical instruments is connected with the creation of the Museum of Turkic-Tatar Culture in Bakhchisarai. In the 1920s and 30s, the staff of the institution collected a large number of antiquities, including musical instruments. In scientific works devoted to the music of the Crimean Tatar people, researchers mainly paid attenti

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10

Khabibullina, Flera Yakhyatovna, and Iraida Gennadievna Ivanova. "Astyonyms in the songwriting of Mari and Tatars." Philology. Issues of Theory and Practice 16, no. 11 (2023): 4006–12. http://dx.doi.org/10.30853/phil20230610.

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Toponyms as the most important component of geography are a kind of link between a person and a geographical object, indicating its geolocation. They represent a source of information accumulated over a long period of the existence of an ethnic group and the associated traditional culture reflected in the songwriting of the people. The aim of the study is to describe astyonyms and their functioning in Tatar and Mari songs. The scientific novelty is accounted for by gaps in knowledge in the research on this issue in modern regional linguistics. The paper is the first to determine the general th

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