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Journal articles on the topic 'Tatar Painting'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Janonienė, Rūta. "Apie oberbombardyro Vaitiekaus Ivaškevičiaus 1791 m. Vilniaus piešinį." XVIII amžiaus studijos T. 6: Personalijos. Idėjos. Refleksijos, T. 6 (January 2, 2020): 323–34. http://dx.doi.org/10.33918/23516968-006015.

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ABOUT THE 1791 PICTURE OF VILNIUS BY OBERBOMBARDIER WOJCIECH IWASZKIEWICZ The article discusses a watercolour painting from a private collection authored by Wojciech Iwaszkiewicz, artillery ober-bombardier of the Grand Duchy of Lithuania. In the background of the urban landscape are objects that allow easy identification of the capital of Lithuania: partly ruined Upper Castle and the Bekesh Hill. Other objects and figures are identifiable by the inscriptions on the other side of the painting. Particularly interesting is the first plan of the drawing, which depicts the Tatar Gates and a few woo

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ЛОБКОВ, Александр Евгеньевич. "Крымский период творчества Н.С. Самокиша: история сотрудничества художника с Алупкинским дворцом-музеем". Причерноморье. История, политика, культура Серия Б : Новая и Новейшая история, XXVIII (XIII) (2019): 29–46. https://doi.org/10.5281/zenodo.3475982.

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<em>В статье изучена история сотрудничества академика батальной живописи Н.С. Самокиша с Алупкинским дворцом-музеем в 20–30-е годы ХХ века. С директором музея Я.П. Бирзгалом художника связывали многолетние дружеские связи. По заказу музея Н.С.</em> <em>Самокиш выполнил ряд больших картин на крымские исторические сюжеты XVII, XVIII и XX столетий, а также три акварели на пушкинскую тему. Особое внимание уделено разработке татарской темы в творчестве художника в контексте проводимой советской властью национальной политики. Автор приходит к выводу, что после депортации крымски

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Kovalchuk, Igor. "The development of the Ukrainian icon during the fourteenth and nineteenth centuries." Ukrainian Religious Studies, no. 76 (December 1, 2015): 91–108. http://dx.doi.org/10.32420/2015.76.600.

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There are very few monuments of icon art of the 13th-15th centuries, but they give a great opportunity to learn a lot about the state of the Ukrainian Church of that time, about the strengthening of faith, and also about the stylistic quest for Ukrainian artists. The development of the iconography of those centuries in Ukraine marked the Tatar-Mongol invasion. When a person or a whole nation falls into a difficult situation, faith in God grows, spirituality rises. Monuments of culture of the XIII-XV centuries record especially jealous hope in God, the strengthening of the religiosity of differ

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Tikhomirov, K. N., and M. N. Tikhomirova. "New Data on Pottery of the Modern Period and Contemporary History from Tatar Settlements of the North of the Omsk Irtysh Region." Problems of Archaeology, Ethnography, Anthropology of Siberia and Neighboring Territories 30 (2024): 787–94. https://doi.org/10.17746/2658-6193.2024.30.0787-0794.

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The article is based on field archaeological materials obtained during the study of cultural layers of the existing settlements in the Ust-Ishim district of the Omsk Region. It examines pottery collections from the village of Ashevany and the village of UstIshim. The materials are divided into pottery (coarse) ceramics (molded and easel), and two types of fine pottery. The total number of coarse (pottery) ceramics is 17 items, while fine pottery is represented by 53 items. The most valuable finds are described. They basically belong to the first type of fine ceramics. This is a type of low-qua

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Shishka, Evgeniy A. "Visual image of the Mongols in the Battle of Legnica in visual monuments of the 14th–15th centuries." Issues of Museology 12, no. 2 (2021): 222–37. http://dx.doi.org/10.21638/spbu27.2021.206.

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The Western campaign of the Mongols in Eastern and Central Europe in 1236–1242, led by Batu and the military commander Subedei, has long been imprinted in the memory of contemporaries and descendants. The central place in the historical literary and visual monuments of the Late Middle Ages was occupied by the Battle of Legnica — a battle between the Polish-German army and the Mongols on April 9, 1241. This article examines the image of the Mongols in book min-iatures of the Shlakenwerter Codex, presented in the Getty Museum (USA), on an altar painting created in the 30–40s. The 15th century is

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ТУАЛЛАГОВ, А. А., and А. А. ТУАЛЛАГОВА. "ON THE HISTORY OF BUILDING OF THE SUNNI MOSQUE IN VLADIKAVKAZ." Известия СОИГСИ, no. 51(90) (March 22, 2024): 25–47. http://dx.doi.org/10.46698/vnc.2024.90.51.009.

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История создания одного из красивейших памятников архитектуры Владикавказа – Суннитской мечети – до сих пор не получила своего исчерпывающего освещения. Представлены не только различные ее аспекты, но сохраняются частные вопросы к конкретным деталям строительства. Данное положение определяет актуальность рассматриваемой проблемы. Научная новизна работы заключается в привлечении к анализу ряда оригинальных источников, в том числе вводимых в научный оборот впервые. Соответственно целью исследования является реконструкция строительного этапа создания мечети на основе рассмотрения всего выявленног

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Zhilina, Natalia. "Decorative Art of Rus’ from the Assimilation of Byzantine Influence to the Global Catastrophe of the Invasion: the 11th — the first third of the 13th century." Stratum plus. Archaeology and Cultural Anthropology, no. 5 (October 30, 2024): 309–27. http://dx.doi.org/10.55086/sp245309327.

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The studied period was mainly peaceful and creative in the history of Rus'. After the Baptism of Rus', the creation of the Christian art began under the Byzantine influence. Then progressive development of artistic crafts and decorative arts was underway which was brutally interrupted by the Tatar-Mongol invasion. An interpretation of the development of Russian decorative art from the end of the 11th to the first third of the 13th century is proposed based on the method of stylistic analysis of the works of various types of decorative and fine arts, clarification of the dating of archaeologica

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SOLCANU, Ion I. "THREE INITIATIVES TO RECOVER THE NATIONAL CULTURAL HERITAGE AND HISTORY DURING THE REIGN OF ALECSANDRU IOAN CUZA." Annals of the Academy of Romanian Scientists Series on History and Archaeology 12, no. 1 (2020): 5–29. http://dx.doi.org/10.56082/annalsarscihist.2020.1.5.

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The new social context after the 1859 Union of the Principalities saw an increase in the interest to recover the national history and the Romanian cultural heritage. Alongside the private attempts made by some passionate collectors (General Nicolae Mavros, Ban Mihalache Ghica, Major D. Papazoglu, etc.) the Wallachian and Moldavian Governments initiated several actions in an attempt to recover the national patrimony. The movement was all the more legitimate due to the criminal carelessness of the Greek hegumens in the dedicated monasteries in obedience to the Greek Church whose main preoccupati

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Khrystan, Nazarii. "History as an Image: Ecranisation of King Danylo Romanovych." Науковий вісник Чернівецького національного університету імені Юрія Федьковича. Історія 2, no. 46 (2017): 48–56. http://dx.doi.org/10.31861/hj2017.46.48-56.

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The formation of the Soviet image of the past in the context of the doctrine of «our great ancestors» was extended not only to historiography, fiction and journalism. A special place was occupied by cinema. The Bolsheviks were very early realized the tremendous role of cinema as a means of influencing mass culture. With the help of cinema, the party leadership sought to form a «true» view of reality, thereby educating people in the spirit of «communism and internationalism». Founded in the early 30’s oftheXX century. the genre of historical cinema, became the basis of all Soviet cinema. Reject

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ILYASOVA, RAZILYA. "ILDAR ZARIPOV'S ART AND STYLE DEVELOPMENT (1939-2012)." Культурный код, no. 2023-4 (2023): 61–72. http://dx.doi.org/10.36945/2658-3852-2023-4-61-72.

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The article examines the stylistic evolution of the Tatar national artist Ildar Zaripov in the late Soviet period (1960-1980s). A characteristic is given to his work, where special attention is paid to the early stage. For the first time, an analysis is made of previously unknown paintings by the artist. His inclination to the traditions of the Russian avant-garde during the formation of Ildar Zaripov is revealed. It is concluded that stylistic collisions were a natural and necessary stage for the formation of the artist's individual style.

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Хмельницька, Людмила, Валентина Молоткіна, and Наталія Новородовська. "THE FIGURE OF ARCHIP QUINDZHI IN THE CONTEXT OF STUDYING THE PHENOMENON OF DECOLONIZATION OF UKRAINIAN CULTURE IN THE CONTEXT OF DEPRIVATION OF ITS IMPERIAL HERITAGE IN THE WWU." Український літопис, no. 4 (January 17, 2025): 144–50. https://doi.org/10.31470/2786-8583-2024-4-144-150.

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The article defines the content of the phenomenon of “decolonization” in the context of depriving Ukrainian culture of its imperial heritage in the form of falsified cultural narratives as a tool of influence on post-Soviet society. In particular, the authors examine this process from the perspective of forming the concepts of national identity in the younger generation of Ukrainians by studying the creative heritage of individual Ukrainian artists of previous centuries in higher education institutions in order to destroy the chauvinistic myths of Russian ideology.The authors' research interes

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Chikhladze, Nino. "Images of St Eugenios in Georgia and Cultural and Political Ties with the Empire of Trebizond." Caucasus Journal of Social Sciences 2, no. 1 (2023): 59–70. http://dx.doi.org/10.62343/cjss.2009.19.

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According to Georgian and foreign sources it is believed that TrebizondEmpire was created by the help of Georgian kingdom. Thispolitical event is revealed not only in the literature sources, but alsoin mural painting of Georgian churches. In particular this refers tothe representations of St. Eugenios of Trebizond: the patron of thenewly created empire. The fact is that St Eugenios was never morethan local saint and his representations are very few outside theTrebizond area. That is the reason why the representations of StEugenios in Georgian churches are so important and could be consideredas

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WRIGHT, B. "Review. Modernity and Modernism: French Painting in the Nineteenth Century. Frascina, Francis, Nigel Blake, Briony Fer and Tamar Garb." French Studies 49, no. 2 (1995): 209. http://dx.doi.org/10.1093/fs/49.2.209-a.

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Plomp, Michiel C. "Leonaert Bramer (1596-1674) als ontwerper van decoratie op Delfts aardewerk." Oud Holland - Quarterly for Dutch Art History 113, no. 4 (1999): 197–216. http://dx.doi.org/10.1163/187501799x00373.

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AbstractThe Delft artist Leonaert Bramer (1596-1574) appears to have been intensively involved in the decoration of Delftware. Hitherto four separate examples were known, mostly dating from the 1650s and 1660s (figs.1, 2, 4, 6). The article presents ten (perhaps eleven) new examples of 'Bramer ware' (figs. 8, 9, 11, 13, 15, 17, 19, 21, 23(?), 26; see also note 19) produced between possibly as early as 1630 and 1670. Furthermore, eight of his designs have been found in the archives of the Koninklijke Tichelaar Makkum pottery; the compositions were 'pounced' onto the pottery, i.e. stencilled by

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15

Ramadhanti, Atiqah Suci, and Yasrul Sami. "Perempuan sebagai Simbol dalam Penciptaan Seni Lukis Kontemporer." AHKAM 2, no. 2 (2023): 382–93. http://dx.doi.org/10.58578/ahkam.v2i2.1222.

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The purpose of the creation of this work is as a work of social criticism and messenger because it visualizes the negative behavior received by women in their social life in society in contemporary painting. The method of creating the work uses five stages, namely the preparation stage (observation and exploration), elaboration (searching and collecting references), synthesis (application of main ideas), realization of concepts (making works) and the completion stage (in the form of reports and exhibitions of final works). In creating the artworks, the author used acrylic paint and mixed media

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Almuna, Naili, Anita Chandra Dewi Sagala, and Ratna Wahyu Pusari. "STIMULASI KEMAMPUAN FISIK MOTORIK HALUS ANAK USIA 5-6 TAHUN SELAMA PANDEMI COVID DI LINGKUNGAN KELUARGA." Wawasan Pendidikan 2, no. 2 (2022): 477–84. http://dx.doi.org/10.26877/wp.v2i2.9929.

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Stimulasi kemampuan anak merupakan salah satu hal yang dapat dilakukan sebagai penunjang dari keberhasilan pendidikan adalah dengan cara memahami serta menerapkan metode yang tepat dalam melakukan aktivitas penting yang ditanamkan sejak usia dini karena termasuk keterampilan yang sangat dibutuhkan untuk menunjang masa dewasanya. Stimulasi tersebut biasanya diimplementasikan di lembaga Pendidikan Anak Usia Dini (PAUD) melalui kegiatan pembiasaan, namun selama masa pandemi Covid-19 pemerintah memberlakukan kebijakan pembelajaran sekolah di semua jenjang yang biasanya tatap muka menjadi belajar d

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Darmanto, Seno, Sutanto Sutanto, Sulaiman Sulaiman, and Eko Julianto Sasono. "APLIKASI TEKNOLOGI SEDERHANA DAN PERMESINAN UNTUK MENINGKATKAN KEAHLIAN RENOVASI LAMBUNG PERAHU." J-ABDIPAMAS (Jurnal Pengabdian Kepada Masyarakat) 2, no. 1 (2018): 53. http://dx.doi.org/10.30734/j-abdipamas.v2i1.157.

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ABSTRACTApplications of technology and machinery equipment in service activities are done to complete the renovation and repair of boats or wooden vessels. Development of the infrastructure for members of the fishermen group is currently focused on equipment for the repair and renovation of the boat hull and the maintenance of the driving machine. And for the improvement of the renovation or repair of the boat hull, the service team has compiled a working activity including understanding and deepening of boat or wooden boats, engineering and equipment for renovation and boatbuilding, understan

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Gatina-Shafikova, Dina F. "Images of Tatars by K.F. Huhn in periodicals of the second half of the 19th century." Historical Ethnology 10, no. 2 (2025): 249–65. https://doi.org/10.22378/he.2025-10-2.249-265.

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Since the 18th century, Russia has seen a growing interest in the ethnography and culture of peoples, which was reflected in publications in periodicals. Artists, such as Karl Fyodorovich Huhn (1831–1877), took an active part in the creation of illustrations reflecting the life and traditional costumes of various peoples, including the Tatars. K.F. Huhn, known for his watercolors and engravings, accurately conveyed details of costumes and daily life, which makes his works an important historical source. The master’s works were published in Russian and foreign periodicals, such as the magazines

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PANOV, Serhii, and Natalia KUSHCH. "THE HISTORY OF THE EDUCATIONAL ACTIVITIES OF WILHELM KIESEWETTER IN THE CRIMEA." INNOVATIONS IN THE SCIENTIFIC, TECHNICAL AND SOCIAL ECOSYSTEMS 1, no. 10 (2024): 5–16. https://doi.org/10.56378/spnk20241209.

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The Purpose of the Studyis to theoretically substantiate the significance of the educational activities of the artist and ethnographer Wilhelm Kiesewetter. The Research Methodologyis based on analytical, retrospective, and historical methods.The scientific noveltylies in revealing unknown pages of Wilhelm Kiesewetter's activities in Crimea. Conclusion. An important place in Wilhelm Kiesewetter's research is occupied by the study of migration issues, language, spiritual composition, religiousviews, and the ethnic group of Crimea. He had the opportunity to directly observe the life of the people

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Sevostyanov, D. A., and A. I. Pankina. "On the Identification of Anonymous Artists in Rock Art." Archaeology, Ethnology & Anthropology of Eurasia 53, no. 2 (2025): 63–69. https://doi.org/10.17746/1563-0110.2025.53.2.063-069.

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This article addresses the assessment of anonymous artistry in rock art—something basically different from the attribution of later paintings, where extra-artistic information may help to attribute the work to a specific artist. No such information is normally available in the case of rock art. The most one can expect in that case is to reveal pictures by one and the same creator, or by his imitators. In this study, we used the method of Giovanni Morelli, who proposed to assess artistry on the basis of secondary details reproduced unconsciously. Two examples of such details are discussed in de

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Otarashvili, Ketevan. "Old Tbilisi in the Works of Armenian Artists of XIX-XX Centuries." Near East and Georgia 15 (December 15, 2023): 365–77. http://dx.doi.org/10.32859/neg/15/365-377.

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At the very beginning of the 19th century, after being declared the administrative center of Transcaucasus, Tbilisi became a creative hub. The long-term coexistence of different ethnic groups created a sort of mosaic of traditions and cultures - Multicultural Tbilisi. Before the empire's entry, Armenian painting in Georgia had a long history. Already from the 17th century, there were Armenian artists' families in Tbilisi. The oldest famous family of Hovnathanians has lived in Tbilisi since the 17th century. Later, the families of Bajbeuk-Melikyans, Bayakhchevs, Dilbaryans, Manoyans, Elibekyans

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Nepomniashchy, Andrei. "New Materials for B. N. Zasypkin’s Biography." Materials in Archaeology, History and Ethnography of Tauria, XХVII (December 15, 2022): 711–23. http://dx.doi.org/10.29039/2413-189x.2022.27.711-723.

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This article continues the author’s series of publications on the history of organization and participants of the studies in Eastern culture in the Crimea in the mid-1920s. A page of the expeditionary activities of the team of the Central State Restoration Workshops in the Crimea is revealed. This work was a part of large-scale archaeological and ethnographic expedition for the study of the Crimean Tatar monuments. It was commissioned and funded by the Crimean ASSR and carried out by researchers from the academic centres of the USSR. The article has analysed the participation of Boris Nikolaev

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Jaffe, Shoshana Adler, Kendal Jacobson, Joseph Rodman, et al. "Abstract B134: The art of science: Painting a new image of genomic research in the indigenous communities of the Southwest." Cancer Epidemiology, Biomarkers & Prevention 32, no. 12_Supplement (2023): B134. http://dx.doi.org/10.1158/1538-7755.disp23-b134.

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Abstract Introduction: The Patient Engagement-Cancer Genome Sequencing Research Center (PE-CGS; NCI U2C CA252973) based at the University of New Mexico Comprehensive Cancer Center (UNMCCC) with partners at Mayo Clinic Comprehensive Cancer Center, the Translational Genomics Research Institute, and the Black Hills for American Indian Health Research Center are developing culturally appropriate strategies and methods to address the underrepresentation of American Indians (AIs) in genomic research. Our efforts are directed towards the implementation of tailored cancer prevention, diagnosis, and tr

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Tomalska-Więcek, Joanna. "ICONS, SMUGGLING AND MCDONALDIZATION OF CULTURE." Muzealnictwo 58 (November 2, 2017): 0. http://dx.doi.org/10.5604/01.3001.0010.5025.

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Culture undergoes constant changes. Although today, Poland is an almost ethnically homogenous country, ages ago, the dialogue of cultures took place not only on the borderlines of the First Polish Republic but also in the then capital city of Cracow. In 1390, Slavic Benedictine monks who used Old Church Slavic language settled in the church of the Holy Cross in Krakow. Francis Skaryna (Francysk Skaryna), a pioneer of Belarusian printing and later the founder of the first printing house in Eastern Europe in Vilnius, published the first Cyrillic prints in the world in Cracow and in the early 16t

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Anggalih, Nanda Nini, Asidigisianti Surya Patria, Nova Kristiana, Siti Mutmainah, and Hendro Aryanto. "Pelatihan Kerajinan dari Sampah Botol Plastik untuk Meningkatkan Ketrampilan Remaja di Pelemwatu Menganti Gresik." Bubungan Tinggi: Jurnal Pengabdian Masyarakat 4, no. 2 (2022): 620. http://dx.doi.org/10.20527/btjpm.v4i2.5349.

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Desa Pelemwatu Kecamatan Menganti Kabupaten Gresik banyak berdiri kompleks perumahan karena Kecamatan Menganti letaknya sangat strategis berbatasan langsung dengan wilayah Kota Surabaya. Banyaknya perumahan maka banyak pula sampah yang ditimbulkan terutama plastik. Metode yang digunakan dalam Pengabdian kepada Masyarakat (PkM) adalah memberikan pelatihan keterampilan kerajinan dari limbah plastik di Desa Pelemwatu. Keterampilan kerajinan diberikan kepada warga desa Pelemwatu yang berusia remaja. Target dari kegiatan PKM adalah mengubah mitra atau khalayak sasaran agar memiliki keterampilan den

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Siregar, Jenny Sista, Wisnu Djatmiko, Sitti Nursetiawati, et al. "Contextual Teaching And Learning (CTL) Sejarah Batik Dan Pengembangan Potensi Wirausaha Melalui Praktik Kemitraan Membatik." IKRA-ITH ABDIMAS 8, no. 1 (2024): 173–80. http://dx.doi.org/10.37817/ikra-ithabdimas.v8i1.3184.

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Kegiatan dilakukan dalam bentuk pelatihan soft skill berupa edukasi budaya dan sejarah Batik, serta hard skill keterampilan bagi peserta didik di SMP Negeri 158 Jakarta. Pelatihan keterampilan untukmencapai kompetensi melukis dan melilin kain. Hasil akhir yang ingin dicapai berupa pengenalan produk guna mengembangkan potensi wirausaha berbasis budaya lokal Jakarta.Proses edukasi Pengabdian Kepada Masyarakat mengacu pada Contextual Teacing and Learning (CTL), yakni; a. Siswa terlibat aktif dalam pembelajaran 4 pertemuan tatap muka dan 2 pertemuan daring, b. Siswa diarahkan menemukan dan menghub

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Somhegyi, Zoltán. "Empty Pages and Full Stops: On the Aesthetic Relation between Books and Art." AM Journal of Art and Media Studies, no. 19 (September 15, 2019): 69. http://dx.doi.org/10.25038/am.v0i19.306.

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Books and artworks have a long common history. Written texts, as well as the joy of reading and the act of writing them, appeared in pieces of art from early Antiquity onwards, well before the current form of the book itself was invented. Apart from indicating readers and writers, the book had also become a basic symbol of culture, education, or the attribute of saints. On the other hand, there are many artists who create special books, i.e. special one-copy and one-edition volumes, not only containing the artist’s drawings or paintings but the whole assemblage of the book (and often even the

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კუჭუხიძე, გოჩა. "საზოგადოება „შევარდენი“ როგორც კულტუროლოგიური ფენომენი და გერონტი ქიქოძის ერთი ნაშრომი". Literary Researches 44 (27 листопада 2024): 325–45. https://doi.org/10.62119/lr.44.2024.8245.

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The work provides discussion of Sokol Society (sokol – falcon) established in Czechia by Miroslav Tyrš and Jindřich Fügner and similar public movement named Shevardeni (meaning of this Georgian word is also falcon) established by Giorgi Nikoladze, Giorgi Egnatashvili, Gaioz Berelashvili, Davit Javrishvili, Tamar Nikoladze etc. According to the article, just like Sokol, Shevardeni was not a purely sports society and its purpose was dissemination of the moral-oriented philosophy and original esthetics related to many arts (painting, poetry, choreography, music...), members of the Society wer

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Demetrashvili, Tamar. "IRANIAN "INSIGNIAS" OF THE CHILADZE SATAVADO ACCORDING TO THE 17TH-CENTURY ENGRAVED ICONS OF TKVIRI." Near East and Georgia 14 (December 15, 2022): 408–22. http://dx.doi.org/10.32859/neg/14/408-422.

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In the 1560s, the Chiladzes' Satavado participated in the battles between the central government and local principalities in Western Georgia. It is assumed that the origin of the Satavado dates back to the 15th century. They were vassals of Dadiani. The promotion and the decline of the Satavado were related to socio-political events and were constantly the subject of dispute between Dadiani, Gurieli, and the kings of Imereti. The land of the Chiladzes was called Sajavakho, which was located between Guria and Samegrelo. Their domain was a convenient place for the kings of Imereti to fight and g

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Chorna, Nataliia. "INTANGIBLE CULTURAL HERITAGE AS A TOURIST RESOURCE." Market Infrastructure, no. 59 (2021). http://dx.doi.org/10.32843/infrastruct59-5.

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Despite a complex and often tragic history, the Ukrainian people have inherited from previous generations a powerful array of cultural heritage sites, much of which has survived to the present day. Represented by a tangible and intangible component, cultural heritage in society fulfills the ambitious tasks of forming civic consciousness, a sense of national dignity, patriotism and pride in the glorious historical past. In addition, it is able to successfully implement such tasks as the formation of the tourist image of the territories, by attracting the attention of tourists to increase the de

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Hafiz Sulistio, Dikko, and M. Subur Drajat. "Penggunaan Aplikasi Non – Fungible Token (NFT) oleh Pedagang Pelukis di Kota Bandung." Bandung Conference Series: Public Relations 2, no. 2 (2022). http://dx.doi.org/10.29313/bcspr.v2i2.3310.

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Abstract. The business market in Indonesia, especially those engaged in painting, utilizes e-commerce as a communication activity in the current PPKM era. Various painting products are marketed online and packaged as attractively as possible to attract consumer interest. The level of intense competition and the Covid pandemic requires painting traders to create easy communication activities online. Experiences, motives, communication methods, and the meaning of using NFT in Pak Iin's painting shop are research questions that will be investigated. This research uses qualitative research methods

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McGillivray, Glen. "Nature Transformed: English Landscape Gardens and Theatrum Mundi." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1146.

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IntroductionThe European will to modify the natural world emerged through English landscape design during the eighteenth century. Released from the neo-classical aesthetic dichotomy of the beautiful and the ugly, new categories of the picturesque and the sublime gestured towards an affective relationship to nature. Europeans began to see the world as a picture, the elements of which were composed as though part of a theatrical scene. Quite literally, as I shall discuss below, gardens were “composed with ‘pantomimic’ elements – ruins of castles and towers, rough hewn bridges, Chinese pagodas an

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